Blow-out sales and shady deals are his life. When a stockroom boy hooked on speed metal and the fast life disappears, Nick has to help find him.

    The Dutch uncle in the book is an actual Dutchman whose cocaine and untimely demise set a small swarm of crooks and cops in motion. Harry Healy is the sort-of hero, a likable, small-time criminal, just out of jail, who has a hard time making good decisions. But he's just one player in a memorably quirky cast that includes a dim ex-jock snorting his way through his inheritance; a ditzy babe whose constant nakedness is annoying everyone; a short, chunky detective who struggles with his sensitivity training; and the braces-wearing Latina colleague he might just be made for. Pavia, coauthor of The Other Hollywood, an "oral history" of the porn industry, redraws the hard-boiled boundaries of the Hard Case Crime line a bit to include this offbeat diversion in the style of Leonard, Carl Hiaasen, and Charles Willeford's Hoke Moseley books

    Near-future Oakland is a brave new world where evolved animals are members of society, the police monitor citizens by their karma levels, and mind-numbing drugs such as Forgettol and Acceptol are all the rage.Metcalf has been shadowing Celeste, the wife of an affluent doctor. Perhaps he's falling a little in love with her at the same time. When the doctor turns up dead, our amiable investigator finds himself caught in a crossfire between the boys from the Inquisitor's Office and gangsters who operate out of the back room of a bar called the Fickle Muse.Mixing elements of sci-fi, noir, and mystery, this clever first novel from the author of Motherless Brooklyn is a wry, funny, and satiric look at all that the future may hold.

    Until the day a shadowy rival known only as The Trader has her abducted and scarred for life as a warning to stay out of his way.Now Cay’s on her way to Mazatlan, where one of The Trader’s men has been spotted. There’s a big deal going down – but she’s not there to make a score. Just to settle one.

    When examined, each weapon leads to a different, previously unsolved murder. Someone has been killing people for twenty years or more and storing the weapons together for some inexplicable purpose. Confronted with the sudden emergence of hundreds of unsolved homicides, Tallow soon discovers that he's walked into a veritable deal with the devil. An unholy bargain that has made possible the rise of some of Manhattan's most prominent captains of industry. A hunter who performs his deadly acts as a sacrifice to the old gods of Manhattan, who may, quite simply, be the most prolific murderer in New York City's history.

    So we're reissuing the first of five Mitchell Tobin mysteries that went largely unnoticed when originally published by Westlake, under the pseudonym Tucker Coe in the 1960s. With a new introduction by Westlake detailing how Tucker Coe and Mitchell Tobin came to be, this novel is classic Westlake. Mitch Tobin is a cop who betrayed those people closest to him. Losing the only job he knew how to do, he's a loner. Then mobster Arnie Rembek offers Tobin a task tailor-made for his talents and keen cop mind -- find out who killed his girlfriend. The alliance between these two men creates a gripping tale.

    When three small-time country gangsters break jail, they return, like moths to a flame, to the only life they know - smalltown bank-robbing. And when Bowie, the youngest of them, falls in love with Keechie, one of the older gangster's cousins, it becomes a classic tale of love with nowhere to hide and no hope of reprieve.First published in 1937, 'Thieves Like Us' was powerfully adapted for the screen by Nicholas Ray in 1948 as 'They Live by Night' and once again under its original title by Robert Altman in 1973.

    Lost without his wife's love, Robicheaux's haunted soul mirrors the intensity and dusky mystery of New Orleans' French Quarter -- the place he calls home, and the place that nearly destroys him when he becomes involved in the case of a young prostitute whose body is found in a bayou. Thrust into the world of drug lords and arms smugglers, Robicheaux must face down a subterranean criminal world and come to terms with his own bruised heart in order to survive.

    Not a good sign for Andrew Kindler, who just came from back east to get away from his past–as an arsonist. In fact, almost from the moment he sets foot in his cousin’s Santa Monica beach house, the heat starts swirling around him. First there’s the cop who thinks Andrew might know something about a murder suspect. Then there’s the suspect’s beautiful sister, who is willing to pay Andrew $5,000 for the same information.But Andrew really uninformed. And with a sensational murder case burning a hole in the gut of the LAPD–as well as the star-studded L.A. fitness industry–ignorance is dangerous. Now Andrew must solve a murder he knows nothing about, find a killer he’s never met, and unravel a family’s explosive secret. His reward for success? To live another day: one step ahead of his burning past... “An exceptionally well-crafted and well-told tale of arson, police work, misplaced zeal, bad relationships, good relationships, family bonds and, oh yes, exercise videos. Quirky, compelling, intelligent, and funny ... If you like Elmore Leonard, do yourself a favor and pick up BURN.”–Lincoln Journal Star “A cult writer for the masses–hip, smart and so mordantly funny that the casual reader might be laughing too hard to realize just how thoughtful Doolittle’s work is. Get on the bandwagon now.”–Laura Lippman, author of By a Spider’s Thread “Sean Doolittle combines wit, good humor, and a generosity of spirit rare in mystery fiction to create novels that are both engrossing and strangely uplifting. He deserves to take his place among the best in the genre.”–John Connolly, author of The White Road“An estimable addition not only to the publisher’s list but also to crime fiction ... Doolittle delivers a briskly plotted, hard-boiled mystery that has its roots in the Elmore Leonard school of dark comedy.”–South Florida Sun-Sentinel·Gold medal winner for mystery in ForeWord Magazine’s Book of the Year Award·A Best Crime Fiction of 2003 pick from January Magazine

    Living in Nevada, bothered by nobody, he runs a little gas station, gets in a lot of fishing, and might even be falling for a local girl. Then, out of the blue, his past comes back to haunt him. Blackmailed into doing just one more job, he's forced to revisit the life he fled—in particular, the seductive Mumsie McGonigle. It's not long before Bailey realizes that a trap has been set for him. The novel, scripted by the author, went on in the hands of Jacques Tourneur to become the cinema's most celebrated work of "film noir," starring Robert Mitchum, Kirk Douglas, and Jane Greer.The Film Ink series presents the novels that inspired the work of some of the most celebrated directors of our time. While each novel is first and foremost a classic in its own right, these books offer the dedicated cinephile a richer understanding of the most illustrious films of American and European cinema.

    Published for the first time in the United States, this gritty novel tells the story of a bar bouncer who needs to pony up $10,000 to buy into a horse racing syndicate and will stop at nothing to get it--not robbery, not even murder.

    in the heyday of Henry Luce. One day, before heading home to his wife in the suburbs, Stroud has a drink with Pauline, the beautiful girlfriend of his boss, Earl Janoth. Things happen. The next day Stroud escorts Pauline home, leaving her off at the corner just as Janoth returns from a trip. The day after that, Pauline is found murdered in her apartment.Janoth knows there was one witness to his entry into Pauline’s apartment on the night of the murder; he knows that man must have been the man Pauline was with before he got back; but he doesn’t know who he was. Janoth badly wants to get his hands on that man, and he picks one of his most trusted employees to track him down: George Stroud, who else?How does a man escape from himself? No book has ever dramatized that question to more perfect effect than The Big Clock, a masterpiece of American noir.

    A tough Irishman with street smarts, he's part of a political machine that runs on favors and friendships. Flannery's particular piece of the patronage is the 27th Ward, and anything that happens there is his business. Even murder. So when an antiabortion demonstration ends with a bomb blast that kills a pretty young girl and an old woman, Flannery takes it personally. But someone's stonewalling the investigation, and Flannery's starting to wonder if the bombing was political, or as a cover-up for murder. Something smells rotten -- from the Gold Coast to the South Side. And when the killer goes after Flannery's lady love, Flannery doesn't just get mad -- he gets as mean as a junkyard dog -- on the scent of the dirty politics mixed with passion and revenge, a very deadly combination . . .

    This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this.CONTENTSErle Stanley Gardner: Come and Get ItFredric Brown: Cry SilencePeter Collison: Arson PlusFredrick Nebel: Doors in the DarkLester Dent: LuckDashiell Hammett: The Maltese FalconStewart Sterling: Ten Carats of LeadWyatt Blassingame: Murder Is Bad LuckTalmadge Powell: Her Dagger Before MeCharles G. Booth: One ShotRichard Sale: The Dancing RatsKatherine Brocklebank: BraceletsThomas Walsh: Diamonds Mean DeathRoul Whitfield: Murder in the RingWalter C. Brown: The Parrot That Wouldn’t TalkMerle Constiner: Let the Dead AloneCarrol John Daly: Knights of the Open PalmWilliam Cole: Waiting for RustyRamon Decolta: Rainbow DiamondsWilliam Rollins Jr.: The Ring on the Hand of DeathTheodore A. Tinsley: Body SnatcherD wight V. Babcock: Murder on the GaywayCleve F. Adams: The KeyWilliam Campbell Gault: The Bloody BokharaBrett Halliday: A Taste for CognacDay Keene: Sauce for the GanderW.T. Ballard: A Little DifferentCharles M. Green: The Shrieking SkeletonHank Searls: Drop Dead TwiceDale Clark: The Sound of the ShotFrederick C. Davis: Flaming AngelDon M. Mankiewicz: Odds on DeathNorvell Page: Those CatriniHugh B. Cave: Smoke in Your EyesRobert Reeves: Blood, Sweat and BiersWhitman Chambers: The Black BottleMilton K. Ozaki: The Corpse The Didn’t KickRaymond Chandler: Try the GirlNorbert Davis: Don’t You Cry for MeRay Cummings: T. McGuirk Steals A DiamondSteve Fisher: Wait For MeFrank Gruber: Ask Me AnotherHorcase McCoy: Dirty WorkJulius Long: Merely MurderJohn D. MacDonald: Murder in One SyllableH.H. Stinson: Three Apes from the EastD.L. Champion Death Stops PaymentRichard Connell: The Color of HonorBruno Fischer: Middleman for MurderRichard Deming: The Man Who Choose the DevilC.M. Kornbluth: Beer-Bottle PolkaCornell Wollrich: Borrowed Crime

    In the City of Angels, not everyone plays by the rules. When people need a problem fixed fast, and discreetly, they call Dick Henry. Henry is known as a “shortcut man,” someone who believes that the shortest answer to many problems may not always be legal. As he cuts through the red tape for his clients, who range from an elderly woman ripped off by shady contractors to a landlord with a tenant many months behind on the rent, Henry always gets the job done, no matter what the cost. In Shortcut Man, Henry spends his days hunting down slimy con men and his nights seducing Lynette, an intoxicating, long-legged vixen. But when Henry gets an assignment from porn producer Artie Benjamin, his life suddenly becomes much more complicated. Now Henry must complete the job, avoid being killed, and somehow figure out what to do with Lynette. Filled with dark comedy, whip-smart writing, and a memorable cast of characters, Shortcut Man evokes Chandler and Hammett—hard-boiled crime at its best—and is an exciting beginning to a crackling new series.