It wasn't that Freedom was inhospitable as planets go. The problem was that outsiders—tourists and traders—claimed the streets were crowded with mysterious characters in blue robes and with members of an alien species.Native-born humans, however, said that was not the case. There were no such blue-robes and no aliens.Such was the viewpoint of both Herrin the artist and Waden the autocrat—until a crisis of planetary identity forced a life-and-death confrontation between the question of reality and the reality of the question…

    When aliens do arrive, Thirg's heretical and dangerous beliefs are vindicated. But the strange creatures called human plan to exploit his planet's resources. Only one human, Karl Zambendorf, can stop his fellow Terrans from enslaving Thirg's people. Too bad Zambendorf is a con man.

    The Servants of Wrath have deified Carlton Lufteufel and re-christened him the Deus Irae. In the small community of Charlottesville, Utah, Tibor McMasters, born without arms or legs, has, through an array of prostheses, established a far-reaching reputation as an inspired painter. When the new church commissions a grand mural depicting the Deus Irae, it falls upon Tibor to make a treacherous journey to find the man, to find the god, and capture his terrible visage for posterity.

    At last, she took the guide virus that would mutate her body to create the gate she so desperately craved. But the lifeform her body took was the one lifeform forbidden--the felines, who had scouted the planet for the First Droppers and, in exchange, been promised their freedom forever from human domination. By laws of the Guide Guild and the First-Landing Pact, she could never call to the cats, never speak with them, never approach them. But then capture and imprisonment, torture and slavery took the place of an empty future. Suddenly Tsia's only hope lay with her gate--and once she had touched the cats, there would be no turning back...

    Set in the tumultuous era of The Hundred Kingdoms, a terrible time of strife and war, this unique fantasy world is divided into a mutlitude of small belligerent domains vying for power and land. One ambitious and corrupt tyrant will stop at nothing to control Darkover-even wield the terrifying weapons of the matrix.

    

    Hundreds of years have passed, and all that remains of the time before are fragmented memories distorted by superstition -- as a tragically reduced populace suffers greatly under the tyranny of a repressive ruling order. But destiny has chosen Dismé Latimer to lead a wasted world out of the darkness ... with a book. Written by a courageous scientist ancestor, it is a sacred, unsettling tome rife with disturbing ideas and revelations ... and an impossible hope that compels a gentle, troubled young woman to abandon her abusive home in search of truth and her true self. But common "wisdom" and lore warn of grave dangers out in the world. Evil is there, a malevolence beyond imagining. And in the depths of the Earth, a gargantuan beast asleep for centuries has begun to stir ...

    The facility they commandeered was more than a secret station on the ocean floor. Atlantis was an exit strategy for the corporate elite, a place where the world's Movers and Shakers had hidden from the doomsday microbe ßehemoth-and from the hordes of the moved and the shaken left behind. For five years "rifters" and "corpses" have lived in a state of uneasy truce, united by fear of the outside world.But now that world closes in. An unknown enemy hunts them through the crushing darkness of the Mid-Atlantic Ridge. ßehemoth- twisted, mutated, more virulent than ever-has found them already. The fragile armistice between the rifters and their one-time masters has exploded into all-out war, and not even the legendary Lenie Clarke can take back the body count.Billions have died since she loosed ßehemoth upon the world. Billions more are bound to. The whole biosphere came apart at the seams while Lenie Clarke hid at the bottom of the sea and did nothing. But now there is no place left to hide. The consequences of past acts reach inexorably to the very floor of the world, and Lenie Clarke must return to confront the mess she made.Redemption doesn't come easy with the blood of a world on your hands. But even after five years in pitch-black purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds...ßehemoth: Seppuku concludes the final act (begun in ßehemoth: ß-Max) of Peter Watts's chilling and powerful Rifters series.

    The Church preaches that life is too brief to contemplate the mysteries of the universe: eternity is required. In order to achieve this, the converted become Monks -- cyborgs with human brains, enhanced robotic bodies, and virtually unlimited life spans. Enter Avery Cates, a dangerous criminal known as the best killer-for-hire around. The authorities have a special mission in mind for Cates: assassinate Dennis Squalor. But for Cates, the assignment will be the most dangerous job he's ever undertaken -- and it may well be his last.

    It is the late twenty-first century and a deadly virus has seeped into human kind's genetic make-up. In only a few generations this plague will have wiped us off the face of the planet, but we're not going down without a fight. Teams of scientists, geneticists and programmers race to find a cure, but time is not on our side and our only hope lies in one last, desperate gamble...Eighteen years later and ten individuals are about to come of age. One of them, a young man, is suddenly startled awake. He has no memory. His surroundings mean nothing to him. All he knows for certain is that someone is trying to kill him. Unsure who he can trust, he is reacquainted with his companions, all of whom are being trained at a special establishment run by the elusive Maestro. As he tries to uncover the identity of his would-be killer, it becomes clear that more - so much more - than just his life is at stake...Smart, stylish, terrifying and thrilling in equal measure, Idlewild fuses the fierce imagination of The Matrix with the chilling social vision of Minority Report, and introduces a singular new literary voice.

    Strange fireballs race through the sky above the deepest trenches of the oceans. Something is about to show itself, something terrible and alien, a force capable of causing global catastrophe.

    In love with a beautiful woman, Rush journeys far and learns much. Taken into the society of Dr. Boots's List, attached to the old mysteries, Rush grows closer to a sainthood he could never have imagined.

    Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; the second expedition ended in mass suicide, the third in a hail of gunfire as its members turned on one another. The members of the eleventh expedition returned as shadows of their former selves, and within weeks, all had died of cancer. In Annihilation, the first volume of Jeff VanderMeer's Southern Reach Trilogy, we join the twelfth expedition.The group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain, record all observations of their surroundings and of one another, and, above all, avoid being contaminated by Area X itself.They arrive expecting the unexpected, and Area X delivers—but it’s the surprises that came across the border with them and the secrets the expedition members are keeping from one another that change everything.

    Only his second collection (the first was Dark Carnival, later reworked into The October Country), it is a marvelous, if mostly dark, quilt of science fiction, fantasy, and horror. In an ingenious framework to open and close the book, Bradbury presents himself as a nameless narrator who meets the Illustrated Man--a wanderer whose entire body is a living canvas of exotic tattoos. What's even more remarkable, and increasingly disturbing, is that the illustrations are themselves magically alive, and each proceeds to unfold its own story, such as "The Veldt," wherein rowdy children take a game of virtual reality way over the edge. Or "Kaleidoscope," a heartbreaking portrait of stranded astronauts about to reenter our atmosphere--without the benefit of a spaceship. Or "Zero Hour," in which invading aliens have discovered a most logical ally--our own children. Even though most were written in the 1940s and 1950s, these 18 classic stories will be just as chillingly effective 50 years from now. --Stanley WiaterContents:· Prologue: The Illustrated Man · ss * · The Veldt [“The World the Children Made”] · ss The Saturday Evening Post Sep 23 ’50 · Kaleidoscope · ss Thrilling Wonder Stories Oct ’49 · The Other Foot · ss New Story Magazine Mar ’51 · The Highway [as by Leonard Spalding] · ss Copy Spr ’50 · The Man · ss Thrilling Wonder Stories Feb ’49 · The Long Rain [“Death-by-Rain”] · ss Planet Stories Sum ’50 · The Rocket Man · ss Maclean’s Mar 1 ’51 · The Fire Balloons [“‘In This Sign...’”] · ss Imagination Apr ’51 · The Last Night of the World · ss Esquire Feb ’51 · The Exiles [“The Mad Wizards of Mars”] · ss Maclean’s Sep 15 ’49; F&SF Win ’50 · No Particular Night or Morning · ss * · The Fox and the Forest [“To the Future”] · ss Colliers May 13 ’50 · The Visitor · ss Startling Stories Nov ’48 · The Concrete Mixer · ss Thrilling Wonder Stories Apr ’49 · Marionettes, Inc. [Marionettes, Inc.] · ss Startling Stories Mar ’49 · The City [“Purpose”] · ss Startling Stories Jul ’50 · Zero Hour · ss Planet Stories Fll ’47 · The Rocket [“Outcast of the Stars”] · ss Super Science Stories Mar ’50 · Epilogue · aw *

    For the small community of San Onofre on the West Coast, life is a matter of survival: living simply on what the sea and land can provide, preserving what knowledge and skills they can in a society without mass communications. Until the men from San Diego arrive, riding the rails on flatbed trucks and bringing news of the new American Resistance. And Hank Fletcher and his friends are drawn into an adventure that marks the end of childhood...