Alma’s bravery saved countless lives, bringing hope to those who had forgotten its meaning…In Auschwitz, every day is a fight for survival. Alma is inmate 50381, the number tattooed on her skin in pale blue ink. She is cooped up with thousands of others, torn from loved ones, trapped in a maze of barbed wire. Every day people disappear, never to be seen again.This tragic reality couldn’t be further from Alma’s previous life. An esteemed violinist, her performances left her audiences spellbound. But when the Nazis descend on Europe, none of that can save her…When the head of the women’s camp appoints Alma as the conductor of the orchestra, performing for prisoners trudging to work as well as the highest-ranking Nazis, Alma refuses: “they can kill me but they won’t make me play”. Yet she soon realizes the power this position offers: she can provide starving girls with extra rations and save many from the clutches of death.This is how Alma meets Miklos, a talented pianist. Surrounded by despair, they find happiness in joint rehearsals, secret notes, and concerts they give side by side––all the while praying that this will one day end. But in Auschwitz, the very air is tainted with loss, and tragedy is the only certainty… In such a hopeless place, can their love survive?This devastatingly heartbreaking yet beautifully hopeful tale proves that even in the darkest of days, love can prevail––and give you something to live for. Fans of The Choice, The Tattooist of Auschwitz and The Orphan Train will lose their hearts to this magnificent tale.

    Joe’s world is the half-world of drugs and addicts—the world of furtive fixes in sordid Harlem apartments, of police pursuits down deserted subway stations. Junk for Necchi, however, is a tool, freely chosen and fully justified; he is Cain, the malcontent, the profligate, the rebel who lives by no one’s rules but his own. Like DeQuincey and Baudelaire before him, Trocchi’s muse was drugs. But unlike his literary predecessors, in his roman a clef, Trocchi never romanticizes the source of his inspiration. If the experience of heroin, of the “fix,” is central to Cain’s Book, both its destructive force and the possibilities for creativity it creates are recognized and accepted without apology.

    He begins to notice his growing attraction to some of the boys in his class, particularly the pubescent body of his friend Omi. To hide his homosexuality, he courts a woman, Sonoko, but this exacerbates his feelings for men. As news of the War reaches Tokyo, Kochan considers the fate of Japan and his place within its deeply rooted propriety.Confessions of a Mask reflects Mishima’s own coming of age in post-war Japan. Its publication in English―praised by Gore Vidal, James Baldwin, and Christopher Isherwood―propelled the young Yukio Mishima to international fame.

    Pert, pithy and very New York. Full of the admirable offhand observations of an unfooled eye." Jill Neville, The London Times Literary Supplement"(Daughters is) engrossing . . . the story Baehr tells touches so deeply one is tempted to reread every page." - Chicago Tribune (Best Friends is) a pleasure to read . . . fascinating, extraordinary women…I wished they were my best friends.” Susan Isaacs, author of Compromising Positions, Shining Through“Consuelo Saah Baehr is a very talented writer. She keeps you turning the pages, heart thumping, to see what will happen next.” Rona Jaffe, author of The Best of Everything, Class ReunionProduct Description100 Open Houses is about real estate and life. It’s about the whispers from the soul hole that we barely hear. Rebecca Haas, like all of us, is being tortured to death by the sameness of her life, her thoughts, her weight, the incessant self review of life choices, her indecision, her stalled writing career. Can a change of space really change her life and finally give her the authenticity she needs? Take this trip with Rebecca through all of the open houses and the lives lived in them – is one of them yours?An excerpt from 100 Open HousesWhispers from the soul holeYou’re going along thinking everything is okay. You’re not noticeably dying or anything and even though your hair was thinning, suddenly for no reason, it stabilizes – even begins to get thicker – and you think, huh, some new kind of ‘fresh hell’ hormones must be kicking in but I’ll take it. Still every morning, in the quiet few minutes when you swing your legs out of bed and decide to get up, this voice whispers from the old brain hole or maybe it’s the soul hole and it says: Wait! If you were in an Ingmar Bergman movie and Death came and played chess with you, Death would win because you are not really living the best life you can.All through last fall and early winter I had that thought in my pocket. Maybe it accounted for a new addiction to read real estate news. Maybe I thought a change of residence would do the trick Real estate is the new drug and it’s better than crack because it only costs the price of the Sunday paper and not even that if you read it on line. But also, you can go into any Open House and see apartments and houses where you would never be invited. You can look in the medicine cabinet and in the closets and pretty much look at any damn thing you want. Then, you can say, “No thanks.”The New York Times just put out an entire magazine devoted to real estate. It’s called Key and on the cover is a stylized picture of a key with red lines radiating from it that look like the vein and capillary system inside your body. Maybe that’s the subliminal message they are trying to send: that Real Estate is the substance of your life.When I read Key magazine, I feel as if all the information has segregated me and shut me out. One of the articles tells you how much house one and a half million dollars can buy today. If you want to move to Szigetkoz, Hungary (no, I didn’t misspell it) you get a 30-acre, ten-bedroom castle. In New York City, you get a one-bedroom apartment with lava-stone kitchen countertops and the noise of the West Side Highway at your doorstep.That’s what I was going to have to do to save my life – move from my coveted idyllic village and find myself some Real Estate in New York City. I didn’t have a million dollars. I was going to have to really HUNT for a match like the innocent people in the New York Times they profile in The Hunt.

    Every failure he suffers in his efforts to become established as a professional writer weighs against the uneasy knowledge that his wife, Lucy, has an untapped private fortune amounting to millions of dollars. Lucy, for her part, always elegant but often shy, is never quite certain what is expected of her. And as a couple, the Davenports are repeatedly dismayed at meeting other people whose lives appear brighter and better than their own. In this magnificent novel, at once bitterly sad and achingly funny, Richard Yates again shows himself to be the supreme, tenderly ironic chronicler of the 'American Dream' and its casualties. 'Yates is good at bad couples, sad, sour marriages, young hopes corroded by suburban life...These are bitterly perceptive books, depressing but difficult to put down' Grace Ingoldby, New Statesman'Yates intends to spare his readers nothing. He is a truthful and ruthless writer' Robert Nye, Guardian'A natural story-teller' Nina Bawden, Daily Telegraph

    It is the timeless story of a young Marine lieutenant, Waino Mellas, and his comrades in Bravo Company, who are dropped into the mountain jungle of Vietnam as boys and forced to fight their way into manhood. Standing in their way are not merely the North Vietnamese but also monsoon rain and mud, leeches and tigers, disease and malnutrition. Almost as daunting, it turns out, are the obstacles they discover between each other: racial tension, competing ambitions, and duplicitous superior officers. But when the company finds itself surrounded and outnumbered by a massive enemy regiment, the Marines are thrust into the raw and all-consuming terror of combat. The experience will change them forever.Written over the course of thirty years by a highly decorated Vietnam veteran, Matterhorn is a visceral and spellbinding novel about what it is like to be a young man at war. It is an unforgettable novel that transforms the tragedy of Vietnam into a powerful and universal story of courage, camaraderie, and sacrifice: a parable not only of the war in Vietnam but of all war, and a testament to the redemptive power of literature.A graduate of Yale University and a Rhodes Scholar at Oxford University, Karl Marlantes served as a Marine in Vietnam, where he was awarded the Navy Cross, the Bronze Star, two Navy Commendation Medals for valor, two Purple Hearts, and ten air medals. This is his first novel. He lives in rural Washington State.

    Retreating into the past, she finds herself reliving one particular hot summer in Nagasaki, when she and her friends struggled to rebuild their lives after the war. But then as she recalls her strange friendship with Sachiko - a wealthy woman reduced to vagrancy - the memories take on a disturbing cast.

    The talk around the family Seder table is of new babies and budding romance, not of the increasing hardships threatening Jews in their hometown of Radom, Poland. But soon the horrors overtaking Europe will become inescapable and the Kurcs will be flung to the far corners of the world, each desperately trying to navigate his or her own path to safety. As one sibling is forced into exile, another attempts to flee the continent, while others struggle to escape certain death, either by working grueling hours on empty stomachs in the factories of the ghetto or by hiding as gentiles in plain sight. Driven by an unwavering will to survive and by the fear that they may never see one another again, the Kurcs must rely on hope, ingenuity, and inner strength to persevere. An extraordinary, propulsive novel, We Were the Lucky Ones demonstrates how in the face of the twentieth century’s darkest moment, the human spirit can endure and even thrive.

    Anne’s College, Oxford. Her lectures took the shape of this set of discursive stories. Refusing to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted—literally—by a former lover, the writer of a series of lectures about art and literature.A hypnotic dialogue unfolds, a duet between and a meditation on art and storytelling, a book about love, grief, memory, and revitalization. Smith’s heady powers as a fiction writer harmonize with her keen perceptions as a reader and critic to form a living thing that reminds us that life and art are never separate.Artful is a book about the things art can do, the things art is full of, and the quicksilver nature of all artfulness. It glances off artists and writers from Michelangelo through Dickens, then all the way past postmodernity, exploring every form, from ancient cave painting to 1960s cinema musicals. This kaleidoscope opens up new, inventive, elastic insights—on the relation of aesthetic form to the human mind, the ways we build our minds from stories, the bridges art builds between us. Artful is a celebration of literature’s worth in and to the world and a meaningful contribution to that worth in itself. There has never been a book quite like it.

    Nightly air raids become grimly mundane. The tightening vice of rationing curtails every comfort. Men leave to fight and die. And five women forge an unlikely bond of friendship that will change their lives forever.Alice Osbourne, the stolid daughter of the late vicar, is reeling from the news that Richard Fairfax broke their engagement to marry Evangeline Fontaine, an American girl from the Deep South. Evangeline’s arrival causes a stir in the village—but not the chaos that would ensue if they knew her motives for being there. Scrappy Elsie Pigeon is among the poor of London who see the evacuations as a chance to escape a life of destitution. Another new arrival is Tanni Zayman, a young Jewish girl who fled the horrors of Europe and now waits with her newborn son, certain that the rest of her family is safe and bound to show up any day. And then there’s Frances Falconleigh, a madcap, fearless debutante whose father is determined to keep her in the countryside and out of the papers.As the war and its relentless hardships intensify around them, the same struggles that threaten to rip apart their lives also bring the five closer together. They draw strength from one another to defeat formidable enemies—hunger, falling bombs, the looming threat of a Nazi invasion, and a traitor in their midst—and find remarkable strength within themselves to help their friends. Theirs is a war-forged loyalty that will outlast the fiercest battle and endure years and distance.When four of the women return to Crowmarsh Priors for a VE Day celebration fifty years later, television cameras focus on the heartwarming story of these old women as war brides of a bygone age, but miss the more newsworthy angle. The women’s mission is not to commemorate or remember—they’ve returned to settle a score and avenge one of their own.

    It picks up where A Legacy leaves off, leading us from the Kaiser's Germany into the wider Europe of the 1920s and the limbo between world wars. The narrator, Billi, tells the story of her apprenticeship to life, and of her many teachers: her father, a pleasure-loving German baron; her brilliant, beautiful, erratic English mother; and later, on the Mediterranean coast of France, the Huxleys, Aldous and Maria.

    Accompanied by an old man haunted by memories of the war; an amorous dog named Sammy Davis, Junior, Junior; and the unforgettable Alex, a young Ukrainian translator who speaks in a sublimely butchered English, Jonathan is led on a quixotic journey over a devastated landscape and into an unexpected past.

    When he asks her how she obtained it, she reveals the remarkable story behind its origin... Imprisoned at Auschwitz, the notorious concentration camp, Daniel feels his humanity slipping away. Treasured memories of the young woman he loved and the prayers that once lingered on his lips become hazier with each passing day. Then a visit from a mysterious stranger changes everything, as Daniel’s former identity as a crafter of fine violins is revealed to all. The camp’s two most dangerous men use this information to make a cruel wager: If Daniel can build a successful violin within a certain number of days, the Kommandant wins a case of the finest burgundy. If not, the camp doctor, a torturer, gets hold of Daniel. And so, battling exhaustion, Daniel tries to recapture his lost art, knowing all too well the likely cost of failure.Written with lyrical simplicity and haunting beauty—and interspersed with chilling, actual Nazi documentation—The Violin of Auschwitz is more than just a novel: It is a testament to the strength of the human spirit and the power of beauty, art, and hope to triumph over the darkest adversity.

    But when World War II finally strikes the island of Jersey, the Nazi invaders ship Rebecca to Europe as part of Hitler’s Final Solution against the Jewish population.After Christopher and his family are deported back to their native Germany, he volunteers for the Nazi SS, desperate to save the woman he loves. He is posted to Auschwitz and finds himself put in control of the money stolen from the victims of the gas chambers. As Christopher searches for Rebecca, he struggles to not only maintain his cover, but also the grip on his soul. Managing the river of tainted money flowing through the horrific world of Auschwitz may give him unexpected opportunities. But will it give him the strength to accept a brave new fate that could change his life—and others’ lives—forever?

    Through the years, though never meeting and separated both geographically and culturally, they share a winsome, sentimental friendship based on their common love for books. Their relationship, captured so acutely in these letters, is one that will grab your heart and not let go.