Stunned by a shocking display of black magic, Doyle witnesses a murder, nearly falling victim himself before being rescued by a secretive stranger: Jack Sparks, a man who claims to be special agent to Queen Victoria. He tells Doyle that he has been targeted by a diabolical coven of Satanists - the Dark Brotherhood.As they track their attackers across the length and breadth of Britain, assailed by forces of darkness both human and supernatural, Conan Doyle and Sparks unmask a terrifying conspiracy that threatens not only the Crown but the very fabric of modern civilization. Their only clue: a list of seven names, the leaders of the Brotherhood.Skeptical by nature and profession, Doyle labors to prove that the events he has witnessed - horrifying visions, zombies, ghouls, molecular alteration - are elaborate ruses with logical explanations. But if so, why? Simply because Doyle’s anti-occultist writings, never even published, have inadvertently exposed the Brotherhood’s intentions? Who is the elusive, seemingly superhuman mastermind behind the Seven? Most important, as Doyle continues to put his life in the hands of Jack Sparks, the question persists: Can Sparks be trusted?

    Pendle Hill, Lancashire.A mysterious gathering of thirteen people is interrupted by local magistrate, Roger Nowell. Is this a witches' Sabbat?Two notorious Lancashire witches are already in Lancaster Castle waiting trial. Why is the beautiful and wealthy Alice Nutter defending them? And why is she among the group of thirteen on Pendle Hill?Elsewhere, a starved, abused child lurks. And a Jesuit priest and former Gunpowder plotter, recently returned from France, is widely rumoured to be heading for Lancashire. But who will offer him sanctuary? And how quickly can he be caught?This is the reign of James I, a Protestant King with an obsession: to rid his realm of twin evils, witchcraft and Catholicism, at any price...

    More than a tale of possession, the novel probes disturbing depths of guilt, paranoia, and sexual obsession with an unsparing detachment.

    From shopkeepers to kings, everyone wants the help of Sherlock Holmes, but can he solve these mysteries?

    Their life is, to say the least, unconventional. Frank's mother abandoned them years ago: his elder brother Eric is confined to a psychiatric hospital; and his father measures out his eccentricities on an imperial scale. Frank has turned to strange acts of violence to vent his frustrations. In the bizarre daily rituals there is some solace. But when news comes of Eric's escape from the hospital Frank has to prepare the ground for his brother's inevitable return - an event that explodes the mysteries of the past and changes Frank utterly.The Wasp Factory is a work of horrifying compulsion: horrifying, because it enters a mind whose realities are not our own, whose values of life and death are alien to our society; compulsive, because the humour and compassion of that mind reach out to us all. A novel of extraordinary originality, imagination and comic ferocity.

    His influence on some of the greatest minds of the last century—from Baudelaire and Swinburne to Nietzsche, Dostoyevsky and Kafka—is indisputable. This volume contains Philosophy in the Bedroom, a major novel that presents the clearest summation of his political philosophy; Eugénie de Franval, a novella widely considered to be a masterpiece of eighteenth-century French literature; and the only authentic and complete American edition of his most famous work, Justine. This literary portrait of Sade is completed by one of his earliest philosophical efforts, Dialogue between a Priest and a Dying Man, a selection of his letters, a fifty-page chronology of his life, two important essays on Sade, and a bibliography of his work.

    Among the castle's abandoned chambers, Matilda will discover the horrifying mystery of the missing Countess of Wolfenbach. But when her uncle tracks her down, can she escape his despicable intentions?One of the seven "horrid novels" named in Jane Austen's "Northanger Abbey," "The Castle of Wolfenbach" is perhaps the most important of the early Gothic novels, predating both "The Mysteries of Udolpho" and "The Monk."This edition reprints the complete text of the 1793 edition and includes a new introduction and notes by Diane Long Hoeveler, one of the foremost modern scholars of Gothic literature and feminism.

    I was young, and had not the clarity of judgment that Rothenstein already had. Soames was quite five or six years older than either of us. Also--he had written a book. It was wonderful to have written a book.

    But once he's met the enigmatic Simone, Harry is intrigued. Just what did happen to Simone's twin sister who disappeared without trace several years before? And what is the Anderson sisters' connection to another set of twin girls, Viola and Sorrel Quinton, born in London on 1st January 1900? All Harry's lines of enquiry seem to lead to the small Shropshire village of Weston Fferna and the imposing ruin of Mortmain House, standing grim and forbidding on the Welsh borders. As Harry delves into the violent and terrible history of Mortmain, in an attempt to uncover what happened to Simone and Sonia and, a century before them, to Viola and Sorrel Quinton, he finds himself drawn into a number of interlocking mysteries, each one more puzzling -- and sinister -- than the last.

    Prison visitor and prisoner. Powerful and powerless. Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder.When Dorothea's charitable work leads her to Oakgate Prison, she is delighted with the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets teenage seamstress Ruth, she is faced with another theory: that it is possible to kill with a needle and thread. For Ruth attributes her crimes to a supernatural power inherent in her stitches.The story Ruth has to tell of her deadly creations – of bitterness and betrayal, of death and dresses – will shake Dorothea's belief in rationality and the power of redemption.Can Ruth be trusted? Is she mad, or a murderer?

    We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." Having proved himself peerless in the arena of reinterpreting superheroes, Alan Moore turned his ever-incisive eye to the squalid, enigmatic world of Jack the Ripper and the Whitechapel murders of 1888. Weighing in at 576 pages, From Hell is certainly the most epic of Moore's works and remarkably and is possibly his finest effort yet in a career punctuated by such glorious highlights as Watchmen and V for Vendetta. Going beyond the myriad existing theories, which range from the sublime to the ridiculous, Moore presents an ingenious take on the slaughter. His Ripper's brutal activities are the epicentre of a conspiracy involving the very heart of the British Establishment, including the Freemasons and The Royal Family. A popular claim, which is transformed through Moore's exquisite and thoroughly gripping vision, of the Ripper crimes being the womb from which the 20th century, so enmeshed in the celebrity culture of violence, received its shocking, visceral birth. Bolstered by meticulous research that encompasses a wide spectrum of Ripper studies and myths and coupled with his ability to evoke sympathies in such monstrous characters, Moore has created perhaps the finest examination of the Ripper legacy, observing far beyond society's obsessive need to expose Evil's visage. Ultimately, as Moore observes, Jack's identity and his actions are inconsequential to the manner in which society embraced the Fear: "It's about us. It's about our minds and how they dance. Jack mirrors our hysterias. Faceless, he is the receptacle for each new social panic." Eddie Campbell's stunning black and white artwork, replete with a scratchy, dirty sheen, is perfectly matched to the often-unshakeable intensity of Moore's writing. Between them, each murder is rendered in horrifying detail, providing the book's most unnerving scenes, made more so in uncomfortable, yet lyrical moments as when the villain embraces an eviscerated corpse, craving understanding; pleading that they "are wed in legend, inextricable within eternity". Though technically a comic, the term hardly begins to describe From Hell's inimitable grandeur and finesse, as it takes the medium to fresh heights of ingenuity and craftsmanship. Moore and Campbell's autopsy on the emaciated corpse of the Ripper myth has divulged a deeply disturbing yet undeniably captivating masterpiece. —Danny Graydon

    And she generally doesn't mind. But this time she is not about to let things alone. Yes, her brother Henry may be a famous author, and her other brother William a rising star in the new field of psychology. But when they all find themselves quite unusually involved in the chase for a most vile new murderer-one who goes by the chilling name of Jack the Ripper-Alice is certain of two things:No one could be more suited to gather evidence about the nature of the killer than her brothers. But if anyone is going to correctly examine the evidence and solve the case, it will have to be up to her.

    He maintains his innocence over the decades he spends at Shawshank during which time he forms a friendship with "Red", a fellow inmate.Source: stephenking.com

    Almost all the stories are specially written for the collection and the cases are presented in the order in which Holmes solved them. The result is a life of Sherlock Holmes, with a continuous narrative alongside the stories which identities the gaps in the canon and places the new and hitherto unrecorded cases in their correct sequence - plus there is an invaluable, complete Holmes chronology.(back cover)

    Max Goff means to change all that. Goff has made millions in the record business, but his heart is in New Age philosophy. He has learned that Crybbe was once a spiritual center of sorts, surrounded by ancient standing stones that were emblems of power. He means to replace the stones that have fallen - or been destroyed, as many of them were - and establish a thriving New Age community that will draw tourists and students from all over the world. What Max Goff doesn't know is that the standing stones of Crybbe were destroyed in the sixteenth century for a very good reason. Some of the endearing customs of the town - such as tolling the church bell for curfew each night - are actually deadly serious rituals. The people of Crybbe know that evil has been kept at bay here by the old ways, and that there's nothing quaint about them. And the power about to be unleashed by Max Goff is nothing like the soothing music and herbal remedies he associates with the New Age. This is the power of the old age, pent up for centuries and about to be released with deadly fury!