A bereaved father. Alone with his loss, Ian Colmes has driven away everyone he loves. But when he begins to see his dead son again, is it because the boy is reaching out from beyond? Or has Ian's anguish finally given way to dementia?With a masterful hand, suspense newcomer Adam J Nicolai paints a picture of grief, madness, and the furious strength of a father's love for his son.

    What he does with them doesn’t make him proud, just quiets the demons for a little while. But his nights soon take a terrifying turn in a desert cantina, where Travis crosses paths with a mysterious pale-skinned girl in red boots. Come the morning, he wakes weak and bloodied in his cabover camper, no sign of a girl, no memory of the night before.Annabelle Gaskin spies the camper parked behind her rundown motel and offers the disheveled cowboy inside a few odd jobs to pay his board. Travis takes her up on the offer, if only to buy time, to lay low, to heal. By day, he mends the old motel, insinuating himself into the lives of Annabelle and her ten-year-old son. By night, in the cave of his camper, he fights an unspeakable hunger. Before long, Annabelle and her boy come to realize that this strange cowboy they’ve taken in is not what he seems.Half a state away, a grizzled Texas ranger is hunting Travis down for his past misdeeds, but what he finds will lead him to a revelation far more monstrous than he could ever imagine. A man of the law, he’ll have to decide how far into the darkness he’ll go for the sake of justice. When these lives converge on a dusty autumn night, an old evil will find new life—and new blood.Deftly written and utterly compelling, this is an atmospheric literary fiction debut perfect for fans of horror, psychological suspense, and Western fiction.

    With a beautiful, terrified woman. On the 40th floor of a deserted office building. By the psyshopath they call "The Butcher."DON'T LOOK DOWNBecause you're an ex-mountain climber. Because a fall from Everest left you with a bad leg... and a paralyzing fear of heights.DON'T LOOK DOWNBecause he has slaughtered the guards and short-circuited the elevators. Because the stairways are blocked, and for you and the woman with you, there's only one escape route.DON'T LOOK DOWNBecause 600 feet of empty space are looking back at you."A real breath-taker... should hold you glued to its pages till the wee small hours." --West Coast Review of Books

    They’re well aware that the first forty-eight hours are critical and after that, the odds usually point to a worst-case scenario. And despite Stevie Clark’s youth, he knows that, too; he’s seen the cop shows. He knows what each ticking moment may mean for Jude, his cousin and best friend.That, and there was that boy, Max Larsen...the one from years ago, found dead after also disappearing under mysterious circumstances. And then there were the animals: pets gone missing out of yards. For years, the residents of Deer Valley have murmured about these unsolved crimes…and that a killer may still be lurking around their quiet town. Now, fear is reborn—and for Stevie, who is determined to find out what really happened to Jude, the awful truth may be too horrifying to imagine.

    Autopsies indicate that the killer cannot be human...But the museum's directors plan to go ahead with a big bash to celebrate the new exhibition, in spite of the murders.Museum researcher Margo Green must find out who-or what-is doing the killing. But can she do it in time to stop the massacre?

    This isn't your cozy, broomstick-riding fairy tale… When Maria Jenkins awakens late one night in her family’s motel room and witnesses her younger brother, Michael, sleepwalking out into the desert moonlight, her family trip is plunged into a gruesome nightmare… …because the sprawling wasteland outside their door isn’t nearly as lifeless as it seems… Deep in the desert hills of Nevada, a forgotten evil emerges with a lust for sacrifice. Beneath their black-hooded robes, cackling under the veil of night, they're on the hunt for new blood—new blood for old rituals—until the perfect, most unsuspecting morsel catches their eye.

    When Jon is finally ready to confess his feelings, he's suddenly kidnapped by his substitute teacher who is obsessed with H.P. Lovecraft and has a plot to save humanity.Mourning the disappearance of Jon and facing the reality he may never return, Chloe tries to navigate the rites of entering young adulthood and "fit in" with the popular crowd, but thoughts of Jon are never far away. When Jon finally escapes, he discovers he now has an uncontrollable power that endangers anyone he has intense feelings for. He runs away to protect Chloe and find the answers to his new identity—but he's soon being tracked by a detective who is fascinated by a series of vigilante killings that appear connected. Whisking us on a journey through New England and crashing these characters' lives together in the most unexpected ways, Kepnes explores the complex relationship between love and identity, unrequited passion and obsession, self-preservation and self-destruction, and how the lines are often blurred between the two.

    On a rare night out, she meets a man in a bar and sparks fly. Though he leaves after they kiss, she’s thrilled she finally connected with someone.When Louise arrives at work on Monday, she meets her new boss, David. The man from the bar. The very married man from the bar…who says the kiss was a terrible mistake but who still can’t keep his eyes off Louise.And then Louise bumps into Adele, who’s new to town and in need of a friend, but she also just happens to be married to David. David and Adele look like the picture-perfect husband and wife, but then why is David so controlling, and why is Adele so scared of him?As Louise is drawn into David and Adele’s orbit, she uncovers more puzzling questions than answers. The only thing that is crystal clear is that something in this marriage is very, very wrong, but Louise can’t guess how wrong―and how far a person might go to protect their marriage’s secrets.

    Two previous expeditions to investigate its secrets met with disaster, the participants destroyed by murder, suicide or insanity. Now a new investigation has been mounted - four strangers, each with his or her own reason for daring the unknown torments and temptations of the mansion...

    . .  A boy literally disappears from Main Street.  A security camera captures the moment of his instant, inexplicable vanishing. An audacious bank robbery goes seriously wrong: four cops are gunned down; a TV news helicopter is shot and spins crazily out of the sky, triggering a disastrous cascade of events that ricochet across twenty different lives over the course of just thirty-six hours.Nick Kavanaugh, a cop with a dark side, investigates. Soon he and his wife, Kate, a distinguished lawyer from an old Niceville family, find themselves struggling to make sense not only of the disappearance and the robbery but also of a shadow world, where time has a different rhythm and where justice is elusive.  . . .Something is wrong in Niceville, where evil lives far longer than men do.Compulsively readable, and populated with characters who leap off the page, Niceville will draw you in, excite you, amaze you, horrify you, and, when it finally lets you go, make you sorry you have to leave.Read the first thirty-five pages.  Find out why Harlan Coben calls Carsten Stroud the master of “the nerve-jangling thrill ride.”

    The haughty, aristocratic Ushers live in a mansion near Asheville; the poor but crafty mountain folk (whose families are just as ancient) live on Briartop Mountain nearby. At harvest time, when the book's action unfolds, the mountains are a blaze of color. Add to the mixture a sinister history of mountain kids disappearing every year, a journalist investigating those disappearances, a monster called "The Pumpkin Man," moldy books and paintings in a huge old library at the Usher estate, and a secret chamber with a strange device involving a brass pendulum and tuning forks--and you've got a splendid recipe for atmospheric horror.Originally published: New York: Holt, Rinehart, and Winston, 1984.

    One night in Waterloo, Iowa, with young policeman Virgil Holt watching from the audience, she swaps her trademark saw for a fire ax. Is it a new version of the illusion, or an all-too-real murder? When Arden’s husband is found lifeless beneath the stage later that night, the answer seems clear.But when Virgil happens upon the fleeing magician and takes her into custody, she has a very different story to tell. Even handcuffed and alone, Arden is far from powerless—and what she reveals is as unbelievable as it is spellbinding. Over the course of one eerie night, Virgil must decide whether to turn Arden in or set her free… and it will take all he has to see through the smoke and mirrors.

    His estranged family—bitter ex-wife Caroline, troubled teenage son Trenton, and unforgiving daughter Minna—have arrived for their inheritance. But the Walkers are not alone. Prim Alice and the cynical Sandra, long dead former residents bound to the house, linger within its claustrophobic walls. Jostling for space, memory, and supremacy, they observe the family, trading barbs and reminiscences about their past lives. Though their voices cannot be heard, Alice and Sandra speak through the house itself—in the hiss of the radiator, a creak in the stairs, the dimming of a light bulb. The living and dead are each haunted by painful truths that will soon surface with explosive force. When a new ghost appears, and Trenton begins to communicate with her, the spirit and human worlds collide—with cataclysmic results.

    The Blue Ridge Madam—built by Willa’s great-great-grandfather during Walls of Water’s heyday, and once the town’s grandest home—has stood for years as a lonely monument to misfortune and scandal. And Willa herself has long strived to build a life beyond the brooding Jackson family shadow. No easy task in a town shaped by years of tradition and the well-marked boundaries of the haves and have-nots.But Willa has lately learned that an old classmate—socialite do-gooder Paxton Osgood—of the very prominent Osgood family, has restored the Blue Ridge Madam to her former glory, with plans to open a top-flight inn. Maybe, at last, the troubled past can be laid to rest while something new and wonderful rises from its ashes. But what rises instead is a skeleton, found buried beneath the property’s lone peach tree, and certain to drag up dire consequences along with it.For the bones—those of charismatic traveling salesman Tucker Devlin, who worked his dark charms on Walls of Water seventy-five years ago—are not all that lay hidden out of sight and mind. Long-kept secrets surrounding the troubling remains have also come to light, seemingly heralded by a spate of sudden strange occurrences throughout the town.Now, thrust together in an unlikely friendship, united by a full-blooded mystery, Willa and Paxton must confront the dangerous passions and tragic betrayals that once bound their families—and uncover truths of the long-dead that have transcended time and defied the grave to touch the hearts and souls of the living.Resonant with insight into the deep and lasting power of friendship, love, and tradition, The Peach Keeper is a portrait of the unshakable bonds that—in good times and bad, from one generation to the next—endure forever.

    She can leave behind the memory of the past winter; of her sickly ma giving birth to a baby sister who cries endlessly; of the terrifying visions she saw as her sanity began to slip, the victim of cabin fever; and most of all, the memories of the boy she has been secretly meeting with as a distraction from her pain. The boy whose baby she now carries. When the Verners arrive at their new home, a large cabin abandoned by its previous owners, they discover the inside covered in blood. And as the days pass, it is obvious to Amanda that something isn’t right on the prairie. She’s heard stories of lands being tainted by evil, of men losing their minds and killing their families, and there is something strange about the doctor and his son who live in the woods on the edge of the prairie. But with the guilt and shame of her sins weighing on her, Amanda can’t be sure if the true evil lies in the land, or deep within her soul.