Exploring the deep tensions between local and tourist, tradition and expectation, façade and authentic self, This Is Paradise provides an unforgettable portrait of life as it’s truly being lived on Maui, Oahu, Kaua'i and the Big Island. In the gut-punch of “Wanle,” a beautiful and tough young woman wants nothing more than to follow in her father’s footsteps as a legendary cockfighter. With striking versatility, the title story employs a chorus of voices—the women of Waikiki—to tell the tale of a young tourist drawn to the darker side of the city’s nightlife. “The Old Paniolo Way” limns the difficult nature of legacy and inheritance when a patriarch tries to settle the affairs of his farm before his death. Exquisitely written and bursting with sharply observed detail, Kahakauwila’s stories remind us of the powerful desire to belong, to put down roots, and to have a place to call home.

    These 22 interlinked tales are narrated by characters raised on humiliation and government-issue cheese, and yet are filled with passion and affection, myth and dream. There is Victor, who as a nine-year-old crawled between his unconscious parents hoping that the alcohol seeping through their skins might help him sleep. Thomas Builds-the-Fire, who tells his stories long after people stop listening, and Jimmy Many Horses, dying of cancer, who writes letters on stationary that reads "From the Death Bed of James Many Horses III," even though he actually writes them on his kitchen table. Against a backdrop of alcohol, car accidents, laughter, and basketball, Alexie depicts the distances between Indians and whites, reservation Indians and urban Indians, men and women, and most poetically, between modern Indians and the traditions of the past.

    She is an artist who evokes the wonder, terror, and heartache of her native Haiti--and the enduring strength of Haiti's women--with a vibrant imagery and narrative grace that bear witness to her people's suffering and courage.When Haitians tell a story, they say "Krik?" and the eager listeners answer "Krak!" In Krik? Krak! Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life. They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty.

    They are gold miners and counterfeiters, attorneys and slaves. They cross other borders too: those of race, law, sex, and sanity. They travel for love or money, incognito or under duress.With rich historical detail, the celebrated author of Room takes us from puritan Massachusetts to revolutionary New Jersey, antebellum Louisiana to the Toronto highway, lighting up four centuries of wanderings that have profound echoes in the present. Astray offers us a surprising and moving history for restless times."The Hunt" was short-listed for the 2012 Sunday Times EFG Private Bank Short Story Award.

    You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. No more boots stomping above, no more football games turned up too high, and, best of all, no more front doors slamming before dawn as they trudge out for their early formation, sneakers on metal stairs, cars starting, shouts to the windows above to throw them down their gloves on cold desert mornings. Babies still cry, telephones ring, Saturday morning cartoons screech, but without the men, there is a sense of muted silence, a sense of muted life. There is an army of women waiting for their men to return in Fort Hood, Texas. Through a series of loosely interconnected stories, Siobhan Fallon takes readers onto the base, inside the homes, into the marriages and families-intimate places not seen in newspaper articles or politicians' speeches. When you leave Fort Hood, the sign above the gate warns, You've Survived the War, Now Survive the Homecoming. It is eerily prescient.

    Already the worthy recipient of a Pushcart Prize, a Whiting Writer's Award, and a Stegner Fellowship, Tenorio brilliantly explores the need to find connections, the melancholy of isolation, and the sometimes suffocating ties of family in tales that range from a California army base to a steamy moviehouse in Manilla, to the dangerous false glitter of Hollywood.

    In a split second, Linh is ripped from her arms—and Hằng is left behind in the war-torn country.Six years later, Hằng has made the brutal journey from Việt Nam and is now in Texas as a refugee. She doesn’t know how she will find the little brother who was taken from her until she meets LeeRoy, a city boy with big rodeo dreams, who decides to help her.Hằng is overjoyed when she reunites with Linh. But when she realizes he doesn’t remember her, their family, or Việt Nam, her heart is crushed. Though the distance between them feels greater than ever, Hằng has come so far that she will do anything to bridge the gap.

    Here she marries a man who has survived a different war. He promises understanding and guidance, but the psychic consequences of his past soon hinder his relationships with the family. The children, for whom war is now a distant shadow, struggle to understand the world around them on their own terms.Strom’s characters viscerally experience the collision of cultures and the spiritual aftermath of war. Grass Roof, Tin Roof is a beautiful work of profundity and empathy, powerful emotion and rare insight.

    Tied to their ancestral and adopted homelands in ways unimaginable in generations past, these memorable characters straddle both worlds but belong to none.From a Hong Kong movie idol fleeing a sex scandal, to an obedient daughter turned Stanford imposter, to a Chinatown elder summoned to his village, to a Korean-American pastor with a secret agenda, the characters in these ten stories vividly illustrate the conflict between self and society, tradition and change. In “What We Have is What We Need,” winner of The Atlantic student fiction prize, a boy from Mexico reunites with his parents in San Francisco. When he suspects his mother has found love elsewhere, he fights to keep his family together.With insight and wit, she writes about what wounds us and what we must survive. Her searing stories explore the clash of cultures and the complex, always shifting allegiances that we carry in ourselves, our family, and our community. Deceit and Other Possibilities marks the emergence of a remarkable new writer.

    Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family's history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We're Briefly Gorgeous is as much about the power of telling one's own story as it is about the obliterating silence of not being heard.With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.

    As the fall of the city begins, two lovers make their way through the streets to escape to a new life. Helen Adams, an American photojournalist, must take leave of a war she is addicted to and a devastated country she has come to love. Linh, the Vietnamese man who loves her, must grapple with his own conflicted loyalties of heart and homeland. As they race to leave, they play out a drama of devotion and betrayal that spins them back through twelve war-torn years, beginning in the splendor of Angkor Wat, with their mentor, larger-than-life war correspondent Sam Darrow, once Helen's infuriating love and fiercest competitor, and Linh's secret keeper, boss and truest friend. Tatjana Soli paints a searing portrait of an American woman’s struggle and triumph in Vietnam, a stirring canvas contrasting the wrenching horror of war and the treacherous narcotic of obsession with the redemptive power of love. Readers will be transfixed by this stunning novel of passion, duty and ambition among the ruins of war.

    Interweaving historical and fictional characters, they encompass both past and present as they negotiate the complex territory of ambition, failure, achievement, and shattered dreams. In "Ship Fever," the title novella, a young Canadian doctor finds himself at the center of one of history's most tragic epidemics. In "The English Pupil," Linnaeus, in old age, watches as the world he organized within his head slowly drifts beyond his reach. And in "The Littoral Zone," two marine biologists wonder whether their life-altering affair finally was worth it. In the tradition of Alice Munro and William Trevor, these exquisitely rendered fictions encompass whole lives in a brief space. As they move between interior and exterior journeys, "science is transformed from hard and known fact into malleable, strange and thrilling fictional material" (Boston Globe).

    features an Asian-American television news executive, Emi, and a Latino newspaper reporter, Gabriel, who are so focused on chasing stories they almost don't notice that the world is falling apart all around them. Karen Tei Yamashita's staccato prose works well to evoke the frenetic breeziness and monumental self-absorption that are central to their lives.-Janet Kaye, The New York Times Book Review

    For the women, the contest is deadly serious, a perilous game of economic survival that, if played well, can set them up for life as mistresses of the rich and prominent. There is no room for error, however: erotic power is hard to achieve and harder to maintain, especially in the loftiest social circles. Enter veteran seducer, Magic Gourd, formerly one of Shanghai’s “Top Ten Beauties” and now the advisor and attendant of Violet, an aspiring but inexperienced courtesan. Violet may have the youth and the allure, but Magic Gourd has the cunning and the knowledge without which the younger woman is sure to fail. These ancient tricks of the trade aren't written down, though; to pass them on to her student, Magic Gourd must reach back into her own professional past, bringing her lessons alive with stories and anecdotes from a career spent charming and manipulating men who should have known better but rarely did.The world of sexual intrigue that Tan reveals in "Rules for Virgins" actually existed once, and she spares no detail in recreating it. But this story is more than intriguing (and sometimes shocking) historical literary fiction. Besides inviting us inside a life that few writers but Tan could conjure up, the intimate confessions of Magic Gourd add up to a kind of military manual for the War of the Sexes’ female combatants. The wisdom conveyed is ancient, specific, and timeless, exposing the workings of vanity and folly, calculation and desire that define the mysterious human heart.

    Yee, a powerful political figure who works for the Japanese occupational government. As these two move deftly between Shanghai’s tea parties and secret interrogations, they become embroiled in the complicated politics of wartime — and in a mutual attraction that may be more than what they expected. Written in lush, lavish prose, and with the tension of a political thriller, Lust, Caution brings 1940s Shanghai artfully to life even as it limns the erotic pulse of a doomed love affair.