His work ranges from the deceptively simple and lyrical Songs of Innocence and their counterpoint Experience - which juxtapose poems such as 'The Lamb' and 'The Tyger', and 'The Blossom' and 'The Sick Rose' - to highly elaborate, apocalyptic works, such as The Four Zoas, Milton and Jerusalem. Throughout his life Blake drew on a rich heritage of philosophy, religion and myth, to create a poetic worlds illuminated by his spiritual and revolutionary beliefs that have fascinated, intrigued and enchanted readers for generations.

    Selected by a team of poets and prominent Neruda scholars in both Chile and the United States, this is a definitive selection that draws from the entire breadth and width of Neruda’s various styles and themes. An impressive group of translators that includes Alaistair Reid, Stephen Mitchell, Robert Hass, Stephen Kessler and Jack Hirschman have come together to revisit or completely retranslate the poems. A bilingual edition, with English on one side of the page, the original Spanish on the other. This selection sets the standard for a general, high--quality introduction to Neruda’s complete oeuvre. Pablo Neruda was born in Chile in 1904. He received the Nobel Prize for Literature in 1971.

    K. Williams by turns ruminative, stalked by "the conscience-beast, who harries me," and "riven by idiot vigor, voracious as the youth I was for whom everything was going too slowly, too slowly." Poems about animals and rural life are set hard by poems about shrapnel in Iraq and sudden desire on the Paris Métro; grateful invocations of Herbert and Hopkins give way to fierce negotiations with the shades of Coleridge, Dostoevsky, and Celan. What the poems share is their setting in the cool, spacious, spotlit, book-lined place that is Williams's consciousness, a place whose workings he has rendered for fifty years with inimitable candor and style.

    By turns seductive and self-deprecating, Women in Public navigates a world where the erotics of the body and mind do battle against the constructs that would demean and define them, using lyric, fragment, humor, and repetition to create a space flexible enough to hold the many contradictions of reality. Where expectations and desires can be piled too easily upon the body, Kahn digs in her heels, writing in attempt to liberate physical form from society's confines.Praise for Women in Public:"'Do you think that you are greater than a mom?' This is an intensely honest, honestly intense poetry. Humorous, carnal, accusatory, celebratory––Women in Public tells me to get lost so I do. When I find myself later, I'm re-reading Women in Public."––Rod Smith"In these exhilarating poems, Elaine Kahn shoots from the groin, championing a ferociousness that rages against asperity while playfully seducing the reader to misbehave. Hers is a realm where oceans beat against genitals, and Hannah Wilke warms the earth. I don’t want to let go of Women in Public for I want its boldness all to myself."––Dodie BellamyAbout the Author:Musician, poet, artist, Elaine Kahn was born in Evanston, Illinois and is currently based in Oakland, California. She received an MFA from the Iowa Writers' Workshop and a BA from California College of the Arts. Kahn is the author of three poetry chapbooks, A Voluptuous Dream During an Eclipse (2012), Customer (2010), and Radiant Bottle Caps (2008), and is a contributor to Art Papers. Her music project, Horsebladder, has toured widely throughout the U.S. and Canada. She is also co-founder of the feminist puppet troop P. Splash Collective and managing editor of the small press Flowers & Cream.

    Raw is a collection of poetry written to unveil thoughts on concepts such as self-love, forgiveness, survival and cultural-identity.

    What did I know of our language but pieces? Would I teach her to be pieces? Until a friend comforted, Don’t worry, you and your daughter will learn together. Today she stood sunlight on her shoulders lean and straight to share a song in Diné, her father’s language. To sing she motions simultaneously with her hands; I watch her be in multiple musics.—from “WHEREAS Statements”WHEREAS confronts the coercive language of the United States government in its responses, treaties, and apologies to Native American peoples and tribes, and reflects that language in its officiousness and duplicity back on its perpetrators. Through a virtuosic array of short lyrics, prose poems, longer narrative sequences, resolutions, and disclaimers, Layli Long Soldier has created a brilliantly innovative text to examine histories, landscapes, her own writing, and her predicament inside national affiliations. “I am,” she writes, “a citizen of the United States and an enrolled member of the Oglala Sioux Tribe, meaning I am a citizen of the Oglala Lakota Nation—and in this dual citizenship I must work, I must eat, I must art, I must mother, I must friend, I must listen, I must observe, constantly I must live.” This strident, plaintive book introduces a major new voice in contemporary literature.

    This book contains the poem “Grace”, which the Poetry Society of America chose for their Poetry in Motion series to entertain public transit passengers in major metropolitan areas.

    Organized in the format of an encyclopedia, each letter of the alphabet includes several poems on the theme of the word that begins with that letter. Emotional and inspiring, Encyclopedia of a Broken Heart will appeal to every modern poetry lover.

    The book has no illustrations or index.

    How it works: Ten poets choose a poem of their own and a poem by another poet, who then does the same, and so on unto the fifth generation. Thus D. C. Berman leads to Charles Simic by way of James Tate, and other chains run through Mary Karr, Denis Johnson, C. D. Wright, Michael Ondaatje, John Ashbery, Mark Doty, C. K. Wright, Dean Young, Yusef Komunyakaa, and dozens more.

    The title of this book is taken from Henry Miller's "Into the Night Life" and expresses the way Lawrence Ferlinghetti felt about these poems when he wrote them during a short period in the 1950's—as if they were, taken together, a kind of Coney Island of the mind—a kind of circus of the soul.

    Some stories are funny, some poetic, some vulgar, and some are a little disturbing. Each story has been lovingly crafted to amuse and entertain you in six words.Six Word Wonder is a social media sensation, with over 10,000 followers on Instagram @sixwordwonderNow, for the first time, Doug brings his best tiny stories together in one collection. Unlocking the cage, she stepped out.Cupid. Tomorrow, aim for his head.Home alone, but toilet just flushed.Baby loves whining. Mother loves wine.…reader. I’m a very gifted mind…I poured two glasses… then remembered.Take a moment out of your hectic schedule to enjoy a Six Word Wonder.

    He wrote the first American translation of Dante Alighieri's Divine Comedy and was one of the five members of the group known as the Fireside Poets. He established his literary career by submitting poetry and prose to various newspapers and magazines. Between January 1824 and his graduation in 1825, he had published nearly 40 minor poems. About 24 of them appeared in the short-lived Boston periodical The United States Literary Gazette. After graduating in 1825, he was offered a job as professor of modern languages at his alma mater. The story, possibly apocryphal, is that an influential trustee, Benjamin Orr, had been so impressed Longfellow's translation of Horace that he was hired under the condition that he travel to Europe to study French, Spanish and Italian. When he returned to the United States in 1836, Longfellow took up the professorship at Harvard University. He began publishing his poetry, including Voices of the Night in 1839 and Ballads and Other Poems, which included his famous poem The Village Blacksmith, in 1841. His other works include Paul Revere's Ride, A Psalm of Life, The Song of Hiawatha, Evangeline and Christmas Bells.

    It was an unusual choice—even an unpopular one—for a poet in a midcentury American literary scene that was less interested in forms. But it was the right choice, for Berryman found himself in a situation that called for the sonnet: after several years of a happy marriage, he had fallen helplessly, hopelessly in love with the young wife of a colleague.     “Passion sought; passion requited; passion delayed; and, finally, passion utterly thwarted”: this is how the poet April Bernard, in her vivid, intimate introduction, characterizes the sonnet cycle, and it is the cycle that Berryman found himself caught up in. Of course the affair was doomed to end, and end badly. But in the meantime, on the page Berryman performs a spectacular dance of tender, obsessive, impossible love in his “characteristic tonal mixture of bravado and lacerating shame-facedness.” Here is the poet as lover, genius, and also, in Bernard’s words, as nutcase.     In Berryman’s Sonnets, the poet draws on the models of Petrarch and Sidney to reanimate and reimagine the love-sonnet sequence. Complex, passionate, filled with verbal fireworks and the emotional strains of joy, terror, guilt, and longing, these poems are ripe for rediscovery by contemporary readers.

    As I crossed over to the other side of forty, I found myself constantly wondering, "Is this it? Is it all there is for me? All those sacrifices that I made as a woman, have they really been worth it?" I was constantly dealing with self-created issues of love, vulnerabilities, and self-worth. On one such day, as I sat under a beautiful, half-naked maple tree, I found myself in the middle of a stark contradiction between the ethereal beauty of nature surrounding my body and the dark shadows of emotions surrounding my mind. As I tried to make peace between the two, my eyes fell on a fallen autumn leaf. There, it lay… Quivering yet unafraid  completely devoid of any shame It let the earth embrace its pain ‘cause in healing, there is no shame. When I turned the leaf over I found my face smiling back at me And just like that on that autumn day I found a piece of my broken me.
And from that day, I began collecting my broken pieces. ‘Unsaid’ is a collection of these broken pieces in the form of poetry & prose. I offer this book as a memoir of my learnings and realizations with the hope that these thoughts will speak to you in the same way they spoke to me. And however sketchy or incomplete these learnings may be, I offer them with complete humility and gratitude.  We live our lives thinking that all that we are doing will one day be worth it. Well, that one day is today. Has it been worth it?