“I remember the day I realized I couldn’t play a white guy as well as a white guy. It felt like a death sentence for my career.” When Chad Sanders landed his first job in lily-white Silicon Valley, he quickly realized that to be successful at work meant playing a certain social game. Each meeting was drenched in white slang and the privileged talk of international travel or a folk concert in San Francisco, which led Chad to realize that he could only be successful if he emulated whiteness. So Chad changed. He changed his wardrobe, his behavior, his speech—everything that connected him with his Black identity. And while he finally felt included, he felt awful. Carrying the unbearable weight of his imposter syndrome—the constant burden of not being true to himself—left Chad exhausted and ashamed. Instead, he decided to give up the charade. He reverted back to methods he learned at the dinner table, or at the Black Baptist church where he’d been raised, or the concrete basketball courts. And it paid off. Chad began to land more exciting projects and eventually got promoted. He earned the respect of his colleagues and clients. Accounting for this turnaround, Chad believes, was something he calls Black Magic, namely: resilience, creativity, and perseverance, forged in his experience navigating America as a Black man. Black Magic has emboldened his every step since. Leading him to wonder: was he alone in this discovery? Were there others who felt the same? In Black Magic, Chad tells his own incredible story while also interviewing other Black leaders, scientists, artists, business people, parents, innovators, and champions, to get their take on Black magic. This revelatory book uncovers Black experiences in predominantly white environments while demonstrating the importance of staying true to yourself.

    His range is virtuosic, encompassing Mark Twain and Richard Wright, Mahalia Jackson and Charlie Parker, The Birth of a Nation and the Dante-esque landscape of Harlem—“the scene and symbol of the Negro’s perpetual alienation in the land of his birth.” Throughout, he gives us what amounts to an episodic autobiography that traces his formation as a writer as well as the genesis of Invisible Man.On every page, Ellison reveals his idiosyncratic and often contrarian brilliance, his insistence on refuting both black and white stereotypes of what an African American writer should say or be. The result is a book that continues to instruct, delight, and occasionally outrage readers.

    Gunn's father, Bill, was a special agent who served as FBI Director J. Edgar Hoover's ghostwriter and lived his life according to a set of unbending routines. When Bill Gunn was diagnosed with Alzheimer's disease, his rigid habits seemingly preserved his sanity while alienating Tim and the rest of his family. Shaken, Not Stirred offers an intimate and heartfelt look into the life of one of fashion's most beloved icons.

    Nobody, including the lawmakers who passed the bill, expected it to transform the country's demographics. But over the next four decades, millions arrived, including Jay Caspian Kang's parents, grandparents, aunts, and uncles. They came with almost no understanding of their new home, much less the history of "Asian America" that was supposed to define them.The Loneliest Americans is the unforgettable story of Kang and his family as they move from a housing project in Cambridge to an idyllic college town in the South and eventually to the West Coast. Their story unfolds against the backdrop of a rapidly expanding Asian America, as millions more immigrants, many of them working-class or undocumented, stream into the country. At the same time, upwardly mobile urban professionals have struggled to reconcile their parents' assimilationist goals with membership in a multicultural elite--all while trying to carve out a new kind of belonging for their own children, who are neither white nor truly "people of color."Kang recognizes this existential loneliness in himself and in other Asian Americans who try to locate themselves in the country's racial binary. There are the businessmen turning Flushing into a center of immigrant wealth; the casualties of the Los Angeles riots; the impoverished parents in New York City who believe that admission to the city's exam schools is the only way out; the men's right's activists on Reddit ranting about intermarriage; and the handful of protesters who show up at Black Lives Matter rallies holding "Yellow Peril Supports Black Power" signs. Kang's exquisitely crafted book brings these lonely parallel climbers together amid a wave of anti-Asian violence. In response, he calls for a new form of immigrant solidarity--one rooted not in bubble tea and elite college admissions but in the struggles of refugees and the working class.

    True stories that give voice to the thoughts we all have but dare not mention. It begins with a Tang Instant Breakfast Drink television commercial when Augusten was seven. Then there is the contest of wills with the deranged cleaning lady. The execution of a rodent carried out with military precision and utter horror. Telemarketing revenge. Dating an undertaker and much more. A collection of true stories that are universal in their appeal yet unabashedly intimate and very funny.

    Vowell tackles subjects such as identity, politics, religion, art, and history with a biting humor. She searches the streets of Hoboken for traces of the town's favorite son, Frank Sinatra. She goes under cover of heavy makeup in an investigation of goth culture, blasts cannonballs into a hillside on a father-daughter outing, and maps her family's haunted history on a road trip down the Trail of Tears. Vowell has an irresistible voice—caustic and sympathetic, insightful and double-edged—that has attracted a loyal following for her magazine writing and radio monologues on This American Life.

    At an early age, Lori decided that her destiny would be discovered in Spain. She didn't know anyone from Spain, had never visited the country, and hardly spoke the language. Still, she never faltered in her plans to escape to the Iberian Peninsula. Arriving in the country as an optimistic college student, however, Lori soon discovers Spain's particular attitude toward Blackness. She is chased down the street by the local schoolchildren and pointed at incessantly in public, and her innocent dreams of a place where race doesn't matter are shattered. The story would end there, except Lori meets and marries a Spaniard, and that's when her true Spanish adventure really begins.Against the ancient backdrops of Cadiz and Andalucia, Lori starts the intricate yet amusing journey of rekindling her love affair with Spain and becoming a part of her new Spanish family. From a grandmother who spies on her to a grandfather who warmly welcomes her to town with a slew of racist jokes, the close-knit clan isn't exactly waiting with open arms. "Kinky Gazpacho" tells the story of the redeeming power of love and finding self in the most unexpected places.At its heart, this is a love story. It is a memoir, a travel essay, and a glimpse into the past and present of Spain. As humorous and entertaining as such favorite travel stories as "Under the Tuscan Sun," this book also unveils a unique and untold history of Spain's enduring connection to West Africa. "Kinky Gazpacho" celebrates the mysticism of travel and the joys of watching two distinct cultures connect and come together.

    All of these hues are me; I am, in the deepest sense, colored.” From these fertile soils of love, land, identity, family, and race emerges The Home Place, a big-hearted, unforgettable memoir by ornithologist and professor of ecology J. Drew Lanham.Dating back to slavery, Edgefield County, South Carolina—a place “easy to pass by on the way somewhere else”—has been home to generations of Lanhams. In The Home Place, readers meet these extraordinary people, including Drew himself, who over the course of the 1970s falls in love with the natural world around him. As his passion takes flight, however, he begins to ask what it means to be “the rare bird, the oddity.”By turns angry, funny, elegiac, and heartbreaking, The Home Place is a remarkable meditation on nature and belonging, at once a deeply moving memoir and riveting exploration of the contradictions of black identity in the rural South—and in America today.

    Jackson made to survive the Portland, Oregon, of his youth. This dynamic book explores gangs and guns, near-death experiences, sex work, masculinity, composite fathers, the concept of “hustle,” and the destructive power of addiction—all framed within the experience of Jackson, his family, and his community. Lauded for its breathtaking pace, its tender portrayals, its stark candor, and its luminous style, Survival Math reveals on every page the searching intellect and originality of its author. The primary narrative, focused on understanding the antecedents of Jackson’s family’s experiences, is complemented by poems composed from historical American documents as well as survivor files, which feature photographs and riveting short narratives of several of Jackson’s male relatives. The sum of Survival Math’s parts is a highly original whole, one that reflects on the exigencies--over generations--that have shaped the lives of so many disenfranchised Americans. As essential as it is beautiful, as real as it is artful, Mitchell S. Jackson’s nonfiction debut is a singular achievement, not to be missed.

    It chronicles his humble beginnings in the Midwest, his early days with the Jackson 5, and his unprecedented solo success. Giving absolutely unrivalled insight into the King of Pop's life, it details his songwriting process for hits like Beat It, Rock With You, Billie Jean, and We Are the World; describes how he developed his signature dance style, including the Moon Walk; and opens the door to his very private personal relationships with his family, including sister Janet, and stars like Diana Ross, Berry Gordy, Marlon Brando, Quincy Jones, Paul McCartney, and Brooke Shields. At the time of its original publication in 1988, MOONWALK broke the fiercely guarded barrier of silence that surrounded Michael Jackson. Candidly and courageously, Jackson talks openly about his wholly exceptional career and the crushing isolation of his fame, as well as the unfair rumors that have surrounded it. MOONWALK is illustrated with rare photographs from Jackson family albums and Michael's personal photographic archives, as well as a drawing done by Michael exclusively for the book. It reveals and celebrates, as no other book can, the life of this exceptional and beloved musician.

    . . yet. Here, for the first time, current twentysomethings come together on their own terms, in their own words, and begin to define this remarkably diverse and self-aware generation. Tackling an array of subjects–career, family, sex, religion, technology, art–they form a vibrant, unified community while simultaneously proving that there is no typical twentysomething experience.In this collection, a young father works the late-night shift at Wendy’s, learning the finer points of status, teamwork, and french fries. An artist’s nude model explains why she’s happy to be viewed as an object. An international relief worker wrestles with his choices as he starts to resent the very people who need his help the most. A devout follower of Joan Didion explains what New York means to her. And a young army engineer spends his time in Kuwait futilely trying to grow a mustache like his dad’s.With grace, wit, humor, and urgency, these writers invite us into their lives and into their heads. Twentysomething Essays by Twentysomething Writers is a rich, provocative read as well as a bold statement from a generation just now coming into its own.Praise for Twentysomething Essays by Twentysomething Writers“Being in your twenties is weird. The world tells you you’re a grown-up, but damn if you feel like one. With 29 sharply observant and well-written snapshots of life between the ages of 19 and 30, Twentysomething Essays by Twentysomething Writers couldn’t have captured this more perfectly.”–Nylon“You’ll devour this compilation of essays by funny, smart, insightful young writers in just a few hours.”–Jane Magazine “[Twentysomething Essays by Twentysomething Writers offers] a wide variety of experience. . . . If we are still looking for a voice for this generation, I’d nominate this eclectic choir instead.”–Orlando Sentinel“[Ranging] from playful and absurd to poignant and earnest . . . [Twentysomething Essays by Twentysomething Writers is] a bold reminder that this generation is extremely diverse and very capable. . . . These essays will speak to you no matter your age.”–Austinist.com “Delightful . . . Whether admitting they are only just beginning to see their own parents as people or struggling to balance graduate study and parenthood, the essayists blend morbid irony and idealism. . . . This highly readable collection of voices is more assured and memorable than one might have expected from such a venture.”–Publishers Weekly “Earnest, honest, and well-written . . . a propitious look at writers coming of age right now, and it’s a pleasant surprise.”–The Phoenix (Boston)“A slice of Gen Y life: everything from OCD, rape, and depression to a nude-art-class model, online communities, and how to find (and keep) a drummer. Pick up your copy.”–stuff@night (Boston)“The essays . . . have an urgency, an immediacy, even as the subject matter runs the gamut from sex to death.”–Los Angeles Times Book Review

    But this notorious corner's 24-hour open-air drug market provides the economic fuel for a dying neighborhood. David Simon, an award-winning author and crime reporter, and Edward Burns, a 20-year veteran of the urban drug war, tell the chilling story of this desolate crossroad.Through the eyes of one broken family--two drug-addicted adults and their smart, vulnerable 15-year-old son, DeAndre McCollough, Simon and Burns examine the sinister realities of inner cities across the country and unflinchingly assess why law enforcement policies, moral crusades, and the welfare system have accomplished so little. This extraordinary book is a crucial look at the price of the drug culture and the poignant scenes of hope, caring, and love that astonishingly rise in the midst of a place America has abandoned.

    In fact, the controversial author continues, the so-called history we learn in school is no more than a brand, developed by white men who, often unjustly, won the right to spin their stories as hard facts. With Autobiography of a Blue-Eyed Devil, it's Muscio's turn and she's taking it in order to hip the masses to the truth about the American history they think they know. Whose country is it? Has democracy ever really existed? Why does our culture celebrate certain figures and ignore others? Do schools teach kids to perpetuate white supremacist ideologies? Muscio delves deep to answer these questions, marveling at how personal history is to everyone, while challenging people to expand their thinking on America's past and encouraging them to consider how their own histories might read.

    Never one to stop at the surface of the story, Lemon digs deep, exposing his own history with wealth and lack, with family secrets and painful revelations--and explains how those painful early experiences shaped his ambitions and gave him the tools of empathy and fearlessness that he brings to his work. Then Lemon turns the same searing honesty on the news industry itself, taking the reader behind the scenes of September 11, 2001, the DC Snipers, the epidemic of AIDS in Africa, Hurricane Katrina, the election of Barack Obama, and the death of Michael Jackson among other events.With his clear and compelling storytelling and the rich detail of an Emmy-winning journalist, Lemon reveals his own painful journey from a little boy who dreamed of broadcasting in segregated Baton Rouge in the early 70s, to his current perch at CNN in a fascinating and compelling look at the world of television news and his own experiences reporting in it.

    Dan Kennedy is ten years old and wants a black Gibson Les Paul guitar, the kind Peter Frampton plays. It will be his passport to the coolest (only) band in the neighborhood—Jokerz. He doesn’t get it. Instead, his parents present him with what they think he wants most, a real-estate loan calculator (called the Loan Arranger) and a maroon velour pullover shirt with a tan stripe across the chest. It is the first of what will become a lifetime of various-sized failures, misunderstandings, comical humiliations, and just plain silly choices that have dogged this “hipster Proust of youthful loserdom,” as author Jerry Stahl has so eloquently called Mr. Kennedy.Dan’s hilarious and painfully awkward youth soon develops into a . . . uh . . . hilarious and painfully awkward adulthood. His first two choices for university are Yale (Lit or Drama) and Harvard (Business), so he reviews his high school transcripts and decides on Butte Community College in Oroville, California, where he studies for about four and a half weeks. We could go on here and describe in detail all of Dan’s good-natured stabs at ambition, but he, himself, sums it all up quite nicely: “If you’ve ever tried and failed miserably at being a rock star (no guitar/talent), a professional bass fisherman, an extra in the movie Sleepless in Seattle (guy drinking martini in bar while Tom Hanks makes a phone call), a Madison Avenue advertising executive, a clerk/towel person at a suburban health club (named Kangaroo Kourts), an espresso street-cart owner and operator (in the one neighborhood of that coffee-swilling town, Seattle, where, remarkably, no one really seems to drink coffee), a dot.com millionaire, an MTV VJ, or a forest fire fighter, this book is for you.” Along the way, a few lessons are learned and we are treated to one of the most original, riotously funny, unsentimental, and offbeat memoirs in recent history. Dan’s a favorite in McSweeney’s and at the very popular Moth readings in New York City. We should be happy that he failed so miserably at so many things—and took notes!