Still under psychological evaluation, Fawkes returns to the force eager for a big case. When his former partner and friend, Detective Emily Baxter, calls him to a crime scene, he's sure this is it: the body is made of the dismembered parts of six victims, sewn together like a puppet--a corpse that becomes known as "The Ragdoll."Fawkes is tasked with identifying the six victims, but that gets dicey when his reporter ex-wife anonymously receives photographs from the crime scene, along with a list of six names, and the dates on which the Ragdoll Killer plans to murder them.The final name on the list is Fawkes.Baxter and her trainee partner, Alex Edmunds, hone in on figuring out what links the victims together before the killer strikes again. But for Fawkes, seeing his name on the list sparks a dark memory, and he fears that the catalyst for these killings has more to do with him--and his past--than anyone realizes.With a breakneck pace, a twisty plot, and a wicked sense of humor, Ragdoll announces the arrival of the hottest new brand in crime fiction.

    Which is why he should have listened to his own.  While in an airport restroom at Atlanta’s Hartsfield-Jackson International, Will overhears a girl’s pleading, plaintive voice: “Please, I wanna go home.” Something isn’t right here, thinks Will. He feels it in his gut. But he waits too long to act, and now the girl and the anxious, angry man she’s with have disappeared into the crowds at the busiest passenger airport in the world.  After a desperate search and with time running out, Will makes a call to his supervisor, Amanda Wagner. Will’s partner, Faith Mitchell, immediately sends out an abducted child alert. The entire airport will soon be grinding to a halt: Almost 100 million passengers a year. Five runways. Seven concourses. Six million square feet of space that sprawled across two counties, three cities, and five jurisdictions. All shut down on a dime because Will has a hunch that he is certain is true: a girl, maybe six or seven years old, has been snatched from God knows where. And he intends to bring her back—no matter what it takes. Includes an exclusive excerpt from Karin Slaughter’s thrilling new novel of suspense, Criminal. PRAISE FOR THE CRIME FICTION OF KARIN SLAUGHTER  “Karin Slaughter is one of the best crime novelists in America.”—The Washington Post  “Crime fiction at its finest.”—Michael Connelly “An absolute master.”—Chicago Tribune “Slaughter writes with a razor. . . . Better than Cornwell can ever hope to be.”—The Plain Dealer “Slaughter will have you on the edge of your seat.”—Seattle Post-Intelligencer “One of the boldest thriller writers working today.”—Tess Gerritsen  “Move over, Catherine Coulter—Slaughter may be today’s top female suspense writer.”—Library Journal (starred review)

    Bright and brilliant, they are destined for great things, and the youngest of the group—Aurora Jackson—is delighted to be allowed to tag along. The evening starts like any other—they drink, they dance, they fight, they kiss. Some of them slip off into the woods in pairs, others are left jealous and heartbroken. But by morning, Aurora has disappeared. Her friends claim that she was safe the last time they saw her, right before she went to sleep. An exhaustive investigation is launched, but no trace of the teenager is ever found.Thirty years later, Aurora’s body is unearthed in a hideaway that only the six friends knew about, and Jonah Sheens is put in charge of solving the long-cold case. Back in 1983, as a young cop in their small town, he had known the teenagers—including Aurora—personally, even before taking part in the search. Now he’s determined to finally get to the truth of what happened that night. Sheens’s investigation brings the members of the camping party back to the forest, where they will be confronted once again with the events that left one of them dead, and all of them profoundly changed forever.

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    A handsome man approaches. He’s charming and sophisticated. She flirts and drinks champagne. And then nothing. Total blackness. Nothing, that is, apart from these two facts: a man is dead and her address is found in his pocket . . .

    As hunger and thirst set in, only one walks away alive.It’s a game more twisted than any Detective Helen Grace has ever seen. If she hadn’t spoken with the shattered survivors herself, she almost wouldn’t believe them.Helen is familiar with the dark sides of human nature, including her own, but this case—with its seemingly random victims—has her baffled. But as more people go missing, nothing will be more terrifying than when it all starts making sense....

    For fifteen years, Nap has been searching, both for Maura and for the real reason behind his brother's death. And now, it looks as though he may finally find what he's been looking for. When Maura's fingerprints turn up in the rental car of a suspected murderer, Nap embarks on a quest for answers that only leads to more questions—about the woman he loved, about the childhood friends he thought he knew, about the abandoned military base near where he grew up, and mostly about Leo and Diana—whose deaths are darker and far more sinister than Nap ever dared imagine.

    . .The brutal murders of three young boys paralyze the citizens of Platte City, Nebraska. What's worse is the grim realization that the man recently executed for the crimes was a copycat. When Sheriff Nick Morrelli is called to the scene of another grisly murder, it becomes clear that the real predator is still at large, waiting to kill again.Morreli understands the urgency of the case terrorizing his community, but it's the experienced eye of FBI criminal profiler Maggie O'Dell that pinpoints the true nature of the evil behind the killings -- a revelation made all the more horrific when Morrelli's own nephew goes missing.Maggie understands something else: the killer is enjoying himself, relishing his ability to stay one step ahead of her, making this case more personal by the hour. Because out there, watching, is a killer with a heart of pure and perfect evil.

    Held in an underground cell, her only contact was with her sadistic captor, and reading his face was her entire existence. Learning his every line, every movement, and every flicker of thought is what kept her alive.After her experience with isolation and torture, she is left with a fierce desire for justice—and a heightened ability to interpret the body language of both the living and the dead. Despite colleagues’ doubts about her mental state, she resumes her role at Homicide. Her new partner, Detective Uriah Ashby, doesn’t trust her sanity, and he has a story of his own he’d rather keep hidden. But a killer is on the loose, murdering young women, so the detectives have no choice: they must work together to catch the madman before he strikes again. And no one knows madmen like Jude Fontaine.

    Famed for his good looks, he receives adoring letters every day from his countless admirers. He's also a convicted murderer, facing life in prison.Who would join such a club?Maggie Rosie is a successful lawyer and true-crime author. Reclusive and enigmatic, she only takes on cases she can win.Hamish is convinced that Maggie can change his fate. Maggie is determined not to get involved. She thinks she's immune to the charms of such a man. But maybe not this time . . .Would you?

    Anger simmers. Fear and prejudice awaken. Old friends turn on each other. Violence threatens.So when a young teenage girl is savagely murdered while babysitting at the house of the lead attorney in the case, Detective Sonja Test believes the girl's murder and the divisive case must be linked.However, as the young detective digs deeper into her first murder case, she discovers sordid acts hidden for decades, and learns that behind the town's idyllic façade of pristine snow lurks a capacity in some for great darkness and the betrayal of innocents. And Sonja Test, a mother of two, will do anything to protect the innocent.

    For the second time in a year, a beautiful teenage girl has disappeared off the streets of Duluth, Minnesota—gone without a trace, like a bitter gust off Lake Superior. The two victims couldn’t be more different.  First it was Kerry McGrath, bubbly, sweet sixteen.  And now Rachel Deese, strange, sexually charged, a wild child.  The media hounds Stride to catch a serial killer, and as the search carries him from the icy stillness of the northern woods to the erotic heat of Las Vegas, he must decide which facts are real and which are illusions.  And Stride finds his own life changed forever by the secrets he uncovers.  Secrets that stretch across time in a web of lies, death, and illicit desire.  Secrets that are chillingly…immoral.

    Adopted off the streets as a little girl by a police inspector and his wife, she is still not altogether civilized now that she is a sergeant in the Special Crimes section. With her ferocious intelligence and green gunslinger eyes, Mallory (never Kathleen, never Kathy) operates by her own inner compass of right and wrong, a sense of justice that drives her in unpredictable ways. She is a thing apart.And today, she is a thing possessed. Although more at home in the company of computers than in the company of men, Mallory is propelled onto the street when the body of her adoptive father, Louis Markowitz, is found stabbed in a tenement next to the body of a wealthy Gramercy Park woman. The murders are clearly linked to two other Gramercy Park homicides Markowitz had been investigating, and now his cases become Mallory's, his death her cause. Prowling the streets, sifting through his clues, drawing on his circle of friends and colleagues, she plunges into a netherworld of light and shadow, where people are not what they seem and truth shifts without warning. And a murderer waits who is every bit as wild and unpredictable as she....Filled with deep, seductive atmosphere and razor-sharp prose, Mallory's Oracle is gripping, resonant suspense of tantalizing complexity—a genuinely unforgettable novel.

    But is he a killer? Even liars tell the truth... sometimes.Twenty-six-year-old Cat Kinsella overcame a troubled childhood to become a Detective Constable with the Metropolitan Police Force, but she's never been able to banish these ghosts. When she's called to the scene of a murder in Islington, not far from the pub her estranged father still runs, she discovers that Alice Lapaine, a young housewife who didn't get out much, has been found strangled.Cat and her team immediately suspect Alice's husband, until she receives a mysterious phone call that links the victim to Maryanne Doyle, a teenage girl who went missing in Ireland eighteen years earlier. The call raises uneasy memories for Cat--her family met Maryanne while on holiday, right before she vanished. Though she was only a child, Cat knew that her charming but dissolute father wasn't telling the truth when he denied knowing anything about Maryanne or her disappearance. Did her father do something to the teenage girl all those years ago? Could he have harmed Alice now? And how can you trust a liar even if he might be telling the truth?Determined to close the two cases, Cat rushes headlong into the investigation, crossing ethical lines and trampling professional codes. But in looking into the past, she might not like what she finds...

    When she's pulled over by an unsettling local sheriff, things soon go awry and she is taken into custody. Only when she gets to the station, her kids are gone. And then the cops start saying they never saw any kids with her, that if they're gone than she must have done something with them... Meanwhile, halfway across the country a man hears the frenzied news reports about the missing kids, which are eerily similar to events in his own past. As the clock ticks down on the search for the lost children, he too is drawn into the desperate fight for their return.