But after her mother's death, Sarah spirals into depression and overdoses on sleeping pills. While Sarah claims it was an accident, her teenage children aren't so sure. Patrick decides they all need a fresh start and he knows just the place, since the idyllic family home where he was raised has recently come up for sale. There's only one catch: for the past fifteen years, it has become infamous as the "Murder House", standing empty after a family was stabbed to death within its walls.Patrick believes they can bring the house back to its former glory, so Sarah, uprooted from everything she knows, pours her energy into painting, gardening, and giving the rotting old structure the warmth of home. But with locals hinting that the house is haunted, the news that the murderer has been paroled, strange writing on the walls, and creepy "gifts" arriving on the doorstep at odd hours, Sarah can't shake the feeling that something just isn't right. Not with the house, not with the town, or even with her own, loving husband--whose stories about his perfect childhood suddenly aren't adding up. Can Sarah uncover the secrets of the Murder House before another family is destroyed?

    She’ll end it.FBI special agent Clarke Sinclair doesn’t give up easily. She’s spent years tracking serial killer Simon Cross, forced to follow his twisted clues and photographs across the country. Clarke knows that Cross selects only redheaded women and that he doesn’t target another victim until Clarke discovers the previous one.He’s never broken pattern…until now.A girl has already gone missing in upstate New York when a second one is kidnapped—a blonde. The killer’s MO has changed, sending Clarke back to the drawing board. The closer she gets to the truth, the deeper she’s drawn into an inescapable trap made just for Clarke. Whatever Cross’s ultimate game is, it ends with her.

    Felix and Tilda seem like the perfect couple: young and in love, a financier and a beautiful up-and-coming starlet. But behind their flawless facade, not everything is as it seems. Callie, Tilda's unassuming twin, has watched her sister visibly shrink under Felix's domineering love. She has looked on silently as Tilda stopped working, nearly stopped eating, and turned into a neat freak, with mugs wrapped in Saran Wrap and suspicious syringes hidden in the bathroom trash. She knows about Felix's uncontrollable rages, and has seen the bruises on the white skin of her sister's arms. Worried about the psychological hold that Felix seems to have over Tilda, Callie joins an Internet support group for victims of abuse and their friends. However, things spiral out of control and she starts to doubt her own judgment when one of her new acquaintances is killed by an abusive man. And then suddenly Felix dies--or was he murdered? A page-turning work of suspense that announces a stunning new voice in fiction, White Bodies will change the way you think about obsession, love, and the violence we inflict on one another--and ourselves.

    Rachel doesn’t seem very maternal: she smokes, drinks, and professes little interest in parenthood. Still, Helen is drawn to her. Maybe Rachel just needs a friend. And to be honest, Helen’s a bit lonely herself. At least Rachel is fun to be with. She makes Helen laugh, invites her confidences, and distracts her from her fears.But her increasingly erratic behavior is unsettling. And Helen’s not the only one who’s noticed. Her friends and family begin to suspect that her strange new friend may be linked to their shared history in unexpected ways. When Rachel threatens to expose a past crime that could destroy all of their lives, it becomes clear that there are more than a few secrets laying beneath the broad-leaved trees and warm lamplight of Greenwich Park.

    As a young Detective Inspector, he's lost none of his disgust with privileged elites - or his objectionable manners. But he notices things; they stick to his eyes. His professional partner, DI Ray Wilkins, of affluent Nigerian-London heritage, is an impeccably groomed, smooth-talking graduate of Balliol College, Oxford. You wouldn't think they would get on. They don't.But when a young woman is found strangled at Barnabas Hall, they're forced to.Rich Oxford is not Ryan's natural habitat. St Barnabas's irascible Provost does not appreciate his forceful line of questioning. But what was the dead woman doing in the Provost's study? Is it just a coincidence that on the night of her murder the college was entertaining Sheik al-Medina, a Gulf state ruler linked to human-rights abuses in his own country and acts of atrocity in others?As tensions rise, things aren't going well. Ray is in despair. Ryan is in disciplinary measures. But their investigation gradually disentangles the links between a Syrian refugee lawyer now working in the college kitchens, a priceless copy of the Koran in the college collection and the identity of the dead woman.A Killing in November introduces an unlikely duo from different sides of the tracks in Oxford in a deftly plotted murder story full of dangerous turns, troubled pasts and unconventional detective work.

    Despite skepticism from her colleagues, Knightly suspects this ambitious young lawyer may be at the heart of something far more sinister, especially since she was last seen leaving an upscale restaurant after a domestic dispute. Yet, as the only woman of power at her station, Knightly quickly finds herself investigating on her own.Risking her career, her life, and perhaps even her own sanity, Knightly dives deep into the dark underbelly of Washington, DC business and politics in an investigation that will drag her mercilessly through the inextricable webs of corruption that bind the press, the police, and politics in our nation’s capital.Harkening to dark thrillers such as Gone Girl, Luckiest Girl Alive, and Big Little Lies, The Cutaway is a striking debut that will haunt you long after you reach the last page.

    Within minutes, she and her family hastily pack up their belongings and abandon their home. Where did the family go and why? Det. Roberta Hobbs has been assigned to uncover the family's whereabouts. Hobbs is a confident, intelligent police veteran. However, each passing day brings her closer to her unresolved past. When Hobbs digs deeper into the mystery, all leads point to her own longtime ex-boyfriend - a former drug dealer turned philanthropist named Steven Vance -- as the primary suspect. This riveting dual-timeline suspense novel takes us back to 2004 -- the year Greta Carpenter first realizes something is wrong with her young son, John. Over the course of his childhood, John's learning disabilities become apparent. Greta's unfaltering advocacy on his behalf puts her at odds with the school system and strains her relationship with her husband Griffin. Eventually Greta and Griffin's marriage falls apart, and during the divorce trial, Greta reveals that she was a teenage runaway, and a local entrepreneur named Steven Vance rescued her from the streets. Vance is certainly a man of many shades - a local celebrity for his philanthropy, a cunning CEO who sits atop a questionable mini-empire, a benevolent former father figure to Greta and a lying, evasive former companion to Hobbs. It seems that only Vance has the power to make people disappear in this small town and he emerges as the most obvious suspect...but Hobbs remains uncertain of his role. While her colleagues question whether she can truly be impartial, Hobbs realizes she has a reason to suspect them as well. Nothing is obvious in this thrilling mystery...except that Hobbs must race to solve the mystery before it's too late.

    . . I’M IN YOUR HOUSE There’s a new coldness. A shift in the atmosphere. The prickling feeling that someone is watching her every move from the shadows. I’M IN YOUR HEAD Maybe it’s all in Elle’s mind? She’s a writer – her imagination, after all, is her strength. And yet every threat seems personal. As if someone has discovered the secrets that keep her awake at night. AND NOW I KNOW YOUR SECRET As fear and paranoia close in, Elle’s own home becomes a prison. Someone is unlocking her past – and she’s given them the key…

    His two-year absence from the close-knit Berkshire horse community has been something of a relief. Broken bridges have been mended; lives have been rebuilt. And his disappearance has been a miracle for one individual in particular: the person who killed him. But now Glyn is back - in bizarre circumstances. A record-breaking storm has ripped his corpse from its ingenious hiding place. How did he get there and how did he die? Many have benefited from his absence - but who is no longer sleeping so soundly at night? It seems that, even in death, bad boy Glyn is as much trouble as he ever was...

    One would never leave.Matthew: the perfect husband.Titus: the perfect son.Charlie: the perfect illusion.Rachel: the perfect stranger.Charlie didn’t want her at the book club. Matthew wouldn’t listen.And that’s how Charlie finds himself slumped beside his husband’s body, their son sitting silently at the dinner table, while Rachel calls 999, the bloody knife still gripped in her hand.Agatha Christie meets Donna Tartt in this nerve-shredding domestic noir thriller that weaves a sprawling web of secrets around an opulent West London world and the dinner that ends in death.

    A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?

    Hen (short for Henrietta) is an illustrator and works out of a studio nearby, and has found the right meds to control her bipolar disorder. Finally, she’s found some stability and peace.But when they meet the neighbors next door, that calm begins to erode as she spots a familiar object displayed on the husband’s office shelf. The sports trophy looks exactly like one that went missing from the home of a young man who was killed two years ago. Hen knows because she’s long had a fascination with this unsolved murder—an obsession she doesn’t talk about anymore, but can’t fully shake either...

    She looks in the mirror and sees an unfamiliar, middle-aged face. And every morning, the man she has woken up with must explain that he is Ben, he is her husband, she is forty-seven years old, and a terrible accident two decades earlier decimated her ability to form new memories.Every day, Christine must begin again the reconstruction of her past. And the closer she gets to the truth, the more unbelievable it seems.

    A day some people might call any other Wednesday, but Beth prefers to see it as her new beginning--one with a new look, new name and new city. Beth has given her plan significant thought, because one small slip and her violent husband will find her.Sabine Hardison is missing...A couple hundred miles away, Jeffrey returns home from a work trip to find his wife, Sabine, is missing. Wherever she is, she's taken almost nothing with her. Her abandoned car is the only evidence the police have, and all signs point to foul play.As the police search for leads, the case becomes more and more convoluted. Sabine's carefully laid plans for her future indicate trouble at home, and a husband who would be better off with her gone. The detective on the case will stop at nothing to find out what happened and bring this missing woman home. Where is Sabine? And who is Beth? The only thing that's certain is that someone is lying and the truth won't stay buried for long.

    Until, driving along a deserted road late one night, he surprises a murderer disposing of a couple of bodies. That’s when Paul’s "normal" existence is turned upside down. After nearly losing his own life in that encounter, he finds himself battling PTSD, depression, and severe problems at work. His wife, Charlotte, desperate to cheer him up, brings home a vintage typewriter—complete with ink ribbons and heavy round keys—to encourage him to get started on that novel he’s always intended to write.However, the typewriter itself is a problem. Paul swears it’s possessed and types by itself at night. But only Paul can hear the noise coming from downstairs; Charlotte doesn’t hear a thing. And she worries he’s going off the rails.Paul believes the typewriter is somehow connected to the murderer he discovered nearly a year ago. The killer had made his victims type apologies to him before ending their lives. Has another sick twist of fate entwined his life with the killer—could this be the same machine? Increasingly tormented but determined to discover the truth and confront his nightmare, Paul begins investigating the deaths himself.But that may not be the best thing to do. Maybe Paul should just take the typewriter back to where his wife found it. Maybe he should stop asking questions and simply walk away while he can. . .