She wasn't on assignment. She chose the subjects simply because they meant something to her. The first place was Emily Dickinson's house in Amherst, Massachusetts, which Leibovitz visited with a small digital camera. A few months later, she went with her three young children to Niagara Falls. "That's when I started making lists," she says. She added the houses of Virginia Woolf and Charles Darwin in the English countryside and Sigmund Freud's final home, in London, but most of the places on the lists were American. The work became more ambitious as Leibovitz discovered that she wanted to photograph objects as well as rooms and landscapes. She began to use more sophisticated cameras and a tripod and to travel with an assistant, but the project remained personal.Leibovitz went to Concord to photograph the site of Thoreau's cabin at Walden Pond. Once she got there, she was drawn into the wider world of the Concord writers. Ralph Waldo Emerson's home and Orchard House, where Louisa May Alcott and her family lived and worked, became subjects. The Massachusetts studio of the Beaux Arts sculptor Daniel Chester French, who made the seated statue in the Lincoln Memorial, became the touchstone for trips to Gettysburg and to the archives where the glass negatives of Lincoln's portraits have been saved. Lincoln's portraitists--principally Alexander Gardner and the photographers in Mathew Brady's studio--were also the men whose work at the Gettysburg battlefield established the foundation for war photography. At almost exactly the same time, in a remote, primitive studio on the Isle of Wight, Julia Margaret Cameron was developing her own ultimately influential style of portraiture. Leibovitz made two trips to the Isle of Wight and, in an homage to the other photographer on her list, Ansel Adams, she explored the trails above the Yosemite Valley, where Adams worked for fifty years.The final list of subjects is perhaps a bit eccentric. Georgia O'Keeffe and Eleanor Roosevelt but also Elvis Presley and Annie Oakley, among others. Figurative imagery gives way to the abstractions of Old Faithful and Robert Smithson's Spiral Jetty. Pilgrimage was a restorative project for Leibovitz, and the arc of the narrative is her own. "From the beginning, when I was watching my children stand mesmerized over Niagara Falls, it was an exercise in renewal," she says. "It taught me to see again."

    Kelly's photos prove that this perspective--from 250 miles above Earth-- while hard-won, is also almost unspeakably beautiful. A gift for photography helped make Kelly a social media sensation, and here his photos are collected alongside his own commentary, which set the images in their proper contexts, human and cosmic.Kelly captures sunsets, moonrises, the aurora borealis, and the luminous, hazy tapestry of the Milky Way. He presents snapshots of life and work on the International Space Station, from spacewalks to selfies. But above all--or floating amidst all--he takes the earth itself as his celestial muse. Here are hurricanes, wrinkled mountains, New York City shining like a galaxy--glorious photographs that are, in themselves, a passionate argument for the preservation of our planet in the face of climate change and environmental destruction.

    Risking her own health, she moved to Togo, West Africa-ranked by the United Nations as the least happy country in the world-to care for sick and suffering patients.Serving without pay in a mission hospital, she pondered the intersection of faith and medicine in her quest to help make the world "well."In the hospital wards, she witnessed death over and over again. In the outpatient clinic, she daily diagnosed patients with deadly diseases, many of which had simple but unavailable cures. She lived in austere conditions and nearly succumbed herself in a harrowing bout with malaria.She describes her experiences in gripping detail and reflects courageously about difficult and deep human connections-across race, culture, material circumstances, and medical access. Her experience exemplifies the triumph of surviving in order to share the stories that often go untold. In the end, WELL is an invitation to ask what happens when, instead of asking why God allows suffering to happen in the world, we ask, "Why do we?"

    To the villagers, however, she's a rich American tourist, a nasara (white person) who has never known pain or want. They stare at her in silence. The children giggle and run away. At first her only confidant is a miraculously communicative lizard. Susana fights back with every ounce of heart and humor she possesses, and slowly begins to make a difference. She ventures out to the village well and learns to carry water on her head. In a classroom crowded to suffocation she finds a way to discipline her students without resorting to the beatings they are used to. She makes ice cream in the scorching heat, and learns how to plant millet and kill chickens. She laughs with the villagers, cries with them, works and prays with them, heals and is helped by them. Village life is hard but magical. Poverty is rampant—yet people sing and share what little they have. The termites that chew up her bed like morning cereal are fried and eaten in their turn ("bite-sized and crunchy like Doritos"). Nobody knows what tomorrow may bring, but even the morning greetings impart a purer sense of being in the moment. Gradually, Susana and the village become part of each other. They will never be the same again.

    "A rollicking, off-beat African odyssey".--Publishers Weekly.

    At the end of each visit, photographer and family collaborated on a remarkable portrait of the family members outside their home, surrounded by all of their possessions—a few jars and jugs for some, an explosion of electronic gadgetry for others. Vividly portraying the look and feel of the human condition everywhere on Earth, this internationally acclaimed bestseller puts a human face on the issues of population, environment, social justice, and consumption as it illuminates the crucial question facing our species today: Can all six billion of us have all the things we want?

    Iduma blends memoir, travelogue and storytelling in these fragments of a traveller’s journey across several African cities. Inspired by the author’s travels with photographers between 2011 and 2015, the author's own accounts are expanded to include other narratives about movement, estrangement, and intimacy. These include: an arrest in a market in N’djamena, being punished by a Gendarmes officer on a Cameroonian highway and meeting the famed photographer Malick Sidibe in Bamako.

    Ever since the early 1970s Goldin has lived with and among drag queens, documenting both their glamour and their struggles. The Other Side is her very personal declaration of love and gratitude to these drag queens, who showed her a way out of the captivity of pre-packaged, socially prescribed identity. As she put it: "The pictures in this book are not of people suffering gender dysphoria but rather expressing gender euphoria.... The people in these pictures are truly revolutionary; they are the real winners in the battle of the sexes because they have stepped out of the ring". In contrast to much of the early 90s drag queen mania, The Other Side has brilliantly passed the test of time: Goldin's photographs are as beautiful, moving, and vibrant as ever, heralding the utopian promises of a world where gender has stopped being a prison -- a vision that remains as vital and acute as it was when the book was first published.

    He invited his friends over to tag all the possessions in his apartment, and he systematically put them up for sale on eBay. An unopened box of taco shells, half a bottle of mouthwash, almost all of his clothes, his favorite records, his sideburns (in a plastic bag), his family's Christmas presents (not yet given), furniture: John didn't let sentiment or utility stand in his way. Soon his belongings were sold all over the world, with a bag of Porky's BBQ Pork Skins making its way to Japan, and a chair ending up in the Museum of Modern Art. With almost all the objects in his life now gone, he started the second phase of his journey: to go visit his one-time possessions in their new surroundings.All My Life for Sale is an extraordinary book that functions as an autobiography, a travel narrative, and a meditation on what the objects we surround ourselves with actually mean to us and what happens when we set them free. Designed by the author himself, it is visually striking, surprisingly moving, and will change the way you look at the things that surround you.

    The animals featured in these pages are either destined for extinction or already extinct in the wild but still alive today, thanks to dedication of a heroic group committed to their continued survival. From the majestic Sumatran rhinoceros to the tiny Salt Creek tiger beetle.Sartore singles out the species most likely to disappear in the next decades, as well as some that have already been lost. Alongside these images are the words of scientists and conservationists who are working to protect and restore populations of endangered species.

    Shot by some of the world's finest photographers, New York Times bestseller Rarely Seen features striking images of places, events, natural phenomena, and manmade heirlooms seldom seen by human eyes. It's all here: 30,000-year-old cave art sealed from the public; animals that are among the last of their species on Earth; volcanic lightning; giant crystals that have grown to more than 50 tons; the engraving inside Abraham Lincoln's pocket watch. With an introduction by National Geographic photographer Stephen Alvarez, whose work has taken him from the Peruvian Andes to the deepest caves of Papua New Guinea, Rarely Seen captures once-in-a-lifetime moments, natural wonders, and little-seen objects from the far reaches of the globe.

     In January 2017, Barack Obama concluded two terms of his historic presidency. Through stunning images by White House photographers and beyond, as well as notable essays and quotes from a broad spectrum of people, Obama looks back at President Obama’s journey—from his remarkable victory to his final days in office and the significant milestones along the way.        Obama features rare and unseen photographs, along with iconic images and newspaper front pages from the president’s 2,920 days in office. It includes dramatic pictures, including the iconic shot from the situation room as the president and his staff watched the live unfolding of the bin Laden raid; day-to-day images of Obama in his roles as a world leader, policy maker, commander in chief, and father; lighthearted photos from the White House Correspondents’ Dinner; late-night television appearances; and moments with the entire Obama family.       Included are excerpts from seven historic speeches and contributions from notable historians, community leaders, journalists, academics and business leaders—including Sir Richard Branson, Laurie Garrett, Tweed Roosevelt, Anastasia Somoza and others whose lives have been touched by Obama’s actions and initiatives. Obama is truly a keepsake memento of a beloved president.

    Setting out from Tangier in a battered old blue-and-yellow Land Rover, Jones and Muggleton face daunting physical challenges, from shifting sand in the Sahara to deep mud wallows in Zaire. They encounter severe food shortages in Mali, military roadblocks in Nigeria, and corrupt border guards all over. In Mauritania they meet a young girl who offers to give Jones her baby sister. As they pass through the ever-changing face of Africa toward a meeting with the Queen of the Lovedu, Jones is perceptive, funny, moving, astute–everything a good travel writer should be. You’ll feel you’re right there beside her, meeting the people, marveling at the physical beauty of the land, sharing in the grand adventure.

    It’s completely upfront with the adventures, mishaps, dust, heat and the thrills of overlanding. You’ll find that Sam’s perceptions of people, places and the various predicaments have real depth and texture. Whether he’s being shot at, arrested, jailed, knocked unconscious in the depths of the Namibian desert or living in a remote Tanzanian village, you’ll find that he evokes the sights, sounds and smells with a natural ease that takes you right into each scene.

    The best 300 of these photographs, in color and black-and-white, are featured in this sumptuous volume. This project will be the subject of a PBS documentary, a feature article in Newsweek, and a traveling exhibit.