In augmenting this incomplete history, Margaret Creighton presents a new look at the decisive battle through the eyes of Gettysburg's women, immigrant soldiers, and African Americans.An academic with a superb flair for storytelling, Creighton draws on memoirs, letters, diaries, and newspapers to get to the hearts of her subjects. Mag Palm, a free black woman living with her family outside of town on Cemetery Ridge, was understandably threatened by the arrival of Lee's Confederate Army; slavers had tried to capture her three years before. Carl Schurz, a political exile who had fled Germany after the failed 1848 revolution, brought a deeply held fervor for abolitionism to the Union Army. Sadie Bushman, a nine-year-old cabinetmaker's daughter, was commandeered by a Union doctor to assist at a field hospital. In telling the stories of these and a dozen other participants, Margaret Creighton has written a stunningly fluid work of original history--a narrative that is sure to redefine the Civil War's most essential battle.

    Find out what stopped her in this vivid reimagining of Lincoln's assassinationIn 1864 Washington, one has to be careful with talk of secession. Better to speak only when in the company of the trustworthy, like Mrs. Surratt. A widow who runs a small boarding house, Mary Surratt isn't half as committed to the cause as her son, Johnny. If he's not escorting veiled spies, he's inviting home men like John Wilkes Booth, the actor who is even more charming in person than he is on the stage. But when President Lincoln is killed, the question of what Mary knew becomes more important than anything else.Based on the true history of Mary Surratt, Hanging Mary reveals the untold story of those on the other side of the assassin's gun.

    But her heart belongs to another. A terrible incident forces Abby to choose between love and duty.

    In this gripping and affecting novel, three young Confederates and an entire town come face-to-face with the prison’s atrocities and will learn the cost of compassion, when withheld and when given.Sentry Dance Pickett has watched, helpless, for months as conditions in the camp worsen by the day. He knows any mercy will be seen as treason. Southern belle Violet Stiles cannot believe the good folk of Americus would knowingly condone such barbarism, despite the losses they’ve suffered. When her goodwill campaign stirs up accusations of Union sympathies and endangers her family, however, she realizes she must tread carefully. Confederate corporal Emery Jones didn’t expect to find camaraderie with the Union prisoner he escorted to Andersonville. But the soldier’s wit and integrity strike a chord in Emery. How could this man be an enemy? Emery vows that their unlikely friendship will survive the war—little knowing what that promise will cost him.As these three young Rebels cross paths, Emery leads Dance and Violet to a daring act that could hang them for treason. Wrestling with God’s harsh truth, they must decide, once and for all, Who is my neighbor?

    Did he die in a Yankee prison? Was he buried in a shallow grave on a Virginia battlefield? Or has he turned his back on the specter of death and loss and sought solitude west of the Mississippi River, never to return home again? As Christmas nears, Alaina deflects the advances of a suitor in the neighboring county, choosing to cling instead to hope and her belief that Braeden will return. As winter’s chill settles upon her farm, Alaina cries out to God in one final Christmas Prayer. When loss lingers, love, for it is through heartbreak that God opens doorways to comfort others.

    After the Turner thesis which celebrated the frontier as the source of American freedom and democracy, and the iconoclasm of the new western historians who dismissed the idea of the frontier as merely a mask for conquest and exploitation, David Hackett Fischer and James C. Kelly take a third approach to the subject. They share with Turner the idea of the westward movement as a creative process of high importance in American history, but they understand it in a different way.Where Turner studied the westward movement in terms of its destination, Fischer and Kelly approach it in terms of its origins. Virginia's long history enables them to provide a rich portrait of migration and expansion as a dynamic process that preserved strong cultural continuities. They suggest that the oxymoron "bound away"--from the folksong Shenandoah--captures a vital truth about American history. As people moved west, they built new societies from old materials, in a double-acting process that made America what is today.Based on an acclaimed exhibition at the Virginia Historical society, the book studies three stages of migration to, within, and from Virginia. Each stage has its own story to tell. All of them together offer an opportunity to study the westward movement through three centuries, as it has rarely been studied before.Fischer and Kelly believe that the westward movement was a broad cultural process, which is best understood not only through the writings of intellectual elites, but also through the physical artifacts and folkways of ordinary people. The wealth of anecdotes and illustrations in this volume offer a new way of looking at John Smith and William Byrd, George Washington and Thomas Jefferson, Daniel Boone, Dred Scott, and scores of lesser known gentry, yeomen, servants, and slaves who were all "bound away" to an old new world.

    But he is also the last person to see a Federal officer alive before his death -- a death that has nothing to do with war, and everything to do with cold-blooded murder.

    A collection of thirty folktales highlighting famous and not-so-famous Pennsylvania ghosts, mysterious happenings, powers of darkness, and wonders of the invisible world.

    descends into the Civil War, photographer Brenton Baldwin travels west with his sister Jordana, taking pictures of the developing lands and in search of their sister. Along for the trip is young Caitlan O'Connor, who has just arrived from Ireland. Will they make it to California to find their family despite the danger that looms ahead? And can early romance grow into love in the face of trials and tragedy?

    In The Grand Design, Donald Stoker provides for the first time a comprehensive and often surprising account of strategy as it evolved between Fort Sumter and Appomattox. Reminding us that strategy is different from tactics (battlefield deployments) and operations (campaigns conducted in pursuit of a strategy), Stoker examines how Abraham Lincoln and Jefferson Davis identified their political goals and worked with their generals to craft the military means to achieve them--or how they often failed to do so. Stoker shows that Davis, despite a West Point education and experience as Secretary of War, ultimately failed as a strategist by losing control of the political side of the war. Lincoln, in contrast, evolved a clear strategic vision, but he failed for years to make his generals implement it. And while Robert E. Lee was unerring in his ability to determine the Union's strategic heart--its center of gravity--he proved mistaken in his assessment of how to destroy it. Historians have often argued that the North's advantages in population and industry ensured certain victory. In The Grand Design, Stoker reasserts the centrality of the overarching plan on each side, arguing convincingly that it was strategy that determined the result of America's great national conflict.