He hasn’t left the house in three years, which is fine by him.Ambitious Lisa desperately wants to get into the second-best psychology program for college (she’s being realistic). But is ambition alone enough to get her in?Enter Lisa.Determined to “fix” Sol, Lisa steps into his world, along with her charming boyfriend, Clark, and soon the three form an unexpected bond. But, as Lisa learns more about Sol and he and Clark grow closer and closer, the walls they’ve built around themselves start to collapse and their friendships threaten to do the same.

    Problem was, these stories, many of which found their way into the general social consciousness, reflected the way in which these men lived and saw their world: that is, the stories were sexist, discriminatory, unfair, culturally biased, and in general, demeaning to witches, animals, goblins, and fairies everywhere.Finally, after centuries of these abusive tales, which have been handed down--unknowingly--from one male-biased generation to the next, James Finn Garner has taken it upon himself (that's right, yet another man) to enlighten and liberate these classic bedtime stories and retell them in a way that is much more in keeping with the society in which we live today.Politically Correct Bedtime Stories, then is the fruit of Garner's labors. We'd like to think that future generations of fairy-tale fans will see this as a worthy attempt to develop meaningful literature that is totally free from bias and purged from the influences of a flawed cultural past.

    Here, she’s meant to stay out of trouble. Here, she’s meant to do a lot of things. But it’s hard. She’s bored. And when Sadie’s bored, the only thing she likes is trouble.Emerson Tate’s a poor boy living in a rich town, with his widowed mother and strange, haunted little brother. All he wants his senior year is to play basketball and make something happen with the girl of his dreams. That’s why Emerson’s not happy Sadie’s back. An old childhood friend, she knows his worst secrets. The things he longs to forget. The things she won’t ever let him.Haunted is a good word for fifteen-year-old Miles Tate. Miles can see the future, after all. And he knows his vision of tragic violence at his school will come true, because his visions always do. That’s what he tells the new girl in town. The one who listens to him. The one who recognizes the darkness in his past. But can Miles stop the violence? Or has the future already been written? Maybe tragedy is his destiny. Maybe it’s all of theirs.

    In each of her stories, Danielle Evans explores the non-white American experience with honesty, wisdom, and humor. They are striking in their emotional immediacy, based in a world where inequality is a reality, but the insecurities of young adulthood and tensions within family are often the more complicating factors. One of the most lauded debuts of the year, Before You Suffocate Your Own Fool Self announces a major new talent in Danielle Evans.

    But once she arrives at the bustling Port Authority, she is confronted with the terrifying truth: she is alone and out of options. Then she meets Devon, a good-looking, well-dressed guy who emerges from the crowd armed with a kind smile, a place for her to stay, and eyes that seem to understand exactly how she feels. But Devon is not what he seems to be, and soon Michelle finds herself engulfed in the world of child prostitution where he becomes her “Daddy” and she his “Little Peach.” It is a world of impossible choices, where the line between love and abuse, captor and savior, is blurred beyond recognition. This hauntingly vivid story illustrates the human spirit’s indomitable search for home, and one girl’s struggle to survive.

    Her job as a cinematographer takes her from one exotic locale to the next. When Maggie's not working, she loves to rappel off cliffs or go skydiving. Nothing frightens her.Nothing, that is, except Ivy, Texas, where a family emergency pulls her back home to a town full of bad memories, painful secrets, and people Maggie left far behind . . . for a reason.Forced to stay longer than she intended, Maggie finds her family a complete mess, including the niece her sister has abandoned. Ten-year-old Riley is struggling in school and out of control at home. The only person who can really handle the pint-sized troublemaker is Conner, the local vet and Ivy's most eligible bachelor. But Conner and Maggie keep butting heads--he's suspicious of her and, well, she doesn't rely on anyone but herself.As Maggie humorously fumbles her way from one mishap to another, she realizes she's going to need to ask for help from the one person who scares her the most.To save one little girl--and herself--can Maggie let go of her fears and just trust God?

    In addition to fan essays, Flirtin' with the Monster takes a deeper look at the issues behind Hopkins' bestselling novels by allowing the real teenage girl who inspired the meth-addicted main character to contribute an essay. Ellen Hopkins doesn't shy away from serious yet crucial teen topics, and whether it's homosexuality or suicide, she paints a very real picture of the issue. With an introduction by Ellen herself, Flirtin' with the Monster is the definite voice on what makes Crank and Glass page-turners for teens everywhere. Flirtin' with the Monster has essays written by Susan Hart Lindquist, Lynda Sandoval, Nicole Burnham, Terri Clark, Gail Giles, Cinda Chima, Megan Kelley Hall, Micol Ostow, Mary Bryan and John Tatro

    It can also be an exchange, a betrayal, an assault, a promise, a hope...or it could be a goodbye. The intimacy of a kiss cannot be denied. Whether shared, stolen or simply dreamed of, its recipient will be affected. Thirty-one stories by authors from around the world will tease your imagination as you anticipate ‘The Kiss’ in each weird or wonderful tale. This cross-genre anthology contains stories by Kate Aaron, Saxon Andrew, Jacques Antoine, Alison Blake, E. B. Boggs, Shirley Bourget, Ben Cassidy, Jason Deas, Sharon Delarose, Meghan Ciana Doidge, Suzy Stewart Dubot, Corrie Fischer, Brandon Hale, Traci Tyne Hilton, Colleen Hoover, Mona Ingram, J. L. Jarvis, Elizabeth Jasper, Anna J. McIntyre, Jess Mountifield, C. A. Newsome, S. Patrick O'Connell, Suzie O'Connell, Jeanette Raleigh, J. R. C. Salter, Molly Snow, Holli Marie Spaulding, Cleve Sylcox, Robert Thomas, Chris Ward and George Wier. 130,000 words

    Shy, anxious Jessie would give anything to have Annie’s beauty and confidence. And Annie thinks Jessie has the perfect life, with her close-knit family and killer grades. They're BFFs…until suddenly they're not. Told through alternating points of view, How It Ends is a wildly fast but deeply moving read about a friendship in crisis. Set against a tumultuous sophomore year of bullying, boys and backstabbing, the novel shows what can happen when friends choose assumptions and fear over each other.

    Where tinkerers and dreamers craft and re-craft a world of automatons, clockworks, calculating machines, and other marvels that never were. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, utopian revolutionaries, and intrepid orphans solve crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships.

    Actually, she meant to do something right. But her kind act inadvertently played a role in a deadly tragedy. In order to move on, Morgan must learn to forgive—first someone who did something that might be unforgivable, and then herself. But Morgan can’t move on. She can’t even move beyond the front door of the apartment she shares with her mother and little brother. Morgan feels like she’s underwater, unable to surface. Unable to see her friends. Unable to go to school. When it seems Morgan can’t hold her breath any longer, a new boy moves in next door. Evan reminds her of the salty ocean air and the rush she used to get from swimming. He might be just what she needs to help her reconnect with the world outside.

    Which doesn't mean the pain is less – quite the opposite, as we discover in this extraordinary collection of heartfelt fiction and non-fiction works that put female friendship in the spotlight. Nikki Gemmell looks at the hardwiring that keeps us bonded in tightly knit packs, but makes us feel oh-so-claustrophic in mothers' groups and at the school gate. Melina Marchetta reveals the peculiar shame of being overlooked for the high-status netball positions of Centre and Goal Attack. Liz Byrski conducts a forensic examination of her own friendship history, and finds some uncomfortable patterns. And Merridy Eastman pens a letter from Helena to Hermia from A Midsummer Night's Dream , which shines the light on one of literature's most famously dysfunctional female friendships.

    Contents: 1 • In a Season of Calm Weather • (1957) • short story by Ray Bradbury 7 • A Medicine for Melancholy • (1959) • short story by Ray Bradbury 16 • The Wonderful Ice Cream Suit • non-genre • (1958) • short story by Ray Bradbury 39 • Fever Dream • (1948) • short story by Ray Bradbury 46 • The Marriage Mender • (1954) • short story by Ray Bradbury 51 • The Town Where No One Got Off • (1958) • short story by Ray Bradbury 59 • A Scent of Sarsaparilla • (1953) • short story by Ray Bradbury 66 • The Headpiece • (1958) • short story by Ray Bradbury 74 • The First Night of Lent • [The Irish Stories] • (1956) • short story by Ray Bradbury 81 • The Time of Going Away • (1956) • short story by Ray Bradbury 88 • All Summer in a Day • (1954) • short story by Ray Bradbury 94 • The Gift • (1952) • short story by Ray Bradbury 97 • The Great Collision of Monday Last • [The Irish Stories] • (1958) • short story by Ray Bradbury 104 • The Little Mice • (1955) • short story by Ray Bradbury 109 • The Shore Line at Sunset • (1959) • short story by Ray Bradbury (variant of The Shoreline at Sunset) 118 • The Day It Rained Forever • (1957) • short story by Ray Bradbury 129 • Chrysalis • (1946) • short story by Ray Bradbury 150 • Pillar of Fire • (1948) • novelette by Ray Bradbury 188 • Zero Hour • (1947) • short story by Ray Bradbury 198 • The Man • (1949) • short story by Ray Bradbury 210 • Time in Thy Flight • (1953) • short story by Ray Bradbury 215 • The Pedestrian • (1951) • short story by Ray Bradbury 220 • Hail and Farewell • (1953) • short story by Ray Bradbury 228 • Invisible Boy • (1945) • short story by Ray Bradbury 237 • Come Into My Cellar • (1962) • short story by Ray Bradbury (variant of Boys! Raise Giant Mushrooms in Your Cellar!) 254 • The Million-Year Picnic • [The Martian Chronicles] • (1946) • short story by Ray Bradbury (variant of The Million Year Picnic) 264 • The Screaming Woman • [Green Town] • (1951) • short story by Ray Bradbury 278 • The Smile • (1952) • short story by Ray Bradbury 284 • Dark They Were, and Golden-Eyed • (1949) • short story by Ray Bradbury 299 • The Trolley • [Dandelion Wine] • (1955) • short story by Ray Bradbury 303 • Icarus Montgolfier Wright • (1956) • short story by Ray Bradbury

    All of these stories are guaranteed to terrify! So lock the door. Turn on the lights. Don't answer the phone. Open the book...if you dare...

    She is friendless, outcast, because she busted an end-of-summer party by calling the cops, so now nobody will talk to her, let alone listen to her. As time passes, she becomes increasingly isolated and practically stops talking altogether. Only her art class offers any solace, and it is through her work on an art project that she is finally able to face what really happened at that terrible party: she was raped by an upperclassman, a guy who still attends Merryweather and is still a threat to her. Her healing process has just begun when she has another violent encounter with him. But this time Melinda fights back, refuses to be silent, and thereby achieves a measure of vindication. In Laurie Halse Anderson's powerful novel, an utterly believable heroine with a bitterly ironic voice delivers a blow to the hypocritical world of high school. She speaks for many a disenfranchised teenager while demonstrating the importance of speaking up for oneself.Speak was a 1999 National Book Award Finalist for Young People's Literature.