In eight tragi-comic stories, Einstein's Beach House: Stories features ordinary men and women rising to life's extraordinary challenges.

    Each story is charged with her powerful, original language and the dramatic engagement of the intelligent mind with the craving body — or the intelligent body with the craving mind — that is characteristic of Gaitskill's fiction. Her settings are a surprising mix of real and surreal: in the urban fairy tale "Mirror Ball" a young man steals a girl's soul during a one-night stand, while in the stunning "The Arms and Legs of the Lake" the fallout of the Iraq War becomes painfully immediate for a group of characters who collide by chance on a train going up the Hudson River.As spirited and intense as the now-classic Bad Behavior, Don't Cry shows us how our social conscience has evolved while basic truths — "the crude cinder blocks of male and female down in the basement, holding up the house," as one character puts it — remain unchanged.

    But his reason for choosing this career was even less common, perhaps even unique. This story was first published in BEDLAM'S EDGE, Aug 2005.

    A content moderator for "the world's biggest search engine," who spends her days culling videos of beheadings and suicides, turns from stalking her rapist online to following him in real life. At a camp for recovering internet trolls, a sensitive misfit goes missing. A wounded mother raises the second incarnation of her child.In You Will Never Be Forgotten, Mary South explores how technology can both collapse our relationships from within and provide opportunities for genuine connection. Formally inventive, darkly absurdist, savagely critical of the increasingly fraught cultural climates we inhabit, these ten stories also find hope in fleeting interactions and moments of tenderness. They reveal our grotesque selfishness and our intense need for love and acceptance, and the psychic pain that either shuts us off or allows us to discover our deepest reaches of empathy. This incendiary debut marks the arrival of a perceptive, idiosyncratic, instantly recognizable voice in fiction--one that could only belong to Mary South.

    Eleven stories by Joshua Ferris, many of which were first published in The New Yorker, on topics such as the modern tribulations of marriage, ambition, and the fear of missing out.The dinner party --The valetudinarian --The pilot --A night out --The breeze --Ghost town choir --More abandon (or whatever happened to Joe Pope?) --Fragments --The stepchild --Life in the heart of the dead --A fair price

    A painter who owes his small success to a man he despises, discovers that his passivity has cost him the love that might have set him free. A writer of modest talents encounters the old love who once betrayed him; now she repels him, yet the unfinished novel she leaves in his hands may surpass anything he could ever produce himself. An American poet in Rome finds herself forced to choose between her lover and a world so alien it takes her voice away. A print maker, who has reached a certain age, enters so deeply into the magical world of her imagination that she can never find her way back. In captivating, luminous prose, Martin explores the trials and rewards of human relationships and creative endeavor with all the ease and insight of a writer at the top of her form.

    A man who loves to bowl rolls a perfect game--and then another and then another and then many more in a row until he winds up ESPN's newest celebrity, and he must decide if the combination of perfection and celebrity has ruined the thing he loves. An eccentric billionaire and his faithful executive assistant venture into America looking for acquisitions and discover a down and out motel, romance, and a bit of real life. These are just some of the tales Tom Hanks tells in this first collection of his short stories. They are surprising, intelligent, heartwarming, and, for the millions and millions of Tom Hanks fans, an absolute must-have!

    A few of the stories have never been published before; the others have appeared in "The New Yorker," and several of those have also been included in "The Best American Short Stories." All are infused with the dazzling, astonishingly creative prose and the remarkable, haunting autobiographical elements that have distinguished Hemon as one of the most original and illustrious voices of our time. What links the stories in "Love and Obstacles" is the narrator, a young man who-like Hemon himself-was raised in Yugoslavia and immigrated to the United States. The stories of "Love and Obstacles" are about that coming of age and the complications-the obstacles-of growing up in a Communist but cosmopolitan country, and the disintegration of that country and the consequent uprooting and move to America in young adulthood. But because it's Aleksandar Hemon, the stories extend far beyond the immigrant experience; each one is punctuated with unexpected humor and spins out in fabulist, exhilarating directions, ultimately building to an insightful, often heartbreaking conclusion. Woven together, these stories comprise a book that is, genuinely, as cohesive and powerful as any fiction- achingly human, charming, and inviting.

    A literary novel set in 1995 New York, Love Slave follows Weatherfield and her strange friends as they frustrate chick-lit expectations (though they’re unaware that they’re doing so) in this uproarious, genre-breaking spree. By day Sybil is an office temp, and by night she’s a columnist for New York Shock, a chatty rag in which she writes a column called "Abscess" — a wound that never heals. Her friends include a paper-pusher for a human rights organization, and the lead singer of a local rock band called Glass Half Empty. Full of cultural detail, mid-'90s observations, and early adulthood anxieties, Weatherfield’s story of finding love ultimately casts an ironic eye on what it means to be a love slave.

    Henry Awards, The Pushcart Prize, and The Best American Short Stories of 2000 (selected by E.L.Doctorow.) These are provocative, often shocking, tales of obsession, love, racism, addiction, betrayal, even murder, but told in such sensuous, richly-textured prose each story is rendered magical and timeless. A young girl obsessed with her tattooed, Yakuza uncle wit-nesses his horrific ending. A woman is condemned to death for loving a man outside her culture. Two cousins learn the terrible toll of drug addiction. A boy with amputated legs is introduced to love by an older woman. A girl of mixed-race heritage discovers her white father's racist background, and spends her life trying to 'run her genes off, like fat.' Two beautiful sisters, professional taxi-dancers, abandon their daughters, leaving them with no clues or codes on how to survive. A house of dysfunctional and wounded people are finally redeemed by the strength of love.The stories are set in islands across the Pacific where the author has lived and traveled extensively - Hawaii, Papua New Guinea, Nauru, Fiji, Vanuatu - parts of of the world only barely ex-plored in contemporary literature. Davenport offers her readers not just mesmerizing writing, but also brings them bulletins from an ancient, yet seemingly brave, new world. *****Of Davenport's writing, ALICE WALKER has said, "She ex-hibits the character great writers must have, passionate love of people, dedication to the memory of people who have suffered. You can't read Kiana Davenport without being transformed." ISABEL ALLENDE has said, "Reading Davenport is an over-whelming experience. Her prose is sharp and shining as a sword, yet her sense of poetry and love of nature permeate each line."A Sampling of Reviews of Stories in this Collection:"The story, HOUSE OF SKIN, transcends the very good and achieves the beautiful. It describes what is essentially a love story between the uncle, aunt and niece. After the tattooed uncle finally dies comes an ending as appropriate and mortifying as any I have ever read." - W.P. Osborn, Manoa, Journal of International Writing"THE LIPSTICK TREE had a magical effect on me. The pro-tagonist's dream of a better life, and her determination to go to the furthest extremes to achieve it, is heroic. The price of freedom is mitigated with grievous loss and bittersweet victory." - Thom Jones, author of Pugilist at Rest"DRAGON SEED is a spooky tale of addiction and self-destruction." - Jeff Yang, Reviewer, The Village Voice"The haunting, junkie ecstasy of Davenport's DRAGON SEEDis both abhorrent and beautiful." - Jessica Hagedorn, author of Dog Eaters"Hypnotic and amazing tales. Her writing is astonishing. Along the way, we learn about important and under-represented cultures. BONES OF THE INNER EAR still haunts me, and I believe some of these stories will stand as long as there is written language." - Tillie Olsen, author of Silences, Tell Me a Riddle *****

    From the story about a beautiful young woman who shows up thirsty in the bathtub of the Frangipani Hotel in Saigon many years after her first sighting there, to a young woman in Houston who befriends an old Vietnamese man she discovers naked behind a dumpster, to a truck driver asked to drive a young man with an unnamed ailment home to die, to the story of two American sisters sent to Vietnam to visit their elderly grandmother who is not what she appears to be, these stories blend the old world with the new while providing a new angle of insight into the after-effects of the war on a generation of displaced Vietnamese immigrants as well as those who remained in Vietnam.

    Her brilliantly etched characters confront life’s abrupt and unsettling changes with fear, courage, humor, and overwhelming grace. In the O. Henry Prize–winning story “The Visitor,” a VA hospital nurse’s aide contends with a family ghost and discovers the ways in which her own past haunts her. The reticent father in “Pond” is confronted with a Solomonic choice that pits his love for his daughter against his feelings for her young son. In “Night Train to Frankfurt,” first published in The New Yorker, a daughter travels to an alternative-medicine clinic in Germany in a gambit to save her mother’s life. And in the title story, a woman vacations in Morocco with her family while contemplating a decision that will both ruin and liberate them all. From “Temporary,” where a young woman confronts the ephemeral nature of companionship, to “Three Girls,” in which sisters trapped in a snowstorm recognize the boundaries of childhood, the nuanced voices of Alone With You bear the hallmarks of an instant classic from a writer with unerring talent and imaginative resource. Silver has the extraordinary ability to render her fictional inhabitants instantly relatable, in all their imperfections. Her stories have the singular quality of looking in a mirror. We see at once what is familiar and what is strange. In these stirring narratives, we meet ourselves anew.

    From "The First Several Hundred Years Following My Death," an absurd, profound vision of a hellish heaven, to "Winter Elders," in which missionaries calmly and relentlessly pursue a man who has left the fold, these nine stories illuminate the articles of faith that make us human. The concluding triptych tackles the legends and legacy of Mormonism head-on, culminating in "Diviner," a seriocomic portrait of the young Joseph Smith, back when he was not yet the founder of a religion but a man hired to find buried treasure. Godforsaken Idaho is an indelible collection by the writer you need to read next. Named an 'Outstanding 2013 Short Story Collection' by The Story Prize, winner of the PEN/Robert W. Bingham Prize for Debut Fiction, winner of the Pushcart Prize, shortlisted for the William Saroyan International Prize for Writing.

    In her gothic visions of small-town America, Jackson, the author of such masterworks as The Haunting of Hill House and We Have Always Lived in the Castle, turns an ordinary world into a supernatural nightmare. This eclectic collection goes beyond her horror writing, revealing the full spectrum of her literary genius. In addition to Come Along with Me, Jackson's unfinished novel about the quirky inner life of a lonely widow, it features sixteen short stories and three lectures she delivered during her last years.

    As with her acclaimed novels Nobody Is Ever Missing and The Answers, she gives life to a group of subtly complex, instantly memorable characters whose searches for love, struggles with grief, and tentative journeys into the minutiae of the human condition are simultaneously gripping and devastating. The characters in Certain American States are continually coming to terms with their place in the world, and how to adapt to that place, before change inevitably returns. A woman leaves her dead husband’s clothing on the street, only for it to reappear on the body of a stranger; a man reads his ex-wife’s short story and neurotically contemplates whether it is about him; a young woman whose Texan mother insists on moving to New York City with her has her daily attempts to get over a family tragedy interrupted by a mute stranger showing her incoherent messages on his phone. These are stories of breakups, abandonment, and strained family ties; dead brothers and distant surrogate fathers; loneliness, happenstance, starting over, and learning to let go. Lacey’s elegiac and inspired prose is at its full power in this collection, further establishing her as one of the singular literary voices of her generation.