Includes: Accident Waiting to Happen * Bride's Lament * Cold Feets * I Am Aldolpho * I Remember Love * Show Off * Toledo Surprise * and more.

    Evan is shy, lonely, and bullied for it―teeming with the irrepressible emotions all too familiar with anyone who's ever been a teenager. After a tragedy strikes, Evan's life suddenly gets turned around, but is it ultimately for the better?

    Each listing includes expert commentary that sets the play in historical and cultural context, plus features on the creators and performers, plot synopses, cast and song lists, production details, backstage anecdotes, and more. Four or five beautifully reproduced photographs from each show--the majority never before published--accompany the text and make the shows leap off the page. Appendices and special features include cast albums, poster artists, revivals, guilty pleasures, Off-Broadway musicals, notable flops, and much more.

    For two jaded middle-aged couples, coming face-to-face with what might have been proves to be a shattering experience. The genius script by Sondheim and Goldman makes a cinematic, nightmarish hallucination of past and present blended together, employing lush era musical theatre pastiche and a deft eye for storytelling to tell not only the story of Ben, Phyllis, Sally and Buddy, but also the story of how the promise of America between the World Wars disintegrated into memory. Considered by many to be one of the best American musicals of all time, and still at the peak of form and craft. Those that saw the original Broadway production in 1971 and the all-star Lincoln Center concert in 1985 remember it as one of the most dazzling and poignant shows ever."A stunning musical…a pastiche so brilliant as to be breathtaking."—New York Daily News"Follies is utterly magnificent."—Women’s Wear DailyStephen Sondheim is the preeminent composer and lyricist of the American musical theatre. His best known works include West Side Story, Gypsy, Sunday in the Park with George, Into the Woods, Company, among others. Mr. Sondheim celebrates his 70th birthday this year.The late James Goldman is best known for his play and screenplay A Lion in Winter and also was the author of Blood, Sweat and Stanley Poole and A Family Affair.

    You’ve never seen anything quite like Caroline, or Change and likely won’t again anytime soon. There’s never a moment that the part-pop, part-opera, part-musical-theater score Jeanine Tesori has conjured up doesn’t ideally match Tony Kushner’s meticulously chosen words with clarion precision.” –Matthew Murray, talkinbroadway.com“A monumental achievement in American musical theater. Joyful, wholly successful, immensely moving, told with abundant wit and generosity of heart.” –John Helipern, New York ObserverLouisiana, 1963: A nation reeling from the burgeoning Civil Rights Movement and the Kennedy assassination. Caroline, a black maid, and Noah, the son of the Jewish family she works for, struggle to find an identity for their friendship after Noah's stepmother, unable to give Caroline a raise, tells Caroline that she may keep the money Noah leaves in his pockets. Through their intimate story, this beautiful musical portrays the changing rhythms of a nation. Tony Kushner and composer Jeanine Tesori have created a story that addresses contemporary questions of culture, community, race and class through the lens and musical pulse of the 1960s.Tony Kushner’s plays include Angels in America; Hydriotaphia, or the Death of Dr. Brown; The Illusion, adapted from the play by Pierre Cornelle; Slavs!; A Bright Room Called Day; Homebody/Kabul; Caroline, or Change, a musical with composer Jeanine Tesori; and The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures. He wrote the screenplays for Mike Nichols’s film of Angels in America and for Steven Spielberg’s Munich and Lincoln. His books include The Art of Maurice Sendak: 1980 to the Present; Brundibar, with illustrations by Maurice Sendak; and Wrestling with Zion: Progressive Jewish-American Responses to the Israeli-Palestinian Conflict, co-edited with Alisa Solomon.Among many honors, Kushner is the recipient of a Pulitzer Prize, two Tony Awards, three Obie Awards, two Evening Standard Awards, an Olivier Award, an Emmy Award, two Oscar nominations, and the Steinberg Distinguished Playwright Award. He is a member of the American Academy of Arts and Letters. In 2012, he was awarded a National Medal of Arts by President Barack Obama. He lives in Manhattan with his husband, Mark Harris.Jeanine Tesori composed the scores for Tony Award-winning musicals Thoroughly Modern Millie and Shrek the Musical as well as Violet and Caroline, or Change. She is the recipient of multiple Drama Desk and Obie Awards, and her film composition credits include Nights in Rodanthe, Winds of Change, Show Business, and Wrestling With Angels.

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    Beautifully illustrated with images from behind the scenes of both the theatre and film productions, this book tells the story of the incredible phenomenon that grew from a modest Paris production into a multi-award-winning show thanks to the collaboration of its writers Alain Boublil and Claude-Michel Schönberg and the theatrical producer Cameron Mackintosh.As the musical comes to the big screen as a sensational movie featuring a stellar cast, including Hugh Jackman, Russell Crowe, Anne Hathaway, Amanda Seyfried, Eddie Redmayne, Helena Bonham Carter and Sacha Baron Cohen and directed by the Oscar-winning Tom Hooper, Les Misérables: From Stage to Screen offers a fascinating insight into this amazing story through the inclusion of 20 items of memorabilia such as:- the poster for the 25th production of Barbican- a first-night party invitation, programme, extracts and prop lists- original stage and costume designs- scene drawings and set designs for the film and much more

     From Fred Astaire, whom she adores, to La La Land, which she deplores, Basinger examines a dazzling array of stars, strategies, talents, and innovations in the history of musical cinema. Whether analyzing a classic Gene Kelly routine, relishing a Nelson-Jeanette operetta, or touting a dynamic hip hop number (in the underrated Idlewild), she is a canny and charismatic guide to the many ways that song and dance have been seen--and heard--on film. With extensive portraits of everyone from Al Jolson, the Jazz Singer; to Doris Day, whose iconic sunniness has overshadowed her dramatic talents; from Deanna Durbin, that lovable teen-star of the '30s and '40s; to Shirley T. and Judy G.; from Bing to Frank to Elvis; from Ann Miller to Ann-Margret; from Disney to Chicago . . . focusing on many beloved, iconic films (Top Hat; Singin' in the Rain; Meet Me in St. Louis; The Sound of Music) as well as unduly obscure gems (Eddie Cantor's Whoopee!; Murder at the Vanities; Sun Valley Serenade; One from the Heart), this book is astute, informative, and pure pleasure to read.

    Hundreds of thousands more have enjoyed the National Company as it played Los Angeles, Dallas, San Francisco, Denver, Omaha, Des Moines, Cincinnati, Kansas City and Chicago.Meredith Wilson wrote the music the lyrics and the libretto of 'The Music Man' -all delightful. Now he has written a book about writing the show - equally delightful. He claims he had Trouble (with a capital T)and he documents his case with behind-the-scenes anecdotes and theatrical characters unknown in his native Iowa.

    Even before they joined forces, Richard Rodgers and Oscar Hammerstein II had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play. Their songs and dance numbers served to advance the drama and reveal character, a sharp break from the past and the template on which all future musicals would be built.Though different in personality and often emotionally distant from each other, Rodgers and Hammerstein presented an unbroken front to the world and forged much more than a songwriting team; their partnership was also one of the most profitable and powerful entertainment businesses of their era. They were cultural powerhouses whose work came to define postwar America on stage, screen, television, and radio. But they also had their failures and flops, and more than once they feared they had lost their touch.Todd S. Purdum’s portrait of these two men, their creative process, and their groundbreaking innovations will captivate lovers of musical theater, lovers of the classic American songbook, and young lovers wherever they are. He shows that what Rodgers and Hammerstein wrought was truly something wonderful.

    The vocal score including all 14 songs to this musical by Richard Rodger's daughter Mary. Includes: Happily Ever After * In a Little While * Normandy * Sensitivity * Shy * Song of Love * Yesterday I Loved You * and more.

    Book by Richard O'Brien

    The preeminent historian of the American musical (New York Times), he brings boundless energy and enthusiasm buttressed by an arsenal of smart anecdotes (Wall Street Journal). Now Mordden offers an entirely fresh and infectiously delightful history of American musical theatre.Anything Goes stages a grand revue of the musical from the 1700s through to the present day, narrated in Mordden's famously witty, scholarly, and conversational style. He places us in a bare rehearsal room as the cast of Oklahoma! changes history by psychoanalyzing the plot in the greatest of the musical's many Dream Ballets. And he gives us tickets for orchestra seats on opening night-raising the curtain on the pleasures of Victor Herbert's The Red Mill and the thrill of Porgy and Bess. Mordden examines the music, of course, but also more neglected elements. Dance was once considered as crucial as song; he follows it from the nineteenth century's zany hoofing to tap combinations of the 1920s, from the injection of ballet and modern dance in the 1930s and '40s to the innovations of Bob Fosse. He also explores the changing structure of musical comedy and operetta, and the evolution of the role of the star. Fred Stone, the avuncular Scarecrow in the Wizard of Oz, seldom varied his acting from part to part; but the versatile Ethel Merman turned the headlining role inside out in Gypsy, playing a character who was selfish, fierce, and destructive.From ballad opera to burlesque, from Fiddler on the Roof to Rent, the history and lore of the musical unfolds here in a performance worthy of a standing ovation.

    Chubby Tracy Turnblad (Marissa Jaret Winokur, 2003 Tony winner for Best Performance by a Leading Actress in a Musical) is transformed into a teen celebrity on a local TV dance program. With her irresistible stage mother (Harvey Fierstein, 2003 Tony winner for Best Performance by a Leading Actor in a Musical) at her side, she attempts to win the heart of the local heartthrob and integrate "The Corny Collins Show" at the same time.

    Recommended for all collections." - Choice