This is an autobiographical book in which Corneliu Zelea Codreanu expressed his political and spiritual ideaology as well as explained the struggles and persecution of his Legionary movement in Romania.

    Nor does he remember where and how they met, their journey to his squalid apartment or what they did after they got there. The young woman is happy to explain, however—indeed, so reassuring is her recollection of the facts that he pleads with her to stay. She promises to return that night. He promises to wait for her.Nine nights are a lifetime to a man and woman brought together under curious circumstances. Bound by a promise and a bottle of wine they travel through a
dream like caged lightening. Together they discover sometimes, all you need to
approach perfection is a saxophone and a broken alarm clock.

    Andre's father, in a desperate effort to save him from the coming holocaust, hands him over to his captivating uncle Rudolf, an internationally famous singer of popular operettas. Rudolf is a sublimely gifted lyric tenor, a dashing leading man who is the object of many women's affections-but also an artist who lives in the shadow of his own unachieved potential as an opera star. Rudolf takes the boy to back to London, renames him Andrew, turns all his attention and sardonic humor upon him, and gradually sculpts him into a gentleman.Vivid, often lighthearted scenes of Andrew's worldly life with Rudolf are intertwined with the unfolding secrets of his forgotten past as Andre, which have shadowed his otherwise happy life. Told in matchless prose, Uncle Rudolf captures in fine detail the mood of 1940s Europe--and reveals the emotions of a man whose achievement falls short of his brilliant promise. It is a wise, knowing, elegant story about the sacrifices we make for those we love.

    Before Dawn, a completely revised and expanded version of this work, contains an additional thirty poems by Sapardi Djoko Damono, on of Indonesia’s most prominent poets. The writer, through the language of his poetry and its meaning, sound and rhythem, proves himself capable of depicting a highly imaginative awareness of experience.

    The language, the invention, the imagination, and the sheer fun of his poems is astounding. It's not all dazzle either. The poems are also moving. This man reminds us that there is nothing more serious than a joke' - Charles Simic, final judge and author of "Jackstraws", "Walking the Black Cat", and "A Wedding in Hell".

    Yet despite the distinctive differences from poem to poem, Bernstein's characteristic explorations of how language both limits and liberates thought are present throughout. Modulating the comic and the dark structural invention with buoyant soundplay, these challenging works give way to poems of lyric excess and striking emotional range. This is poetry for poetry's sake, as formally radical as it is socially engaged, providing equal measures of aesthetic pleasure, hilarity, and philosophical reflection. Long considered one of America's most inventive and influential contemporary poets, Bernstein reveals himself to be both trickster and charmer.

    This book's "secret underground society" is not Nazi war criminals, however-it's the persecuted Christian church. Yuri and Alexander Deyneko, separated as teens in postwar times, are reunited thirty-five years later in 1980s Bucharest. Now on separate sides of Nicolae Ceausescu's Iron Curtain, the secret life of one brother, a top army official and clandestine Christian, and the ambition of the other- now the American Ambassador to Romania-puts them on a collision course with each other. Fates hang on an issue of conscience. Great writing propels readers through the plot toward a gripping climax.

    Self and it (word and particle) are ritual and rigmarole, song-and-dance and long distance call into whatever dark matter might exist. How could a self not be selfish? Armantrout accesses the strangeness of everyday occurrence with wit, sensuality, and an eye alert to underlying trauma, as in the poem Price Points where a man conducts an imaginary orchestra but gets no points for originality. In their investigations of the cosmically mundane, Armantrout's poems use an extraordinary microscopic lens--even when she's glancing backwards from the outer reaches of space. An online reader's companion is available at http: //raearmantrout.site.wesleyan.edu.

    Would she have made it on her own? Who knows, even with Livia’s remarkable resilience which she still exhibits today in her nineties. It was Rose, with her desire to protect Livia and her instincts for survival that kept them, time and time again, from the many dangers which could have cost both of them their lives. From the moment they were on the transport to Auschwitz, and then saw their mother, along with Rose’s little son taken away and sent to the gas chambers, it was Rose who seem to anticipate what lay ahead. Maybe it was an extra morsel of food that could be obtained or an article of warm clothing. Rose always came through, even at great risk. Two Sisters is so much more than a story of survival during the Holocaust. It is the beautiful portrayal of a young girl―and later young woman―coming of age in rural Romania. Her academic achievements, schoolgirl crushes, and family life are all explored, revealed in detail for all of us. Carefully written and beautifully crafted, it serves as an extraordinary example of the power of the memoir in Holocaust understanding.

    And not just hers. It comes in a tiny velvet box, but it holds the power of an entire bloodline of witches. Her bloodline. Lisa's trainer in witchcraft is Yadiel, a sassy demon who has taken it upon himself to care for Lisa's family ever since the very first Whelan witch was born, thousands of years before. However, this new power unleashes a greater, much darker force.

    S. Merwin. The book is an intriguing set of variations on the theme of identity. Arnold plays on the idea of the shell as both the dazzling surface of the self and a hard case that protects the self against the assaults of the world. His poems narrate amatory and culinary misadventures. “Friendships based on food,” Arnold writes, “are rarely stable”—this book is full of wildly unstable and bewitching friendships and other significant relations.

    D. Soul's first collection of poetry and prose. Written for those who have ever wondered what a heart looks like outside of the human body. This book is a breath. it's that plunge into fear as your heart stops as if perhaps it won't remember how to catch the next beat (but always does). and it's wincing. biting the pillow. laughing even though you can hear your ribs cracking. this book is walking through a Weeping Willow with your fingers outstretched. lips brushed against a forehead. sticking your head out the window just to feel the day in your hair. tears drying against the soft skin beneath your chin. this book is how I save myself.

    Both conceptual and haunted, these poems explore the asymmetry of the body's chemistry and its effects on expression and form. The poems in Threshold Songs tune us to the microtonal music of speaking and being spoken.

    My feet, shaking, manage to hug the thin edge of solid rock. I feel my heart creep to my throat and warm sweat drip down my back, defying the subzero Arctic air. Somehow I reach a plateau and think the worst is behind me. I couldn't be more wrong.This is the story of Dave Metz's death-defying, breathtaking, and passionate journey through the Arctic outback. Driven by his lifetime reverence for the outdoors, Dave, with the help of his two beloved Airedale terrier dogs, embarks on a three-month epic of survival and astonishing determination that rivals the most daring world-class explorations.I find myself on a gigantic trench hemmed in on both sides by peaks that look like ice-daggers from another world. The idea that I'm at the mercy of the wild sinks in. . .and I desperately want out of this endless, icebound maze.Skiing up frozen rivers, enduring bitter nights at twenty below zero, and staggering across vast reaches of barren tundra and scrub woodlands, Metz's unprecedented 600-mile trek took him to the remotest regions of the untamed North. In frightening and stunning detail, he shows us an unwavering spirit and a compelling sense of adventure that can only be satisfied when truly free...

    In this comprehensive and scholarly study Keith Hitchins traces these complex processes and explores how Rumania's leaders attempted to transform the ideology of modern nationhood into strong political, economic, and social institutions and to find ways of preserving independence in an international political and economic order dominated by the great powers.As the new Rumania took shape, the threads of historical continuity remained strikingly evident: in government a strong administrative centralization prevailed, despite the maturing of parliamentary institutions and the diversity of political expression; the national economy remained beholden to agriculture, despite the steady growth of industry; and in cultural life traditional values persisted, despite the adoption of modern forms. In foreign relations the most pressing aim was to untie all Rumanians in a single state and to defend its sovereignty within an uncertain international order. In all of these endeavours, the measure of achievement was the West. After the Second World War, when the Communist Party came to power, this historical continuity was broken. The earlier experiment in nation-building gave way to a new ideology, and Rumania now turned to the Soviet political and economic model.