V. M. Gonzalez has influenced an entire generation of young Philippine writers and has also acquired a devoted international readership. His books, however, are not widely available in this country. The Bread of Salt and Other Stories provides a retrospective selection of sixteen of his short stories (all originally written in English), arranged in order of their writing, from the early 1950s to the present day.This is a powerful collection, both for the unity and universality of the author's subjects and themes and for the distinctive character of his prose style. As Gonzalez remarks in his Preface: "In tone and subject matter, [these stories] might suggest coming full circle - in the learning of one's craft, in finding a language and, finally, in discovering a country of one's own."Gonzalez has traveled widely and has taught the writer's craft in various countries. Nonetheless, his primary metaphor is his colonial island homeland, and his stories are peopled with the farmers and fishermen, the schoolteachers and small-town merchants, "the underclass who constitute the majority in all societies." He portrays, in the men, women, and children of the peasantry, an ordinary and enduring people who live lives of stark dignity against a backdrop of forgotten and unknown gods. A broad humanity suggests itself: "This feeling of having emerged out of a void, or something close to it, is not uncommon, and we face our respective futures predisposed, by an innocence, to prayer and hope."Colonization, Gonzalez feels, has created in Filipinos "a truly submerged people." The stories in The Bread of Salt explore this rich vein at several levels, from the river-crossed wilderness of the kaingin farmers, stoic in the hard face of nature; to the commercial centers of the town dwellers, cut off from the mythic animism of the land; to the America of the contemporary sojourner, exiled from the old ways without the guidance of new traditions. Gonzalez writes: "It was in America that I began to recognize my involvement in the process of becoming a new person . . . of trying to shed my skin as a colonial."Gonzalez's social commentary is implicit throughout his stories. His message is humane, moral, tellingly accurate, and gently ironic; he is neither sentimental nor doctrinaire. His narratives are presented without intrusive explanation, invoking instead the reader's own powers of contemplation and discovery. His strong prose style, spare yet lyrical suggests the cadences of Philippine oral narrative traditions.Each of these sixteen tales is a small masterpiece. The language and its imagery, the characters and their aspirations, all connect powerfully with the reader and serve to illuminate the dreams of exiles and colonials, suggesting what it was like, as a Filipino, to witness the endless interacting of cultures.

    And for a disparate, disconnected clutch of wanderers - many thousands of miles apart but linked by a common goal - four parallel journeys are just beginning.Gorych and his driver, rolling through water, sand and snow on an empty petrol tank; the occupant of a black airship, looking down benevolently as he floats above his Fatherland; young Andrey, who leaves his religious community in search of a new life; and Kharitonov, who trudges from the Sea of Japan to Leningrad, carrying a fuse that, when lit, could blow all and sundry to smithereens.Written in the final years of Communism, The Bickford Fuse is a satirical epic of the Soviet soul, exploring the origins and dead-ends of the Russian mentality from the end of World War Two to the Union's collapse. Blending allegory and fable with real events, and as deliriously absurd as anything Kurkov has written, it is both an elegy for lost years and a song of hope for a future not yet set in stone.

    And in this way was the world complete, for light was joined to dark. For all time would they be joined together. Only the ending of the world could tear them apart. In other words, in the days in which my parents married, there was no such thing as divorce....Thus begins the tale of Mina, a girl-child born on the longest night of the darkest month of the year. When her father looked at her, all he saw was what he feared: By birth, by name, by nature, she belonged to the Dark. So when Mina turned sixteen, her father took her away from shadow and brought her into sunlight.In retaliation, her mother lured a handsome prince into a deadly agreement: If he frees Mina, he can claim her as his bride.Now Mina and her prince must endure deadly trials -- of love and fate and family -- before they can truly live happily ever after....

    He sleeps in a real bed and eats real food and only jumps into Neuroma to work. All he wanted was to log in, work and log out and live in general obscurity. Getting the attention of a CEO, meeting a stranger in real life, and forced to play in a secret game of corporations were not penciled into his calendar. While that was bad, he started to question whether Odditek was still in control, or had their complacency created the noose tightening around their neck. Bran was not yet aware of the choice before him. He could no longer stand back and watch, and he had to pick a side and fight before he lost the ability to choose. Would he recognize the inevitable in time? Was it possible to make a ‘correct’ choice, or had the lines blurred so much that hero and villain were indistinguishable? This novel is part of an Odditek series and is a LitRPG novel. I realize it’s the first Odditek series, but more are coming. This series started as a companion series to a book called Lantern Online. I wanted a way to build up the world as it now exists, and to explain what Odditek is. Neuroma and Nerves are mentioned in Lantern Online, and I felt all that information was taking away from my story and is mostly not relevant, but good to know information. I took a lot of it out and added it to this series. Anyway, out of that came Office Wars. I hope it's different than most LitRPG you will read, and brings another dimension to the genre. Explicit language! I will not lie, there is a satirical nature to this story, and a lot of the language and scenarios are morally questionable on purpose. In this story and I use a lot of curse words and controversial commentary. Just look on Facebook or any half a dozen social media sites, and you will see similar language, conversations, and other nonsense. If we all moved into a digital world, this is how I view that world.

    Even if his nanay keeps on reminding him, he runs off to play outside, not taking a bath.One morning, he wakes up to find little plans sprouting from different parts of his body! Will these plants ever stop growing?

    In an adventure equal to any a storyteller might relate, a crippled serving girl faces the intrigues of the harem, the dangers of the streets, and the anger of the Sultan himself to find the needed ending to an incomplete story.

    Lucy, a schoolgirl of 11, finds that the animals of the world have been expecting her for more than a million years. Her exciting adventures take her to the heart of the greatest jungle on Earth, where the animals help her to overcome ruthless and deadly foes.

    But the dream of romance with popular Dave Young soon turns into a nightmare of juvenile delinquency when Dave, resentful of his stepmother and her pregnancy, becomes rebellious, involving Sue in thrill stealing, blatantly ignoring the authority of his parents and parents in general. David's rebellion becomes Sue's crisis as with love and sympathy she leads him toward a normal acceptance of family life.

    By accident she discovers a simple box, said to contain something so terrifying and horrible that no one must ever, ever touch it for fear of inflicting all of mankind with the wrath of the Gods and Goddesses. This, of course, makes the box the perfect thing for Pandora to bring for her school project. Unfortunately, things don't go quite the way she was hoping, and the box accidentally gets opened, unleashing all kinds of evil and misery into the world. Hauled before Zeus, Hera and the rest of immortals, Pandy's given the task of collecting all the evils within a year's time.

    Odin All Father crossed the Rainbow Bridge to walk among men in Midgard. Thor defended Asgard with his mighty hammer. Mischievous Loki was constantly getting into trouble with the other gods, and dragons and giants walked free. This collection of Norse sagas retold by author Padraic Colum gives us a sense of that magical time when the world was filled with powers and wonders we can hardly imagine.

    At first it all appears to be a great adventure. When the children need an audience for a play they have mounted, they make their own out of old clothes, pillows, and umbrellas. Then things go inexplicably wrong. To the young dramatists’ horror, as the curtain falls, there is a ghastly applause. The creatures have come alive—and they prove to be most disagreeable!In Five Children and It (1902), a group of children are digging in a sandpit one day when they discover a small, bad-tempered sand-fairy known as the Psammead, who is allowed to grant one wish per day. The children wish for many things—to be beautiful, to be rich, to grow wings—but none of the wishes turn out right. Luckily, the magic wears off at sunset, but will that be soon enough?

    She always follows the rules, thinks of others first, and she never, ever makes mistakes. Until she marries the man she thought was her Prince Charming, who confesses on their honeymoon that he's not sexually attracted to her. Now, 14 months after, Holly's marriage is in the toilet, along with her self-esteem. Determined to start over, she moves to San Francisco, where she must navigate the landmines of dating in the big city. In the shadow of the Golden Gate and amid a population of wacky Bay Area eccentrics, Holly will discover that nice girls don't always finish last. In fact, they sometimes end up with everything they'd ever wanted.

    . . .It's New Year's Eve in Camelot, where King Arthur, Queen Guinevere, and all their good Knights wait breathlessly for an extravagant feast to begin. Suddenly, a strange and frightening Knight bursts into the hall — a giant of a man, green from head to toe, who mockingly challenges the Court to a shocking game. Only the chivalrous Sir Gawain dares to take on the hideous Green Knight. But over the unexpected course of his test,will Gawain prove as brave and honest as he'd like to believe? Welcome to a medieval world full of sword fights and shape-shifting, monsters and magic, and timeless characters both gallant and wonderfully human. Written anonymously in the fourteenth century, Sir Gawain and the Green Knight is retold in its entirety by Michael Morpurgo in a lively and accessible narration that captures all the tale's drama and humor. Vivid illustrations by the celebrated Michael Foreman infuse this classic tale with the sights and colors of dragons, swords, and medieval pageantry.

    This is the best known version of the original story that inspired Walt Disney’s classic and has been retold countless times and adapted for screen, stage, prose, and television.

    For a thousand years humans and pegasi have lived in peace, relying on human magicians and pegasi shamans to converse. But close friends Sylvi and Ebon can talk. As their bond strengthens, can their friendship threaten to destroy the peace between their nations?