Within hours, police had a suspect—a vodka-soaked village bumpkin named Anzor Sharmaidze. A tidy explanation quickly followed: It was a tragic accident. US diplomats hailed Georgia’s swift work, and both countries breathed a sigh of relief. Yet the bullet that killed Woodruff was never found and key witnesses have since retracted their testimony, saying they were beaten and forced to identify Sharmaidze. But if he didn’t do it, who did? Those who don’t buy the official explanation think the answer lies in the spy games that played out on Russia’s frontier following the 1991 collapse of the Soviet Union. Woodruff was an early actor in a dangerous drama. American spies were moving into newborn nations previously dominated by Soviet intelligence. Russia’s security apparatus, resentful and demoralized, was in turmoil, its nominal loyalty to a pro-Western course set by President Boris Yeltsin, shredded by hardline spooks and generals who viewed the Americans as a menace. At the time when Woodruff was stationed there, Georgia was a den of intrigue. It had a big Russian military base and was awash with former and not-so-former Soviet agents. Shortly before Woodruff was shot, veteran CIA officer Aldrich Ames—who would soon be unmasked as a KGB mole—visited him on agency business. In short order, Woodruff would be dead and Ames, in prison for life. Buckle up, because The Spy Who Was Left Behind reveals the full-throttle, little-known thrilling tale.

    On the night of March 1, 1932, celebrated aviator Charles Lindbergh’s infant son was kidnapped from his New Jersey home. The family paid $50,000 to get “Little Lindy” back, but his remains were discovered in a grove of trees four miles from the Lindbergh house. More than two years after the abduction, Bruno Hauptmann, an unemployed carpenter and illegal German immigrant, was caught with $20,000 of the ransom money. He was arrested, tried, and executed for the crime. But did he really do it?  New York Times–bestselling author Noel Behn spent eight years investigating the case, revisiting old evidence, discovering new information, and shining a bright light on the controversial actions of public figures such as New Jersey Governor Harold Hoffman, FBI Director J. Edgar Hoover, New Jersey State Police Superintendent H. Norman Schwarzkopf, and Charles Lindbergh himself. The result is a fascinating and convincing new theory of the crime that exonerates Hauptmann and names a killer far closer to the Lindbergh family.   A finalist for the Edgar Award, Lindbergh “not only provides answers to the riddles of the ‘Crime of the Century,’ but hurls us into time past, to a special moment in American history” (Peter Maas, New York Times–bestselling author of Underboss).

    Fascinating!" —Ann Rule, New York Times Bestselling Author"While Ted Bundy might be the greatest evil enigma ever, author Rebecca Morris strips away the layers of the greatest mystery of his life—what was his connection to the disappearance of Ann Marie Burr? This is an astonishing achievement, the missing piece that readers of crime have long sought. Bravo for Morris!" —Gregg Olsen, New York Times Bestselling AuthorAt age three he was using knives to frighten his teenage aunt. By fourteen he was a thief, animal abuser, and peeping tom who liked to pull little girls into the woods to scare them.Ted Bundy killed at least thirty-five girls and women, and possibly hundreds. Was his first victim eight-year-old Ann Marie Burr who disappeared from their Tacoma, Washington, neighborhood in 1961?Her body was never found and there were no clues, just two tenacious detectives who spent the rest of their lives trying to solve the case.Was Bundy telling the truth when he told a hypothetical story about killing Ann and dumping her into a muddy pit?With new information about Ted Bundy's childhood, interviews with those who knew him best, and the memories of the Burr family, Ted and Ann is the story of one the 20th century's most fascinating cold cases.Rebecca Morris is an award-winning journalist who has worked in radio and television news in New York City; Portland, Oregon; and Seattle, Washington. A native Oregonian, her reporting has appeared in The Seattle Times, The Oregonian, People, Entertainment Weekly, New York Newsday, American Theatre, and many other publications. She lives in Seattle.

    Confidential comes My Dark Places, an investigative autobiography by James Ellroy. In 1958, Ellroy's mother, Jean, was raped, killed, and dumped off a road in El Monte, California, a rundown L.A. suburb. The killer was never found, and the case was closed. It was a sordid, back-page homicide that no one remembered. Except her son.James Ellroy was ten years old when his mother died. His bereavement was complex and ambiguous: "I cried. I cranked tears out all the way to L.A. I hated her. I hated El Monte. Some unknown killer just bought me a brand-new beautiful life." He grew up obsessed with murdered women and crime. He ran from his mother's ghost.Ellroy became a writer of radically provocative and bestselling crime novels. "I wear obsession well," he says. "I've turned it into something." He tried to reclaim his mother through fiction. It didn't work. He quit running and wrote this memoir.My Dark Places is Jean and James Ellroy's story—from 1958 to all points past and up to this moment. It is the story of a brilliant homicide detective named Bill Stoner and of the investigation he and Ellroy undertook. It is also an unflinching autobiography with vivid reportage. This is James Ellroy's journey through his most forbidding memories.

    The child of two lawyers, they are staunchly anti-death penalty. But the moment convicted murderer Ricky Langley’s face flashes on the screen as they review old tapes—the moment they hear him speak of his crimes -- they are overcome with the feeling of wanting him to die. Shocked by their reaction, they dig deeper and deeper into the case. Despite their vastly different circumstances, something in his story is unsettlingly, uncannily familiar.Crime, even the darkest and most unsayable acts, can happen to any one of us. As Alex pores over the facts of the murder, they find themself thrust into the complicated narrative of Ricky’s childhood. And by examining the details of Ricky’s case, they are forced to face their own story, to unearth long-buried family secrets, and reckon with a past that colors their view of Ricky's crime.But another surprise awaits: They weren’t the only one who saw their life in Ricky’s.An intellectual and emotional thriller that is also a different kind of murder mystery, THE FACT OF A BODY is a book not only about how the story of one crime was constructed -- but about how we grapple with our own personal histories. Along the way it tackles questions about the nature of forgiveness, and if a single narrative can ever really contain something as definitive as the truth. This groundbreaking, heart-stopping work, ten years in the making, shows how the law is more personal than we would like to believe -- and the truth more complicated, and powerful, than we could ever imagine.

    David Kushner grew up in the suburbs of Florida in the early 1970s, running wild with his friends, exploring, riding bikes, and disappearing into the nearby woods for hours at a time. One morning in 1973, however, everything changed. David's older brother Jon, making a trip to the local convenience store, vanished. This is the story of Jon's murder at the hands of two sadistic drifters and everything that happened after. "Alligator Candy "isn't only the chronicle of Jon's death, it is also the story of how parenting in America changed, casting light on the transition between two generations of children one raised on freedom, the other on fear. Jon's death was one of the first in what turned out to be a rash of child abductions and murders that dominated headlines for much of the 1970s and 80s. It was around this time that milk cartons began to feature the images of missing children, and newscasters began asking, It's 10:00, do you know where you children are? When one of Jon's killers received a parole hearing, David revisited the case that had so haunted him. Marshalling his skills as a journalist, he compiled all the details that he was sheltered from as a child, interviewing neighbors, reporters, cops, and his own family, and combing through yellowed news clippings. Haunting and intimate, "Alligator Candy" is a moving, disturbing, insightful, and inspiring meditation on grief, growth, family, and survival."

    Born in the prisons of California in the late 1960s, Nuestra Familia expanded to control drug trafficking and extortion operations throughout the northern half of the state, and left a trail of bodies in its wake. Award-winning journalist Julia Reynolds tells the gang’s story from the inside out, following young men and women as they search for a new kind of family, quests that usually lead to murder and betrayal. Blood in the Fields also documents the history of Operation Black Widow, the FBI’s questionable decade-long effort to dismantle the Nuestra Familia, along with its compromised informants and the turf wars it created with local law enforcement agencies. Reynolds used her unprecedented access to gang members, both in and out of prison, as well as undercover wire taps, depositions, and court documents to weave a gripping, comprehensive history of this brutal criminal organization and the lives it destroyed.

    Frederick Ritter and Dore Strauch fled the social and economic turmoil of post-World War I Germany, choosing to abandon the chaos of modern civilization, as well as their respective spouses. They began a quest to reclaim the purity of nature for themselves. They chose as their Eden the dry, uninhabited volcanic island of Floreana in the Galapagos chain. Their experiences in their new paradise—and the ensuing scandals—would captivate the Western world. Floreana's unforgiving environment hardly proved to be a idyllic choice, and were it not for the assistance of American yachters, Ritter and Strauch, naive and unprepared as they were, might easily have perished during their first year as colonists. Yacht crews returned with news of the eccentric couple's adventures, and they became darlings of the Western press. This unwelcome publicity lead to the arrival of a second family on the island, soon followed by a pistol-wielding Austrian "baroness" and her two young lovers. While not without her charm, this mysterious "aristocrat" could also be sinister and controlling. Tensions grew rapidly, jealousies and resentments raged, and soon this island with a population of 9 was at war with itself. The baroness was to disappear into thin air, in what western papers headlined as “The Galapagos Affair.” Other premature deaths followed close at hand, and Floreana developed an air of danger, suspicion and scandal that still entices today. Who was the "Satan" who came to Eden? Was it a singular person, or was it the darkness that can arise in every human heart? It is a question for each reader to answer in their own way, picking up clues not only from what is said, but from what is omitted. Originally published in 1936, Satan Came to Eden meticulously recounts Ritter and Strauch's often bizarre, true-life struggle from a survivor's point of view—an account lost to the public for nearly 80 years. Editor Joseph Troise supplements Strauch's original memoir with previously unpublished photographs and an informative preface, introducing a new generation of readers to one of the strangest stories of the twentieth century. "All the satisfaction of a well-plotted mystery adventure, with the added fun of its all being true"--Mick LaSalle, San Francisco Chronicle

    We see them every day. We trust them implicitly. But what about the British army sergeant who sabotaged his wife’s parachute? Or the lodger who took his landlady on a picnic from which she never returned? From dentists to PAs, these normal-seeming people were quietly wrecking lives, and nobody suspected a thing.In this first book from the addictive award-winning podcast They Walk Among Us, Benjamin and Rosanna serve up small-town stories in gripping detail. They’ve hooked millions of listeners with their intricate and disturbing cases, and now they dig into ten more tales, to provide an unforgettably sinister true-crime experience, scarily close to home. It could happen to you.

    The Klein brothers—Kenneth Jr., 8; David, 6; and Danny, 4—never came home. When two caps turned up on the ice of the Mississippi River, investigators concluded that the boys had drowned and closed the case. The boys’ parents were unconvinced, hoping against hope that their sons would still be found. Sixty long years would pass before two sheriff’s deputies, with new information in hand and the FBI on board, could convince the Minnesota Bureau of Criminal Apprehension to reopen the case.This is the story of that decades-long ordeal, one of the oldest known active missing-child investigations, told by a writer whose own research for an article in 1998 sparked new interest in the boys’ disappearance. Beginning in 2012, when deputies Jessica Miller and Lance Salls took up the Kleins’ cause, author Jack El-Hai returns to the mountain of clues amassed through the years, then follows the trail traced over time by the boys’ indefatigable parents, right back to those critical moments in 1951. Told in brisk, longform journalism style, The Lost Brothers captures the Kleins’ initial terror and confusion but also the unstinting effort, with its underlying faith, that carried them from psychics to reporters to private investigators and TV producers—and ultimately produced results that cast doubt on the drowning verdict and even suggested possible suspects in the boys’ abduction. An intimate portrait of a parent’s worst nightmare and its terrible toll on a family, the book is also a genuine mystery, spinning out suspense at every missed turn or potential lead, along with its hope for resolution in the end.

    One year later, a struggling writer named Edgar Allan Poe decided to take on the case-and sent his fictional detective, C. Auguste Dupin, to solve the baffling murder of Mary Rogers in "The Mystery of Marie Rog�t."

    Nesbit, just sixteen years old, had recently moved to the city. White was forty-seven and a principal in the prominent architectural firm McKim, Mead & White. As the foremost architect of his day, he was a celebrity, responsible for designing countless landmark buildings in Manhattan. That evening, after drinking champagne, Nesbit lost consciousness and awoke to find herself naked in bed with White. Telltale spots of blood on the bed sheets told her that White had raped her.She told no one about the rape until, several years later, she confided in Harry Thaw, the millionaire playboy who would later become her husband. Thaw, thirsting for revenge, shot and killed White in 1906 before hundreds of theatergoers during a performance in Madison Square Garden, a building that White had designed.The trial was a sensation that gripped the nation. Most Americans agreed with Thaw that he had been justified in killing White, but the district attorney expected to send him to the electric chair. Evelyn Nesbit's testimony was so explicit and shocking that Theodore Roosevelt himself called on the newspapers not to print it verbatim. The murder of White cast a long shadow: Harry Thaw later attempted suicide, and Evelyn Nesbit struggled for many years to escape an addiction to cocaine. The Girl on the Velvet Swing, a tale of glamour, excess, and danger, is an immersive, fascinating look at an America dominated by men of outsize fortunes and by the the women who were their victims.

    So it was for James Jug Curran, all the way from New Guinea to the Philippines with the 348th Fighter Group, the first P-47 Thunderbolt outfit in the Pacific. After the attack on Pearl Harbor, Curran volunteered to try flying in the blue yonder, and trained as an Army fighter pilot. He got his wish to fly the P-47 in the Pacific, going into combat in August 1943, in New Guinea, and later helping start the Black Rams fighter squadron. The heavy U.S. Thunderbolts were at first curious to encounter the nimble, battle-hardened Japanese in aerial combat, but soon the American pilots gained skill of their own and their planes proved superior. Bombers on both sides could fall to fighters, but the fighters themselves were eyeball to eyeball, best man win. Check Six! is an aviation chronicle that brings the reader into flight, then into the fight, throughout the Pacific War and back. This work, from someone who was there, captures the combat experience of our aviators in the Pacific, aided by pertinent excerpts from the official histories of units that Jug Curran flew with. It is a tale of perseverance, as Curran flew over 200 combat missions, and with the men of the 348th Fighter Group proved the Thunderbolt s great capability as they battled their way against a stubborn and deadly foe. This work increases the body of knowledge on the critical role of aviation in the Pacific War, as U.S. fighter pilots took the lead in our counteroffensive against the short-lived island Empire."

    This is a world where children are raised by nannies, tutors, chauffeurs, gardeners, butlers, maids, and assorted staff, sent off to private schools—and largely ignored by their parents.Publishing magnate Nelson Doubleday’s daughter, Neltje, was raised to assume her place as a society matron. But beneath a seemingly idyllic childhood, darker currents ran: a colorful but alcoholic father whose absences left holes, a mother incapable of love, a family divided by money and power struggles, and a secret that drove the young woman into emotional isolation.North of Crazy is her story—written with the same fierce passion, wit, and emotion that drove her off the conventional path to reconstruct her life from base zero. She became an artist, cattle rancher, and entrepreneur.

    The Wood family is much like its close, Catholic, immigrant neighbors, all dependent on a father’s wages from the Oxford Paper Company. Until the sudden death of Dad, when Mum and the four closely connected Wood girls are set adrift. Funny and to-the-bone moving, When We Were the Kennedys is the story of how this family saves itself, at first by depending on Father Bob, Mum’s youngest brother, a charismatic Catholic priest who feels his new responsibilities deeply. And then, as the nation is shocked by the loss of its handsome Catholic president, the televised grace of Jackie Kennedy—she too a Catholic widow with young children—galvanizes Mum to set off on an unprecedented family road trip to Washington, D.C., to do some rescuing of her own. An indelible story of how family and nation, each shocked by the unimaginable, exchange one identity for another.