It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

    The novel centres upon the hapless members of a love triangle united by their sexual obsessions and by their fascination with Catherine Tekakwitha, the 17th-century Mohawk saint. By turns vulgar, rhapsodic, and viciously witty, Beautiful Losers explores each character’s attainment of a state of self-abandonment, in which the sensualist cannot be distinguished from the saint.

    The story features a world where magic has overwhelmed science. Starring the Phantom Stranger, Deadman, The Challengers Of The Unknown, The Blue Beetle and Klarion The Witch Boy.

    Follow the flailing escapades of maverick music manager Campbell Ouiniette at the Calgary Folk Festival, as he leaves a trail of empty liquor bottles, cigarette butts, bruised egos, and obliterated relationships behind him. His top headlining act has abandoned him for the Big Time. In a fit of self-delusion or pure genius (or perhaps a bit of both), Ouiniette devises an intricate scam, a last hurrah in an attempt to redeem himself in the eyes of his girlfriend, the music industry, and the rest of the world. He reveals his path of destruction in his own transparently self-justifying, explosive, profane words, with digressions into the Edmonton hardcore punk rock scene, the Yugoslavian Civil War, and other epicentres of chaos.

    It is told in 29 tangos. A tango (like a marriage) is something you have to dance to the end.This clear-eyed, brutal, moving, darkly funny book tells a single story in an immediate, accessible voice–29 “tangos” of narrative verse that take us vividly through erotic, painful, and heartbreaking scenes from a long-time marriage that falls apart. Only award-winning poet Anne Carson could create a work that takes on the oldest of lyrical subjects–love–and make it this powerful, this fresh, this devastating.

    These visionary pieces build upon Simpson's powerful use of the fragment as a tool for intervention in her critically acclaimed collection Islands of Decolonial Love. Provocateur and poet, she continually rebirths a decolonized reality, one that circles in and out of time and resists dominant narratives or comfortable categorization. A crow watches over a deer addicted to road salt; Lake Ontario floods Toronto to remake the world while texting "ARE THEY GETTING IT?"; lovers visit the last remaining corner of the boreal forest; three comrades guerrilla-tap maples in an upper middle-class neighbourhood; and Kwe gets her firearms license in rural Ontario. Blending elements of Nishnaabeg storytelling, science fiction, contemporary realism, and the lyric voice, This Accident of Being Lost burns with a quiet intensity, like a campfire in your backyard, challenging you to reconsider the world you thought you knew.

    The Collected Works of Billy the Kid is a virtuoso synthesis of storytelling, history, and myth by a writer who brings us back to our familiar legends with a renewed sense of wonder.

    God Loves Hair is a collection of 20 short stories following a tender, intellectual, and curious child as he navigates complex realms of sexuality, gender, racial politics, religion, and belonging.Told with the poignant insight and honesty that only the voice of a young mind can convey, each story is accompanied by a vivid illustration by Toronto artist Juliana Neufeld.

    In this, we are rich. We begin with abundance. But while much is written about our city these hard days, it is typically meant to explain Detroit to those who live elsewhere. Much of this writing is brilliant, but our anthology, this anthology, is different: it is a collection of Detroit stories for Detroiters. Through essays, photographs, poetry, and art, this anthology collects the stories we tell each other over late nights at the pub and long afternoons on the porch. We share them in coffee shops, at church social hours, in living rooms, and while waiting for the bus. These are stories addressed to the rhetorical “you”—with the ratcheted up language that comes with it—and these are stories that took real legwork to investigate. We may be lifelong residents, newcomers, or former Detroiters; we may be activists, workers, teachers, artists, healers, or students. But a common undercurrent alights our work that is collected here: we are a city moving through the fire of transformation. We are afire.Featuring essays, photographs, poetry, and art by Terry Blackhawk, Grace Lee Boggs, John Carlisle, Desiree Cooper, dream hampton, francine j. harris, Steve Hughes, Jamaal May, Tracie McMillan, Ken Mikolowski, Marsha Music, Shaka Senghor, Thomas J. Sugrue, and many others.

    Included is a reprint of her mini-comic, City of Champions, as well as a new comic, The Tapemines, an 80-page wordless scroll about feral children in forests of cassette tape. With inspirations including German expressionists Georg Grosz and Otto Dix, as well as Japanese and Inuit printmakers, Tamaki's unique style often celebrates the inherent beauty in the grotesque, while remaining character-driven and focused on observational narrative.

    Ava Lee is a young Chinese-Canadian forensic accountant who works for an elderly Hong Kong–based “Uncle,” who may or may not have ties to the Triads. At 115 lbs., she hardly seems a threat. But her razor sharp intellect and resourcefulness allows her to succeed where traditional methods have failed.In The Water Rat of Wanchai, Ava travels across continents to track $5 million owed by a seafood company. But it’s in Guyana where she meets her match: Captain Robbins, a huge hulk of a man and godfather-like figure who controls the police, politicians, and criminals alike. In exchange for his help, he decides he wants a piece of Ava’s $5 million action and will do whatever it takes to get his fair share . . .Featuring the Prequel: The Dragon Head of Hong Kong:Young Ava Lee is a forensic accounting who has just opened her own private firm. One of her clients, Hedrick Lo, has been swindled of more than a million dollars by a Chinese importer named Johnny Kung. Desperate, Lo persuades Ava to find and retrieve the monies owed. Ava goes to Hong Kong, where she plunges into the dangerous underground collection business and meets a man who will forever change her life . . .

    He spends just as much time scraping the bottom as he does being high as a kite and can’t seem to find middle ground. A hopelessly self-destructive and at times unforgivably brutal young man, Clayton is a sometimes bartender at the Awl and Hatchet with a bad attitude that elicits love and loathing in equal measure. Over the course of a write-off year, Clayton wrestles with the conflicting desires of wanting to matter to somebody and to care for no one, wanting to prove he’s different from the so-called wasters around him but not enough to say no to a pint. In the filthy bars, cold back alleys and soiled bedrooms of downtown St. John’s that Clayton inhabits, we spend a debauched year with him as he drinks and dreams, fights and fails, screws and screws up. He lives his life as an eternal weekend, sure he can stop any time and accomplish great things. But then Clayton meets Isadora, who stirs something real and achingly human underneath the swagger, sending him on the bender of his life.Right Away Monday is a stormy novel of unlikely beauty, peopled by unforgettable characters—including one Valentine Reid, Clayton’s burnt-out and battered rocker uncle; the lovely though world-weary Monica; and the shrewd Mike Quinn, slum landlord and owner of the Awl and Hatchet. Unnervingly authentic, these are the constituents of a world grown weary and wasted, with a new generation stumbling blindly behind. But oblivion is only skin deep. Beneath the wreckage of youthful distraction lie the vast and abiding questions that haunt our quietest moments—questions of destiny, fate, mortality and of our connections to one another. Ushering the chaos and uncertainty of this dark bar-room universe into the bright intensity of Hynes’ unflinching gaze, Right Away Monday will grab you by the throat and not let you go.

    In his 1992 book, The Playboy, he explored his personal history with pornography. His bestselling 2003 graphic novel, Louis Riel, was a biographical examination of an extreme political figure. The book won wide acclaim and cemented Brown's reputation as a true innovator.Paying for It is a natural progression for Brown as it combines the personal and sexual aspects of his autobiographical work with the polemical drive of Louis Riel. Brown calmly lays out the facts of how he became not only a willing participant in but a vocal proponent of one of the world's most hot-button topics—prostitution. While this may appear overly sensational and just plain implausible to some, Brown's story stands for itself. Paying for It offers an entirely contemporary exploration of sex work—from the timid john who rides his bike to his escorts, wonders how to tip so as not to offend, and reads Dan Savage for advice, to the modern-day transactions complete with online reviews, seemingly willing participants, and clean apartments devoid of clichéd street corners, drugs, or pimps.Complete with a surprise ending, Paying for It provides endless debate and conversation about sex work and will be the most talkedabout graphic novel of 2011.

    But in the days after hisfather has a startling accident, Toby makes a series of terrible, wincing choices. As a result, he is fired from his job as an etiquette commentator and loses his superb condo, his beautiful girlfriend and his beloved BMW. Worse still, he must move back to the grey Montreal suburb of Dollard-des-Ormeaux and live in his parents’ basement.With his silent BlackBerry and a sudden absence of friends or saviours, Toby feels he has reached the limits of misery and humiliation. But his father’s increasingly frightening behaviour is where the real trouble—and risk—lies. Who is this man? What can Toby do? Then, in a moment of misplaced gallantry, Toby encounters an unstable francophone mother who disappears and abandons her two-year-old son, Hugo, to his care. Trapped with a toddler and forced to deal with his father’s tragedies, Toby emerges from the basement bungalow of his life—muddy, broke, bruised, heartbroken—but, finally, a man.

    David Jeremiah, one of America's leading Bible teachers, has produced a deeply personal and comprehensive study Bible packed with features specifically focused to help you discover what Scripture says, what Scripture means and, most importantly, what Scripture means for you. The Jeremiah Study Bible presents the best of biblical insight and study tools along with clear, practical application to bring about authentic transformation in your life. Special Features- Book Introductions by Dr. Jeremiah- More than 8,000 Study Notes- Hundreds of Sidebars- Words of Christ in Red- 60+ Essentials of the Christian Faith Articles- Cross-References Embedded in the Study Notes- Teacher's Topical Index- Concordance- Full-Color Maps- Easy-to-Read Full Size Print