Daddy hums as he packs our car with suitcases and a cooler full of snacks. He says there’s nothing like going down home.” Down home is Granny’s house. Down home is where Lil Alan and his parents and sister will join great-grandparents, grandparents, aunts, uncles, and cousins. Down home is where Lil Alan will hear stories of the ancestors and visit the land that has meant so much to all of them. And down home is where all of the children will find their special way to pay tribute to family history. All the kids have to decide on what tribute to share, but what will Lil Alan do?In this rich and moving celebration of history, culture, and ritual, Kelly Starling Lyons’ eloquent text explores the power of family traditions. Stunning illustrations by Coretta Scott King Honor-winner Daniel Minter reveal the motion and connections in a large, multi-generational family.

    O. Yuksel, with gorgeous artwork from New York Times bestselling illustrator Hatem Aly. A great conversation starter in the home or classroom, this book is perfect for fans of All Are Welcome and The Proudest Blue.No matter who you are or where you’re from, everyone is welcome here. From grandmothers reading lines of the Qur’an and the imam telling stories of living as one, to meeting new friends and learning to help others, mosques are centers for friendship, community, and love.M. O. Yuksel’s beautiful text celebrates the joys and traditions found in every mosque around the world and is brought to life with stunning artwork by New York Times bestselling illustrator Hatem Aly (Yasmin series, The Proudest Blue, The Inquisitor’s Tale). The book also includes backmatter with an author’s note, a glossary, and more information about many historical and significant mosques around the world.

    But she has a problem—how will her dress sing if it has no jingles?The warm, evocative watercolors of Cornelius Van Wright and Ying-Hwa Hu complement author Cynthia Leitich Smith's lyrical text as she tells the affirming story of how a contemporary Native American girl turns to her family and community to help her dance find a voice.

    Why does her grandmother have long braided hair and beautifully colored clothing? Why does she speak another language and spend so much time with her family? As she asks her grandmother about these things, she is told about life in a residential school a long time ago, where all of these things were taken away. When We Were Alone is a story about a difficult time in history and, ultimately, one of empowerment and strength.

    From home to school and back again, our hero conquers the Mountain of Knowledge (the library), forges new bridges (friendships), and leads the victorious charge home on her steed (the school bus).This story is a powerful declaration about courage, confidence, kindness, and finding the extraordinary in everyday moments.

    Here was “a wonderful family story,” as The Horn Book Magazine said, “set matter-of-factly in an African-American environment.” Since then, the story of Sarah and Susan’s Sunday afternoon with their great-great-aunt Flossie—and her many hats and stories—has become a favorite book for sharing and for initiating conversations about family history. For this celebratory 10th anniversary edition, Elizabeth Fitzgerald Howard has written a special eight-page afterword, illustrated with family photographs, in which she tells about her own family history and the real Aunt Flossie, a truly remarkable woman.

    Alta can only think about one thing: Wilma Rudolph, three-time Olympic gold medalist. She'll be riding on a float tomorrow. See, Alta is the quickest kid in Clarksville, Tennessee, just like Wilma once was. It doesn't matter that Alta's shoes have holes because Wilma came from hard times, too. But what happens when a new girl with shiny new shoes comes along and challenges Alta to a race? Will she still be the quickest kid? The Quickest Kid in Clarksville is a timeless story of dreams, determination, and the power of friendship.

    Life in his hometown is cozy as can be, but the call of the capital city pulls Carlitos across the bay in search of his father. Jolly pirageros, mischievous cats, and costumed musicians color this tale of love, family, and the true meaning of home.

    As a young girl leads a cast of characters on a musical journey, they learn that they have the power to make changes—big or small—in the world, in their communities, and in most importantly, in themselves.

    A young student receives a family tree assignment in school, but she can only trace back three generations. Grandma gathers the whole family, and the student learns that 400 years ago, in 1619, their ancestors were stolen and brought to America by white slave traders. But before that, they had a home, a land, a language. She learns how the people said to be born on the water survived.

    When a young girl sees a strong woman on TV labeled as "too assertive" and "too ambitious," it sends her on a journey of discovery through past, present, and future about the challenges faced by women and girls and the ways in which they can reframe, redefine, and reclaim words meant to knock them down.As Ambitious Girl says:No "too that" or "too this"will stop what's inside us from flowering.

    She imagined herself surrounded by billions of stars, floating, gliding, and discovering.She wanted to be an astronaut.Her mom told her, "If you believe it, and work hard for it, anything is possible.”Little Mae’s curiosity, intelligence, and determination, matched with her parents' encouraging words, paved the way for her success at NASA as the first African American woman to travel in space.

    It highlights the unspeakable trauma of slavery, the faith and fire of the civil rights movement, and the grit, passion, and perseverance of some of the world's greatest heroes. The text is also peppered with references to the words of Martin Luther King, Jr., Langston Hughes, Gwendolyn Brooks, and others, offering deeper insights into the accomplishments of the past, while bringing attention to the endurance and spirit of those surviving and thriving in the present.

    At least, that's what everyone tells me." Marisol McDonald has flaming red hair and nut-brown skin. Polka dots and stripes are her favorite combination. She prefers peanut butter and jelly burritos in her lunch box. And don't even think of asking her to choose one or the other activity at recess--she'll just be a soccer playing pirate princess, thank you very much. To Marisol McDonald, these seemingly mismatched things make perfect sense together. Unfortunately, they don't always make sense to everyone else. Other people wrinkle their nose in confusion at Marisol--can't she just be one or the other? Try as she might, in a world where everyone tries to put this biracial, Peruvian-Scottish-American girl into a box, Marisol McDonald doesn't match. And that's just fine with her. A mestiza Peruvian American of European, Jewish, and Amerindian heritage, renowned author Monica Brown wrote this lively story to bring her own experience of being mismatched to life. Her buoyant prose is perfectly matched by Sara Palacios' engaging acrylic illustrations.

    To ease the distance between them while she’s in jail, Mama begins sending Saya bedtime stories inspired by Haitian folklore on cassette tape. Moved by her mother's tales and her father's attempts to reunite their family, Saya writes a story of her own—one that just might bring her mother home for good.With stirring illustrations, this tender tale shows the human side of immigration and imprisonment—and shows how every child has the power to make a difference.