Following in the tradition of her first book, Monsoon Diary: a memoir with recipes, award-winning author, Shoba Narayan explores themes of family, culture and identity. In vivid and heartfelt prose, Shoba Narayan describes the trajectory of her immigrant life from the salty plains of South India to the high rises of New York and Boston. From the exhilarating thrill of being a new immigrant to becoming an angst-ridden mother grappling with hyphenated identities, Narayan describes the life of an immigrant with humour and insight. She talks about why she yearned for America and became a citizen of the land she would ultimately leave. Return to India is about love and loss; about family and identity; and about the quest for a place called home. Return to India is about the costs of chasing the American dream and the complications of returning to your homeland. Rich in detail and empathetic in tone, this book will resonate with immigrants and diaspora from all cultures.

    This book tells gripping stories of death-defying operations and daring surgical strikes, the intense training soldiers have to undergo to become battle-fit, what life is really like on the LoC and the lives of the young men who made the ultimate sacrifice for their country. Page-turning, thrilling and heart-breaking, you will see the Indian Army and our soldiers close up, like you have never seen them before.

    After all, you'll never see a victorious politician tell his supporters, "I want to thank all of you who worked so hard for my election. However, in the interest of good government, I've decided to give all the jobs to those people who voted against me." My name is Buddy Cianci. I spent almost three decades as mayor of Providence...before leaving for an enforced vacation in a federally funded gated community. When I first took office, Providence was a dying industrial city, and I helped turn it into one of the most desirable places to live in America. I did it by playing the game of hardball politics as well as it has ever been played. My favorite Frank Sinatra lyric is "I did it my way," because that's the only way a mayor can run a city. As I used to tell my staff, "When you spend your weekends kissing elderly women with mustaches, you can make the decisions." If you want to know the truth about how politics is played, you picked the right book. This is the behind-the-locked-door story of how politics in America really works. It's take me a lifetime of successes and failures to write it. It's all in these pages. I have been called many things in my career: I've been "America's Most Innovative Mayor," a "colorful character," and a convicted felon. But no one has ever called me shy.

    The young and dashing Sultan Kowaishi has just returned from London to Bombay after passing his barrister exam. Among the first persons he meets is Mohammed Ali Jinnah, already an advocate of note, and is quickly drawn to him. It is also the time when Jinnah decides to join the Indian National Congress, soon to become its brightest star. The stir against the British rule holds no interest for Sultan but it attracts his wife Rehana, and, inexorably, weaves its way into their lives.In this brilliant saga of love and betrayal, pain and redemption, set amidst the long struggle for freedom and its terrible twin, the call for Pakistan, we confront questions that are as relevant today as they were a hundred years ago. Questions of identity, of purpose, of the shackles of a thousand memories . . .

    Bombay Stories is a collection of Manto’s work from his years in the city. Freshly arrived in 1930s Mumbai, Manto saw a city like no other—an exhilarating hub of license and liberty, and a city bursting with both creative energy and helpless despondency. It was to be Manto’s favourite city, and he was among the first to write the Bombay characters we are now familiar with from countless stories and films—prostitutes, pimps, lowlifes, writers, intellectuals, aspiring film actors, thugs, conmen and crooks. His hard-edged, moving stories remain, a hundred years after his birth, startling and provocative--in searching out those forgotten by humanity, Manto wrote about what it means to be human. Matt Reeck and Aftab Ahmad’s translations reach into the streets and capture in contemporary, idiomatic English the feeling that Urdu’s most celebrated short-story writer’s work stories provide in the original.

    It does not take a break. If at all there is any change then it is in the form of high tide or overflowing. It is always on the side of worsening. Whenever there are more mouths to feed, a lot of people around this struggle reaches to peak. Whenever sharing land and food becomes inevitable, resistance is unavoidable. Confrontation is at its worst when someone tries to intrude our caste and our system and then tries to break through the impregnable walls of society. Those who are really able to speak, often blurt out their anger and antagonism through words. Those who are not able to speak out, reflect their love and hatred through actions, body language and so on. Once struggle starts, it takes a hideous form. Words appear to be deficient. Weapons take place of words then. Whenever there is a shortage of weapons, then often tusks and nails are used in place. Struggle envelopes everything.

    Baffled by her disappearance and consumed with grief, Prakash, her husband, loses his eyesight. For Prakash, the inexplicable loss of his wife is doubly painful because she was pregnant with their child. And no amount of consolation can bring him solace in the years that ensue.Into this void steps Rajani, a woman with a tormented past. Despite her initial disdain of Prakash, she steadily finds herself drawn to him. And although an intense desire brings them together, Prakash is unable to give Rajani the love she craves just as he is powerless to dispel the luminous memory of Deepti. But where will this grave obsession lead?The Unseeing Idol of Light is a haunting tale that explores love and loss, blindness and sight, obsession and suffering-and the poignant interconnections between them.

    On a rare night of rain, a daughter, Adhira, is born to a family of Hindu temple dancers. Fearing a bleak future, her father—against his wife and sons’ protests—puts his faith in tradition and in his last child for each to save the other: he insists Adhira “marry” the temple deity and give herself to a wealthy patron. But after one terrible evening, she makes a bold choice that carries her family’s story and their dance to a startling new beginning. Told from the perspective of this exquisite dancer and filled with the sounds, sights and flavors of the Indian desert, Faint Promise of Rain is the story of a family and a girl caught between art, duty, and fear in a changing world.

    While her friends were practicing their pli�s, having slumber parties, and spending their summers at camp, Rupinder was cleaning, babysitting her siblings, and watching hours on end of American television. But at age 30, Rupinder realized how much she regretted her lack of childhood adventure.Stepping away from an orderly life of tradition, Rupinder set put to finally experience the things she missed out on. From learning to swim and taking dance lessons, to going to Disney World, her growing to-do list soon became the ultimate trip down non-memory lane. What began as a desire to experience all that had been denied to her leads to a discovery of what it means to be happy, and the important lessons that are learned when we are at play. Reminiscent of Mindy Kaling, this is a warm funny memoir of the daughter of Indian immigrants learning to break free and find her own path.

    This book puts together the information that shows:• How and why Max Muller started the theory,• The damage it has done,• Objections to it and lack of evidence for it,• The misleading dates for it,• The Sarasvati River described in the Rig Veda and geographical proof of its existence,• The date of its demise,• The false argument of no horse in Harappa,• The Urban or rural argument,• Deciphering the Indus seals,• How genetics show an east to west movement rather than a migration into India, and more.All of this proves there never was any Aryan Invasion, and that the advanced Vedic Aryan civilization was indigenous to India. (Taken from a chapter in “Advancements of Ancient India’s Vedic Culture”)

    Set in the sweltering streets of Toturpuram, a small city on the Bay of Bengal, The Hero's Walk, which won the 2001 Commonwealth Writers Prize for best book in Canada and the Caribbean, explores the troubled life of Sripathi Rao, an unremarkable, middle-aged family man and advertising copywriter. As The Hero's Walk opens, Sripathi's life is already in a state of thorough disrepair. His mother, a domineering, half-senile octogenarian, sits like a tyrant at the top of his household, frightening off his sister's suitors, chastising him for not having become a doctor, and brandishing her hypochondria and paranoia with sinister abandon. It is Sripathi's children, however, who pose the biggest problems: Arun, his son, is becoming dangerously involved in political activism, and Maya, his daughter, broke off her arranged engagement to a local man in order to wed a white Canadian. Sripathi's troubles come to a head when Maya and her husband are killed in an automobile accident, leaving their 7- year-old daughter, Nandana, without Canadian kin. Sripathi travels to Canada and brings his granddaughter home, while his family is shaken by a series of calamities that may, eventually, bring peace to their lives. --Jack Illingworth

    At fourteen she is pressed into the service of the temperamental sage Durvasa who grants her a boon. Its first use, however, only brings her adversity and a shameful secret. With marriage to Pandu, Kunti dreams of a better future, but a curse makes him leave the throne of Hastinapur to his sibling, the blind Dhritarashtra, and retreat to the forest. The births of the five Pandavas rekindle Kunti’s hopes of returning to Hastinapur, but these are destroyed once again when Pandu dies suddenly. Kunti journeys to the kingdom, no longer its queen but a widow, a dependant as are her sons. She must now take up the task of guiding them through the long struggle to get their inheritance, a struggle made harder by the discovery that the illegitimate child she had abandoned long ago is alive and a sworn enemy of the Pandavas. Recasting the Mahabharata from the viewpoint of Kunti, The Kaunteyas replaces the idealized mother figure with a fully three-dimensional woman, providing new insights into the epic.

    A best seller book now available on Amazon Kindle.

    This is how she is commonly perceived. One whose nose was sliced off by an angry Lakshman and the one who started a war but was she really just perpetrator of war? Or was she a victim? Was she Lanka’s princess? Or was she the reason for its destruction? Surpanakha, meaning the woman as hard as nails was born as Meenakshi—the one with beautiful, fish-shaped eyes. Growing up in the shadows of her brothers, who were destined to win wars, fame and prestige, she, instead, charts up a path filled with misery and revenge.Accused of manipulating events between Ram and Ravan, which culminated in a bloody war and annihilation of her family, Surpanakha is often the most misunderstood character in the Ramayana. Kavita Kané 's Lanka’s Princess tells the story from the vantage of this woman more hated than hateful…

    Ali's target is none other than General Zia ul-Haq, dictator of Pakistan. Enlisting a rag-tag group of conspirators, including his cologne-bathed roommate, a hash-smoking American lieutenant, and a mango-besotted crow, Ali sets his elaborate plan in motion. There's only one problem: the line of would-be Zia assassins is longer than he could have possibly known.