When he died, at the age of 41, he was arguably the most celebrated Irish writer of the twentieth century.After the Wake is a collection of seven prose works and a series of articles. It includes all that exists of an unfinished novel, 'The Catacombs', and pieces together items whose comic and fanciful accounts evoke Flann O'Brien. Also featured are works of acknowledged excellence, 'The Confirmation Suit' and 'A Woman of No Standing'. This writing bears all the hallmarks of the author's talent - an ability to bring characters to life quickly and unforgettably, a sharp ear for dialogue and dialect, and a natural vocation for story-telling.This diverse collection is a delightful and entertaining windfall from one of Ireland's most colourful writers. An essential complement to Behan's master works.

    2: AmericanThen he saw, an indefinite distance beyond him, burning like red-hot iron through the darkness, a little scarlet or crimson gleam, as of a lighted cigar.

    In Where the Money Went, he surprises us with stories about love and the desertion of love, all written from a man’s point of view. Rarely is a man so revealing.A narrator struggles with his abiding loyalty to his ex-wife, even when he finds love with another woman. A newly divorced man learns more than he wants to know about his friends’ long-term marriages. In these nine stories, which incisively touch on the complex nature of love, we find men as fathers, as husbands, and as lovers, trying their best in a world that stubbornly refuses to make sense. Canty, whose writing has been praised as “smart, gritty, unsentimental” (New York Times), “lovely and unforgiving” (Boston Globe), and “enchanting and painful” (USA Today), powerfully conveys both the bitterness that can afflict romantic relationships, and the moments of humor and tenderness that cut through it.

    Stahl, himself a recovering addict with long-term sobriety, has assembled an impressive array of writers to create this 'encyclopedia of bad behavior.' Indeed, these tales of chasing the dragon, with corollaries often violent and savage, will satisfy devotees of noir fiction and outsider art alike."-- Publishers Weekly (starred review)“Editor Stahl (Permanent Midnight) has put forth a gritty, naked collection of short stories on the bleak life of heroin addicts. These tales by such edgy literary writers as Gary Phillips, Lydia Lunch, and Nathan Larson give different voices . . . that keep the stories fresh and above comparison.”-- Library Journal “Like its two predecessors, devoted to cocaine and speed, The Heroin Chronicles confirms how drugs are . . . the basis of some of the most unforgettable fiction you’ll ever read.”-- Bookgasm "For all the bleakness, suffering, and crime seeping from the pores of this anthology, Stahl welds together a creative whole from disparate voices. Because illegal drugs, especially heroin, are so damaging, it is refreshing to read an anthology focusing on drugs that neither moralizes or condescends to the reader. These stories reflect upon the human damage, one individual at a time."-- CCLaP: Chicago Center for Literature and Photography "The Heroin Chronicles conveys the sentiment that a life of heroin addiction is a human comedy, but it will usually end in dark or, even worse, banal tragedy."-- MysteryPeople "The Heroin Chronicles, the third entry in the [Akashic Drug Chronicles] series, is the finest so far -- a collection of short fiction that puts this series on the same must-read category as the Noir Series…The Heroin Chronicles is full of stories about suffering, survival, overdoses, hepatitis C, poverty, self-loathing, humiliation, danger, death, degradation, guns, and self-destruction. They’re all told with unflinching sincerity by authors who have either been there or extremely close to it. If you’re familiar with the Drug Chronicles, you know saying this is the best one yet is saying a lot. If you’re not familiar with the series, this is the definitely the book to start with."-- Verbicide Magazine Inspired by the ongoing international success of the city-based Akashic Noir Series (Brooklyn Noir, Boston Noir, Paris Noir, etc.), last year Akashic created the new Drug Chronicles series. On the heels of The Speed Chronicles (Sherman Alexie, William T. Vollmann, Megan Abbott, James Franco, Beth Lisick, etc.) and The Cocaine Chronicles (Lee Child, Laura Lippman, etc.) comes The Heroin Chronicles, a volume sure to frighten and delight. The literary styles are varied, as are the moral quandaries herein.Heroin has long been understood as the most "literary" of narcotics, and this collection will, for better and worse, have tremendous pop cultural appeal.Featuring brand-new stories by: Eric Bogosian, Lydia Lunch, Jerry Stahl, Nathan Larson, Ava Stander, Antonia Crane, Gary Phillips, Jervey Tervalon, John Albert, Michael Albo, Sophia Langdon, Tony O'Neill, and L.Z. Hansen.Jerry Stahl is the author of six books, including the memoir Permanent Midnight (made into a movie with Ben Stiller and Owen Wilson) and the novels I, Fatty and Pain Killers. Formerly the culture columnist for Details, Stahl's fiction and journalism have appeared in Esquire, The New York Times, and The Believer, among other places. He has worked extensively in film and television and, most recently, wrote Hemingway & Gellhorn, starring Clive Owen and Nicole Kidman, for HBO.

    Winner of the Dylan Thomas Award, this collection of short stories contains wry and defiant statements on the power and the beautiful transience of youth.

    She masterfully weaves traditional and experimental topics and techniques, creating a fictional world where people behave normally in the most extreme situations, and in bizarrely with almost no provocation at all. But thanks to her vivid, sharp prose and insightful first-person voices, even the oddest behavior is utterly believable. Unpredictable and playful, these stories transcend their apocalyptic feel to offer a vision that is clear, humane, and completely engaging. The Entire Predicament secures Corin’s reputation as an original, stylistically courageous voice in contemporary avant-garde fiction.

    A slim, sinister text called The King in Yellow drove those who read it to madness. Despite suppression by anxious authorities, it spread through global culture, and history itself, like a virus. Now the contagion bears hideous fruit.New Tales of the Yellow Sign expands the classic horror mythos of weird tales pioneer and Lovecraft precursor Robert W. Chambers into new vistas of unease and imagination. Over the course of eight troubling stories, writer and visionary game designer Robin D. Laws lures you into diseased timelines, impossible pasts, and the all-too-terrifying present.Sterilize your suicide chamber, harken to the remorseless clicking of your black box, and whistle for the monstrous creature that lives in your basement. The pallid mask awaits.

    She’s rock hard, but capable of extraordinary tenderness. She’s a brilliant cop, but she’s capable of making life-altering mistakes. She’s uncannily talented, and she’s heartbreakingly human.In this novella, set before the action in Dewey’s first novel, Protector, a man named Devinder Bashir reaches across the threshold of the hereafter to ask for Jane’s help. When Jane investigates his case, she learns that the man died ignominiously, but not suspiciously. But when Bashir continues to haunt her dreams, she realizes that the story of the man’s death is far from finished.

    Marisa Silver's singular voice makes us care deeply about their everyday desperations and hard-won hopes.

    Peacock’s wife thinks he did it, the police think he did it, even Frank McAlpine said he did it, moments before he died. But Peacock knows he’s innocent, and he knows he’s going to work out who really killed Frank to clear his name. But commiting crimes are more in Peacock’s line of work, he doesn’t have the first clue about how to solve one. Luckily, though, he knows a man who does, a man who owes him a favour. A second Scottish noir writer, Ian Rankin, has featured Peacock as the main villain in one of his bestselling Rebus novels- A Question of Blood. And Peacock feels he was somewhat misrepresented, made out to be much more of a hardened criminal than he actually is. He’d been planning to seek compensation from Rankin, on a massive scale, but now he sees an opportunity for Ian to make things good. If Rankin can use his detective skills to work out who actually killed Frank McAlpine then Peacock is willing to drop the action for libel. The only questions are, will Rankin agree. And is he up to the job.

    Enter the dark welter of troubled history throughout the Americas, where the heritage of violence meets the ferocity of intent.Features brand-new stories by: Mistina Bates, Jean Rae Baxter, Lawrence Block, Joseph Bruchac, David Cole, Reed Farrel Coleman, O'Neil De Noux, A.A. Hedge Coke, Gerard Houarner, Liz Martínez, R. Narvaez, Kimberly Roppolo, Leonard Schonberg, and Melissa Yi.Sarah Cortez, a law enforcement officer, is the award-winning author of the poetry collection How to Undress a Cop. She brings her heritage as a Tejana with Mexican, French, Comanche, and Spanish blood to the written page.Liz Martínez’s stories have appeared in Manhattan Noir, Queens Noir, and Cop Tales 2000. She is a member of Wordcraft Circle of Native Writers and Storytellers, and she lives in New York.

    Little by little, Jacinta’s mother lost her—first to college, then to a boy she said she loved, and then, finally, to the rage of a school shooter. Snap. In an instant it was all gone. All she has now is her daughter’s phone. Like an album, gripped in the palm of her hand—texts, photos, messages, and videos of her daughter’s first three years at college. With it, Jacinta’s mother is reconstructing her daughter’s last three weeks.In this uniquely moving exploration of mourning, fury, and reminiscence, Susan Straight evokes—through a grieving mother’s devastating internal monologue—both a modern-day nightmare and exquisite proof of love’s extraordinary power to overcome it.

    Serena, Frankie, Raffa, and Nat collide and break apart like pool balls to come back together in an imagined post-divorce future. Through the gritty, unraveling truths of their lives, they find themselves in the bed of an overdosed lover, through the panting tongue of a rescue dog who is equally as dislanguaged as his owner, in the studio apartment of a compulsive liar, sitting backward but going forward in the galley of an airplane, in relationships that are at once playgrounds and cages. Homeless Men is the collective story of women whose lives careen back into the past, to the places where pain lurks and haunts. With riotous energy and rage, they run towards the future in the hopes of untangling themselves from failure to succeed and fail again.

     Sister Josephine Farewell has suspicions about the deaths on her ward. As another patient dies unexpectedly, Sister Farewell begins to suspect that a serial killer is at work in the Intensive Therapy Unit. After reporting her fears to the police, Home Office investigator Tom Jones enlists Jo’s help in his undercover operation. Jones is not convinced that the deaths are random. But what is the link? As Jones and Sister Farewell investigate they find sinister connections between the patients that lead them into a world of religious fanaticism and cold-blooded manipulation… ‘Sisters of Mercy’ is a chilling medical thriller. Praise for Andrew Puckett: ‘If medical mysteries are what keep you glued to your fireside chair… then look no further. Puckett, something of a master of the genre, has penned a cracker’ - Western Daily Press ‘a thoroughly well-worked mystery’ - Oxford Times ‘an interesting story with a very plausible plot and frightening overtones’ - Mystery News ‘A terrifying scenario made all the more chillingly believable by its similarities to real life situations’ - The Southern Daily Echo ‘the best thing about it is its remarkable feeling of authenticity’ - Birmingham Post Andrew Puckett worked in the NHS for twenty one years, fifteen of them as microbiologist for the Oxford Blood Transfusion Centre, before turning to writing and teaching. He has also written ‘Death Before Time’. Endeavour Press is the UK's leading independent publisher of digital books.

    They range from the very young who, confronted with their parents’ limitations, discover their own resolve, to those facing middle age and its particular indignities, no less determined to assert themselves and shape their destinies. A tenacious eight-year-old practices piano on paper keys; an expectant mother, settling into an idyllic farmhouse, discovers the tragic story of its previous, rightful inhabitants; and a fictional haunted hospital becomes an obsession for a ghostwriter grappling with her empty nest.         In stories at once clear-eyed and compassionate, brimming with the wit, humor, and warmth for which she has been widely acclaimed, Alix Ohlin gives us unforgettable characters enmeshed in situations both familiar and absurd—all vitally engaged in the transfigurations that delineate any coming of age.In short, a striking and assured collection from an exceptionally gifted writer.