Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminates the destructive power of socially sanctioned violence.Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing, "Political opposition... is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence."WIth an introduction by Christopher Bigsby.(back cover)

    With the social acuity of Adelle Waldman and the murderous wit of Martin Amis, Tony Tulathimutte’s Private Citizens is a brainy, irreverent debut—This Side of Paradise for a new era.Capturing the anxious, self-aware mood of young college grads in the aughts, Private Citizens embraces the contradictions of our new century: call it a loving satire. A gleefully rude comedy of manners. Middlemarch for Millennials. The novel's four whip-smart narrators—idealistic Cory, Internet-lurking Will, awkward Henrik, and vicious Linda—are torn between fixing the world and cannibalizing it. In boisterous prose that ricochets between humor and pain, the four estranged friends stagger through the Bay Area’s maze of tech startups, protestors, gentrifiers, karaoke bars, house parties, and cultish self-help seminars, washing up in each other’s lives once again. A wise and searching depiction of a generation grappling with privilege and finding grace in failure, Private Citizens is as expansively intelligent as it is full of heart.

    When her husband, Ted Hughes, first brought this collection to life, it garnered worldwide acclaim, though it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript—including handwritten notes—and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will no doubt alter her legacy forever.

    Through three distinct yet interconnected sequences, Cathy Park Hong explores the collective consciousness of fictionalized boomtowns in order to explore the myth of prosperity. The first sequence, called "Ballad of Our Jim," draws inspiration from the Old West and follows a band of outlaw fortune seekers who travel to a California mining town during the 1800s. In the second sequence, "Shangdu, My Artful Boomtown!" a fictional industrialized boomtown draws its inspiration from present-day Shenzhen, China. The third and last section, "The World Cloud," is set in the far future and tracks how individual consciousness breaks up when everything—books, our private memories—becomes immediately accessible data. One of our most startlingly original poets, Hong draws together individual voices at odds with the world, voices that sing their wonder and terror.

    With remarkable fortitude and courage, she meets changing times and fights poverty and disaster.This beautiful and eloquent story tells of a simple peasant woman in a primitive village in India whose whole life is a gallant and persistent battle to care for those she loves—an unforgettable novel that "will wring your heart out" (The Associated Press).Named Notable Book of 1955 by the American Library Association.

    These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams.I watched a lion eat a man like a piece of fruit, peel tendons from fascialike pith from rind, then lick the sweet meat from its hard core of bones.The man had earned this feast and his own deliciousness by ringing a stickagainst the lion's cage, calling out Here, Kitty Kitty, Meow!With one swipe of a paw much like a catcher's mitt with fangs, the lionpulled the man into the cage, rattling his skeleton against the metal bars.The lion didn't want to do it—He didn't want to eat the man like a piece of fruit and he told the crowdthis: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

    Broken up into four chapters, she holds your hand and takes you inward with her, from skin to flesh, to flesh to bones, from bones to all that lies within. Both heartbreaking and hopeful, The Anatomy of Being marks a very distinct time in a young girl's life, and aches and aches to be heard and devoured. 2013 Goodreads Choice Awards Poetry Finalist

    Set mainly in contemporary Hawaii, it is a spectacular odyssey through fire and water, a journey that begins in the nineteenth century with the fateful meeting of a Yankee sailor and the runaway daughter of a Tahitian chief. Sweeping from that distant past into the present turbulent decade, Kiana Davenport has woven an astonishing, compassionate portrait of her people, one of personal and political complexities - a surreal and provocative, wise and erotic tale of villains and dreamers, of "stone-eaters" and queens, of revolutionaries, and of lepers and healers. Central to all is the matriarch Pono, a statuesque, pure-blooded Hawaiian, a kahuna, or seer, whose past is shrouded in mystery. Pono's love for Duke Kealoha - a man hidden from the world, a man his daughters and granddaughters have never knownis one of the most haunting love stories of our time, a love that lasts through sixty years, a love so profound she "dares everything, commits every conceivable act for him." As the novel opens, Pono's four granddaughters are converging on her run-down coffee plantation on the Big Island, summoned by Pono in her eighty-fourth year. United by their fear of and devotion to Pono, each woman is of "mixed blood" parentage: Ming - Hawaiian-Chinese, is a lover of art and music, who suffers from lupus; Vanya - Hawaiian-Filipino, is a lawyer and a fiery political activist; Rachel - Hawaiian-Japanese, is a great beauty, obsessed with herYakuza husband; JessHawaiian-Caucasian, is a veterinarian, whose pale skin makes her "inferior" in Pono's eyes. Never having known their true genealogy "Pono's girls, " as they are called, have led tormented, scattered lives. Now, caught up in Pono's spell, feeling a sense of "immi

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    Beloved for the lens of the strange he places on small town life, Steven Millhauser further reveals in Voices in the Night the darkest parts of our inner selves to brilliant and dazzling effect. Here are stories of wondrously imaginative hyperrealism, stories that pose unforgettably unsettling what-ifs, or that find barely perceivable evils within the safe boundaries of our towns, homes, and even within our bodies. Here, too, are stories culled from religion and fables: Samuel, who hears the voice of God calling him in the night; a young, pre-enlightenment Buddha, who searches for his purpose in life; Rapunzel and her Prince, who struggle to fit the real world to their dream. Heightened by magic, the divine, and the uncanny, shot through with sly and winning humor, Voices in the Night seamlessly combines the whimsy and surprise of the familiar with intoxicating fantasies that take us beyond our daily lives, all done with the hallmark sleight of hand and astonishing virtuosity of one of our greatest contemporary storytellers.

    In a series of ruminations on solitude, humility, forgiveness, honesty, courage, grace, pride, and patience, he draws on the ancient teachings of Eastern and Western philosophy, and on the great spiritual and political writings of our time. His intent: to give his children a compass for a journey they will have to make alone, a short guide to what gives life meaning and beauty.

    Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels.

    Now THE BEST AMERICAN SHORT STORIES OF THE CENTURY brings together the best of the best - fifty-five extraordinary stories that represent a century's worth of unsurpassed accomplishments in this quintessentially American literary genre. Here are the stories that have endured the test of time: masterworks by such writers as Ernest Hemingway, William Faulkner, Willa Cather, F. Scott Fitzgerald, William Saroyan, Flannery O'Connor, John Cheever, Eudora Welty, Philip Roth, Joyce Carol Oates, Raymond Carver, Cynthia Ozick, and scores of others. These are the writers who have shaped and defined the landscape of the American short story, who have unflinchingly explored all aspects of the human condition, and whose works will continue to speak to us as we enter the next century. Their artistry is represented splendidly in these pages. THE BEST AMERICAN SHORT STORIES series has also always been known for making literary discoveries, and discovery proved to be an essential part of selecting the stories for this volume too. Collections from years past yielded a rich harvest of surprises, stories that may have been forgotten but still retain their relevance and luster. The result is a volume that not only gathers some of the most significant stories of our century between two covers but resurrects a handful of lost literary gems as well. Of all the great writers whose work has appeared in the series, only John Updike's contributions have spanned five consecutive decades, from his first appearance, in 1959. Updike worked with coeditor Katrina Kenison to choose stories from each decade that meet his own high standards of literary quality.

    “Spare and haunting tales that ask ordinary questions about that extraordinary emotion: love.”—Chicago TribuneThe novella and five stories that make up this collection reveal the lives of immigrant families haunted by lost loves: a ghost seduces a young girl into a flooded river; a mother commands a daughter to avenge her father’s death; and in the title novella, a woman speaks from beyond the grave about her tragic marriage to an exiled musician whose own disappointments nearly destroyed their two daughters.

    Sly, funny, intelligent, and artfully structured, The Fortunes recasts American history through the lives of Chinese Americans and reimagines the multigenerational novel through the fractures of immigrant family experience.Inhabiting four lives—a railroad baron’s valet who unwittingly ignites an explosion in Chinese labor, Hollywood's first Chinese movie star, a hate-crime victim whose death mobilizes Asian Americans, and a biracial writer visiting China for an adoption—this novel captures and capsizes over a century of our history, showing that even as family bonds are denied and broken, a community can survive—as much through love as blood.Building fact into fiction, spinning fiction around fact, Davies uses each of these stories—three inspired by real historical characters—to examine the process of becoming not only Chinese American, but American.