"I'm not hungry," he insists. Not hungry? Hmm. Clever Nonna gets an idea. She'll use a story to lure Leo to her table. And since the pasta in her soup, called stelline (little stars), is woven into the story about a boy who journeys to his grandmother's at night, it works. But again on the following Sunday, Leo doesn't want to eat. So Nonna expands her story, this time adding some chiancaredde (paving stones), the name of the pasta she's serving that day, to create a path for her character to follow. Now Leo's hooked. So much that he begins to badger Nonna every Sunday to reveal more pasta-based details of the story. And week by week, as Leo's relatives crowd around listening to Nonna and teasing Leo to get him to mangia (eat), he slowly comes to realize just how happy he is to have a place at this table. In this heartwarming picture book, award-winning author Caroline Adderson beautifully captures the love and tenderness Leo feels from his grandmother and the rest of his close-knit family through lively, true-to-life dialogue. The playful, detailed artwork by Jos?e Bisaillon helps bring all of them to life. This book offers a perfect framework for lessons exploring the heritage, customs and relationships of families. The unique story-within-a-story concept, along with the idea that Nonna's tale is being told cumulatively, could easily launch a storytelling assignment. Additionally, the section on pasta and the list of Italian vocabulary words make a great introduction to foreign cultures through food and language.

    There are many acts to see, but only Skippito the Strong can perform the trickiest stunt of all. Judy Schachner's vivacious art and riotous text make for mucho read-aloud fun.Come one, come all--with Skippyjon Jones as the circus star, the Greatest Show on Earth just got even better!Includes a CD of the author reading!

    . . until she had to share it with her new brother. With Brandon's toys, books, and even underwear taking up space, Mia has finally had it. I'm moving out! There are lots of new and interesting spaces she could settle into--the bathroom, the basement, even a pillow fort. But something is always missing. What could it be? Tackling the oh-so-relatable topic of finding a space of one's own, Mia will inspire siblings everywhere to work together as a team. Because sometimes the best place of all is a shared one.

    As the year passes, the narrator’s favorite dress goes through a series of creative changes, from dress to shirt to tank top to scarf and so on, until all that’s left of it is a good memory. Assisted by her patient and crafty mama, the narrator finds that when disaster strikes her favorite things, she doesn’t need to make mountains out of molehills—she “makes molehills out of mountains” instead! Structured around the days of the week, the story is also illustrated to show the passing of the seasons, a perfect complement to the themes of growing older and keeping hold (and letting go) of special mementos.

    It makes her feel closer to her paati who lives far away in India. On Saturdays, Neela and Amma go to the green market and today they are buying tomatoes to make Paati's famous sauce. But first, Neela needs to learn about all the different kinds of tomatoes they can pick from. And as Neela and Amma cook together, they find a way for Paati to share in both the love and the flavors of the day.

    She is an outsider wherever she goes, caught between being black and white, American and not. She tries to connect these dislocated pieces of her life, and as her mother succumbs to cancer, Thandi searches for an anchor—someone, or something, to love. In arresting and unsettling prose, we watch Thandi’s life unfold, from losing her mother and learning to live without the person who has most profoundly shaped her existence, to her own encounters with romance and unexpected motherhood. Through exquisite and emotional vignettes, Clemmons creates a stunning portrayal of what it means to choose to live, after loss. An elegiac distillation, at once intellectual and visceral, of a young woman’s understanding of absence and identity that spans continents and decades, What We Lose heralds the arrival of a virtuosic new voice in fiction.

    James muddles through a topsy-turvy relationship with his son, Rufus, which is further complicated when Rufus marries Claudia Christie.Claudia’s mother—Agnes Miller Christie—is a beautiful African American woman who survives a chance encounter on a Georgia road that propels her into a new life in the Bronx. Soon after, her husband, Eddie Christie, is called to duty on an air craft carrier in Vietnam, where Tom Stoppard’s play “Rosencrantz and Guildenstern Are Dead” becomes Eddie’s life anchor, as he grapples with mounting racial tensions on the ship and counts the days until he will see Agnes again.These unforgettable characters’ lives intersect with a cast of lovers and friends—the unapologetic black lesbian who finds her groove in 1970s Berlin; a moving man stranded in Portsmouth, New Hampshire, during a Thanksgiving storm; two half-brothers who meet as adults in a crayon factory; and a Coney Island waitress whose Prince Charming is too good to be true.With piercing humor, exacting dialogue, and a beautiful sense of place, Regina Porter’s debut is both an intimate family portrait and a sweeping exploration of what it means to be American today.

    Extraordinary for its exquisite language, its implacable sorrow, its soaring beauty, and for its monumental portrait of the forces that shape families and nations, Homegoing heralds the arrival of a major new voice in contemporary fiction.Two half-sisters, Effia and Esi, are born into different villages in eighteenth-century Ghana. Effia is married off to an Englishman and lives in comfort in the palatial rooms of Cape Coast Castle. Unbeknownst to Effia, her sister, Esi, is imprisoned beneath her in the castle's dungeons, sold with thousands of others into the Gold Coast's booming slave trade, and shipped off to America, where her children and grandchildren will be raised in slavery. One thread of Homegoing follows Effia's descendants through centuries of warfare in Ghana, as the Fante and Asante nations wrestle with the slave trade and British colonization. The other thread follows Esi and her children into America. From the plantations of the South to the Civil War and the Great Migration, from the coal mines of Pratt City, Alabama, to the jazz clubs and dope houses of twentieth-century Harlem, right up through the present day, Homegoing makes history visceral, and captures, with singular and stunning immediacy, how the memory of captivity came to be inscribed in the soul of a nation. Generation after generation, Yaa Gyasi's magisterial first novel sets the fate of the individual against the obliterating movements of time, delivering unforgettable characters whose lives were shaped by historical forces beyond their control. Homegoing is a tremendous reading experience, not to be missed, by an astonishingly gifted young writer.

    But it's Zikora's demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Shunned by the speed with which her ideal life fell apart, Zikora turns to reflecting on her mother's painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.©2020 Chimamanda Ngozi Adichie (P)2020 Brilliance Publishing, Inc, all rights reserved.

    Until recently, they spent their days paddling in the river, picking blackberries, and teasing each other mercilessly. But now, King Desmond has insisted that Wynston devote every spare second to ruby-shining and princess-finding. Lucy feels left out. So she sets off for the Scratchy Mountains to solve the mystery of her missing mother. When Wynston discovers that Lucy is gone, he tears after her, and together they embark on a series of strange and wonderful adventures.From the Hardcover edition.

    The boy says he heard that the girl has two dads. The girl says that is right--she has Daddy and Poppa. True to a child’s curiosity, practical questions follow: "Which dad helps when your team needs a coach? / Which dad cooks you eggs and toast?” To which she answers: "Daddy is my soccer coach. / Poppa cooks me eggs and toast.”Intended for 4- to 8-year-olds, this book introduces a type of family increasingly visible in modern society. Neither favoring nor condemning, it reflects a child’s practical and innocent look at the adults who nurture and love her. It becomes clear that the family bond is unburdened by any cultural discomforts.

    He's not too thrilled about all the chores either—especially fishing. Before long, though, a raft appears in the nearby river, and it changes everything. As Nicky explores, the raft works a subtle magic on the obstinate young boy, opening up the wonders all around him: the animals of river and woods, his grandmother's humor and wisdom, and his own special talent as an artist.This is a serene story about a summer in the woods, appreciating things—and people—in a whole new light, and discovering one's own talents. School Library Journal proclaimed, "this dazzling picture book is an artistic triumph." A note from the author describes the similarities between LaMarche's and Nicky's life.Supports the Common Core State Standards

    From a red prayer rug to a blue hijab, everyday colors are given special meaning as young readers learn about clothing, food, and other important elements of Islamic culture, with a young Muslim girl as a guide. Sure to inspire questions and observations about world religions and cultures, Golden Domes and Silver Lanterns is equally at home in a classroom reading circle as it is being read to a child on a parent's lap.

    They are reassured when he nobly saves the day in imaginary-play sessions as a cowboy or cop and his mustache looks good-guy great. But as time passes, their worst fears are confirmed when little Billy’s mustache starts to curl up at the ends in a suspiciously villainous fashion. Sure enough, “Billy’s disreputable mustache led him into a life of dreadful crime.” Plenty of tongue-in-cheek humor and cartoonish illustrations make this the perfect baby-shower gift for a mustachioed father-to-be.

    When Greg finds a stick and draws a lion in the sand, his father says, "Don't go in the water, and don't leave Sandy." The little boy follows his father's advice. But he still manages to travel down the beach quite a way before realizing he can no longer see the blue umbrella where Dad is waiting. Greg's journey takes him past such landmarks as a jellyfish, a sand castle, a big pit in the sand, a ghost-crab hole, and more. Fortunately, he has his stick-and Sandy's tail-with him the whole way.