In academic and common parlance alike, caste has become a central symbol for India, marking it as fundamentally different from other places while expressing its essence. Nicholas Dirks argues that caste is, in fact, neither an unchanged survival of ancient India nor a single system that reflects a core cultural value. Rather than a basic expression of Indian tradition, caste is a modern phenomenon--the product of a concrete historical encounter between India and British colonial rule. Dirks does not contend that caste was invented by the British. But under British domination caste did become a single term capable of naming and above all subsuming India's diverse forms of social identity and organization.Dirks traces the career of caste from the medieval kingdoms of southern India to the textual traces of early colonial archives; from the commentaries of an eighteenth-century Jesuit to the enumerative obsessions of the late-nineteenth-century census; from the ethnographic writings of colonial administrators to those of twentieth-century Indian scholars seeking to rescue ethnography from its colonial legacy. The book also surveys the rise of caste politics in the twentieth century, focusing in particular on the emergence of caste-based movements that have threatened nationalist consensus. Castes of Mind is an ambitious book, written by an accomplished scholar with a rare mastery of centuries of Indian history and anthropology. It uses the idea of caste as the basis for a magisterial history of modern India. And in making a powerful case that the colonial past continues to haunt the Indian present, it makes an important contribution to current postcolonial theory and scholarship on contemporary Indian politics.

    This collection of his poems is representative of the best in contemporary Urdu writing. The Urdu text is presented with English translations.

    This book takes a critical look at these myths and contradictions from an inside perspective, presenting a fresh and nuanced perspective on the opportunities that the Indian market offers. It draws upon a wealth of data, from consumer research, market data, macroeconomic research, popular culture and case studies, to provide a thorough and compelling insight into what makes for success in the complex Indian market, based upon two decades of experience.

    The selection reveals the wide range of Premchand's genius and the scope of his appeal. While most of the stories are woven against a rural backdrop, some also demonstrate an urban sensibility.

    The Making of Exile hopes to redress this, by turning a spotlight on the specific narratives of the Sindhi Hindu community. Post-Partition, Sindh was relatively free of the inter-communal violence witnessed in Punjab, Bengal and other parts of north India. Consequently, in the first few months of Pakistan's early life, Sindhi Hindus did not migrate and remained the most significant minority in West Pakistan. Starting with the announcement of the Partition of India, The Making of Exile firmly traces the experiences of the community - that went from being a small but powerful minority to becoming the target of communal discrimination, practiced by both the state as well as sections of Pakistani society. This climate of communal antipathy threw into sharp relief the help and sympathy extended to Sindhi Hindus by other Pakistani Muslims, both Sindhi and muhajir. Finally, it was when they became victims of the Karachi pogrom of January 1948 that Sindhi Hindus felt compelled to migrate to India.The second segment of the book examines the resettlement of the community in India - their first brush with squalid refugee camps, their struggle to make sense of rapidly changing governmental policies and the spirit of determination and enterprise with which they rehabilitated themselves in their new homeland. Yet, not all Sindhi Hindus chose to migrate and the specific challenges of those who stayed on in Sindh, as well as the difficulties faced by Sindhi Muslims after the formation of Pakistan, have been sensitively documented in the final chapters. Weaving in a variety of narratives - diary entries and memoirs, press reportage, letters to editors and, advertisements, legends and poetry, dozens of interviews and a wealth of academic literature - Nandita Bhavnani's The Making of Exile is one of the most comprehensive and multifaceted studies of the Sindhi experience of Partition.

    Nearly a decade has passed since Rahul Satyabhagi, heir to the mega Satyabhagi business empire, had raped Avni Rambha, bested her in court, and gone on to become a men’s rights activist, and the who’s-who of Badrid Bay had breathed a sigh of relief that the sordid mess was over. But now a sting operation proves what many, the three friends included, had suspected all along – he’d been lying. Furious that he has been exposed, Rahul plans to sue the media as well as his long-suffering victim. Now, Rhea, Hitaishi and Amruta find themselves at a crossroad - can they carry on doing nothing? DC Virendra Dixit was among those who’d believed that the Rambha rape case had been a ‘false allegation’, but now the sting tape brings him to a case that promises to be a turning point in his career. Just as he thinks he is nearing a resolution, he finds himself at a crossroad of his own. Rhea, Hitaishi and Amruta have carved out a path that has already affected DC Dixit’s, but do their paths cross? Who is the hunter, and who is the hunted? Can a story of hard questions and difficult choices have an easy resolution?

    The family in focus is that of two brothers, Jiten and Nitin, who run an advertising agency and are married to sisters: Dolly and Alka. Their mother, Baa, moves between the two households, attached more to her memories of the past than to any present reality. Marital friction, sibling rivalry, the traditional tension between mother-in-law and daughters-in-law, the darker moments of business and personal dealings, the play takes us through the entire gamut of emotional experience as it winds to a climactic finish. With its relentless pace, crisp idiom and unflinching insight into the urban milieu, this is a play that confirms Mahesh Dattani's reputation as India's most influential playwright.

    He connects with the richness of the Urdu language, observes the syncretic evolution of mystical Islam in India and its deep connections with Hindustani classical music – so much a part of his own selfhood. And every so often, he returns to the refuge of Hazrat Nizamuddin Auliya, the twelfth-century pir, whose dargah still reverberates with music and prayer every evening.His wanderings through Delhi lead Raza back in time to recollections of a long-forgotten Hindu ancestry and to comparisons with his own city of Lahore – in many ways a mirror image of Delhi. They also lead to reflections on the nature of the modern city, the inherent conflict between the native and the immigrant and, inevitably, to an inquiry into his own identity as a South Asian Muslim.Rich with history and anecdote, and conversations with Dilliwalas known and unknown,Delhi By Heart offers an unusual perspective and unexpected insights into the political and cultural capital of India.About the AuthorRaza Rumi is an international development professional based in Lahore. He has worked for national and international organizations such as the United Nations and the Asian Development Bank. He also edits and writes for the Friday Times and contributes to leading national dailies in Pakistan and abroad. He blogs at Jahane Rumi, a website devoted to Sufism and the arts and cultures of South Asia.

    A young woman jumps off. She has wild hair, sloppy clothes, a distracted air. She looks Indian, yet she is somehow not. The sudden violence of what happens next leaves the other passengers gasping. The train terminates at Jarmuli, a temple town by the sea. Here, among pilgrims, priests and ashrams, three old women disembark only to encounter the girl once again. What is someone like her doing in this remote corner, which attracts only worshippers? Over the next five days, the old women live out their long-planned dream of a holiday together; their temple guide finds ecstasy in forbidden love; and the girl is joined by a photographer battling his own demons. The full force of the evil and violence beneath the serene surface of the town becomes evident when their lives overlap and collide. Unexpected connections are revealed between devotion and violence, friendship and fear as Jarmuli is revealed as a place with a long, dark past that transforms all who encounter it. This is a stark and unflinching novel by a spellbinding storyteller, about religion, love, and violence in the modern world.

    Partha Chatterjee's retelling of the notoriously famous 'Bhawal Sannyasi Case' - one of India's best known and most historic legal battles - is narrative history of the finest kind. It is an epic story of war within a household which spills out into the social life of colonial Bengal; and beyond, into the administrative and legal fabric of India during the heyday of nationalism; and then beyond that again, into spirituality and philosophy, legend and folklore, theatre and cinema.

    More terrifying than the savage murder of historian Ram Mathur on the ghats of Ganga, are the questions that follow. Desperate for answers, Sia turns to esoteric writer & friend Om Patnaik. But what begins as a hunt for the killer, becomes an extraordinary trail of riddles strewn across the country, that must end at the gates of an enigma.An ancient enigma so powerful that even gods would kill for it!!!In another time and space, rules an Emperor who plays with phenomenal forces that make him supreme…who faces these very forces when they threaten the survival of the human race. An Emperor who must ultimately pay homage to the enigma… As Patnaik and Sia race from one riddle to another, towards a royal secret that has remained alive for centuries….will the final truth, save them or destroy them forever?The path beckons. Can you solve The Emperor’s Riddles?Check out the Online Extract here on Goodreads and the Official HD Trailer on YouTube.

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    The novel is an attempt to address the complications of religion through Tulsidas while portraying him as a person who was afflicted with all the virtues and vices known to human beings. How Tulsidas finds Shri Ram -- is a question that the author answers in a fashion that can only be termed as brilliant for lack of better word. The best thing about the work is that it doesn't attempt to glorify any God or deity, but simple tries to go into the mind of the devotee -- Tulsidas in this case.

    Brought up amidst the hurly-burly of Maharashtrian politics of the 1960s, and exposed to the best and the brightest in Bombay’s cultural scene, Malika was a cosseted child, drawn to poetry and dance. She was barely out of school when she married Namdeo Dhasal, co-founder of the radical Dalit Panthers, and celebrated ‘poet of the underground’ who transformed Marathi poetry with his incendiary verse.After the initial days of love, and the birth of their son, the marriage crumbled. Namdeo was an absent husband and father—given to drink, womanizing and violence—and uninterested in his family. And while he would repent his actions and his negligence, and they would make up, he never stopped or reformed. I Want to Destroy Myself is Malika’s searing, angry account of her life with Dhasal.The unvarnished story of a marriage and of a woman and a writer seeking her space in a man’s world, Malika Amar Shaikh’s autobiography is also a portrait of the Bombay of poets, activists, prostitutes and fighters. There isn’t another memoir in Indian writing as honest and pitiless as this. Published originally in Marathi, it quickly became a sensation and vanished as quickly. Jerry Pinto’s superb translation revives this lost classic and makes it available for the first time in any language other than Marathi.

    Called Operation Bluestar, the historic and unprecedented event ended the growing spectre of terrorism perpetrated by the extremist Sikh leader Jarnail Singh Bhindranwale and his followers once and for all. But it left in its wake unsolved political questions that continued to threaten Punjab???s stability for years to come. How, in a brief span of three years, did India???s dynamic frontier state become a national problem? Who was to blame: the Central Government for allowing the crisis to drift despite warnings, or the long-drawn-out Akali agitation, or the notorious gang of militants who transformed a holy shrine into a sanctuary for terrorists?First published two months after Operation Bluestar, The Punjab Story pieces together the complex Punjab jigsaw through the eyes of some of India???s most eminent public figures and journalists. Writing with the passion and conviction of those who were involved with the drama, they present a wide-ranging perspective on the past, present and future of the Punjab tangle, and the truth of many of their conclusions having been borne out by time.