In this chapbook you’ll find the first results of this project—nine poems from her new manuscript, all focusing on the experience of creatures in a world shaped (and increasingly destroyed) by us. These pieces—some of them long sequences that operate like lean, lyric essays—have their sight set upon the natural world. But these are not poems of privilege that gaze out the window from a place of comfortable remove. No, these are not the kind of pastorals that always made Brown (and most of the working-class folks from her Kentucky childhood) feel shut out of nature and the writing about it; instead they speak in a queer, Southern-trash-talking kind of way about nature beautiful, damaged, dangerous, and in desperate need of saving.

    Heavy with family and fable, these poems are a beautiful articulation of difference under duress.

    The author of the critically acclaimed collections The Frost Fairs and Spacecraft, Brighton-based John McCullough pulls no punches in this latest - and his most powerful -collection. These are poems of skill, joy and quiet musicality that reflect the conflict and complexity of being.

    Born from Levithan's tradition of writing a story for his friends each Valentine's Day, this collection brings all of them to his readers for the first time. With fiction, nonfiction, and a story in verse, there's something for every reader here.Witty, romantic, and honest, teens (and adults) will come to this collection not only on Valentine's Day, but all year round.

    What is the difference, he asks, between good and evil, cruelty and instruction, risk and trust? Against the backdrop of the natural world, Phillips pitches the restlessness of what it means to be human, as he at once deepens and extends a meditation on that space where the forces of will and imagination collide with sexual and moral conduct.

    The complete opposite of Jasmine, her emotionally unstable baby sister, London has worked hard to stay out of the spotlight.Then she discovers that Wade, one of the most popular guys in school, is gay like her and their new-found closeness based around their shared secret has half the student body convinced they're hooking up...and a lot of girls aren't happy about it. Now she's been dubbed "Dirty London." Rumors are flying about her inability to keep her clothes on, and London is pretty sure she's developing a crush on the one girl who sees through it all. If she could admit why stealing boyfriends is the last thing on her mind—not to mention find out what's going on with Jasmine and her rapidly disappearing psych medications—her life would be a much brighter place. But if her and Wade's truth gets out, and if she doesn't find a way to help her sister, London faces losing a lot more than her obscurity.

    Taking time, and specifically the months of the year as an overarching structure, Dimitrov elevates the every day and speaks directly to the reader as if the poem were a phone call or a text message. From the personal to the cosmos, the moon to New York City, NASA’s golden record to the Ouija board, the speaker is convinced that love is “our best invention.” While he navigates darkness and fear, loneliness and guilt, Dimitrov doesn’t resist joy even in despair. There is a determined curiosity about who we are as people and a shameless interest in the idea of hope. These poems are obsessed with everything around us, even the terrible and fraught.

    Lonely Christopher combines a striking emotional grammar, reminiscent of Gertrude Stein's Three Lives, with an unyielding imagination in the lovely/ugly architecture of his stories.Lonely Christopher is the author of several poetry chapbooks and is a contributor to the poetry volume Into (Seven Circles Press). His plays have been published, staged in New York City and internationally, and released in Mandarin translation. His fiction received Pratt Institute's 2009 Thesis Award. He is a founding member of the small press The Corresponding Society and an editor of its biannual journal Correspondence. He lives in Bed-Stuy, Brooklyn.

    From falling in love to overcoming adversity, celebrating a new born or learning to live with dignity: here is a book to inspire and to thrill through life's most magical moments. From William Shakespeare to Carol Ann Duffy, our most popular and best loved poets and poems are gathered in one essential collection, alongside many lesser known treasures that are waiting to be discovered. These are poems that help you to see the miraculous in the commonplace and turn the everyday into the exceptional - to discover, in Kipling's words, that yours is the Earth and everything that's in it.

     At the age of six, Ebon Drayden discovered he was an alchemist—a wizard who can transform matter with a simple touch. But his father forbade him to use his magic, and kept him from attending the Academy where he could learn to use it. Just before his seventeenth birthday, Ebon’s aunt enrolls him in the Academy against his father's wishes. Now at last he has the chance to use the magic he has so desperately yearned to control. But his family's dark name plagues him. His very presence terrifies the other students. Teachers regard him with suspicion. And before long, he is drawn into a scheme that spans all the nine kingdoms of Underrealm. THE ALCHEMIST'S TOUCH (Book 1) Distrusted by his fellow students and spurned by his instructor, Ebon is drawn into one of his family's shadowy schemes. It begins innocently enough—a package delivered to a tavern in the dead of night—but soon even his own kin suspect him of playing both sides against the middle. His only allies are two other outcasts within the citadel. With their help, he hopes to uncover the truth of the conspiracy—but his family's cruel bodyguard may not have Ebon's best interests at heart. THE MINDMAGE’S WRATH (Book 2) The High King’s Seat reels from a devastating attack. Those within the Academy attempt to resume their studies, all the while haunted by the empty chairs of those who died in the fighting. But the Academy is not yet safe. A murder shocks students and instructors alike to the core. And while the faculty hunt for the culprit, Ebon senses another fatal conspiracy brewing in the very bowels of the citadel. Someone has been stealing artifacts of immeasurable power, and only Ebon and his friends have any hope of stopping them. THE FIREMAGE’S VENGEANCE (Book 3) The Academy killer has escaped, and now holds the Dean’s son captive. Ebon and his friends want to save the boy—but their danger is even more personal, for the killer desires revenge against them. As the Dean grows increasingly suspicious of Ebon himself in the kidnapping, and the recent murders, he must play a deadly game of cat and mouse. For if anyone discovers the secret that Theren is forced to hide, it will mean a slow death under the knives of Mystics for Ebon and all his friends… Grab your box set now and save 40% off buying the individual books!

    Things start looking up when Toria meets the funny and foul-mouthed Polly, who's the coolest girl that Toria has ever seen. Polly and the rest of the 'alternative' kids take Toria under their wing. And that's when she meets the irresistible Nico Mancini, lead singer of a local band - and it's instalove at first sight! Toria likes Nico, Nico likes Toria, but then there's Polly ... love and friendship have a funny way of going round in circles.

    A high school art history teacher, newly single and desperately lonely, he envies his queer students their freedom to live openly the youth he lost to fear and shame.   So when he runs into his childhood friend Oscar Burnham at a wedding in Washington, D.C., he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in a decade. But Oscar has no interest in their shared history. Instead, he’s outraged by what he sees as the death of gay culture: bars overrun with bachelorette parties; friends getting married, having babies. While Oscar and Sebastian struggle to find their place in a rapidly changing world, each is drawn into a cross-generational friendship that treads the line between envy and obsession: Sebastian with one of his students and Oscar with an older icon of the AIDS era. And as they collide again and again, both men must come reckon not just with one another, but with themselves. Rich with sharply drawn characters and contemporary detail, provocative, and emotionally profound, Let’s Get Back to the Party is sure to appeal to readers of Garth Greenwell, Alan Hollinghurst, Claire Messud, and Rebecca Makkai.

    Richie Hofmann disciplines his natural elegance into the sterner recognitions that matter: 'I am a little white omnivore,' the speaker of Second Empire discovers. Mastering directness and indirection, Hofmann's poems break through their own beauty."—Rosanna WarrenThis debut's spare, delicate poems explore ways we experience the afterlife of beauty while ornately examining lust, loss, and identity. Drawing upon traditions of amorous sonnets, these love-elegies desire an artistic and sexual connection to others—other times, other places—in order to understand aesthetic pleasures the speaker craves. Distant and formal, the poems feel both ancient and contemporary.Antique BookThe sky was crazed with swallows.We walked in the frozen grassof your new city, I was gauzed with sleep.Trees shook down their gaudy nests.The ceramic pots were caparisoned with snow.I was jealous of the river,how the light broke it, of the skeinof windows where we saw ourselves.Where we walked, the ice crackedlike an antique book, openingand closing. The leavesbeneath it were the marbled pages.Richie Hofmann is the winner of a Ruth Lilly Fellowship from the Poetry Foundation, and his poems have appeared or are forthcoming in the New Yorker, Poetry, the Kenyon Review, and Ploughshares. A graduate of the Johns Hopkins University MFA program, he is currently a Creative Writing Fellow in Poetry at Emory University.

    Whether he’s hooking up with a man who dresses as a dolphin, suffering on airplanes and buses next to people with Food From Home, or hovering around an impenetrable circle of attractive people at a cocktail party, Oliver captures the messy, moving, and absurd moments of urban life as we live it today.Since moving to New York a decade ago, Oliver has pined for countless strangers on the subway, slept with half the people in his Washington Heights neighborhood, and observed the best and worst of humanity from behind the glass of a Times Square theater box office. He also rode the subway during Breastfeeding Awareness Week and lived to tell the tale. Culled from years of heartbreak, hook-ups, and more awkwardness than a virgin at prom and a whore in church (and he should know because he’s been both), Intimacy Idiot chronicles Oliver’s encounters with love, infatuation, resilience, and self-acceptance that echo our universal desire for intimacy of all kinds.