Grab yourself a pint, listen to the chatter of the locals and lean back, resting your head against the wall. And then consider this: who else has rested their head against that wall, over the last six hundred years?Chaucer and his fellow pilgrims almost certainly drank in the George on their way out of London to Canterbury. It's fair to say that Shakespeare popped in from the nearby Globe for a pint, and we know that Dickens certainly did. Mail carriers changed their horses here, before heading to all four corners of Britain—while sailors drank here before visiting all four corners of the world.The pub, as Pete Brown points out, is the 'primordial cell of British life' and in the George he has found the perfect example. All life is here, from murderers, highwaymen, and ladies of the night to gossiping peddlers and hard-working clerks. So sit back with Shakespeare's Pub and watch as buildings rise and fall over the centuries, and 'the beer drinker's Bill Bryson' (UK's Times Literary Supplement) takes us on an entertaining tour through six centuries of history, through the stories of everyone that ever drank in one pub.

    Bach, surpassing all expectations, creates an aria containing thirty variations that became known as the Goldberg Variations, in honour of its first performer, put in charge of playing the piece night after night until the count fell asleep. With this story, Luis Sagasti opens a hypnotic tale full of counterpoints that, just like the Variations, sets out to follow the turns of a melody so as to arrive at the final aria­—where­ everything begins again.Like Goldberg repeating melodies over and over for the Count to rest, Sagasti narrates for us a thousand and one stories that take the reader from Bach to Gould, from Gould to the Beatles, from Sergeant Pepper to the music that was played in Nazi concentration camps, and from there to 4’33’’ by John Cage, to The Who and so on, ad infinitum. But when do we end a story? When do we decide to sing the final lullaby? For Sagasti, undoubtedly, the cosmic order is a musical one.

    Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made—whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers— to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark.

    However, he is also a card-carrying member of the American Fern Society, and since childhood has been fascinated by these primitive plants and their ability to survive and adapt in many climates. Oaxaca Journal is Sacks's spellbinding account of his trip with a group of fellow fern enthusiasts to the beautiful, history-steeped province of Oaxaca, Mexico. Bringing together Sacks's passion for natural history and the richness of human culture with his sharp eye for detail, Oaxaca Journal is a captivating evocation of a place, its plants, its people, and its myriad wonders.

    This Penguin Classics edition of The Complete Essays is translated from the French and edited with an introduction and notes by M.A. Screech.In 1572 Montaigne retired to his estates in order to devote himself to leisure, reading and reflection. There he wrote his constantly expanding 'assays', inspired by the ideas he found in books contained in his library and from his own experience. He discusses subjects as diverse as war-horses and cannibals, poetry and politics, sex and religion, love and friendship, ecstasy and experience. But, above all, Montaigne studied himself as a way of drawing out his own inner nature and that of men and women in general. The Essays are among the most idiosyncratic and personal works in all literature and provide an engaging insight into a wise Renaissance mind, continuing to give pleasure and enlightenment to modern readers.With its extensive introduction and notes, M.A. Screech's edition of Montaigne is widely regarded as the most distinguished of recent times.Michel de Montaigne (1533-1586) studied law and spent a number of years working as a counsellor before devoting his life to reading, writing and reflection.If you enjoyed The Complete Essays, you might like Francois Rabelais's Gargantua and Pantagruel, also available in Penguin Classics.'Screech's fine version ... must surely serve as the definitive English Montaigne'A.C. Grayling, Financial Times'A superb edition'Nicholas Wollaston, Observer

    The Way of the Warrior presents a remarkably faithful mirror of many of the characteristics and habits of modern Japanese civilization, as it represents a tradition that enjoyed great power and prestige for centuries. This work was written to provide practical and moral instruction for warriors, and to outline the parameters of personal, social, and professional conduct characteristic of Bushido, or Way of the Warrior, the Japanese chivalric tradition.Personal responsibilities, family relationships, public duties, education, finances and ethics are treated in this text from the perspective of the spirit of Japanese gentlemen. Even the forms of political incompetence and corruption that Japan currently struggles with are accurately described in this more than 400-year-old book; So deep did the feudal and military modes of government that generated them take their roots in Japanese society. This manual is therefore an essential resource for anyone who wishes to understand Japan and the Japanese people in a realistic way.

    Chesterton starts with in this classic exploration of human history. Responding to the evolutionary materialism of his contemporary (and antagonist) H.G. Wells, Chesterton in this work affirms human uniqueness and the unique message of the Christian faith. Writing in a time when social Darwinism was rampant, Chesterton instead argued that the idea that society has been steadily progressing from a state of primitivism and barbarity towards civilization is simply and flatly inaccurate. "Barbarism and civilization were not successive stages in the progress of the world," he affirms, with arguments drawn from the histories of both Egypt and Babylon. As always with Chesterton, there is in this analysis something (as he said of Blake) "very plain and emphatic." He sees in Christianity a rare blending of philosophy and mythology, or reason and story, which satisfies both the mind and the heart. On both levels it rings true. As he puts it, "in answer to the historical query of why it was accepted, and is accepted, I answer for millions of others in my reply; because it fits the lock; because it is like life." Here, as so often in Chesterton, we sense a lived, awakened faith. All that he writes derives from a keen intellect guided by the heart's own knowledge.

    In the still darkness of their cell, Molina re-weaves the glittering and fragile stories of the film he loves, and the cynical Valentin listens. Valentin believes in the just cause which makes all suffering bearable; Molina believes in the magic of love which makes all else endurable. Each has always been alone, and always - especially now - in danger of betrayal. But in cell 7 each surrenders to the other something of himself that he has never surrendered before.

    This was the Hittite civilization, the great power that arose in central Anatolia and became as powerful as the kingdom of Egypt itself. This book is dedicated to the history of the Hittites, the great empire that was forgotten by the world for almost 3,000 years. The Hittites are a fascinating people both because of their unique origins and because of the great empire that they built. Unlike any of the other major powers of the ancient world, the Hittites were a people who spoke an Indo-European language, the first known in history. Migrating into Anatolia sometime before 2,000 BCE, the Hittites rose to dominate the indigenous populations and build an empire that encompassed much of modern day Turkey and Syria. In this brief and easy to understand, yet thorough, history, you will find a comprehensive history of the Hittite kingship, including an overview of every known ruler of the Hittite empire. You will also learn about the diplomatic relationships, military traditions, and laws that defined the way of life of the Hittites. Descriptions of archaeological sites, Hittite religious practices, and the history surrounding the rediscovery of the Hittite civilization are also included to give the reader a complete look at the world of the Hittites. "The Hittites: The Lost Empire of the Ancient World" is intended as an approachable work that any lay person with an active interest in the history of the ancient world can read and understand without the need for any specialized background in the subject. If you want to learn about the general history, customs, and life of the Hittites, this book is intended to give you the best overview that is possible in an interesting and engaging manner without requiring an extensive background in Near Eastern studies. The topics that you will find covered in the various sections of this work are as follows: The origin of the Hittites A complete history of the Hittite empire, from the first kings until its collapse in the Late Bronze Age The archaeological and linguistic discoveries that enabled us to learn what we now known about this amazing civilization A complete description of Hattusa, the Hittite capital city An overview of the military of the Hittites, both in terms of military tradition and its form and strategies An introduction to the religion and mythology practiced in the ancient Hittite empire A discussion of the legacy of the Hittites and of the Neo-Hittite kings that followed the collapse of the empire. In the appendices that follow, you will find select words translated from the first known Indo-European language in history into modern day English, a list of several important sites of research and excavation, a list of select Hittite laws with an analysis of their legal code, and a short selected bibliography for further reading. The Hittites are one of the most fascinating and enigmatic civilizations of the ancient world, and few works are available to the non-specialized general public that offer a comprehensive look at their world. In this book, you will learn the major aspects of Hittite history, life and culture.

    In the 1960s, Kesey led a group of psychedelic sympathizers around the country in a painted bus, presiding over LSD-induced "acid tests" all along the way. Long considered one of the greatest books about the history of the hippies, Wolfe's ability to research like a reporter and simultaneously evoke the hallucinogenic indulgence of the era ensures that this book, written in 1967, will live long in the counter-culture canon of American literature.

    Here is Italo Calvino paying homage to his literary influences and tracing the evolution of his signature style. Here are his reminiscences of Italy’s antifascist resistance and the frenzy of politics and ideas of the postwar era. The longest and most delightfully revealing section of the book is Calvino’s diary of his travels in the United States in 1959 and 1960, which show him marveling at color TV, wrinkling his nose at the Beats, and reeling at the outpouring of racial hatred attending a civil rights demonstration in Alabama. Overflowing with insight and amusement, Hermit in Paris is an invaluable addition to the Calvino legacy.

    With Ugresic’s characteristic wit, Fox takes us from Russia to Japan, through Balkan minefields and American road trips, and from the 1920s to the present, as it explores the power of storytelling and literary invention, betrayal, and the randomness of human lives.

    In these stories, reminiscent of Shirley Jackson and Julio Cortázar, three young friends distract themselves with drugs and pain in the midst a government-enforced blackout; a girl with nothing to lose steps into an abandoned house and never comes back out; to protest a viral form of domestic violence, a group of women set themselves on fire. But alongside the black magic and disturbing disappearances, these stories are fueled by compassion for the frightened and the lost, ultimately bringing these characters—mothers and daughters, husbands and wives—into a surprisingly familiar reality. Written in hypnotic prose that gives grace to the grotesque, Things We Lost in the Fire is a powerful exploration of what happens when our darkest desires are left to roam unchecked, and signals the arrival of an astonishing and necessary voice in contemporary fiction.

    The result is 52 pieces, all illustrated by a Burmese artist, which provide an overall picture of the country today.

    "I was born in a harem in 1940 in Fez, Morocco . . . " So begins Fatima Mernissi in this illuminating narrative of a childhood behind the iron gates of a domestic harem. In Dreams of Trespass, Mernissi weaves her own memories with the dreams and memories of the women who surrounded her in the courtyard of her youth -- women who, without access to the world outside, recreated it from sheer imagination. A beautifully written account of a girl confronting the mysteries of time and place, gender and sex, Dreams of Trespass illuminates what it was like to be a modern Muslim woman in a place steeped in tradition.