Each new addition to the household brings a new demand for a special meal. What’s a mother to do? “[A] highly comic rhyming romp that surprisingly (and nicely) twists into a birthday story.” —School Library Journal

    But trouble lies ahead as, one by one, they fall off and hurt themselves.

    Little mouse goes for a walk in a dangerous forest. To scare off his enemies he invents tales of a fantastical creature called the Gruffalo. So imagine his surprise when he meets the real Gruffalo.

    But you'd be wrong. A pig parade is a terrible idea. Pigs hate to march, refuse to wear the uniforms, don't care about floats, and insist on playing country music ballads. Those are just some of the reasons. And trust me, this hysterical book has plenty more!

    When he's done, he put his books on the shelves. But when the children read the stories, they all wanted to meet the author... Will the library mouse finally share his secrets with his fans?

    This is the perfect gift to share with children before they see The Nutcracker. Everyone who has seen the ballet will cherish it--as will anyone who enjoys stories where love triumphs. Come, take a front-row seat. The world's most beloved holiday fairy tale is about to begin.

    Retold by Barbara Karlin, Cinderella will be a favorite of all children. "Retold and illustrated with wit and humor, this is an excellent version of the favorite fairy tale."--School Library Journal (starred review) "This collaboration is whimsical and fresh and full of undeniable child appeal."--The Horn Book "Saccharine-free and filled with a robust, earthy humor, this rendition has a studied nonchalance laced with wit. . . . [It] will take its rightful place on the fairy-tale shelves, but won't sit there for long!"--Booklist (starred review)

    She is going to make the most MAGNIFICENT thing! She knows just how it will look. She knows just how it will work. All she has to do is make it, and she makes things all the time. Easy-peasy!? But making her magnificent thing is anything but easy, and the girl tries and fails, repeatedly. Eventually, the girl gets really, really mad. She is so mad, in fact, that she quits. But after her dog convinces her to take a walk, she comes back to her project with renewed enthusiasm and manages to get it just right.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    It is a story told, and retold, by dueling author-illustrators. Melanie Watt starts out with the story of a mouse in a house. Then Melanie's cat, Chester, sends the mouse packing and proceeds to cover the pages with rewrites from his red marker, and the gloves are off. Melanie and her mouse won't take Chester's antics lying down. And Chester is obviously a creative powerhouse with confidence to spare. Where will this war of the picture-book makers lead? Is it a one-way ticket to Chesterville, or will Melanie get her mouse production off the ground?

    "Executed with chromatic splendor--a unique combination of brilliance and restraint".--The Horn Book. Full-color illustrations.

    It had fountains of cool, refreshing water to quench the thirst of the desert, and storytellers to bring the people together. But as the kingdom grew, the people forgot the dangers of the desert, and they forgot about the storytellers, too. All but one young boy, who came to the Great Square for a drink and found something that quenched his thirst even better: wonderful stories. As he listened to the last storyteller recount the Endless Drought, and the Glorious Blue Water Bird, he discovered the power of a tale well told. Acclaimed illustrator Evan Turk has created a stunning multidimensional story within a story that will captivate the imagination and inspire a new generation of young storytellers.

    If you give him a muffin, he'll want some jam to go with it. When he's eaten all your muffins, he'll want to go to the store to get some more muffin mix. In this hilarious sequel to If You Give a Mouse a Cookie, the young host is again run ragged by a surprise guest. Young readers will delight in the comic complications that follow when a little boy entertains a gregarious moose. Children's Choices for 1992 (IRA/CBC)

    Sure to make toddlers smile while they absorb an implied lesson."--Publishers Weekly.

    They search for the right place, looking through the windows, wondering "What if...?" while making surprising discoveries along the way.