Vicky Tiel started as an “it” girl of the 1960s and has had a four decade career designing clothes that make real women look fabulous.  Her sexy, fresh hot pants and miniskirts were used by Woody Allen in his first movie, What’s New, Pussycat?, her classic design inspired the red dress that transformed Julia Roberts in Pretty Woman, and her creations are worn today by stars such as Halle Berry and Kim Kardashian.  Tiel’s own life has been dance-the-night-away fun, from her earliest days flunking out of Parsons to design on her own, to starting a chic boutique with best friend Mia Fonssagrives in Paris, from marrying MGM’s top make-up man to becoming Elizabeth Taylor’s dear friend and part of her longtime entourage.  Tiel forged her own path, and picked up some distinctive and hard-earned lessons from the rich, famous and celebrated along the way. In IT’S ALL ABOUT THE DRESS, you’ll get a glimpse of what it’s like to be Hollywood royalty (think yachts, tiny dogs, giant pearls and peanut butter sandwiches washed down with Chateau Margaux), discover the seduction secrets of the greats (from Kim Novak to Goldie Hawn to Warren Beatty), take in a little husband-hunting advice, and even learn legendary model Dorian Leigh’s recipe for gigot d’agneau sept heures. Vicky Tiel will teach you to dress like a sex symbol , cook like the owner of a French country inn, and seize what you want from the world like an American ingénue.

    Liberated from home and hearth by World War I, politically enfranchised and ready to work, women arrived to take their place in the dazzling new skyscrapers of Manhattan. But they did not want to stay in uncomfortable boarding houses. They wanted what men already had—exclusive residential hotels with maid service, workout rooms, and private dining. Built in 1927, at the height of the Roaring Twenties, the Barbizon Hotel was designed as a luxurious safe haven for the “Modern Woman” hoping for a career in the arts. Over time, it became the place to stay for any ambitious young woman hoping for fame and fortune. Sylvia Plath fictionalized her time there in The Bell Jar, and, over the years, it’s almost 700 tiny rooms with matching floral curtains and bedspreads housed, among many others, Titanic survivor Molly Brown; actresses Grace Kelly, Liza Minnelli, Ali MacGraw, Jaclyn Smith; and writers Joan Didion, Gael Greene, Diane Johnson, Meg Wolitzer. Mademoiselle magazine boarded its summer interns there, as did Katharine Gibbs Secretarial School its students and the Ford Modeling Agency its young models. Before the hotel’s residents were household names, they were young women arriving at the Barbizon with a suitcase and a dream. Not everyone who passed through the Barbizon’s doors was destined for success—for some, it was a story of dashed hopes—but until 1981, when men were finally let in, the Barbizon offered its residents a room of their own and a life without family obligations. It gave women a chance to remake themselves however they pleased; it was the hotel that set them free. No place had existed like it before or has since. “Poignant and intriguing” (The New Republic), The Barbizon weaves together a tale that has, until now, never been told. It is both a vivid portrait of the lives of these young women looking for something more and a “brilliant many-layered social history of women’s ambition and a rapidly changing New York through the 20th century” (The Guardian).

    Thousands of fans flocked to multi‑day events, and cities vied with one another to host them. The pilots themselves were hailed as dashing heroes who cheerfully stared death in the face. Well, the men were hailed. Female pilots were more often ridiculed than praised for what the press portrayed as silly efforts to horn in on a manly, and deadly, pursuit. Fly Girls recounts how a cadre of women banded together to break the original glass ceiling: the entrenched prejudice that conspired to keep them out of the sky. O’Brien weaves together the stories of five remarkable women: Florence Klingensmith, a high‑school dropout who worked for a dry cleaner in Fargo, North Dakota; Ruth Elder, an Alabama divorcee; Amelia Earhart, the most famous, but not necessarily the most skilled; Ruth Nichols, who chafed at the constraints of her blue‑blood family’s expectations; and Louise Thaden, the mother of two young kids who got her start selling coal in Wichita. Together, they fought for the chance to race against the men — and in 1936 one of them would triumph in the toughest race of all.   Like Hidden Figures and Girls of Atomic City, Fly Girls celebrates a little-known slice of history in which tenacious, trail-blazing women braved all obstacles to achieve greatness.

    Renowned historian Paula Fass shows how, since the beginning of the American republic, independence, self-definition, and individual success have informed Americans' attitudes toward children. But as parents today hover over every detail of their children's lives, are the qualities that once made American childhood special still desired or possible? Placing the experiences of children and parents against the backdrop of social, political, and cultural shifts, Fass challenges Americans to reconnect with the beliefs that set the American understanding of childhood apart from the rest of the world.Fass examines how freer relationships between American children and parents transformed the national culture, altered generational relationships among immigrants, helped create a new science of child development, and promoted a revolution in modern schooling. She looks at the childhoods of icons including Margaret Mead and Ulysses S. Grant--who, as an eleven-year-old, was in charge of his father's fields and explored his rural Ohio countryside. Fass also features less well-known children like ten-year-old Rose Cohen, who worked in the drudgery of nineteenth-century factories. Bringing readers into the present, Fass argues that current American conditions and policies have made adolescence socially irrelevant and altered children's road to maturity, while parental oversight threatens children's competence and initiative.Showing how American parenting has been firmly linked to historical changes, The End of American Childhood considers what implications this might hold for the nation's future.

    It's not that she's an outcast (she might even be your friend or your wife, or your mother) so much as she's a social variable. Sometimes, she's the life of the party; others, she's the center of gossip. She's the unruly woman, and she's one of the most provocative, powerful forms of womanhood today. There have been unruly women for as long as there have been boundaries of what constitutes acceptable "feminine" behavior, but there's evidence that she's on the rise--more visible and less easily dismissed--than ever before. In Too Fat, Too Slutty, Too Loud, Anne Helen Petersen uses the lens of "unruliness" to explore the ascension of eleven contemporary powerhouses: Serena Williams, Melissa McCarthy, Abbi Jacobson, Ilana Glazer, Nicki Minaj, Kim Kardashian, Hillary Clinton, Caitlyn Jenner, Jennifer Weiner, and Lena Dunham. Petersen explores why the public loves to love (and hate) these controversial figures, each of whom has been conceived as "too" something: too queer, too strong, too honest, too old, too pregnant, too shrill, too much. With its brisk, incisive analysis, Too Fat, Too Slutty, Too Loud will be a conversation-starting book on what makes and breaks celebrity today.

    In O Rugged Land of Gold share the triumph of a woman -- alone, injured, pregnant -- on a remote Alaskan island in winter. "I was furious.  If I had a gun, I'd have shot them dead.  Those lazy, stupid men kept right on going and left me alone.  Not once had they looked in my direction, and me needing help so bad.  I was so mad at them that I cussed.  I screamed cusses at them until I was hoarse.  I said all the bad words I had ever heard in all my life, and I invented some new ones, too.  I wished the tow-line would break and they would lose every last log; wished their old logs would go to China.  I stood up and shook my fist at the disappearing boat.   When it had gone from sight, I dropped down and cried.  I shed tears of helpless rage and of utter defeat."... "An old bear came and sniffed me.  He really did.  It was in the first gray of dawn.  I had dozed, and the sound of him coming roused me.  I kept perfectly still, hardly breathing, and straining my ears and eyes to learn what and where the sound was.  Then I smelled him and knew for certain it was a bear.  All the primitive instincts of fear within me were aroused.  My heart pounded in my throat, and I could feel my flesh creep.  I drew myself up and made myself little and tight.  I kept still as death."

    Determined to carry on Johnnie’s work, Dee earned her mortuary science degree, only to find herself no longer needed in the family business. So Dee crossed the racial divide in the most segregated industry in America and joined the staff of an African-American funeral home as a single white woman.In The Undertaker’s Wife, Oliver draws from her wealth of experience to provide candid and often hysterically funny advice on dying well and surviving the loss of those who have gone before. Her insights on the common ground of grief, survival, and the ever-present faithfulness of God (to all of us, regardless of our race, religious upbringing, or socio-economic background) will help readers prepare for one of life’s only certainties—and do it with wisdom, grace, and a healthy dose of joy.

    She has been known as the Queen of Heaven, Mother of Nature, Giver of Riches and Justice, Goddess of Love, Magic, and Healing—and as a benevolent, universal goddess who helps anyone who calls on her. Ms. Regula has been a Priestess of Isis with the Fellowship of Isis for over eighteen years, and is an ordained reverend with the Temple of Isis. Now she shares her decades of study, research, and worship so you can discover the inner secrets of Isis, that ancient goddess of the Sun and Moon, Stars and Earth. In fact, Isis is not "just" an Egyptian Goddess. Here you will see Isis in Her full glory as a universal goddess, present throughout history in all times and places. "The Mysteries of Isis" is filled with practical information on all aspects of the modern worship of Isis. Your journey begins with a jubilant Isian rite at dawn and ends under the stars as the goddess' deepest mysteries are revealed to you. These chapters encompass many exercises, rituals, magic, prayers, and more to help you forge a unique personal alliance with Isis. With this book you can: - Dedicate your own temple, altar and shrine to Isis - Learn the previously secret divination technique of the sacred scarabs - Celebrate the special festivals of the Isian calendar - Perform purification and healing rites and spiritual cleansings from the Isian tradition - Create your own ritual tools, including amulets and sistrums - Become an initiate of the four key mysteries of Isis - Draw love to you with modern, ethical, uniquely Isian spells When you take Isis as your personal goddess, your worship and connection with the Divine will be immeasurably enriched. Find out how this goddess can transform your life with "The Mysteries of Isis."

    The word prana denotes the body's own natural, vital, self-healing energy. This book will teach you the many ways in which you can incorporate safe, effective Pranic Healing techniques into your daily life to heal physical, psychological, and emotional problems and stay well. In Your Hands Can Heal You, you'll find easy-to-learn methods to generate energy, including non-touch hand movements; the basic tenets of energetic hygiene; full-body breathing; and brief meditations. With the expert training and guidance of Stephen Co, you'll learn how to conquer a wide range of disorders, including: -headaches -backaches -irritable bowel syndrome -arthritis -insomnia -hypertension -congestion -menstrual cramps -depression With step-by-step instructions, line drawings, and real-life stories of medical recovery, this revolutionary health reference can provide you with all the help you need to help yourself—with your own two hands.

    Somewhere between the exhilarating rise of Girl Power in the 1990s and today, the pursuit of physical perfection has been recast as the source of female empowerment. And commercialization has spread the message faster and farther, reaching girls at ever-younger ages. But how dangerous is pink and pretty, anyway? Being a princess is just make-believe; eventually they grow out of it . . . or do they?In search of answers, Peggy Orenstein visited Disneyland, trolled American Girl Place, and met parents of beauty-pageant preschoolers tricked out like Vegas showgirls. The stakes turn out to be higher than she ever imagined. From premature sexualization to the risk of depression to rising rates of narcissism, the potential negative impact of this new girlie-girl culture is undeniable—yet armed with awareness and recognition, parents can effectively counterbalance its influence in their daughters' lives.

    Trampling over the boundaries between the religious and the secular in order to tackle some of the key questions facing Muslims in the contemporary age, this text presents an account of modern Islam.

    From the city streets to the rich landscape of dreams, each of these poems holds out the "black wings of expectation" offering the chance to emerge from the pain of the past and arrive at "the day you have been waiting for/when you would finally begin to live." At turns alarming and inspiring, the raw lyrics and piercing wisdom of Black Wings & Blind Angels remind us of Sapphire's place as a unique and fearless voice.

    Drawing from myth and literature, the author’s own experiences, and interviews with countless women, we learn, through women’s deeply personal stories, how horses enrich our lives and connect us to nature–making us readers of rhythm and invisible signs, helping us harness our youthful sexuality, sharing the “horsepower” we need to reach our dreams. And here we see how, for thousands of years, the deep kinship between women and horses has connected us to our most intimate feelings of delight, helped us learn to solve problems, and set our creativity free. From the poetry of Geoffrey Chaucer to the fiction of Jane Austen to folktales from around the world, She Flies Without Wings uses great literature and myth to encompass a wide spectrum of beliefs and perspectives–and creates a true celebration of speed, air, and the spectacular animal that connects us with both.Filled with the moving lessons–-about sensuality, commitment, power, nurturance, and spirituality–women riders have known for centuries, written with a loving hand by an expert equestrian, She Flies Without Wings is an eloquent paean to a pairing that enlivened history, inspired literature, and continues to enchant us all.

    Thus began the romance of the most dynamic, productive and famous couple in American art. 8 pages of full-color photographs; 40 black-and-white photographs.

    A leading feminist activist, author, and nationally known lecturer writes of her struggle to integrate a feminist head with a Jewish heart.