Created in association with Bob Dylan, the scrapbook is crammed with features including rare photographs, facsimiles of handwritten lyrics and rare memorabilia. The text includes interviews with Dylan and his friends and fellow musicians to form a uniquely personal view of the greatest singer songwriter of his generation. A special bonus audio CD contains sixty minutes of early interviews and a rare performance. "The Bob Dylan Scrapbook" is an altogether handsome slipcased hardback with over 100 photographs and illustrations, and is guaranteed to delight every Dylan fan.top Editorial Reviews - Amazon "The Bob Dylan Scrapbook" is the highly collectable illustrated biography of Dylan's life during the 1950s and 60s. Created in association with Bob Dylan, the Scrapbook is crammed with features including rare photographs, facsimiles of handwritten lyrics and rare memorabilia. The text includes interviews with Dylan and his friends and fellow musicians to form a uniquely personal view of the greatest singer songwriter of his generation. A special bonus audio CD contains sixty minutes of early interviews and a rare performance. In the bestselling tradition of "Lennon Legend" and "Elvis Treasures", "The Bob Dylan Scrapbook" is an altogether handsome slipcased hardback with over 100 photographs and illustrations,and is guaranteed to delight every Dylan fan.Created as a companion piece to Martin Scorsese's PBS documentary No Direction Home: Bob Dylan, The Bob Dylan Scrapbook, 1956-1966 is a visual and educational treat for old and new Dylanphiles alike. Written by Robert Santelli, the director of Seattle's Experience Music Project and curator of the museum's Bob Dylan's American Journey exhibit, the book is very well researched and presented in a scrapbook format filled with removable reproductions, including handwritten lyrics of "Gates of Eden," "Blowin' in th

    From the seed first planted by slave dances held in Congo Square and nurtured by early ensembles led by Buddy Belden and Joe King Oliver, jazz began its long winding odyssey across America and around the world, giving flower to a thousand different forms--swing, bebop, cool jazz, jazz-rock fusion--and a thousand great musicians. Now, in The History of Jazz, Ted Gioia tells the story of this music as it has never been told before, in a book that brilliantly portrays the legendary jazz players, the breakthrough styles, and the world in which it evolved. Here are the giants of jazz and the great moments of jazz history--Jelly Roll Morton (the world's greatest hot tune writer), Louis Armstrong (whose O-keh recordings of the mid-1920s still stand as the most significant body of work that jazz has produced), Duke Ellington at the Cotton Club, cool jazz greats such as Gerry Mulligan, Stan Getz, and Lester Young, Charlie Parker's surgical precision of attack, Miles Davis's 1955 performance at the Newport Jazz Festival, Ornette Coleman's experiments with atonality, Pat Metheny's visionary extension of jazz-rock fusion, the contemporary sounds of Wynton Marsalis, and the post-modernists of the Knitting Factory. Gioia provides the reader with lively portraits of these and many other great musicians, intertwined with vibrant commentary on the music they created. Gioia also evokes the many worlds of jazz, taking the reader to the swamp lands of the Mississippi Delta, the bawdy houses of New Orleans, the rent parties of Harlem, the speakeasies of Chicago during the Jazz Age, the after hours spots of corrupt Kansas city, the Cotton Club, the Savoy, and the other locales where the history of jazz was made. And as he traces the spread of this protean form, Gioia provides much insight into the social context in which the music was born. He shows for instance how the development of technology helped promote the growth of jazz--how ragtime blossomed hand-in-hand with the spread of parlor and player pianos, and how jazz rode the growing popularity of the record industry in the 1920s. We also discover how bebop grew out of the racial unrest of the 1940s and '50s, when black players, no longer content with being entertainers, wanted to be recognized as practitioners of a serious musical form. Jazz is a chameleon art, delighting us with the ease and rapidity with which it changes colors. Now, in Ted Gioia's The History of Jazz, we have at last a book that captures all these colors on one glorious palate. Knowledgeable, vibrant, and comprehensive, it is among the small group of books that can truly be called classics of jazz literature.

    Since all the books that preceded it have focused on the musicians, promoters, and staff, this book will be the first one that chronicles the audience’s experience in an up close and personal way. This book documents the event itself, but also provides a mesmerizing portrait of America as that tumultuous decade came to a close. It is nostalgic, historical, and a fascinating read that will appeal to all Baby Boomers, their offspring, and anyone who wonders what it was really like—and what became of all those “hippies.”

    Beatles.

    When twenty-five-year-old Bob Dylan wrecked his motorcycle near Woodstock in 1966 and dropped out of the public eye, he was already recognized as a genius, a youth idol with an acid wit and a barbwire throat; and Greenwich Village, where he first made his mark, was unquestionably the center of youth culture.In Positively 4th Street, David Hajdu recounts the emergence of folk music from cult practice to popular and enduring art form as the story of a colorful foursome: not only Dylan but also his part-time lover Joan Baez -- the first voice of the new generation; her sister Mimi -- beautiful, haunted, and an artist in her own right; and Mimi's husband, Richard Fariña, a comic novelist (Been Down So Long It Looks Like Up to Me) who invented the worldly-wise bohemian persona that Dylan adopted -- some say stole -- and made his own.A national bestseller in hardcover, acclaimed as "one of the best books about music in America" (Jonathan Yardley, The Washington Post), Positively 4th Street is that rare book with a new story to tell about the 1960s -- about how the decade and all that it is now associated with were created in a fit of collective inspiration, with an energy and creativity that David Hajdu has captured on the page as if for the first time.

     Known to millions as the trickster poster boy for folkrock utopia and the inspiration for Dennis Hopper's wild-eyed antihero in the film Easy Rider, David Crosby is every bit the quintessential American icon of the counterculture today that he was in the sixties and seventies. Legendary, controversial, beloved, he is never far from the headlines, as the upcoming (Summer 2006) 50-city reunion tour of Crosby, Stills, Nash & Young will demonstrate once again. Since Then is both a self-skewering look at the twists and turns of an impossibly rich life, and Crosby's confident declaration that it's far too soon for him to don the robe and slippers of Generational Elder. As a two-time inductee into the Rock and Roll Hall of Fame, he has an unparalleled legacy as a singer, songwriter, and musician-and few would object if he were to rest on his laurels. Yet despite Crosby's history of extravagant excess, he's never forgotten his great good fortune, and has never stopped using his enormous gifts in service of both his art and social causes to which he is committed. This memoir shows the contradictory aspects to a personality whose truth-to-power outspokenness, exuberance, and creativity have made him a great and inspirational artist, yet whose struggles with private demons have resulted in arrests, chronic health issues, and ruined friendships. It discusses frankly the people and events that have drastically altered his definition of "family": raising ten-year-old son Django, with lover/wife/partner, Jan; reuniting with his adult son, musician James Raymond, while Crosby waited in the hospital for a life-saving liver transplant; becoming sperm donor to Melissa Etheridge and Julie Cypher. Above all, it illuminates how, despite a staggering series of personal setbacks-including hepatitis C, liver failure, diabetes, heart attacks, and a crippling motorcycle accident-the music, and the people he loves, keep him young at heart.

    Telling the story of her family, growing up in California in the '60s and '70s, her life in visual art, her move to New York City, the men in her life, her marriage, her relationship with her daughter, her music, and her band, Girl in a Band is a rich and beautifully written memoir.Gordon takes us back to the lost New York of the 1980s and '90s that gave rise to Sonic Youth, and the Alternative revolution in popular music. The band helped build a vocabulary of music—paving the way for Nirvana, Hole, Smashing Pumpkins and many other acts. But at its core, Girl in a Band examines the route from girl to woman in uncharted territory, music, art career, what partnership means—and what happens when that identity dissolves.Evocative and edgy, filled with the sights and sounds of a changing world and a transformative life, Girl in a Band is the fascinating chronicle of a remarkable journey and an extraordinary artist.

    The theft and burning of his body marked the end of Gram Parsons’ life and the beginning of the Gram Parsons legend.As a singer and songwriter, Gram Parsons stood at the nexus of countless musical crossroads, and he sold his soul to the devil at every one. Parson hung out with glamorous women and the coolest friends. His intimates and collaborators on his journey included Keith Richards, William Burroughs, Marianne Faithfull, Peter Fonda, Roger McGuinn, Clarence White, and Emmylou Harris. Parsons had everything–looks, charisma, money, style, the best drugs, the most heartbreaking voice–and threw it all away with both hands. His ballad is one of gigantic talent colliding with epic self-destruction.Parsons led the Byrds to create the seminal country rock masterpiece Sweetheart of the Rodeo. He formed the Flying Burrito Brothers, helped to guide the Rolling Stones beyond the blues in their appreciation of American roots music, and found his musical soul mate in Emmylou Harris. Parsons’ solo albums, GP and Grievous Angel, are now recognized as visionary masterpieces of the transcendental jambalaya of rock, soul, country, gospel, and blues Parsons named “Cosmic American Music.” Four months before Grievous Angel was released, Parsons died of a drug and alcohol overdose at age twenty-six.In this beautifully written, raucous, meticulously researched biography, David N. Meyer gives Parsons’ mythic life its due. From Parsons’ privileged Southern Gothic upbringing to his early career in Greenwich Village’s folk music scene to his Sunset Strip glory days, Twenty Thousand Roads paints an unprecedented portrait of the man who linked country to rock. Parsons’ creative genius gave birth to a new sound that was rooted in the past but heralded the future.From interviews with hundreds of the famous and obscure who knew and worked closely with Parsons–many who have never spoken publicly about him before–Meyer conjures a dazzling panorama of the artist and his era. Shedding new light and dispelling old myths, Twenty Thousand Roads is a breakthrough in rock-and-roll biography and more–a chronicle of creativity, drugs, excess, culture, and music in the ferment of late-1960s America.Visit the official website: www.twentythousandroads.comFrom the Hardcover edition.

    Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation.Hamilton: The Revolution gives readers an unprecedented view of both revolutions, from the only two writers able to provide it. Miranda and Jeremy McCarter, a cultural critic and theater artist who was involved in the project from its earliest stages--"since before this was even a show," according to Miranda--trace its development from an improbable perfor­mance at the White House to its landmark opening night on Broadway six years later. In addition, Miranda has written more than 200 funny, revealing footnotes for his award-winning libretto, the full text of which is published here.Their account features photos by the renowned Frank Ockenfels and veteran Broadway photographer Joan Marcus; exclusive looks at notebooks and emails; interviews with Questlove, Stephen Sond­heim, leading political commentators, and more than 40 people involved with the production; and multiple appearances by Presi­dent Obama himself. The book does more than tell the surprising story of how a Broadway musical became a national phenomenon: It demonstrates that America has always been renewed by the brash upstarts and brilliant outsiders, the men and women who don't throw away their shot.

    Each image in Talking Pictures reveals a singular, frozen moment in a person’s life, be it joyful, quiet, or steeped in sorrow. Yet the book’s unique depth comes from the writing accompanying each photo: as with the caption revealing how one seemingly random snapshot of a dancing couple captured the first dance of their 40-year marriage, each successive inscription shines like a flashbulb illuminating a photograph’s particular context and lighting up our connection to the past.

    In Your Song Changed My Life, Jimmy Page (Led Zeppelin), St. Vincent, Jónsi (Sigur Rós), Justin Vernon (Bon Iver), Cat Power, David Byrne (Talking Heads), Dave Grohl (Nirvana, Foo Fighters), Jeff Tweedy (Wilco), Jenny Lewis, Carrie Brownstein (Portlandia, Sleater-Kinney), Yusuf Islam (Cat Stevens), Colin Meloy (The Decemberists), Trey Anastasio (Phish), Jackson Browne, Valerie June, Philip Glass, James Blake, and other artists reflect on pivotal moments that inspired their work.For Wilco’s Jeff Tweedy, it was discovering his sister’s 45 of The Byrds’ “Turn, Turn, Turn.” A young St. Vincent’s life changed the day a box of CDs literally fell off a delivery truck in front of her house. Cat Stevens was transformed when he heard John Lennon cover “Twist and Shout.” These are the momentous yet unmarked events that have shaped these and many other musical talents, and ultimately the sound of modern music.A diverse collection of personal experiences, both ordinary and extraordinary, Your Song Changed My Life illustrates the ways in which music is revived, restored, and revolutionized. It is also a testament to the power of music in our lives, and an inspiration for future artists and music lovers.Amazing contributors include: Jimmy Page (Led Zeppelin), Carrie Brownstein (Sleater-Kinney, Portlandia, Wild Flag), Smokey Robinson, David Byrne (Talking Heads), St. Vincent, Jeff Tweedy (Wilco), James Blake, Colin Meloy (The Decemberists), Trey Anastasio (Phish), Jenny Lewis (Rilo Kiley), Dave Grohl (Nirvana, Foo Fighters), Yusuf Islam (Cat Stevens), Sturgill Simpson, Justin Vernon (Bon Iver), Cat Power, Jackson Browne, Michael Stipe (R.E.M.), Philip Glass, Jónsi (Sigur Rós), Hozier, Regina Carter, Conor Oberst (Bright Eyes, and others), Courtney Barnett, Chris Thile (Nickel Creek, Punch Brothers), Leon Bridges, Sharon Van Etten, and many more.

    As a child, he rooted for conventionally good characters like wide-eyed Luke Skywalker in Star Wars. But as Klosterman aged, his alliances shifted—first to Han Solo and then to Darth Vader. Vader was a hero who consciously embraced evil; Vader wanted to be bad. But what, exactly, was that supposed to mean? When we classify someone as a bad person, what are we really saying (and why are we so obsessed with saying it)? In I Wear the Black Hat, Klosterman questions the very nature of how modern people understand the culture of villainy. What was so Machiavellian about Machiavelli? Why don’t we see Batman the same way we see Bernhard Goetz? Who’s more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still obsessed with some kid he knew for one week in 1985?Masterfully blending cultural analysis with self-interrogation and limitless imagination, I Wear the Black Hat delivers perceptive observations on the complexity of the anti-hero (seemingly the only kind of hero America still creates). I Wear the Black Hat is the rare example of serious criticism that’s instantly accessible and really, really funny. Klosterman is the only writer doing whatever it is he’s doing.

    Iggy Pop, Danny Fields, Dee Dee and Joey Ramone, Malcom McLaren, Jim Carroll, and scores of other famous and infamous punk figures lend their voices to this definitive account of that outrageous, explosive era. From its origins in the twilight years of Andy Warhol's New York reign to its last gasps as eighties corporate rock, the phenomenon known as punk is scrutinized, eulogized, and idealized by the people who were there and who made it happen.

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    ? Includes a CD featuring an hour of Kane?s rare interviews with the Beatles ? Features a foreword by Dick Clark