Strawberry ice cream. Making faces at monkeys in the zoo. Dog dishes that say "Good Dog." Carolers singing around a Norwegian spruce. Sun burning off the morning fog. Cabanas. It's the little things that make life worth living, and they can be found by the dozens in this obsessive, quirky, and utterly captivating compendium with over 950,000 copies in print. A pure, unadulterated listing, it offers not a single explanation, aside, or footnote, but reading it is as irresistible as eating popcorn. Randomly selected and catalogued over the course of twenty years-and illustrated with joyous and jewel-like precision by the gifted artist Pierre Le-Tan-14,000 THINGS is Barbara Ann Kipfer's perfect antidote to the all-too-frequently-mentioned things we should be unhappy about.It's a celebration of almost everything that's ever made us smile. And that itself is reason number 14,001.

    When passion for the truth lands her in New Orleans in need of a job, an assignment at a TV station pits her against her old college nemesis, King Duvallon.The sultry streets of the French Quarter, the glamorous Garden District, derelict riverfront cotton warehouses, and gritty back alleys come alive as the reporter's story inexplicably slips between the nineteenth century and today. A long-forgotten drama of blackmail, swindles, and a love affair that is still changing lives leaves Corlis and King wondering if their burgeoning, unholy attraction will render them pawns in a matrix of mystery and deceit."A must read...Ware transports you to New Orleans...and captures all its charm." --Rendezvous Reviews"Vibrant and exciting... such an intriguing plot full of rich characters that I couldn't wait to see what happened." --Literary Times"Well-researched and entertaining... excellent." --Library JournalScandal transcends time in the Big EasyFeisty reporter Corlis McCullough isn't afraid to push boundaries in the name of journalistic integrity. When passion for the truth lands her in New Orleans in need of a job, an assignment at a TV station pits her against her old college nemesis, King Duvallon.The sultry streets of the French Quarter, the glamorous Garden District, derelict riverfront cotton warehouses, and gritty back alleys come alive as the reporter's story inexplicably slips between the nineteenth century and today. A long-forgotten drama of blackmail, swindles, and a love affair that is still changing lives leaves Corlis and King wondering if their burgeoning, unholy attraction will render them pawns in a matrix of mystery and deceit."A must read...Ware transports you to New Orleans...and captures all its charm." --Rendezvous Reviews"Vibrant and exciting... such an intriguing plot full of rich characters that I couldn't wait to see what happened." --Literary Times"Well-researched and entertaining... excellent." --Library Journal

    In THE MOST DANGEROUS GAME a professional hunter finds out what it feels like to be hunted as a wild animal- for he is the prey? In TO BUILD A FIRE a trapper fights desperately against stark fear in the cruel Arctic night... In LEININGEN VERSUS THE ANTS a settler battles for his very life against a teeming horde of millions of deadly ants...These are only a few of the thrilling stories you'll read in this fascinating book.

    A place where the Druids laid down their lives to protect the darkest of all their secrets.

    

    Recognizing this as a chance to start over, Charley and her eleven-year-old daughter, Micah, say good-bye to Los Angeles.They arrive just in time for growing season but no amount of planning can prepare Charley for a Louisiana that’s mired in the past: as her judgmental but big-hearted grandmother tells her, cane farming is always going to be a white man’s business. As the sweltering summer unfolds, Charley must balance the overwhelming challenges of her farm with the demands of a homesick daughter, a bitter and troubled brother, and the startling desires of her own heart.Penguin has a rich tradition of publishing strong Southern debut fiction—from Sue Monk Kidd to Kathryn Stockett to Beth Hoffman. In Queen Sugar, we now have a debut from the African American point of view. Stirring in its storytelling of one woman against the odds and intimate in its exploration of the complexities of contemporary southern life, Queen Sugar is an unforgettable tale of endurance and hope.

    . . that unlocks its secrets like a Chinese box, each hidden compartment opening to reveal yet another, until at the end we stand aghast at the complexity that lies before us” (Richmond Times-Dispatch). This is the heartbreaking story of the Eagen's, an New Orleans family of “mixed blood,” as recalled by three unforgettable narrators, each intimately entangled in the family’s small tragedies and betrayals.Years ago, when his daughter Meredith was young, Dr. Thomas Eagen abruptly left his wife and children in an incident that still haunts Meredith well into adulthood. She longs to discover the truth behind her father's disappearance, as well as the reasons why Thomas's mother, a proud black woman, abandoned his devout Catholic father.

    Lyndie knows lots about history: she can tell you who President Lincoln’s best friend was, the gruesome diseases of Civil War soldiers, and where her Hawkins ancestors built log houses near her home town of Love’s Forge, Tennessee. But when it comes to her Ma and Daddy, her knowledge is full of holes. Nobody talks about what happened to her veteran Daddy during the Vietnam war and why he “came home different,” or why her Ma stays locked in her room for days, or how come they had to sell the house Lyndie grew up in and move in with her strict grandparents. And Lyndie’s grandma, Lady, is determined to mold Lyndie into a “nice” southern girl who knows how to keep quiet about family secrets.

    A man and a woman sit at the same dinner table, an ocean of worry separating them. An iceberg sets out to dance. A sword swallower ponders his dating prospects. "The vessel is simple, a rowboat among yachts," the poet observes in "Ukulele." "No one hides a Tommy gun in its case. / No bluesman runs over his uke in a whiskey rage."Beasley's voice is pithy and playful, with a ferocious intelligence that invites comparison to both Sylvia Plath and Dorothy Parker. In one of six signature sestinas, she warns, "You must not use a house to build a home, / and never look for poetry in poems." The collection’s centerpiece is a haunting sequence that engages The Traveler's Vade Mecum, an 1853 compendium of phrases for use by mail, telegraph, or the enigmatic “Instantaneous Letter Writer."Assembled over ten years and thousands of miles, these poems illuminate how intimacy is lost and gained during our travels. Decisive, funny, and as compassionate as she is merciless, Beasley is a reckoning force on the page.

    The second collection drawn together by editor Wendy Martin, these twenty-four exquisite examples of contemporary writing feature stories by Joyce Carol Oates, Margaret Atwood, Mary Gaitskill, Alice Munro, Sandra Cisneros, and Lorrie Moore (to name a few).We Are the Stories We Tell is also available from Pantheon.

    East Asian Studies. Translated from the Japanese by Jeffrey Angles. "I want to get rid of Kanoko/I want to get rid of filthy little Kanoko/I want to get rid of or kill Kanoko who bites off my nipples." "KILLING KANOKO is a powerful, long-overdue collection (in fine translation) of poetry from the radical Japanese feminist poet, Hiromi Ito. Her poems reverberate with sexual candor, the exigencies and delights of the paradoxically restless/rooted female body, and the visceral imagery of childbirth leap off the page as performative modal structures--fierce, witty, and vibrant. Hiromi is a true sister of the Beats"--Anne Waldman.

    It had come time to leave Los Angeles. Thus begins the pre-apocalyptic, cross-country race with death to bury the murdered past in Joseph Mattson's EMPTY THE SUN, an urgent, beautifully reckless novel of transgressive loss and hunted redemption culminating in a shotgun fight with God. Includes an open-road, open-whiskey soundtrack by enigmatic and stunning Drag City recording artist Six Organs of Admittance.

    

    Most of them—sons and daughters of corrections officers and staff—left the place as soon as they could. Yet Ginny Polk chose to come back to work as a prison cook. She knows the harsh reality of life within those walls—the cries of men being beaten, the lines of shuffling inmates chained together. Yet she has never seen them as monsters, not even the ones sentenced to execution. That’s why, among her duties, Ginny has taken on a special responsibility: preparing their last meals.Pot roast or red beans and rice, coconut cake with seven-minute frosting or pork neck stew . . . whatever the men ask for Ginny prepares, even meeting with their heartbroken relatives to get each recipe just right. It’s her way of honoring their humanity, showing some compassion in their final hours. The prison board frowns upon the ritual, as does Roscoe Simms, Greenmount’s Warden. Her daddy’s best friend before he was murdered, Roscoe has always watched out for Ginny, and their friendship has evolved into something deep and unexpected. But when Ginny stumbles upon information about the man executed for killing her father, it leads to a series of dark and painful revelations.Truth, justice, mercy—none of these are as simple as Ginny once believed. And the most shocking crimes may not be the ones committed out of anger or greed, but the sacrifices we make for love.

    An anthology of some the best poems written by Harivansh Rai Bachchan,which have been selected specially for this anthology by himself.