A San Francisco Chronicle Best Book of 2004 and a Lambda Literary Award finalist.

    Ceremonies offers provocative commentary on highly charged topics such as Robert Mapplethorpe's photographs of African-American men, feminism among men, and AIDS in the black community.

    At once melancholic and jubilant, Jackson considers the journey of humanity, with all its foibles, as a sacred pattern of discovery reconciled by art and the imagination. From “The Absurd Man at Fourteen”He punched her again, a woman called the house,some yelling then us out the door leavingthe kitchen phone cord swinging.

    This new book of eighteen rituals and their resulting poems contains that success, along with other political actions and exercises that testify to poetry's ability to reconnect us and help put an end to our alienation from the planet.unfastenedin the backseat aportion of the music ismucus flying into stillnessat what point do we submitto the authority of flowersat what point after it entersthe mouth is it no longer in themouth but the throat the colonmaking sumptuous death of the worldthis is what crossing the line gainsno need to pretend weare the people wewant to be inthe next lifebone undertongue drivestaste of snow to metal…CAConrad is the author of ECODEVIANCE: (Soma)tics for the Future Wilderness, A Beautiful Marsupial Afternoon, and The Book of Frank, as well as several other books of poetry and essays. Most recently, he has co-edited Supplication: Selected Poems of John Wieners. A 2014 Lannan Fellow, a 2013 MacDowell Fellow, and a 2011 Pew Fellow, he also conducts workshops on (Soma)tic poetry and Ecopoetics.

    Delany married white poet Marilyn Hacker right out of high school. The interracial couple moved into the city's new bohemian quarter, the Lower East Side, in summer 1961. Through the decade's opening years, new art, new sexual practices, new music, and new political awareness burgeoned among the crowded streets and cheap railroad apartments. Beautifully, vividly, insightfully, Delany calls up this era of exploration and adventure as he details his development as a black gay writer in an open marriage, with tertiary walk-ons by Bob Dylan, Stokely Carmichael, W. H. Auden, and James Baldwin, and a panoply of brilliantly drawn secondary characters.Winner of the 1989 Hugo Award for Non-fictionSamuel R. Delany is the author of numerous science fiction books including Dhalgren, other fiction including The Mad Man, as well as the best-selling nonfiction study Times Square Red, Times Square Blue. He lives in New York City and teaches at Temple University. The Lambda Book Report chose Delany as one of the fifty most significant men and women of the past hundred years to change our concept of gayness, and he is a recipient of the William Whitehead Memorial Award for a lifetime's contribution to lesbian and gay literature.

    Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality.Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

    Braiding together sexuality and divinity, conflict and redemption, The Lost Arabs is a fierce, urgent collection from a distinct new voice.

    Bhanu Kapil brings forward the question of a healing narrative and explores trauma and place through a somatic, poetic and cross-cultural psychiatric enquiry. Who was here? Who will never be here? Who has not yet arrived and never will? Towards an arrival without being, this notebook-book returns a body to a site, the shards re-forming in mid-air: for an instant.

    "Lucille Clifton is one of the four or five most authentic and profound living American poets."--Denise Levertov

    Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

    As a woman, a black, and a lesbian, Brand arrives at a rigorous and nakedly ruthless reclamation of the poetic.

    Faced with the college recruitment process and unsure of where her skill will take her, Nancy is not prepared for meeting Raina Webber, an All-State shooting guard whose passion for basketball is matched only by her talent.When Nancy's father and Raina's mother move in together, the girls are faced with the challenge of negotiating their already intense friendship and rivalry. As Nancy's love for Raina grows and both prepare to leave inner city neighborhood that has nurtured them, they find themselves looking toward a future that is no longer easily defined.Set against a backdrop of racial tension between the Asian American and African American communities of Los Angeles and infused with tenderness and passion. The Necessary Hunger explores not only the intricacies of the game of basketball, but also the very nature of the relationships young women create in the face of the odds that are stacked against them.

    The nine stories in this collection feature four generations of characters grappling with who they want to be in the world, caught as they are between the church's double standards and their own needs and passions. With their secret longings, new love, and forbidden affairs, these church ladies are as seductive as they want to be, as vulnerable as they need to be, as unfaithful and unrepentant as they care to be, and as free as they deserve to be.

    “In its stern and quiet way Sandra Lim’s The Wilderness is one of the most thrilling books of poetry I have read in many years” (Louise Glück).From “Aubade”From the last stars to sunrise the world is dark and enduringand emptiness has its place.Then, to wake each day to the world’s unwaveringlimits, you have to think about passion differently, again.

    Escaping from slavery in the 1850s Gilda's longing for kinship and community grows over two hundred years. Her induction into a family of benevolent vampyres takes her on an adventurous and dangerous journey full of loud laughter and subtle terror.