Born in London of mixed Jewish and English parentage, and a restless and much photographed beauty, she moved in the pivotal circles of international modernism, where her friends and lovers included Gertrude Stein, Marinetti, Marcel Duchamp, Joseph Cornell, Djuna Barnes, the poet-boxer Arthur Cravan, and the Surrealists and Man Ray. Carolyn Burke's riveting, authoritative biography brings this highly original and representative figure wonderfully alive, in the process giving us a new picture of modernism—and one woman's important contribution to it.

    [a] unique meditation/investigation ... Jerome Charyn the unpredictable, elusive, and enigmatic is a natural match for Emily Dickinson, the quintessence of these.” —Joyce Carol Oates, author of Wild Nights! and The Lost LandscapeWe think we know Emily Dickinson: the Belle of Amherst, virginal, reclusive, and possibly mad. But in A Loaded Gun, Jerome Charyn introduces us to a different Emily Dickinson: the fierce, brilliant, and sexually charged poet who wrote: My Life had stood—a Loaded Gun—…Though I than He— may longer liveHe longer must—than I—For I have but the power to kill,Without—the power to die—Through interviews with contemporary scholars, close readings of Dickinson’s correspondence and handwritten manuscripts, and a suggestive, newly discovered photograph that is purported to show Dickinson with her lover, Charyn’s literary sleuthing reveals the great poet in ways that have only been hinted at previously: as a woman who was deeply philosophical, intensely engaged with the world, attracted to members of both sexes, and able to write poetry that disturbs and delights us today.Jerome Charyn is the author of, most recently, Bitter Bronx: Thirteen Stories, I Am Abraham: A Novel of Lincoln and the Civil War, and The Secret Life of Emily Dickinson: A Novel. He lives in New York.

    Anderson has cleared away the dross and shown us the golden roots of fantasy before it became a genre.”–Michael Moorcock, author of The Eternal ChampionMany of today’s top names in fantasy acknowledge J.R.R. Tolkien as the author whose work inspired them to create their own epics. But which writers influenced Tolkien himself? In a collection destined to become a classic in its own right, internationally recognized Tolkien expert Douglas A. Anderson, editor of The Annotated Hobbit, has gathered the fiction of the many gifted authors who sparked Tolkien’s imagination. Included are Andrew Lang’s romantic swashbuckler “The Story of Sigurd,” which features magic rings and a ferocious dragon; an excerpt from E. A. Wyke-Smith’s The Marvelous Land of Snergs, about creatures who were precursors to Tolkien’s hobbits; and a never-before-published gem by David Lindsay, author of A Voyage to Arcturus, a novel that Tolkien praised highly both as a thriller and as a work of philosophy, religion, and morality.In stories packed with magical journeys, conflicted heroes, and terrible beasts, this extraordinary volume is one that no fan of fantasy or Tolkien should be without. These tales just might inspire a new generation of creative writers.

    The president of the United States is the president of every single American, every race and every background. Whether you voted for me or not, I will do my best to serve your interests, and I will work to earn your respect.I will be guided by President Jefferson's sense of purpose: to stand for principle, to be reasonable in manner, and, above all, to do great good for the cause of freedom and harmony.The presidency is more than an honor, it is more than an office. It is a charge to keep, and I will give it my all.--George W. Bush, December 13, 2000, Texas House of RepresentativesIn A Charge to Keep, George W, Bush offers readers a warm, insightful, and honest look at the personal and political experiences that have shaped his values and led to his decision to run for president. The George W. Bush who leaps off these pages has his mother's wit and down-to-earth personality, his father's energy and competitive drive, and his own unique style and philosophy.Written with his long term communications director, Karen Hughes, A Charge to Keep is a revealing look into the background, philosophy, family, and heart of our new president.

    

    Only ten of them?about 3 percent?have been women. Why? In this updated version of Nobel Prize Women in Science, Sharon Bertsch McGrayne explores the reasons for this astonishing disparity by examining the lives and achievements of fifteen women scientists who either won a Nobel Prize or played a crucial role in a Nobel Prize - winning project. The book reveals the relentless discrimination these women faced both as students and as researchers. Their success was due to the fact that they were passionately in love with science.The book begins with Marie Curie, the first woman to win the Nobel Prize in physics. Readers are then introduced to Christiane Nusslein-Volhard, Emmy Noether, Lise Meitner, Barbara McClintock, Chien-Shiung Wu, and Rosalind Franklin. These and other remarkable women portrayed here struggled against gender discrimination, raised families, and became political and religious leaders. They were mountain climbers, musicians, seamstresses, and gourmet cooks. Above all, they were strong, joyful women in love with discovery.Nobel Prize Women in Science is a startling and revealing look into the history of science and the critical and inspiring role that women have played in the drama of scientific progress.

    From an old farming town to an Indian reservation to a dead-end urban neighborhood, Livingston and her siblings follow their nonconformist mother from one ramshackle house to another on the perpetual search for something better.Along the way, the young Sonja observes the harsh realities her family encounters, as well as small moments of transcendent beauty that somehow keep them going. While struggling to make sense of her world, Livingston perceives the stresses and patterns that keep children—girls in particular—trapped in the cycle of poverty.Larger cultural experiences such as her love for Wonder Woman and Nancy Drew and her experiences with the Girl Scouts and Roman Catholicism inform this lyrical memoir. Livingston firmly eschews sentimentality, offering instead a meditation on what it means to hunger and showing that poverty can strengthen the spirit just as surely as it can grind it down.

    Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.With vivid cameos of the formative influences in Williams's life--his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin--Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams's plays and the tortured process of bringing them to stage and screen.The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life.Lahr captures not just Williams's tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: a book about the major American playwright of his time written by the major American drama critic of his time.Winner of the 2015 Sheridan Morley Prize for Theatre Biography American Academy of Arts and Letters' Harold D. Vursell Memorial AwardChicago Tribune Best Books of 2014USA Today 10 Books We Loved ReadingWashington Post 10 Best Books of 2014

    "Bailey White's sketches evoke a sort of real-life Lake Wobegon."--The New York Times.

    It also provides the best, most sustained exposure possible to the most wide-ranging, acute, and original literary intelligence of the post—World War II years. United States is an essential book in the canon of twentieth-century American literature and an endlessly fascinating work.

    But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind — strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading.

    They included Lord Byron, John Keats, and Mary Shelley, as well as a host of fascinating lesser-known figures: Mary Shelley’s stepsister and Byron’s mistress, Claire Clairmont; Hunt’s botanist sister-in-law, Elizabeth Kent; the musician Vincent Novello; the painters Benjamin Haydon and Joseph Severn; and writers such as Charles and Mary Lamb, Thomas Love Peacock, and William Hazlitt. They were characterized by talent, idealism, and youthful ardor, and these qualities shaped and informed their politically oppositional stances—as did their chaotic family arrangements, which often left the young women, despite their talents, facing the consequences of the men’s philosophies.In Young Romantics, Daisy Hay follows the group’s exploits, from its inception in Hunt’s prison cell in 1813 to its disintegration after Shelley’s premature death in 1822. It is an enthralling tale of love, betrayal, sacrifice, and friendship, all of which were played out against a background of political turbulence and intense literary creativity.

    L. Doctorow is acclaimed internationally for such novels as "Ragtime, Billy Bathgate, " and "The March." Now here are Doctorow's rich, revelatory essays on the nature of imaginative thought. In "Creationists," Doctorow considers creativity in its many forms: from the literary (Melville and Mark Twain) to the comic (Harpo Marx) to the cosmic (Genesis and Einstein). As he wrestles with the subjects that have teased and fired his own imagination, Doctorow affirms the idea that "we know by what we create." Just what is Melville doing in "Moby-Dick"? And how did "The Adventures of Tom Sawyer" impel Mark Twain to radically rewrite what we know as "Huckleberry Finn"? Can we ever trust what novelists say about their own work? How could Franz Kafka have written a book called Amerika without ever leaving Europe? In posing such questions, Doctorow grapples with literary creation not as a critic or as a scholar-but as one working writer frankly contemplating the work of another. It's a perspective that affords him both protean grace and profound insight. Among the essays collected here are Doctorow's musings on the very different Spanish Civil War novels of Ernest Hemingway and Andre Malraux; a candid assessment of Edgar Allan Poe as our "greatest bad writer"; a bracing analysis of the story of Genesis in which God figures as the most complex and riveting character. Whether he is considering how Harpo Marx opened our eyes to surrealism, the haunting photos with which the late German writer W. G. Sebald illustrated his texts, or the innovations of such literary icons as Heinrich von Kleist, Harriet Beecher Stowe, and Sinclair Lewis, Doctorow is unfailingly generous, shrewd, attentive, surprising, and precise.In examining the creative works of different times and disciplines, Doctorow also reveals the source and nature of his own artistry. Rich in aphorism and anecdote, steeped in history and psychology, informed by a lifetime of reading and writing, "Creationists" opens a magnificent window into one of the great creative minds of our time.

    and cultural icon.The late Kathy Acker's legend and writings are wrapped in mythologies, many of them created by her. Twenty years after her untimely death at age 50, Acker's legend has faded, but her writing has become clearer.A few years ago, the writer Chris Kraus, author of I Love Dick, found that her own experiences were becoming more and more like Kathy's. She began writing about Acker 'through the distance, but with this incredible frisson of feeling that often I could write "I" instead of "she."'This is 'literary friction': The first fully authorised biography of the avant-garde writer Kathy Acker, by the woman who arrived on the scene straight after her, who shared some of her boyfriends and friends, and her artistic ambitionsUsing exhaustive archival research and ongoing conversations with mutual colleagues and friends, Kraus traces the woman behind the notorious novels, and places her at the centre of a kaleidoscopic artistic world.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.