Edited by literary critic Isagani R. Cruz, this collection spans from 1925 to 1998. In this book readers will meet both famous and unfamiliar writers in both conventional and unexpected renditions of the genre. Although many of the stories are acknowledged masterpieces, the editor also chose stories on the basis of their ability to represent a particular author or decade. The stories of the 25 men and women writers represented here depict a vast gamut of human experience and emotions that, collectively, produce a stunning portrait of Philippine life and society. Dr. Cruz is a professor of literature at De Lasalle University, where he is also publisher of DLSU Press. He is himself a multi-awarded author and columnist, and the founding chair of the Manila Critics Circle. In a country where English has been the medium of instruction since the turn of the century, it is but fitting for the Philippines to share with the rest of the world its own vibrant treasury of short fiction. This richly satisfying collection represents the very best to emerge out of the Philippines in our century.

    Told in the voice of its protagonist, Noel Ilustre Bulaong, the narrative travels through familiar social and literary territory: the coconut groves of Bulaong's childhood, Manila's hovels, the Diliman Commune, "UG" safehouse, martial law prisons, and the homes and offices of the petty-bourgeoisie. It is a story of false horizons, of betrayal, compromise, and guilt, and not incidentally of the contemporary middle-class Filipino's migration from the village to the metropolis to the outside world.

    The little seed in the Styrofoam cup offers a reminder about our own mortality and the delicate nature of life . . . a spider who catches (and loses) a full-grown woman in its web one fine morning teaches us about surviving catastrophe . . . the love story of Jean-Francois Pilatre and his hot-air balloon reminds us to be brave and unafraid to “fly” . . . life lessons hidden in the laundry pile . . . magical qualities found in a box of crayons . . . hide-and-seek vs. sardines—and how these games relate to the nature of God. All I Really Need to Know I Learned in Kindergarten is brimming with the very stuff of life and the significance found in the smallest details.

    His brother, a slumlord, hires him to collect rent in the buildings he owns in Manhattan. Making his rounds from apartment to apartment, Moonbloom confronts a wildly varied assortment of brilliantly described urban characters, among them a gay jazz musician with a sideline as a gigolo, a Holocaust survivor, and a brilliant young black writer modeled on James Baldwin. Moonbloom hears their cries of outrage and abuse; he learns about their secret sorrows and desires. And as he grows familiar with their stories, he finds that he is drawn, in spite of his best judgment, into a desperate attempt to improve their lives.Edward Lewis Wallant's astonishing comic tour de force is a neglected masterpiece of 1960s America.

    This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.

    Nine and a Half Weeks is a true story so unusual, so passionate, and so extreme in its psychology and sexuality that it will take your breath away.Elizabeth McNeill was an executive for a large corporation when she began an affair with a man she met casually. Their sexual excitement depended on a pattern of domination and humiliation, and as their relationship progressed they played out ever more dangerous and elaborate variations on that pattern of sadomasochism. By the end, Elizabeth had relinquished all control over her body — and her mind.With a cool detachment that makes the experiences and sensations she describes all the more frightening in their intensity, Elizabeth McNeill deftly unfolds her story and invites you into the mesmerizing and dangerous world of Nine and a Half Weeks — a world you won't soon forget.

    . . there are many kinds of light.The light of fires. The light of stars.The light that reflects off rivers.Light that penetrates through cracks.Then there’s the type of light that reflects off the skin.—Nilo Cruz, Anna in the TropicsThis lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of Depression-era America. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new "lector" (who reads Tolstoy’s Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.Reviews: "The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all. In Anna in the Tropics, Cruz claims his place as a storyteller of intricate craftsmanship and poetic power."—Miami Herald“Deeply engrossing.” –Robert Hurwitt, San Francisco Chronicle“Earnestly poetic…Mr. Cruz has created a work as wistful and affectingly ambitious as its characters. Anna in the Tropics reaches for the artistic heavens -- specifically, that corner of eternity occupied by the plays of Anton Chekhov, where yearning is an existential condition.” –Ben Brantley, New York TimesNilo Cruz is a young Cuban-American playwright whose work has been produced widely around the United States, including the Public Theater (New York, NY), South Coast Repertory (Costa Mesa, CA), Magic Theatre (San Francisco, CA), Oregon Shakespeare Festival, McCarter Theater (Princeton, NJ) and New Theatre (Coral Gables, FL). His other plays include Night Train to Bolina, Two Sisters and a Piano, Hortensia and the Museum of Dreams, and Anna in the Tropics (Winner of 2003 Pulitzer Prize). Mr. Cruz teaches playwriting at Yale University and lives in New York City.

    This gift pack includes both titles, for a total listening time of approximately 6 hours.

    Watson, it is only now that, owing to his recent death, the full biography and facts of his life can be brought before the public. This volume brings together for the first time every known fact that can be fully authenticated about the life of one of the world's most extraordinary men, and reveals much more about him that has not been heretofore generally known. From twenty years' research into every possible source, the author has written as definitive an account as could ever be assembled. Sherlock Holmes was born on January 6th, 1854, the third and last son of Siger and Violet Holmes, of North Riding, Yorkshire. He traveled widely on the continent as a boy, where he learned six languages. Displaying most unusual talents at an early age, he attended an English boarding school, and in 1872 entered Oxford. He soon decided to train himself to become a consulting detective, and before long he was starting to take cases. Except for a period when he was an actor, he pursued his chosen career thereafter and of course became famous after Dr. Watson started to write about him. This book reveals far more than Watson ever could, including the whole story of his running battle with the infamous Professor Moriarty, his dangerous brush with Jack with Ripper, his long association and love for Irene Adler, the question of his own son, and the story of his retirement, the writing of his great book, and the circumstances of his death. In short, this book contains everything that can be told about Holmes. It is a marvelous reconstruction from very scattered sources, and the amazing but always scrupulously accurate story of a great man.Contents:1: Genteel gypsies: 1854-64 --2: Old Sherman, Winwood Reade, Maitre Bencin, and Professor Moriarty: 1864-72 --3: Oxford and Cambridge: 1872-77 --4: Montague Street: 1877-79 --5: On stage and off in England and America: 1879-81 --6: Early days on Baker Street: 1881-83 --7: First Mrs Watson: 1883-86 --8: Woman: November 1886-May 1887 --9: Orange Pips, red-headed men, and a blue carbuncle: May-December 1887 --10: Back to Baker Street: January 1888 --Interruption: Three stories from the London Times: August 10, September 1, September 10, 1888 --11: To meet Mr Mycroft Holmes: Wednesday, September 12, 1888 --12: Sign of the four: Tuesday, September 18-Friday, September 21, 1888 --13: Dr James Mortimer and Sir Henry Baskerville: Tuesday, September 25-Saturday, September 29, 1888 --Interruption: Two stories from the London Times: October 1 and 2, 1888 --14: Horror Hound: Sunday, September 30-Saturday, October 20, 1888 --15: Jack the Harlot Killer: Friday, November 9-Sunday, November 11, 1888 --16: Second Mrs Watson: 1819-90 --17: Final problem? Friday, April 24-Monday, May 4, 1891 --Entr'acte: Dr Watson, writer --18: Meeting in Montenegro: June 1891 --19: Venture into the unknown: 1891-93 --20: Return of Sherlock Holmes: Thursday, April 5, 1894 --21: Game's afoot again: 1894-95 --22: Crowded years: 1896-1902 --23: Third Mrs Watson: July 1902-October 1903 --24: Sussex Downs: 1909 --25: His last bow: Sunday, August 2, 1914 --Epilogue: Sherlock Holmes walks at sunset: Sunday, January 6, 1957 --Appendix 1: Chronological Holmes --Appendix 2: Bibliographical Holmes: a selective compilation.

    Baker practices astonishing verbal magic over and over again." - Clancy Martin, Paris Review"Strikingly intimate... Free of the stilted or formal locutions that clutter up some of the more antique-sounding translations... Ms. Baker has given the play a natural but distinctly contemporary American sound." - Charles Isherwood, New York Times"Devastatingly beautiful... People are going to be talking about this one for years." - Jacob Gallagher-Ross, Village Voice"More than a modern-dress treatment of a classic work, it's a fresh rethinking of the material from the perspective of a modern mind." - Marilyn Stasio, VarietyAnnie Baker, one of the most celebrated playwrights in the United States, lends her truthful observation and elegant command of the colloquial to Anton Chekhov's despairing masterpiece Uncle Vanya. A critical hit in its sold-out Off-Broadway premiere, Baker's telling is a refreshingly intimate and modern treatment of a Chekhovian classic.Annie Baker's plays include The Flick (The Susan Smith Blackburn Prize, Obie Award), The Aliens (Obie Award), Circle Mirror Transformation (Obie Award) and Body Awareness. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries internationally. Recent honors include a Guggenheim Fellowship, Steinberg Playwright Award and New York Drama Critics Circle Award. She is a resident playwright at the Signature Theatre.

    Moon picks up eleven years after the events described in Long Day’s Journey Into Night, asJim Tyrone (based on O’Neill’s older brother Jamie) grasps at a last chance at love under the full moonlight. This paperback edition features an insightful introduction by Stephen A. Black, helpful to anyone who desires a deeper understanding of O’Neill’s work.

    The devil will do all he asks on Earth and seeks to grant him a moment in life so glorious that he will wish it to last forever. But if Faust does bid the moment stay, he falls to Mephisto and must serve him after death. In this first part of Goethe’s great work, the embittered thinker and Mephistopheles enter into their agreement, and soon Faust is living a rejuvenated life and winning the love of the beautiful Gretchen. But in this compelling tragedy of arrogance, unfulfilled desire, and self-delusion, Faust heads inexorably toward an infernal destruction.The best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two.

    Kabuliwala2. The Parrot's Training3. The Rat's Feast4. Atonement5. The Nuisance6. Wish Fulfilment7. The Runaway8. Shiburam9. The Scientist10. The Invention of Shoes11. A 'Good' Man12. Return of the Little Master