Although smart and successful in a controlled and stable workplace, she has been taught since childhood to substitute her own judgement for that of others, leaving her naïve, gullible and ill-prepared to effectively manage the complexities of her new life.When Susan meets Mark, a charismatic and charming doctor, she thinks she has found the kind of love and passion she has longed for. But things are not as they appear with Mark, and slowly she becomes aware of the deceptive life he is leading. Seeking counsel and solace in a trusted therapist, she encourages Mark to accompany her to a session.The three year odyssey begins with intense therapy - appointments orchestrated by a psychiatrist who develops a personal stake in the couple’s progress. Secrets, lies, and silent pacts draw Susan, inexperienced and trusting, deeply into Mark’s treatment plan. The shrewd therapist’s unorthodox and manipulative schemes break all the rules, taking Susan into a world of drama, deceit, betrayal, and an excruciatingly close encounter with the law – an encounter that forces her to choose between saving Mark or saving herself.

    He is very much interested in what it means to be an artist and a black man. In his first collection, Muscular Music, he took the reader through a living library of cultural icons, from Shaft and Fat Albert to John Coltrane and Miles Davis. His second collection, Hip Logic, continued these explorations of popular culture, fatherhood, cultural heritage, and loss. Wind in a Box, Hayes’s resonant new collection, continues his interest in how traditions (of poetry and culture alike) can be simultaneously upended and embraced. The struggle for freedom (the wind) within containment (the box) is the unifying motif as Hayes explores how identity is shaped by race, heritage, and spirituality. This new book displays not only what the Los Angeles Times calls the range of a "bold virtuoso," but also the imaginative fervor of a poet in love with poetry.

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”

    These poems are allusive and tough. While they celebrate the pleasures of the natural world--mutability, desire, and the flowering of things--they are compounded by a critical awareness of contemporary culture. As we traverse their associative leaps, we discover a linguistic landscape that is part garden, part wilderness, where a poem can perform its own natural history. Divided into four cantos interrupted by lyrics and errata, Meteoric Flowers mirrors the form of Erasmus Darwin's 18th-century scientific pastorals. In attending to poetry's investigative potential, Willis shifts our attention from product to process, from commodity to exchange, from inherited convention to improvisational use.

    I enjoyed the attention so much, that I became Ed’s real girlfriend for a few weeks that summer. I put all that foolishness behind me until my senior year in high school, when due to an accident, the school became one cheerleader short. My sister Diane was a star cheerleader at the school back in her day. Since I used to help her practice, the cheerleader coach thought I was the best choice for an emergency one night substitute. My fake boyfriend is starting to feel less fake. Being a girl just seems to come naturally to me. What am I? A boy or a girl? I’m not sure anymore…

    He is left with nothing but the clothes on his back, not even citizenship to his name. Is the ancient, broken down military surplus starship and the young lady living aboard it the key to a bright future, or will his repairs and new mercenary friends reawaken the demons lurking in the ship’s murky and lethal past to come back and deliver a world of destruction?

    It’s not just his looks that Anjali’s attracted to, but his gentle and understanding nature.At 42, Parth Bhardwaj is an internationally famous author, writing under a pseudonym. Always having steered clear of married women, he has a difficult time keeping away from Anjali, feeling drawn to her from the moment he sets eyes on her. Just when the two finally realise that they are meant for each other, the unthinkable happens. Anjali’s husband Jayant is found murdered in his bed, making both Parth and Anjali the prime suspects.Will Anjali ever find happiness in her lonely life?

    Balancing school, work and plans for the future, he learns that dreams are merely far-fetch fantasies.After his college mentor emphasizes a major problem ignored by society—mental health—Jeremy grows obsessed with shedding light on this epidemic.When the corporate world and pressures of life begin to spiral out of control, Jeremy decides to carry out an experiment to save the ill who have been shunned by society. How far will Jeremy’s experiment lead him before reaching deadly conclusions? Insanity is the first novel in the gripping Insanity Series. If you like fast-paced thrillers, exploring twisted minds, and dark truths, then you’ll love this high-octane series by Andre Gonzalez!Buy Insanity to join Jeremy in his demented experiment!

    A vibrant and transcendent journey about growth and healing. Ancestry and honoring one’s roots. Expatriation and rising up to find a home within yourself.Divided into five chapters and illustrated by Kaur, the sun and her flowers is a journey of wilting, falling, rooting, rising, and blooming. A celebration of love in all its forms. this is the recipe of lifesaid my motheras she held me in her arms as i wept think of those flowers you plantin the garden each year they will teach youthat people toomust wiltfallrootrisein order to bloom

    For the people who need an extra dose of positivity in their day. This is not a poetry book for you to read and relate to in a sorrow filled way. It is for you to read and say yes, I can be better, and I will.

    But while the selected poems in this volume may focus upon loss and grief, they also reflect solace, respite, and joy.  A goodbye is an opportunity for kindness, for forgiveness, for intimacy, and ultimately for love and a deepening acceptance of life as it is rather than what it was. Goodbyes can be poignant, sorrowful, sometimes a relief, and—now and then—even an occasion for joy.  They are always transitions that, when embraced, can be the door to a new life both for ourselves and for others. In this inspiring and consoling volume, Housden encourages readers to embrace poetry as a way of enabling us to better see and appreciate the beauty of the world around and within us.

    a desperate mother... a frantic call in the night... is this a cruel hoax, or the work of a maniacal serial killer? The peaceful resort town of St. Teresa-by-the-Sea on Florida's Forgotten Coast is known for its low crime rate, pristine beaches, and great fishing. But tragedy can come even to Paradise, as Carol Dennison found out two and a half years ago when her fourteen-year-old daughter, Kelly, disappeared on her way to a Tallahassee concert. Now, just as Carol as beginning to rebuild the pieces of her shattered life, she receives a midnight call from someone who calls her "mama" and begs for help. Is this a cruel prank designed to terrorize and punish Kelly's father for the role he played in bringing a recently paroled criminal to justice? Or is it possible that Kelly is still alive?A grim investigation uncovers a connection between Kelly and other girls who have gone missing along the Gulf Coast in the past few years. When the body of one of those missing girls washes up on the shores of St. Teresa-by-the-Sea, the police are forced to admit they may have a serial killer in their midst. And with over three thousand college students poised to descend on the tiny community for spring break, their only hope for stopping him before he strikes again is the frightened voice of a teenage girl on the telephone... and the desperate determination of the parents who love her.Shattered is Donna Ball at her best: spine-tingling terror, chilling realism and unforgettable characters. No parent will ever watch her child leave the house in the same way again.Praise for the work of Donna Ball:"A maelstrom of suspense… gripping, intense”--Rendezvous“[Ball] knows how to keep a story moving”--Kirkus Reviews“A major talent of the genre”--Publisher’s Weekly“A must read”--Examiner.com

     The ancient civilisation is enjoying unprecedented prosperity during the 18th Dynasty under some of Egypt’s most famous Pharaohs – Ahmose I, Hatshepsut, Thutmose III, Amenhotep III, Akhenaten and Tutankhamun. But every empire has its rivals – here the Hittites, the Mittani, Nubians and Assyrians – and every royal family its enemies. Smenkhkare is the youngest son of Amenhotep III and brother to Akhenamun – later to become the ruler Akhenaten – and Thutmose, plus three older sisters. The scheming Akhenamun dismisses Smenkhkare as a mere stripling, but the wise warrior Thutmose takes the boy under his wing and sets out to make a man of him. This is crucial for Smenkhkare whose father has decided that the only role for the boy will be through a marriage of convenience to the beautiful Mittani princess Taduheppa. The bride is ravishing – but older and more worldly – and refuses to consummate the coupling. Full of sympathy for his little brother, Thutmose advises patience and also invites Smenkhkare to accompany him on a raid to hunt down bandits who have attacked a caravan in the desert. It is a fateful moment. Thutmose is killed by an arrow through the neck, igniting a calamitous chain of events as Smenkhkare discovers the arrow did not come from a bandit’s bow. Who, then, did fire the fatal missile? Who would benefit most from the death of the man next in line for the pharoah’s throne? Could the murderer be within his own family? Or was someone else close to the family plotting to seize power? Can Smenkhkare trust his favourite sister Nebetah with his thoughts? Can trusted general Coreb help him in his bid to avenge the death of Thutmose? Who would try to eliminate Smenkhkare by placing a deadly cobra in a basket under his bed? And what are the ghastly contents in two other baskets thrust under Smenkhkare’s nose? David Adkins’ absorbing historical re-imagining The Forgotten Pharaoh, explores the extraordinary and dangerous life and times of a real but little known figure from history – from his child-marriage to exile and then reinstatement in Thebes as pharaoh of one of the most influential dynasties of the ancient civilised world. David Adkins is a retired civil servant who worked for many years at English Heritage. He lives in Letchworth Garden City with his wife. His other historical fiction books to date are The Eagle’s Nest and the Wolf’s Lair, The End of a Dynasty and Season of the Gladiatrix.

    Bakke Amazon VINE VOICE reviewer When Connie Silverstein agreed to babysit her friend’s four-year-old son, she never dreamed it would end in disaster. Now the usually dependable medical student finds herself responsible for the boy’s near drowning and subsequent brain damage.Connie is desperate to help the boy recover, but the grieving mother no longer trusts her. Consumed by guilt, Connie attempts to deaden her pain with alcohol. But there’s not enough vodka in the world to right the wrong she’s done. Family and friends attempt to intervene in her downward spiral, assuring her that tragic accidents can happen to anyone.But only Connie knows the terrible secret that what happened was no accident. What readers are saying about One Slip: ‘Like a riptide, this book pulls you in—and under.’—Cynthiareads‘hooked from the start’—Staci‘Fantastic! Grabs you right from the get-go and never lets go.’—Lisa‘…had me in knots…pushing throughout the night to find out what happened next…it felt heartbreakingly real’—Craves the Angst Book Review Blog‘…over the edge with wonderment at how someone could capture my attention any better’—Deb H‘…grabs you and takes you on a journey.’—Julie Blaskie‘This story tore me apart.’—Denice‘This story pulls you in, then under…at times you yourself may feel like you’re having trouble breathing.’—Julia Deaton‘…an emotionally charged roller coaster of a read’—Shannon Fetters‘…emotionally charged’—Amazon Customer‘My emotions were all over the place’—lamilo 1562‘I loved that it pulled at my heartstrings yet still had the edge of suspense that kept me guessing the whole time.’—April Shuffler‘If you get emotionally attached to characters, have a box of tissues on hand when you read this one. The ending is totally unexpected…but good!’—PTB‘The ending is perfect!’—escritora

    With 12 terrifically spine chilling short stories, this anthology contains contributions from some of the best young horror writing talent out there, and was curated by the editors of the PlayWithDeath.com, the premier destination for online horror entertainment. If you're searching for stories that will frighten you to your very core, look no further. List of Short Story Authors Tom Wortman M. B. Vujačić Manen Lyset Jenny Ashford Kyle Yadlosky G. T. Montgomery Ari Drew Patrick Winters Trevor James Zaple John Teel Dexter Findley Kyle Rader