Alexander Etkind traces how the Russian Empire conquered foreign territories and domesticated its own heartlands, thereby colonizing many peoples, Russians included. This vision of colonization as simultaneously internal and external, colonizing one's own people as well as others, is crucial for scholars of empire, colonialism and globalization. Starting with the fur trade, which shaped its enormous territory, and ending with Russia's collapse in 1917, Etkind explores serfdom, the peasant commune, and other institutions of internal colonization. His account brings out the formative role of foreign colonies in Russia, the self-colonizing discourse of Russian classical historiography, and the revolutionary leaders' illusory hopes for an alliance with the exotic, pacifist sectarians. Transcending the boundaries between history and literature, Etkind examines striking writings about Russia's imperial experience, from Defoe to Tolstoy and from Gogol to Conrad. This path-breaking book blends together historical, theoretical and literary analysis in a highly original way. It will be essential reading for students of Russian history and literature and for anyone interested in the literary and cultural aspects of colonization and its aftermath.

    A society utterly wrecked by a hurricane of violence. In this compelling book, the renowned historian Karl Schlogel reconstructs with meticulous care the process through which, month by month, the terrorism of a state-of-emergency regime spiraled into the 'Great Terror' during which 1 1/2 million human beings lost their lives within a single year. He revisits the sites of show trials and executions and, by also consulting numerous sources from the time, he provides a masterful panorama of these key events in Russian history. He shows how, in the shadow of the reign of terror, the regime around Stalin also aimed to construct a new society. Based on countless documents, Schlogel's historical masterpiece vividly presents an age in which the boundaries separating the dream and the terror dissolve, and enables us to experience the fear that was felt by people subjected to totalitarian rule. This rich and absorbing account of the Soviet purges will be essential reading for all students of Russia and for any readers interested in one of the most dramatic and disturbing events of modern history.

    She was betrothed to Tsarevitch Nicholas of Russia, a love match on both sides, but tragically he died months before the wedding. A year later, out of duty she married his brother the new Tsarevich and sailed for Russia in 1866.

    A quarter of a century after his death, his masterpiece, The Master and Margarita, became a worldwide bestseller. In Manuscripts Don't Burn the title a line from his famous novel, J.A. E. Curtis presents a gripping chronicle of Bulgakov's life, using as source material, among other documents, a partial copy of one of his diaries which was presumed lost and uncovered decades later in the KGB’s archives. That diary and those of his third wife record the nightmarish precariousness of life during the Stalinist purges. Also included are letters to Stalin, in which Bulgakov pleads to be allowed to emigrate; letters to his siblings; intimate notes to his second and third wives; and letters to and from other writers such as Gorky and Zamyatin.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Although the opening of the Soviet archives to scholars has made it possible to write the history of this notorious concentration camp system, documents tell only one side of the story. Gulag Voices now fills in the other half.The backgrounds of the writers reflect the extraordinary diversity of the Gulag itself. Here are the personal stories of such figures as Dmitri Likhachev, a renowned literary scholar; Anatoly Marchenko, the son of illiterate laborers; and Alexander Dolgun, an American citizen. These remembrances—many of them appearing in English for the first time, each chosen for both literary and historical value—collectively spotlight the strange moral universe of the camps, as well as the relationships that prisoners had with one another, with their guards, and with professional criminals who lived beside them.A vital addition to the literature of this era,annotated for a generation that no longer remembers the Soviet Union, Gulag Voices will inform, interest, and inspire, offering a source for reflection on human nature itself.

    Who could possibly take the place of that gigantic reformer, that despotic visionary? He died in 1725, leaving Russia with one foot in the modern world and one foot in obscurity - and entirely caught up in a snarl of conspiracies and betrayals. In the next 37 years, five women would make history, calling the shots as their nation became a player in the major-league games of Europe. Brains and brass, gluttony and glory. . . these passionate women responded to the challenges - some for better, some for worse. Henri Troyat paints a dazzling tableau with all the glitter of a St. Petersburg wavering under the competing influences of Prussia and Versailles. In this intimate view of history, we eavesdrop on family quarrels, lovers' trysts and diplomatic conspiracies. Troyat is the perfect author to bring us this real-life fairytale. Born in Moscow in 1911, he experienced Russia's turbulent history himself before making his way to France. In Paris, he achieved extraordinary success as a biographer and lyrical novelist, and was rewarded for his beautiful prose with acceptance into the exclusive Académie Française and with the Prix Goncourt.

    Ransacking the urban planning of the grand imperial past, it set out to transform everyday life, its sweeping boulevards, epic high-rise and vast housing estates an emphatic declaration of a non-capitalist idea. Now, the regimes that built them are dead and long gone, but from Warsaw to Berlin, Moscow to post-Revolution Kiev, the buildings, their most obvious legacy, remain, populated by people whose lives were scattered and jeopardized by the collapse of communism and the introduction of capitalism.Landscapes of Communism is an intimate history of twentieth-century communist Europe told through its buildings; it is, too, a book about power, and what power does in cities. In exploring what that power was, Hatherley shows how much we can understand from surfaces - especially states as obsessed with surface as the Soviets were. Walking through these landscapes today, Hatherley discovers how, in contrast to the common dismissal of 'monolithic' Soviet architecture, these cities reflect with disconcerting transparency the development of an idea over the decades, with its sharp, sudden zigzags of official style: from modernism to classicism and back; to the superstitious despotic rococo of high Stalinism, with its jingoistic memorials, palaces and secret policemen's castles; East Germany's obsession with prefabricated concrete panels; and the metro systems of Moscow and Prague, a spectacular vindication of public space that went further than any avant garde ever dared.But most of all, Landscapes of Communism is a revelatory journey of discovery, plunging us into the maelstrom of socialist architecture. As we submerge into the metros, walk the massive, multi-lane magistrale and pause at milk bars in the microrayons, who knows what we might find?

    Passionate and opinionated, often funny, and using ample material from daily life to underline their ideas and observations, Tatyana Tolstaya’s essays range across a variety of subjects. They move in one unique voice from Soviet women, classical Russian cooking, and the bliss of snow to the effect of Pushkin and freedom on Russia writers; from the death of the czar and the Great Terror to the changes brought by Gorbachev, Yeltsin, and Putin in the last decade. Throughout this engaging volume, the Russian temperament comes into high relief. Whether addressing literature or reporting on politics, Tolstaya’s writing conveys a deep knowledge of her country and countrymen. Pushkin’s Children is a book for anyone interested in the Russian soul.

    The key to the outbreak of violence, he argues, lies in St. Petersburg. Russian statesmen unleashed the war through policy decisions based on imperial ambitions in the Near East.

    More than any other major national leader, he personifies his country in the eyes of the outside world, and dominates Western media coverage of it to an extraordinary extent. In Russia itself, he is likewise the centre of attention for detractors and supporters alike. But as Tony Wood argues, this overwhelming focus on the president and his personality means that we understand Russia less than we ever did before. Too much attention is paid to the man, and not enough to the country outside the Kremlin's walls. In this timely and provocative analysis, Wood looks beyond Putin to explore the profound changes Russia has undergone since 1991. In the process, he challenges many of the common assumptions made about contemporary Russia. Though commonly viewed as an ominous return to Soviet authoritarianism, Putin's rule should instead be seen as a direct continuation of Yeltsin's in the 1990s. And though many of Russia's problems today are blamed on legacies of the Soviet past, Wood argues that the core features of Putinism--a predatory, authoritarian elite presiding over a vastly unequal society--are integral to the system set in place after the fall of Communism.What kind of country has emerged from Russia's post-Soviet transformations, and where might it go in future? Russia Without Putin culminates in an arresting analysis of the country's foreign policy--identifying the real power dynamics behind its escalating clashes with the West--and with reflections on the paths Russia might take in the 21st century.

    The nearly 200 documents -- dossiers, police reports, private letters, secret transcripts, and more -- expose the hidden inner workings of the Communist Party and the dark inhumanity of the purge process.

    Eerie aspects of the incident—unexplained violent injuries, signs that they cut open and fled the tent without proper clothing or shoes, a strange final photograph taken by one of the hikers, and elevated levels of radiation found on some of their clothes—have led to decades of speculation over what really happened. This gripping work of literary nonfiction delves into the mystery through unprecedented access to the hikers' own journals and photographs, rarely seen government records, dozens of interviews, and the author's retracing of the hikers' fateful journey in the Russian winter. A fascinating portrait of the young hikers in the Soviet era, and a skillful interweaving of the hikers narrative, the investigators' efforts, and the author's investigations, here for the first time is the real story of what happened that night on Dead Mountain

    It prepares students to understand and relate the various political ideologies to the general political values of the left, the mainstream, and the right as they appear in contemporary political events and issues and to see clearly how political theory applies to their own lives.

    Lawrence and James Joyce.Distils the essentials of the theory of the novel.Follows the model of Eagleton's hugely popular Literary Theory: An Introduction (Second Edition, 1996).