Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.

    Through most of her school years she has had to deal with bullying and isolation from her classmates and from her former childhood friend Alison Parker.Ali Parker is a popular senior in high school. She's big headed and vain, and thinks little of the feelings of others. That is, until the day her life changes forever.The death of Sara Hale comes as a shock to many kids in her high school but the person most impacted is her former bully Ali Parker, who suddenly finds herself able to see the cuts and bruises of everyone. She soon realizes that the marks that appear blue are those that she personally has caused; be it from physical or emotional trauma. This new power forces Ali to see the real impact she has on the emotions and bodies of others, and the true part she had to play in the death of Sara Hale.

    Thomas presents interesting heroines: there's the girl in "Sisters" who hates her younger sibling for (among other things) her precise memory. In "Seeing Things," Maude, who "wants to be tan the whole year round," and whose "great ambition is to be whistled at on the street," is told by her younger sister, "You look ridiculous smoking with the chicken pox." And then there are the four stories about Buddy and Virginia, who have to drop out of school and get married after she gets pregnant. From sibling rivalry to marital strife, Thomas uncovers the pain, the poignancy, and the belief in love that lie in the hearts of her heroines.

    More than anything, Lopi wants to find someone to really connect with, someone to love—but short of that, she wants to have sex. She’s already figured out how to graduate a year early, but the rest isn’t so easy. For one thing, her mother, Vivian, isn’t just crazy: she’s young, vivacious, and beautiful. No one can resist Viv’s charms, but Lopi knows it’s all just an act. Viv is only pretending to be happy, trying to ignore Lopi and the horrible accident that changed everything between them. Lopi tries to pretend too, as she navigates the murky waters of sex and love and growing up, but she can’t fool herself—Lopi has a secret that sets her apart: the accident was her fault, she is evil . . .

    That was the plan anyway. When Buck noses around in an old missing persons case by way of returning a favor to a neighbor, he unearths more corruption and criminal mischief than he ever suspected the rugged uplands could hide. A departure for T.R. Pearson, East Jesus South is not a comedy. It’s a creepy, unsettling look at the rot beneath the honeyed, 'Aw Shucks' veneer of the American South.

    Because if there was ... my little brother would still be fishing or playing basketball instead of fertilizing cemetery vegetation."Matthew Turner doesn't have faith in anything.Not in family—his is a shambles after his younger brother was bullied into suicide. Not in so-called friends who turn their backs when things get tough. Not in some all-powerful creator who lets too much bad stuff happen. And certainly not in some "It Gets Better" psychobabble.No matter what his girlfriend Hayden says about faith and forgiveness, there's no way Matt's letting go of blame. He's decided to "live large and go out with a huge bang," and whatever happens happens. But when a horrific event plunges Matt into a dark, silent place, he hears a rumble … a rumble that wakes him up, calling everything he's ever disbelieved into question.

    But with home resembling a war zone, a parish-wide curfew, and mysterious new faces lurking in the abandoned French Quarter, normal needs a new definition. As the city murder rate soars, Adele finds herself tangled in a web of magic that weaves back to her own ancestors. Caught in a hurricane of myths and monsters, who can she trust when everyone has a secret and keeping them can mean life or death? Unless... you’re immortal.

    They know there are whole worlds out there that have never been seen, some as distant as the Amazon rain forest, others as close as a neighbor’s house, the curtains left open. Laura van den Berg helps us discover these worlds, blending the mundane and routine with the strange and unexpected. The search won’t always end with the stories—these restless narrators will always be left with mysteries unsolved, questions unanswered and hidden aches not quite healed—but what they see along the way will be nothing short of marvelous.Order here.

    Edgar Award-winning author Mindy McGinnis delivers a visceral and necessary novel about addiction, family, friendship, and hope. When a car crash sidelines Mickey just before softball season, she has to find a way to hold on to her spot as the catcher for a team expected to make a historic tournament run. Behind the plate is the only place she’s ever felt comfortable, and the painkillers she’s been prescribed can help her get there.The pills do more than take away pain; they make her feel good.With a new circle of friends—fellow injured athletes, others with just time to kill—Mickey finds peaceful acceptance, and people with whom words come easily, even if it is just the pills loosening her tongue.But as the pressure to be Mickey Catalan heightens, her need increases, and it becomes less about pain and more about want, something that could send her spiraling out of control.

    She’s the kind of girl who sits alone at lunch, drawing pictures of Spider-Man, so she won’t have to talk to anyone; who has a crush on Titus but won’t do anything about it; who has no one to hang out with when her best (and only real) friend Katya is busy.One day, Gretchen wishes that she could be a fly on the wall in the boys’ locker room–just to learn more about guys. What are they really like? What do they really talk about? Are they really cretins most of the time?Fly on the Wall is the story of how that wish comes true.

    Possessed of an unshakeable sense of entitlement and a boundless sense of self-worth, assured of the adoration of all, Matilda can break men's hearts for fun. Agnes-diffident, careworn and poor-can only gape in astonishment at the figure her pupil cuts in the world. Employed to lead and form her, she is instead buffeted about in Matilda's tumultuous wake. She loves her young student-it is impossible not to. But it is hard not to wonder if Matilda's good fortunes will ever end.

    Set in contemporary New Orleans but working its way back in time, the novel chronicles the relationship between Michael and Kelly Hays, who have decided to separate after twenty years of marriage.The book begins on the day that Michael and Kelly are to finalize their divorce. Kelly is due in court, but instead drives from her home in Pensacola, Florida, across the panhandle to New Orleans and checks into Room 303 at the Olivier House in the city’s French Quarter—the hotel where she and Michael fell in love some twenty years earlier and where she now finds herself about to make a decision that will affect her, Michael, and their nineteen-year-old daughter, Samantha. Butler masterfully weaves scenes of the present with memories from both the viewpoint of Michael and Kelly—scenes that span some twenty years, taking the reader back to critical moments in the couple’s relationship and showing two people deeply in love but also struggling with their own insecurities and inabilities to express this love.An intelligent, deeply moving, and remarkably written portrait of a relationship that reads as a cross between a romance novel and a literary page-turner, A Small Hotel is a masterful story that will remind readers once again why Robert Olen Butler has been called the “best living American writer”

    She’s the top-ranked senior at her ultra-competitive Silicon Valley high school, with a spotless academic record and a long roster of extracurriculars. But there are plenty of perfect students in the country, and if Reshma wants to get into Stanford, and into med school after that, she needs the hook to beat them all.What's a habitual over-achiever to do? Land herself a literary agent, of course. Which is exactly what Reshma does after agent Linda Montrose spots an article she wrote for Huffington Post. Linda wants to represent Reshma, and, with her new agent's help scoring a book deal, Reshma knows she’ll finally have the key to Stanford.But she’s convinced no one would want to read a novel about a study machine like her. To make herself a more relatable protagonist, she must start doing all the regular American girl stuff she normally ignores. For starters, she has to make a friend, then get a boyfriend. And she's already planned the perfect ending: after struggling for three hundred pages with her own perfectionism, Reshma will learn that meaningful relationships can be more important than success—a character arc librarians and critics alike will enjoy.Of course, even with a mastermind like Reshma in charge, things can’t always go as planned. And when the valedictorian spot begins to slip from her grasp, she’ll have to decide just how far she’ll go for that satisfying ending. (Note: It’s pretty far.)

    They’ve given Cass a life she wouldn’t trade for the world. She has everything she needs—except maybe the one thing she wants. Like, to know who she is. Where she came from. Questions her adoptive parents can’t answer, no matter how much they love her.But eighteen years ago, someone wrote Cass a series of letters. And they may just hold the answers Cass has been searching for.Alternating between Cass’s search for answers and letters from the pregnant teen who gave her up for adoption, this voice-driven narrative is the perfect read for fans of Nina LaCour and Jandy Nelson.

    Bambrick began writing poems in order to document the forms of violence she witnessed towards the people and the environment of the Columbia River. While working there she found that reservoirs foster a uniquely complex community--from fish biologists to the owners of luxury summer homes--and became interested in the issues and tensions between the people of that place. The idea of power, literal and metaphorical, was present in every action and encounter with bosses and the people using the river. The presence of a young woman on the crew irritated her older, male co-workers who'd logged, built houses, and had to suffer various forms of class discrimination their entire lives. She found throughout this experience that their issues, while not the same, were inherently connected to the suffering of the lands they worked. Introduction by Sharon Olds.