Gaylan soon discovers that the entire kingdom is on the brink of civil war, and must enlist help to define "delicious" and save the country.

    But the wolf she met on the way to Granny's was so charming and urbane. What could be the harm of telling him that she was on her way to Granny's pretty yellow house on the other side of the woods? Who could be a better escort than the big-eyed, long armed, big-toothed wolf?

    As she walks the land, swims the seas, and climbs the mountains, nurturing all of creation, she comes across Man, Frog, and Mosquito. They each give her thanks for nature's bounty, yet can't help but give her advice about making their lives better. Everybody’s got an opinion, it seems, and Earth Mother is amused when it becomes clear that the circle of life is not without a healthy dose of cosmic humor. Leo and Diane Dillon lend their formidable talents to Ellen Jackson's original folktale about the unexpected and sometimes humorous ways that life is interconnected.

    Rump discovers he has a gift for spinning straw into gold. His best friend, Red Riding Hood, warns him that magic is dangerous, and she’s right. With each thread he spins, he weaves himself deeper into a curse. To break the spell, Rump must go on a perilous quest, fighting off pixies, trolls, poison apples, and a wickedly foolish queen. The odds are against him, but with courage and friendship—and a cheeky sense of humor—he just might triumph in the end.

    Soon the greedy wolf is running round trying to find all the ingredients - with hilarious results!

    Fifteen-year-old Corinna Stonewall — the only Folk Keeper in the city of Rhysbridge — sits hour after hour with the Folk in the dark, chilly cellar, "drawing off their anger as a lightning rod draws off lightning." The Folk are the fierce, wet-mouthed, cave-dwelling gremlins who sour milk, rot cabbage, and make farm animals sick. Still, they are no match for the steely, hard-hearted, vengeful orphan Corinna who prides herself in her job of feeding, distracting, and otherwise pacifying these furious, ravenous creatures. The Folk Keeper has power and independence, and that's the way she likes it.One day, Corinna is summoned by Lord Merton to come to the vast seaside estate Cliffsend as Folk Keeper and family member — for she is the once-abandoned child he has been looking for. It is at Cliffsend that Corinna learns where her unusual powers come from, why she is drawn to the sea, and finally, what it means to be comfortable in her own skin. Written in the form of a journal, The Folk Keeper is a powerful story of a proud, ferociously self-reliant girl who breaks out of her dark, cold, narrow world into one of joy, understanding, and even the magic of romance.

    Every time the fairies watching over her try to tell him, he interrupts with his ideas of how to wake her. Eventually he gets the message, and his reaction is priceless: ?One hundred years of morning breath Wow! That could be the kiss of "death"!? With just as much interactive fun as "Falling for Rapunzel" (an IRA Notable Book and the winner of Maryland's Black-Eyed Susan Picture Book Award), this fractured fairy tale will elicit laughter that no one will be able to sleep through.

    One day, he meets a girl named Luna who, rather than being afraid, is fascinated to meet Franklin, having recently read all about dragons in one of her books. They instantly become friends and talk nonstop about what they’ve read: books about roller-skating, King Arthur, spiders, and how to do kung fu. Together they hatch a plan to share their love of books with others by opening a bookshop―a flying bookshop, that is―right on Franklin’s back!Franklin, a well-read and peace-loving dragon, and Luna, a young girl with an independent spirit and an insatiable love of reading, make fantastic role models for young children. Franklin’s Flying Bookshop brings the magic of classic fairy tales into the twenty-first century through exquisite illustrations, and will enchant children as well as anyone who loves books.

    When the town-folk send for St. George to slay the dragon, the boy needs to come up with a clever plan to save his friend and convince the townsfolk to accept him. This story first appeared as a chapter in Grahame's Dream Days and was first published as a separate book by Holiday House in 1938 with illustrations by Ernest H. Shepard.

    But as far as Anna can see, ever since Elsa's coronation, her sister has been doing just fine without her. And now, Elsa will be setting sail for a grand tour of the world--leaving Anna behind. But a mysterious sickness strikes Arendelle, and Elsa's tour is delayed, giving Anna the perfect opportunity to finally help. When Anna discovers a secret room in the castle and incants a magic spell, she hopes it will make her dream of curing the sickness come true. Instead, a more sinister dream comes to life. An original middle grade novel bridging the epic adventure of Frozen with the upcoming Walt Disney Animation Studios film Frozen 2.

    The more than 175 tales culled from a centuries-old Russian storytelling tradition by the outstanding Russian ethnographer Aleksandr Afanas’ev reveal a rich, robust world of the imagination that will fascinate readers both young and old.With black-and-white drawings throughoutPart of the Pantheon Fairy Tale and Folklore Library

    Set in the exotic islands of the Philippines, this tale captures the mystical charm of the indigenous culture of the Filipinos. Colorful images of pre-colonial Philippine scenes, costumes, architecture, and folkways vividly enhance the enchanting narratives.This retelling of lasting value and universal appeal conveys the deep respect and reverence for nature and the earth inherent in the forever-loved story that will never grow old.

    First, it vanishes from Dhikilo’s parents’ conversation at breakfast, then from the road signs outside and from her school dinners. Soon the local dentist and the neighbor’s dalmatian are missing, and even the Donkey Derby has been called off.Though she doesn’t know why, Dhikilo is summoned to the home of her old history teacher Professor Dodderfield and his faithful Labrador, Nelly Robinson. And this is where our story begins.Set between England and the wintry land of Liminus, a world enslaved by the monstrous Gamp and populated by fearsome, enchanting creatures, D (A Tale of Two Worlds) is told with simple beauty and warmth. Its celebration of moral courage and freethinking is a powerful reminder of our human capacity for strength, hope and justice.

    But on the journey back to England he faces pirates and a terrible storm, before making the longed-for trip back up the river Thames. Finally reunited with his family in Norfolk, Sam realizes how much life at sea has become part of him. So when he hears that Napoleon plans to attack England, he is tempted to join the navy once more, and finds himself midshipman on none other than the Victory, preparing for one of the most epic battles in history: Trafalgar.

    The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.