Bitter rivalries. Jealousy. Betrayals. Star-crossed lovers. When you consider all these plot points, it's pretty surprising William Shakespeare didn't write Mean Girls. But now fans can treat themselves to the epic drama--and heroic hilarity--of the classic teen comedy rendered with the wit, flair, and iambic pentameter of the Bard. Our heroine Cady disguises herself to infiltrate the conniving Plastics, falls for off-limits Aaron, struggles with her allegiance to newfound friends Damian and Janis, and stirs up age-old vendettas among the factions of her high school. Best-selling author Ian Doescher brings his signature Shakespearean wordsmithing to this cult classic beloved by generations of teen girls and other fans. Now, on the 15th anniversary of its release, Mean Girls is a recognized cultural phenomenon, and it's more than ready for an Elizabethan makeover.

    He was educated in the classics at Oxford and became widely known as an essayist, playwright, poet, and statesman. First produced in 1713, Cato, A Tragedy inspired generations toward a pursuit of liberty. Liberty Fund’s new edition of Cato: A Tragedy, and Selected Essays brings together Addison’s dramatic masterpiece along with a selection of his essays that develop key themes in the play.Cato, A Tragedy is the account of the final hours of Marcus Porcius Cato (95–46 B.C.), a Stoic whose deeds, rhetoric, and resistance to the tyranny of Caesar made him an icon of republicanism, virtue, and liberty. By all accounts, Cato was an uncompromisingly principled man, deeply committed to liberty. He opposed Caesar’s tyrannical assertion of power and took arms against him. As Caesar’s forces closed in on Cato, he chose to take his life, preferring death by his own hand to a life of submission to Caesar.Addison’s theatrical depiction of Cato enlivened the glorious image of a citizen ready to sacrifice everything in the cause of freedom, and it influenced friends of liberty on both sides of the Atlantic. Captain Nathan Hale’s last words before being hanged were, “I only regret that I have but one life to lose for my country,” a close paraphrase of Addison’s “What pity is it that we can die but once to serve our country!” George Washington found Cato such a powerful statement of liberty, honor, virtue, and patriotism that he had it performed for his men at Valley Forge. And Forrest McDonald says in his Foreword that “Patrick Henry adapted his famous ‘Give me liberty or give me death’ speech directly from lines in Cato.”Despite Cato’s enormous success, Addison was perhaps best-known as an essayist. In periodicals like the Spectator, Guardian, Tatler, and Freeholder, he sought to educate England’s developing middle class in the habits, morals, and manners he believed necessary for the preservation of a free society. Addison’s work in these periodicals helped to define the modern English essay form. Samuel Johnson said of his writing, “Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the study of Addison.”Christine Dunn Henderson is a Senior Fellow at Liberty Fund. Prior to joining Liberty Fund in 2000, she was assistant professor of political science at Marshall University.Mark E. Yellin, also a Fellow at Liberty Fund, received his Ph.D. from Rutgers University, has taught at North Carolina State University, and edited Douglass Adair’s Intellectual Origins of Jeffersonian Democracy.Click here for a pdf of the Cato: A Tragedy brochure

    Instead of being executed, Lev and Kolya are given a shot at saving their own lives by complying with an outrageous directive: secure a dozen eggs for a powerful Soviet colonel to use in his daughter’s wedding cake. In a city cut off from all supplies and suffering unbelievable deprivation, Lev and Kolya embark on a hunt through the dire lawlessness of Leningrad and behind enemy lines to find the impossible.By turns insightful and funny, thrilling and terrifying, City of Thieves is a gripping, cinematic World War II adventure and an intimate coming-of-age story with an utterly contemporary feel for how boys become men.

    . . Booze . . . Boys . . . It’s a dangerous combination. Every girl wants what she can’t have. Seventeen-year-old Gloria Carmody wants the flapper lifestyle—and the bobbed hair, cigarettes, and music-filled nights that go with it. Now that she’s engaged to Sebastian Grey, scion of one of Chicago’s most powerful families, Gloria’s party days are over before they’ve even begun . . . or are they? Clara Knowles, Gloria’s goody-two-shoes cousin, has arrived to make sure the high-society wedding comes off without a hitch—but Clara isn’t as lily-white as she appears. Seems she has some dirty little secrets of her own that she’ll do anything to keep hidden. . . .  Lorraine Dyer, Gloria’s social-climbing best friend, is tired of living in Gloria’s shadow. When Lorraine’s envy spills over into desperate spite, no one is safe. And someone’s going to be very sorry. . . .  From author Jillian Larkin, VIXEN is the first novel in the sexy, dangerous, and ridiculously romantic series set in the Roaring Twenties . . . when anything goes.

    It’s clear that cinema is as healthy as ever. Oscar-worthy directors, indie geniuses and foreign artists are creating stunning, boundary-pushing work. Since the turn of the century, movie lovers have been enjoying a second golden age. But which films are the best of the best? What are the top movies since 2000 to see before you die? Chris Stuckmann, one of YouTube’s most popular film reviewers (70+ million views) gives us his best of the best! In his book debut, Stuckmann delivers his list of the very best 50 Movies since 2000 – with that style and punch that YouTube viewers have come to love. These are the films you must see before you die.

    Pheobe Throssel and Valentine Brown are a young couple separated by the Neopoleonic wars for ten years, only to find themselves the unfortunate victims of time and age upon their reunion. This story of lost love, spinsters, secret disguises, and the complexities of human emotion will enchant readers today as much as it did the audiences of New York and London over a century ago.

    Bill, aging and sick but still able to best any man in a fair gunfight, just wants to be left alone to drink and play cards. But in this town of played-out miners, bounty hunters, upstairs girls, Chinese immigrants, and various other entrepeneurs and miscreants, he finds himself pursued by a vicious sheriff, a perverse whore man bent on revenge, and a besotted Calamity Jane. Fueled by liquor, sex, and violence, this is the real wild west, unlike anything portrayed in the dime novels that first told its story.

    Best friends since childhood, their relationship gets closer by the day, until Alex gets the news that his family is leaving Dublin and moving to Boston. At 17, Rosie and Alex have just started to see each other in a more romantic light. Devastated, the two make plans for Rosie to apply to colleges in the U.S. She gets into Boston University, Alex gets into Harvard, and everything is falling into place, when on the eve of her departure, Rosie gets news that will change their lives forever: She's pregnant by a boy she'd gone out with while on the rebound from Alex. Her dreams for college, Alex, and a glamorous career dashed, Rosie stays in Dublin to become a single mother, while Alex pursues a medical career and a new love in Boston. But destiny is a funny thing, and in this novel, structured as a series of clever e-mails, letters, notes, and a trail of missed opportunities, Alex and Rosie find out that fate isn't done with them yet.Sometimes you have to look at life in a whole new way...From the bestselling author of PS, I Love You comes a delightfully enchanting novel about what happens when two people who are meant to be together just can't seem to get it right.

    This is the first picture book biography of Dr. Seuss, written especially for his young fans who want to know what made him tick. The animals in the zoo that his father ran and his fondness for drawing them, the injustices he suffered as the child of German immigrants, and his inherent sense of humor all fed into the imagination of this boy. He was a square peg in a round hole until he found that he could make a living doing exactly what he pleased—doodling and writing funny things about the world as he saw it.The last section of the book outlines the important events in his adult life. In addition to the evocative paintings by Steve Johnson and Lou Fancher, the book is profusely decorated with art from Dr. Seuss books.

    It often begins in childhood in a darkened theater, grows into something more serious for high school actors, and reaches its passionate zenith when it comes time for love, marriage, and children, who will start the cycle all over again. Americans love musicals. Americans invented musicals. Americans perfected musicals. But what, exactly, is a musical?In The Secret Life of the American Musical, Jack Viertel takes them apart, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next—by design or by accident, by emulation or by rebellion—from Oklahoma! to Hamilton and onward.Structured like a musical, The Secret Life of the American Musical begins with an overture and concludes with a curtain call, with stops in between for “I Want” songs, “conditional” love songs, production numbers, star turns, and finales. The ultimate insider, Viertel has spent three decades on Broadway, working on dozens of shows old and new as a conceiver, producer, dramaturg, and general creative force; he has his own unique way of looking at the process and at the people who collaborate to make musicals a reality. He shows us patterns in the architecture of classic shows and charts the inevitable evolution that has taken place in musical theater as America itself has evolved socially and politically.The Secret Life of the American Musical makes you feel as though you’ve been there in the rehearsal room, in the front row of the theater, and in the working offices of theater owners and producers as they pursue their own love affair with that rare and elusive beast—the Broadway hit.

    She’s on her way to becoming valedictorian at Hundred Oaks High, she’s made the all-star softball team, and she has plenty of friends. Then her mother’s scandal rocks their small town and suddenly no one will talk to her.Now Parker wants a new life.So she quits softball. Drops twenty pounds. And she figures why kiss one guy when she can kiss three? Or four. Why limit herself to high school boys when the majorly cute new baseball coach seems especially flirty?But how far is too far before she loses herself completely?

    The same world moves beneath each of them, and one by one, through seemingly random acts of selflessness, they discover the vital parts they have played in each other's lives, a realization that shatters the illusion of their separateness. Moving back and forth in time and across continents, The Illusion of Separateness displays the breathtaking skill of, "a truly special writer who does things with abstract language that is so evocative and original your breath literally catches in your chest" (Andre Dubus III).

    A unique guided tour of the techniques of acting.

    He has only one friend, Earl, and together they spend their time making movies, their own incomprehensible versions of Coppola and Herzog cult classics.Until Greg’s mother forces him to rekindle his childhood friendship with Rachel.Rachel has been diagnosed with leukemia—-cue extreme adolescent awkwardness—-but a parental mandate has been issued and must be obeyed. When Rachel stops treatment, Greg and Earl decide the thing to do is to make a film for her, which turns into the Worst Film Ever Made and becomes a turning point in each of their lives.And all at once Greg must abandon invisibility and stand in the spotlight.

    Play as Hamlet, Ophelia, or King Hamlet--if you want to die on the first page and play as a ghost. It's pretty awesome! Readers can follow Yorick skull markers to stick closely to Shakespeare's plot, or go off-script and explore alternative possibilities filled with puzzles and humor.Each ending in the book is accompanied by a full-color, full-page illustration by one of the 65 most excellent artists working today, so each rereading yields new surprises and rewards. Ryan's prose is, as always, colloquial and familiar but full of clever references, vivid imagination, and only the most choice of jokes. Inventive devices like a book-within-a-book (to mirror Hamlet's play-within-a-play) take full advantage of the gamebook medium and liven up the original story for even the most disinterested of Shakespeare readers!To Be or Not to Be became a sensation when it launched: over 15,000 people backed the book in just one month, and it remains the number-one most funded publishing project ever on Kickstarter.com.To be, or not to be: that is the adventure!