This sequence of events occurs and recurs in remarkably different variations in Vain Art of the Fugue.In one version, the bus driver ignores the traffic signals and is killed in the ensuing crash. In another, the protagonist is thrown off the bus, and as he chases after it, a crowd of strangers joins him in the pursuit.As the book unfolds, the protagonist, his lovers, and the people he meets become increasingly vivid and complex figures in the crowded Bucharest cityscape. Themes, conflicts, and characters interweave and overlap, creating a book that is at once chaotic and perfectly composed.“As you can see, madam, words are getting staler and staler… idiots have used them like so many wheelbarrows… loaded them up with all kinds of idiotic confessions, with all these ideas, each more stupid than the last… in short, with what people call messages.”

    It flows through more countries than any other river on Earth—from the Black Forest in Germany to Europe's farthest fringes, where it joins the Black Sea in Romania. Andrew Eames' journey along its length brings us face to face with the continent's bloodiest history and its most pressing issues of race and identity. As he travels—by bicycle, horse, boat, and on foot—Eames finds himself seeking a bed for the night with minor royalty, hitching a ride on a Serbian barge captained by a man called Attila, and getting up close and personal with a bull in rural Romania. He meets would-be kings and walks with gypsies, and finally rows his way beyond the borders of Europe entirely.

    Bloc Life collects first hand testimony of the people who lived in East Germany, Czechoslovakia and Romania during the Cold War era, and reveals a rich tapestry of experience that goes beyond the headlines of spies and surveillance, secret police and political corruption. In fact, many of the people remember their lives under communism as 'perfectly ordinary' and even hanker for the 'security' that it offered.From political leaders, athletes and pop stars, to cooks, miners and cosmonauts, the stories collected in Bloc Life evoke the moods, preoccupations and experiences of a world that vanished almost overnight.

    It demonstrates a commitment to surrealistic aesthetics, and has a clear lack of an obvious plot, minimal development of character, variations of time sequence, and experiments with vocabulary and punctuation.

    The city they find is one of contrasts and rumours, on the edge with wavering loyalties and the tension of war, peopled with an international cast of characters, including the inimitable and eccentric Russian émigré Prince Yakimov.

    He believes that human beings can become powerful creators, and achieve much more but the desire to secure the future makes them mere survivors. Between birth and death, evolution is the only constant, which humans can achieve by giving up self-limiting practices.Partibhan sets out to test spiritual principles at a practical level, with the exceptional 600 kilometer journey on foot without money and belongings. He wishes to demonstrate that man’s fixation on materialism and the need to accumulate is overrated: Survival isn’t the goal of life. A much bigger role, a higher calling awaits us.Can Partibhan and his followers overcome hardships on the way to find the answers they seek? Are they able to prove that spirituality isn’t an impractical concept as many have come to believe but is inseparable from evolution? What insights do they come across? What does their journey prove and what is its power packed message for you? Do they discover peace and joy? How is it different from happiness?Discover all this and much more in this path breaking, evolutionary new writing that explores the higher meaning of life and demonstrates practically how one can achieve peace and joy while leading a meaningful and creative life.

    Each title features: - Critical essays reflecting a variety of schools of criticism- Notes on the contributing critics, a chronology of the author's life, and an index- An introductory essay by Harold Bloom.

    He spends his days working a job he hates. He spends his nights tormented by night terrors.He once had goals and dreams. Now he's just trying to get by.Unfortunately for Jessie and his family, while he's given up on his dreams, his nightmares haven't given up on him. And right now one is crossing over into the waking world.

    He is a dark, seductive, pale man wearing a cape. His gaze is quite literally captivating, and he has the strength of ten men. The story, written by Bram Stoker in 1897, has been retold hundreds of times, but is there a historical figure upon whom the character is based? Is there really a Dracula? Many scholars argue that Vlad III Dracula, also known as Vlad the Impaler, is the real Dracula. He was known in western Europe for his cruelty, most especially his penchant for impaling his victims. He is said to have killed somewhere between 40,000 and 100,000 people during his crusade to stop the Ottoman Empire from expanding into eastern Europe. He was equally harsh on the people he ruled and is said to have taken great pleasure in torturing his victims. Inside you will read about... ✓ Vlad’s early life and family ✓ Rise to power: Vlad’s first reign ✓ War with the Ottomans, Vlad’s main reign ✓ Vlad’s imprisonment, third reign, and death ✓ Vlad Dracula’s legacy ✓ Vlad the Impaler in fiction: Count Dracula His story, however, is much more complicated than the oft-reported details of his atrocities would imply. He lived in a time of conflict where many were equally as cruel, and he is viewed as a hero in Romania where he is remembered as a protector of his people. This eBook tells the story of his life and times, and discusses his connection to the fictional Count Dracula, in a succinct, compelling manner, which makes for an entertaining read that is packed with historical information.

    Embittered and distrusting, Vida is harassed by Delphi's racist sheriff and haunted by the son she lost to the world. Hazel, too, has lost a son and can't keep a grip on her fractured life. After drunkenly crashing her car into a manger scene while gunning for the baby Jesus, Hazel is sedated and bed-ridden. Hazel s husband hires Vida to keep tabs on his unpredictable wife and to care for his sole surviving son. Forced to spend time together with no one else to rely on, the two women find they have more in common than they thought, and together they turn the town on its head. It is the story of a town, a people, and a culture on the verge of a great change that begins with small things, like unexpected friendship."

    While her parents and two older sisters were taken to the gas chambers, she and her twin, Miriam, were herded into the care of the man known as the Angel of Death, Dr. Josef Mengele and subjected to sadistic medical experiments and forced to fight daily for their own survival. Through this book, readers will learn of a child's endurance and survival in the face of truly extraordinary evil. The book also includes an epilogue on Eva's recovery from this experience and her remarkable decision to publicly forgive the Nazis. Through her museum and her lectures, she has dedicated her life to giving testimony on the Holocaust, providing a message of hope for people who have suffered, and working toward goals of forgiveness, peace, and the elimination of hatred and prejudice in the world.

    . . possess a rare, disorienting force. When you look up from them, the quality of light seems a little different. It’s a reminder to those of us who have almost forgotten what literature can sometimes do.”—Boston Book Review“The most honest, observant and timely book written this year about the American generation now approaching thirty . . . Chaon speaks with clarity of feeling, and more than a little oddball wit, about the lives of those left behind the demographic curve of America—men and woman with pointless jobs, doughy faces, soured relationships, bad credit. . . . Each story pulls you into its subtle emotional vortex, largely because of Chaon’s knack for simple but poignant detail.”—New York Newsday“Remarkable . . . Each story is a marvel of complexity, dense with meaning and nuance. . . . Very few first works are as solid, moving, and pitch-perfect as Chaon’s.”—The Cleveland Plain Dealer“[AN] OFTEN PERCEPTIVE, LUCID VOICE.”—The New York Times Book Review

    'We've become a khaki town.' It's March 1942. Singapore has fallen. Darwin has been bombed. Australia is on the brink of being invaded by the Imperial Japanese Forces. And Val Callahan, publican of The Brown's Hotel in Townsville, could not be happier as she contemplates the fortune she's making from lonely, thirsty soldiers. Overnight the small Queensland city is transformed into the transport hub for 70,000 American and Australian soldiers destined for combat in the South Pacific. Barbed wire and gun emplacements cover the beaches. Historic buildings have been commandeered. And the dance halls are in full swing with jitterbug and jive.The Australian troops, short on rations and equipment, begrudge the confident, well-fed 'Yanks' who have taken over their town (and women). And there's growing conflict, too, within the American ranks. Because black GIs are enjoying the absence of segregation and the white GIs do not like it.Then one night a massive street fight leaves a black soldier lying dead in the street, and the situation explodes into violent confrontation.

    “Eva is dead,” she is told. As the years pass, Anca proves an unquenchable spirit, with a lust for life even when political forces threaten to derail her at every turn. Time is layered in this quest for self, culminating in the end of the Iron Curtain and Anca’s reclaiming of the name her mother gave her. When Eva returns to Hungary in 1990, a country changing as fast as the price of bread, she meets Martin, an American teacher, and Eva’s lifelong search for family and identity comes full circle as her cross-cultural relationship with Martin deepens through their endeavor to rescue the boy downstairs from abuse.An intimate look at the effects of history on an individual life, Smuggled is a raw and fearless account of transformation, and a viscerally reflective tale about the basic need for love without claims.

    “I must create a myth,” he jotted in his diary, “and become its hero—that’s my idea! . . . [A] Judeo-German metaphysician, descended as if from the XVIIIth century (or that’s how he likes to think of himself) [who talks] about responsibility, about a dialogue of purity with God, about perplexity facing the void.” In the following years, Zacharias Lichter— madman, fool, philosopher, and the weirdest of rebels without a cause—would come to life in Calinescu’s fictional account of his life and opinions, a book written for his private amusement since he assumed the censors would never permit its publication. He was wrong about that, however. The censors were completely oblivious to the subversive humor and intent of his book, which became a cult classic.