‘Supposing I were to come down one morning and find a dead body in the library, what should I do?’ she muses. Clarissa has her chance to find out when she discovers a body in the drawing-room of her house in Kent.Desperate to dispose of the body before her husband comes home with an important foreign politician, Clarissa persuades her three house guests to become accessories and accomplices. It seems that the murdered man was not unknown to certain members of the house party (but which ones?), and the search begins for the murderer and the motive, while at the same time trying to persuade a police inspector that there has been no murder at all.This novelisation by Charles Osborne is based on Agatha Christie's play, Spider's Web.

     She is terrified – but begs Poirot not to find and punish her killer. Once she is dead, she insists, justice will have been done.Later that night, Poirot learns that three guests at a fashionable London Hotel have been murdered, and a cufflink has been placed in each one’s mouth. Could there be a connection with the frightened woman? While Poirot struggles to put together the bizarre pieces of the puzzle, the murderer prepares another hotel bedroom for a fourth victim...

    Each begins in a quietly factual way, making all the more dramatic the crescendo of fear and puzzlement that ensues as each new circumstance is revealed. Even without his supremely logical brain child, Sherlock Holmes, Conan Doyle shows that his tales are unbeatable for thrills and excitement.Contents:Tales of terror:The horror of the heightsThe leather funnelThe new catacombThe case of Lady SannoxThe terror of Blue John GapThe Brazilian catTales of mystery:The lost specialThe beetle-hunterThe man with the watchesThe japanned boxThe black doctorThe Jew's breastplateThe nightmare room.

    But when an old sailor lands a rowing boat containing a fresh corpse with a stab wound to the chest, the Inspector's investigation immediately comes up against several obstacles. The vicar, whose boat the body was found in, is clearly withholding information, and the victim's niece has disappeared. There is clearly more to this case than meets the eye - even the identity of the victim is called into doubt. Inspector Rudge begins to wonder just how many people have contributed to this extraordinary crime and whether he will ever unravel it. . .In 1931 Agatha Christie, Dorothy L. Sayers, and 10 other crime writers from the newly formed Detection Club collaborated in publishing a unique crime novel. In a literary game of consequences, each author would write one chapter, leaving G.K. Chesterton to write a typically paradoxical prologue and Anthony Berkeley to tie up all the loose ends. In addition, all of the authors provided their own solutions in sealed envelopes, all of which appeared at the end of the book, with Agatha Christie's ingenious conclusion acknowledged at the time to be 'enough to make the book worth buying on its own'. The authors of this novel are G.K. Chesterton, Canon Victor Whitechurch, G.D.H. Cole and Margaret Cole, Henry Wade, Agatha Christie, John Rhode, Milward Kennedy, Dorothy L. Sayers, Ronald Knox, Freeman Wills Crofts, Edgar Jepson, Clemence Dane and Anthony Berkeley.©1931, 2011 The Detection Club (P)2017 HarperCollins Publishers

    But Laura's emotions towards her sister changed dramatically one night, when she vowed to protect her with all her strength and love. While young Shirley longs for freedom and romance, Laura has to learn that loving can never be a one-sided affair, and the burden of her love for her sister has a dramatic effect on both their lives. For too long she had stayed quietly in the background of her stunning sister. Now there was a man that knew that Laura could love as passionately as her beutiful sister - if only she were given the chance. A story of consequences when love turns to obsession….

    One seeking only peace. The other, violence." Tate Collier, once one of the country's finest trial lawyers, is trying to forget his past. Now a divorced gentleman farmer, land developer, and community advocate in rural Virginia, he's regrouping from some disastrous mistakes in the realms of love and the law. But controversy -- and danger -- seem to have an unerring hold on Tate. Even as he struggles to rebuild his life, his alter ego is plotting his demise.Aaron Matthews, a brilliant psychologist, has turned his talents away from curing patients to far deadlier goals. He's targeted Tate, Tate's ex-wife, Bett, and their estranged daughter, Megan, for unspeakable revenge. Matthews, ruthless and hell-bent, will destroy anything that inhibits his plans. When their daughter disappears, Tate and Bett reunite in a desperate, heart-pounding attempt to find her and to stop Matthews, a psychopath whose gift of a glib tongue and talent for coercion are as dangerous as knives and guns. Featuring an urgent race against the clock, gripping details of psychological manipulation, and the brilliant twists and turns that are trademark Deaver, "Speaking in Tongues" delivers the suspense punch that has made this author a bestseller. It will leave you speechless.

    Did he want her badly enough to commit murder? And if Madvig was innocent, which of his dozens of enemies was doing an awfully good job of framing him? Dashiell Hammett's tour de force of detective fiction combines an airtight plot, authentically venal characters, and writing of telegraphic crispness.

    It feels perfect in every way-except that she's used to caviar and Manolo Blahniks, and he's used to burgers and flip-flops.So when Ned's cousin offers to cut him in on a fast break-and-enter job, Ned can't turn it down. The risk is high, and the reward is even greater-$5 million. But the robbery goes devastatingly wrong. Forced to run away from his town and the woman he's fallen in love with, Ned knows that only distance and secrecy can save his life. But who is pursuing him? The FBI? Whoever sabotaged the heist? Or is it all somehow tied in to his new love-and his oldest enemies?

    The popularity of murder mystery books, TV series, and even board games shows that there is an appetite for death, and the more unusual or macabre the method, the better. With gunshots or stabbings the cause of death is obvious, but poisons are inherently more mysterious. How are some compounds so deadly in such tiny amounts?Agatha Christie used poison to kill her characters more often than any other crime fiction writer. The poison was a central part of the novel, and her choice of deadly substances was far from random; the chemical and physiological characteristics of each poison provide vital clues to the discovery of the murderer. Christie demonstrated her extensive chemical knowledge (much of it gleaned by working in a pharmacy during both world wars) in many of her novels, but this is rarely appreciated by the reader.Written by former research chemist Kathryn Harkup, each chapter takes a different novel and investigates the poison used by the murderer. Fact- and fun-packed, A is for Arsenic looks at why certain chemicals kill, how they interact with the body, and the feasibility of obtaining, administering, and detecting these poisons, both when Christie was writing and today.

    One choice. Someone must die.From #1 New York Times bestselling author Dean Koontz comes this pulse-pounding thriller that starts with a terrifying decision we all might face one day: Help—or run. Timothy Carrier is an ordinary guy. He enjoys a beer after work at his friend’s tavern, the eccentric customers and amusing conversations. But tonight is no ordinary night. The jittery man sitting beside him has mistaken Tim for someone else—and passes him an envelope stuffed with cash and the photo of a pretty woman. “Ten thousand now. You get the rest when she’s gone.”Tim Carrier always thought he knew the difference between right and wrong, good and evil. But tonight everything he thought he knew—even about himself—will be challenged. For Tim Carrier is at the center of a mystery of extraordinary proportions, the one man who can save an innocent life and stop a killer as relentless as evil incarnate. But first he must discover resources within himself of which he never dreamed, capacities that will transform his idea of who he is and what it takes to be . . .

    But your memory is deceitful. And possibly deadly...When a skeleton is unearthed in the Martellos' garden, Jane Martello is shocked to learn it's that of her childhood friend, Natalie, who went missing twenty-five years ago. Encouraged by a therapist to recover lost memories, Jane hopes to find out what really took place when she was a child - and what happened to Natalie.But in learning the truth about hers and Natalie's past, is Jane putting her own future at terrible risk?

    Indeed, as Detective Chief Inspector W.T. Challoner soon discovered, seven people had good cause to murder him. Everyone ought to have done it, but by the evidence nobody had. The seven suspects, all with excellent motives for killing the hateful Eric Crowther. So it was not lack of evidence but rather a surfeit of it which sent Challoner and his son Jerry half across Europe in pursuit of the trail. He collected their secrets. And he used them. But whick of these long-time sufferers had found the courage to pull the trigger? And should this benefactor really be prosecuted?NOTE: White Cottage Mystery was her first mystery, published as newspaper serial 1927; first published in book form 1975.

    . . and armed men are seen looting the city zoo. Amid a hail of bullets, a concealed underground lab is ransacked--and something horrific is set loose upon the world.Seven years later, Louisiana state veterinarian Lorna Polk investigates an abandoned shipwrecked fishing trawler carrying exotic caged animals, part of a black market smuggling ring. But there is something disturbingly wrong with these beasts--each an unsettling mutation of the natural order, all sharing one uncanny trait: incredibly heightened intelligence.Joining forces with U.S. Border Patrol Agent Jack Menard--a man who shares with her a dark and bloody past--Lorna sets out to uncover the truth about this strange cargo and the terrorist threat it poses. Because a beast escaped the shipwreck and is running amok--and what is about to be born upon the altar of Eden could threaten not only the future of the world but the very foundation of what it means to be human.

    But the rhythm of her life is disrupted when attorney Mitchell Reece requests her help in locating a stolen document that could cost him not only the multimillion-dollar case he's defending but his career as well. Eager to get closer to this handsome, brilliant, and very private man, Taylor signs on . . . only to find that as she delves deeper and deeper into what goes on behind closed doors at Hubbard, White & Willis, she uncovers more than she wants to kno--including a plentitude of secrets damaging enough to smash careers and dangerous enough to push someone to commit murder. Yet who is capable of going to that extreme? With her life on the line, Taylor is about to learn the lethal answer. . . ."The characters are well drawn, the plot is fast paced, and the writing avoids totally the usual trappings of blockbusterdom. . . . An intelligently written thriller."--Booklist

    From a previously unpublished 1917 script featuring Ernest Bramah’s blind detective Max Carrados, to early 1950s crime stories written for London’s Evening Standard by Cyril Hare, Freeman Wills Crofts and A.A. Milne, it spans five decades of writing by masters of the Golden Age.Most anticipated of all are the contributions by women writers: the first detective story by Georgette Heyer, unseen since 1923; an unpublished story by Christianna Brand, creator of Nanny McPhee; and a dark tale by Agatha Christie published only in an Australian journal in 1922 during her ‘Grand Tour’ of the British Empire.With other stories by Detection Club stalwarts Anthony Berkeley, H.C. Bailey, J.J. Connington, John Rhode and Nicholas Blake, plus Vincent Cornier, Leo Bruce, Roy Vickers and Arthur Upfield, this essential collection harks back to a time before forensic science – when murder was a complex business.