Suffering from amnesia, he does not even know that he is Jason Bourne. What manner of man is he? What are his secrets? Who has he killed?

    Nothing more has been heard of him. Gerry Kells, the antihero of his shocking, brutal novel, is equally mysterious. A loner with a reputation but without a visible past, Kells simply appears, arranges the lives of the Los Angeles underworld, and then is heard no more.Only the strong prosper in the world of the depression. Seemingly amoral, Kells does prosper. He strikes to survive, kills without conscience, with­out time for conscience. But he never becomes a mere killing machine. His integrity, his humanity, abides in a code demanding that he pay for all services: those rendered for him, those rendered against him.Fast paced and very readable, the novel limns a true character who should take his place in our national literature, if only for his representation of the individual will to survive in one of the toughest times in American life.

    The ship vanishes without a trace.In present day Manhattan, four masked horsemen dressed as Templar Knights emerge from Central Park and ride up the Fifth Avenue steps of the Metropolitan Museum of Art during the blacktie opening of a Treasures of the Vatican exhibit. Storming through the crowds, the horsemen brutally attack anyone standing between them and their prize. Attending the gala, archaeologist Tess Chaykin watches in silent terror as the leader of the horsemen hones in on one piece in particular, a strange geared device. He utters a few cryptic Latin words as he takes hold of it with reverence before leading the horsemen out and disappearing into the night.In the aftermath, an FBI investigation is led by anti-terrorist specialist Sean Reilly. Soon, he and Tess are drawn into the dark, hidden history of the crusading Knights, plunging them into a deadly game of cat and mouse with ruthless killers as they race across three continents to recover the lost secret of the Templars.

    As the FBI investigates, suspicion surrounding Web deepens. Now, he needs help from an unlikely ally in his desperate search for the killer of his friends, and finds himself up against a force intent on finishing the job that began in the alley.

    Today, twenty years later, disgruntled hero of an unheroic war, all Bob Lee Swagger wants to be left alone and to leave the killing behind.But with consummate psychological skill, a shadowy military organization seduces Bob into leaving his beloved Arkansas hills for one last mission for his country, unaware until too late that the game is rigged.The assassination plot is executed to perfection—until Bob Lee Swagger, alleged lone gunman, comes out of the operation alive, the target of a nationwide manhunt, his only allies a woman he just met and a discredited FBI agent.Now Bob Lee Swagger is on the run, using his lethal skills once more—but this time to track down the men who set him up and to break a dark conspiracy aimed at the very heart of America.

    But all of that shatters when, in the middle of the night, a SWAT team bursts into his apartment, grabs him and drags him to a waiting helicopter. A terrorist-- someone Nick has never heard of--has seized control of a nuclear reactor, threatening to blow it up. And the only person he'll talk to is Nick, promising to tell Nick the truth behind the events that shattered his life twenty years ago. At seventeen years old, Nick Horrigan made a deadly mistake--one that cost his stepfather his life, endangered his mother, and sent him into hiding for years. Now, what Nick discovers in that nuclear plant leaves him with only two choices--to start running again, or to fight and finally uncover the secrets that have held him hostage all these years. As Nick peels back layer after layer of lies and deception, buffeted between the buried horrors of the past and the deadly intrigues of the present, he finds his own life--and the lives of nearly everyone he loves--at risk. And the only thing guiding him through this deadly labyrinth are his stepfather's dying words: TRUST NO ONE. Acclaimed for years by both critics and his peers as one of the finest thriller writers today, Gregg Hurwitz has lived up to all the accolades and expectations with "Trust No One," an electrifying and compelling novel that will be remembered for years to come.

    Betrayed by the woman he loved and double-crossed by his partner in crime, Parker makes his way cross-country with only one thought burning in his mind - to coldly exact his revenge and reclaim what was taken from him! Richard (Donald Westlake) Stark's groundbreaking Parker books are adapted for the first time as a series of graphic novels by Darwyn Cooke. The initial graphic novel brings to life the first Parker book, The Hunter, which introduces readers to the dangerous anti-hero's cold and calculated world of criminals, thugs, and grifters.

    Often a desperate blond, a jealous husband, and, of course, a tough-but-tender P.I. the likes of Sam Spade or Philip Marlowe. Perhaps Raymond Chandler summed it up best in his description of Dashiell Hammett's style: "Hammett gave murder back to the kind of people that commit it....He put these people down on paper as they were, and he made them talk and think in the language they customarily used for these purposes."Hard-Boiled: An Anthology of American Crime Stories is the largest and most comprehensive collection of its kind, with over half of the stories never published before in book form. Included are thirty-six sublimely suspenseful stories that chronicle the evolutiuon of this quintessentially American art form, from its earliest beginnings during the Golden Age of the legendary pulp magazine Black Mask in the 1920s, to the arrival of the tough digest Manhunt in the 1950s, and finally leading up to present-day hard-boiled stories by such writers as James Ellroy. Here are eight decades worth of the best writing about betrayal, murder, and mayhem: from Hammett's 1925 tour de force "The Scorched Face," in which the disappearance of two sisters leads Hammett's never-named detective, the Continental Op, straight into a web of sexual blackmail amidst the West Coast elite, to Ed Gorman's 1992 "The Long Silence After," a gripping and powerful rendezvous involving a middle class insurance executive, a Chicago streetwalker, and a loaded .38. Other delectable contributions include "Brush Fire" by James M. Cain, author of The Postman Always Rings Twice, Raymond Chandler's "I'll Be Waiting," where, for once, the femme fatale is not blond but a redhead, a Ross Macdonald mystery starring Macdonald's most famous creation, the cryptic Lew Archer, and "The Screen Test of Mike Hammer" by the one and only Micky Spillane. The hard-boiled cult has more in common with the legendary lawmen of the Wild West than with the gentleman and lady sleuths of traditional drawing room mysteries, and this direct line of descent is on brilliant display in two of the most subtle and tautly written stories in the collection, Elmore Leonard's "3:10 to Yuma" and John D. MacDonald's "Nor Iron Bars." Other contributors include Evan Hunter (better known as Ed McBain), Jim Thompson, Helen Nielsen, Margaret Maron, Andrew Vachss, Faye Kellerman, and Lawrence Block.Compellingly and compulsively readable, Hard-Boiled: An Anthology of American Crime Stories is a page-turner no mystery lover will want to be without. Containing many notable rarities, it celebrates a genre that has profoundly shaped not only American literature and film, but how we see our heroes and oursleves.

    Our narrator must piece together the history of his blighted existence and discover the agents of its cruel end. What he doesn’t expect is that digging for the truth will demand plenty of lying.

    Hunting killers, rousting whores, quelling gang wars, fighting corruption, they risk death every day...every night. They are the Los Angeles blues - a new breed of cop.

    He's intense. He's obsessional. He's dangerous.DCI John Luther has an extraordinary clearance rate. He commands outstanding loyalty from friends and colleagues. Nobody who ever stood at his side has a bad word to say about him. But Luther seethes with a hidden fury that at times he can barely control. Sometimes it sends him to the brink of madness, making him do things he shouldn't; things way beyond the limits of the law.The Calling, the first in a new series of novels featuring DCI John Luther, takes us into Luther's past and into his mind. It is the story of the case that tore his personal and professional relationships apart and propelled him over the precipice. Beyond fury, beyond vengeance. All the way to murder…

    . . It was only cheap glass, a fraud, a come-on for the suckers who paid Doc Magus to gaze into its depths and tell them tomorrow would be better. And Doc--a decent man, a smart man--pitied them. Yet tonight, even Doc had to believe the Madball. There was nothing left to lead him to the money--enough money to spring him free of the raucous, sordid world of the pitchmen and the pickled punks, the cotton candy and the kewpie dolls--and the belly dancers who needed him for all-night alibis.Doc was shrewd, but not quite shrewd enough. Someone else knew about the $42,000--a specialist in death, who was only yards away. . .MADBALL is a novel of one traveling show, and of the lives of its carneys, who live to close to the edge of frenzy.

    He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Jack knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. not in Margrave, Georgia. Not a chance in hell.

    Len Deighton’s classic first novel, whose protagonist is a nameless spy – later christened Harry Palmer and made famous worldwide in the iconic 1960s film starring Michael Caine.The Ipcress File was not only Len Deighton’s first novel, it was his first bestseller and the book that broke the mould of thriller writing.For the working class narrator, an apparently straightforward mission to find a missing biochemist becomes a journey to the heart of a dark and deadly conspiracy.The film of The Ipcress File gave Michael Caine one of his first and still most celebrated starring roles, while the novel itself has become a classic.

    A COP HAD KILLED HIMSELF, AND EVERY CROOK IN TOWN KNEW THAT WOULD BE SURE TO BRING ON THE BIG HEAT. Why did they fear a dead man? Dave Bannion, homicide sergeant, fought for the answer to that question. The dead man was a police clerk who shot himself for no obvious reason. That was Bannion's first judgment, until a girl named Lucy presented a quite different picture of the dead man from the one he had shown to the world and to his fastidious, glacial wife. Bannion's chief, Lieutenant Wilks, wanted the case closed and speculation ended quickly and tightly. So did Max Stone and Lagana, who held the city in a sinister, underworld grip. But why? Why did they all fear a dead man . . . ?