It is the story of how women's lives were transformed by an eighteen-month strike against the Phelps Dodge Copper Corporation. Set in the small mining towns of Arizona, the story is partly oral history and partly social criticism, exploring the process of empowerment which occurs when people work together as a community. For this new edition, Kingsolver has revised the first chapter and written a new introduction, which explains the book's particular importance. "Holding the Line was a watershed event for me because it taught me to pay attention: to know the place where I lived. Since then I've written other books, most of them set in the vine-scented, dusty climate of Southwestern class struggle.... My hope for you, as a person now holding this book, is that the reading will bring you some of what the writing brought to me. Whether or not you can claim any interest in a gritty little town smack in the middle of nowhere that hosted a long-ago mine strike, I hope in the end you will care about its courage and sagacity."

    Unpacking the small towns around where she lives and the communities that keep them going through threat and times of plenty. With half her year spent in Canberra, reporting from Parliament House, and half her year in the sticks, she really does have a unique perspective. The Great Divide between city and country is only one subject that arises. The National Party talks about farmers, but what about those who live in regional towns? Her forensic focus in the nearby towns is on ordinary lives not often seen, and the conversations in this book are broad, national and at times international; immigration, transport, health, the NBN, globalization, and tariffs. Gabrielle also draws on her own observations about community. Newcomers initially face strong distrust based on money or race, but once you are accepted, there is a strong belonging and interaction, much more so than her experience in the city. Middle class people in the city, like Gabrielle, show compassion for poverty or racial difference, but there is little interaction with the "other." That is the gift the country gave her. Gabrielle has spent 30 years covering politics and lived 20 of those years in the country. Her kids were raised in country schools where she did her time on school councils, watching the lives of fellow parents and their kids from the poorest to the richest rural families. Gabrielle served on community groups grappling with loss of population, economic recession and mundane parking issues. She has witnessed fiery town meetings dealing with bank closures and doctor shortages. She has felt parents' extraordinary losses to ordinary causes like car accidents, drugs, and crime in a small town. And all this while documenting the modern Australian political story. This book is both the broad and the narrow, the personal and the public. There is no other book like this in Australia and Gabrielle is the only person to write it.

    Australia is on its second. For the best part of the nineteenth century, Australia was the world's richest country, a pioneer for democracy and a magnet for migrants. Yet our last big boom was followed by a fifty-year bust as we lost our luck, our riches and our nerve, and shut our doors on the world. Now we're back on top, in the position where history tells us we made our biggest mistakes. Can we learn from our past and cement our place as one of the world's great nations? Showing that our future is in our foundation, Australia's Second Chance goes back to 1788, the first contact between locals and migrants, to bring us a unique and fascinating view of the key events of our past right through to the present day. With newly available economic data and fresh interviews with former leaders (including the last major interview with Malcolm Fraser), George Megalogenis crunches the numbers and weaves our history into a compelling thesis, brilliantly chronicling our dialogue with the world and bringing fresh insight into the urgent question of who we are, and what we can become. 'Megalogenis has emerged as something of a polymath. He slaps history and politics and culture like mortar in and around his knowledge of economics and numbers to build compelling, even thrilling, theses about the country of his birth and where it stands in the world.' Tony Wright, Saturday Age

    It provides hope and new direction for those searching for the answers as to why "the problems" seems to persist in Aboriginal communities. It also offers insights for those who want a greater understanding of the issues involved in achieving true reconciliation. In Arnhem Land, as in Indigenous communities across Australia, the situation is dire; health is poor, unemployment is rife and life is short. Why Warriors lie down provides a fresh analysis of this crisis and offers examples of how the people can once again take control of their own lives. Finding the real cause of this crisis requires the reader to look at it from the other side of the cultural / language divide - the side where the Yolngu people live. The Book Why Warriors Lie Down and Die takes us to that side.

    Accessing a cultural archive built over 400 years of Dutch colonial rule, Wekker fundamentally challenges Dutch racial exceptionalism by undermining the dominant narrative of the Netherlands as a "gentle" and "ethical" nation. Wekker analyzes the Dutch media's portrayal of black women and men, the failure to grasp race in the Dutch academy, contemporary conservative politics (including gay politicians espousing anti-immigrant rhetoric), and the controversy surrounding the folkloric character Black Pete, showing how the denial of racism and the expression of innocence safeguards white privilege. Wekker uncovers the postcolonial legacy of race and its role in shaping the white Dutch self, presenting the contested, persistent legacy of racism in the country.

    This revised and updated edition includes new information on three key events in Aboriginal-European relations which have come to light since publication of the first edition, and gives an overview of the Stolen Generation report.

    When I almost died it was just after midday.When the Taliban took control of the Swat Valley in Pakistan, one girl spoke out. Malala Yousafzai refused to be silenced and fought for her right to an education.On Tuesday, October 9, 2012, when she was fifteen, she almost paid the ultimate price. She was shot in the head at point-blank range while riding the bus home from school, and few expected her to survive. Instead, Malala's miraculous recovery has taken her on an extraordinary journey from a remote valley in northern Pakistan to the halls of the United Nations in New York. At sixteen, she has become a global symbol of peaceful protest and the youngest-ever Nobel Peace Prize laureate.I Am Malala is the remarkable tale of a family uprooted by global terrorism, of the fight for girls' education, of a father who, himself a school owner, championed and encouraged his daughter to write and attend school, and of brave parents who have a fierce love for their daughter in a society that prizes sons.

    She very eloquently shows us why and how education needs to change...Teacher made me laugh and cry. I loved it!' - Kathy Margolis, former teacher and activist.Watching children learn is a beautiful and extraordinary experience. Their bodies transform, reflecting inner changes. Teeth fall out. Knees scab. Freckles multiply. Throughout the year they grow in endless ways and I can almost see their self-esteem rising, their confidence soaring, their small bodies now empowered. Given wings.They fall in love with learning.It is a kind of magic, a kind of loving, a kind of art.It is teaching.Just teaching.Just what I do.What I did.Past tense.In 2014, Gabrielle Stroud was a very dedicated teacher with over a decade of experience. Months later, she resigned in frustration and despair when she realised that the Naplan-test education model was stopping her from doing the very thing she was best at: teaching individual children according to their needs and talents. Her ground-breaking essay 'Teaching Australia' in the Feb 2016 Griffith Review outlined her experiences and provoked a huge response from former and current teachers around the world. That essay lifted the lid on a scandal that is yet to properly break - that our education system is unfair to our children and destroying their teachers. In a powerful memoir inspired by her original essay, Gabrielle tells the full story: how she came to teaching, what makes a great teacher, what our kids need from their teachers, and what it was that finally broke her. A brilliant and heart-breaking memoir that cuts to the heart of a vital matter of national importance.

    Raised in the era of the White Australia policy, Dianne grows up believing her adoptive Irish mother, Val, is her birth mother. Val promises Dianne that one day they will take a trip and she will 'tell her a secret'. But before they get the chance, Val tragically dies.Abandoned by her adoptive father, Dianne is raped at the age of 15, sentenced to Parramatta Girls Home and later forced to marry her rapist in order to keep her baby. She goes on to endure horrific domestic violence at the hands of different partners, alcohol addiction and cruel betrayal by those closest to her. But amazingly her fighting spirit is not extinguished.At the age of 36, while raising six kids on her own, Dianne learns she is Aboriginal and that her great-grandfather was William Cooper, a famous Aboriginal activist. Miraculously she finds a way to forgive her traumatic past and becomes a leader in her own right, vowing to help other stolen people just like her.

    It's not that she's an outcast (she might even be your friend or your wife, or your mother) so much as she's a social variable. Sometimes, she's the life of the party; others, she's the center of gossip. She's the unruly woman, and she's one of the most provocative, powerful forms of womanhood today. There have been unruly women for as long as there have been boundaries of what constitutes acceptable "feminine" behavior, but there's evidence that she's on the rise--more visible and less easily dismissed--than ever before. In Too Fat, Too Slutty, Too Loud, Anne Helen Petersen uses the lens of "unruliness" to explore the ascension of eleven contemporary powerhouses: Serena Williams, Melissa McCarthy, Abbi Jacobson, Ilana Glazer, Nicki Minaj, Kim Kardashian, Hillary Clinton, Caitlyn Jenner, Jennifer Weiner, and Lena Dunham. Petersen explores why the public loves to love (and hate) these controversial figures, each of whom has been conceived as "too" something: too queer, too strong, too honest, too old, too pregnant, too shrill, too much. With its brisk, incisive analysis, Too Fat, Too Slutty, Too Loud will be a conversation-starting book on what makes and breaks celebrity today.

    Targeting cultural icons as diverse as Madonna and Spike Lee, Outlaw Culture presents a collection of essays that pulls no punches. As hooks herself notes, interrogations of popular culture can be a 'powerful site for intervention, challenge and change'. And intervene, challenge and change is what hooks does best.

    This group of raw young recruits scrambled ceaselessly in their Kittyhawk fighters to an extraordinary and heroic battle, the story of which has been left largely untold.The recruits had almost nothing going for them against the Japanese war machine, except for one extraordinary leader named John Jackson, a balding, tubby Queenslander - at 35 possibly the oldest fighter pilot in the world - who said little, led from the front, and who had absolutely no sense of physical fear.Time and time again this brave group were hurled into battle, against all odds and logic, and succeeded in mauling a far superior enemy - whilst also fighting against the air force hierarchy. After relentless attack, the squadron was almost wiped out by the time relief came, having succeeded in their mission - but also paying a terrible price.Michael Veitch, actor, presenter and critically acclaimed author, brings to life the incredible exploits and tragic sacrifices of this courageous squadron of Australian heroes.

    Christine Blasey-Ford when she testified to congress in September 2018 about the men who victimized her. A year earlier, in October 2017, the hashtag #MeToo shone a light on the internalized, normalized sexual harassment and abuse that'd been ubiquitous for women for generations.Among the first books to emerge from the #MeToo movement, Indelible in the Hippocampus is a truly intersectional collection of essays, fiction, and poetry. These original texts sound the voices of black, Latinx, Asian, queer, and trans writers, to name but a few, and says "me too" 22 times. Whether reflecting on their teenage selves or their modern-day workplaces, each contributor approaches the subject with unforgettable authenticity and strength.Together these pieces create a portrait of cultural sea-change, offering the reader a deeper understanding of this complex, galvanizing pivot in contemporary consciousness.Featuring Kaitlyn Greenidge, Melissa Febos, Syreeta McFadden, Rebecca Schiff, Diana Spechler, Hossannah Asuncion, Nelly Reifler, Courtney Zoffness, Quito Ziegler, Mecca Jamilah Sullivan, Jolie Holland, Lynn Melnick, Caitlin Delohery, Caitlin Donohue, Gabrielle Bellot, Karissa Chen, Elissa Schappell, Samantha Hunt, Honor Moore, Donka Kelly, and Hafizah Geter