They eat together, they work together, they do everything together. So what's the problem?Their room is crowded and cramped; their life is an endless struggle. Al and Eddie are practically at each others throats when a large and mysterious bird offers them a new life in paradise. After some debate, they decide to accept.Transported to a gorgeous island in the sky, Al and Eddie are soon living a life of ease and luxury. But they come to find that the grass can be a little too green on the other side. After a dramatic, nearly tragic escape from their paradise prison, both man and dog agree: there really is no place like home. Hey, Al is the winner of the 1987 Caldecott Medal.

    "An original nonsense tale told with...spirit and gusto." -- The Horn Book

    dressing up, singing songs, building sand castles, napping (maybe), dancing, painting on walls and - whew! - going to sleep at last.

    Molly Lou Melon is different, but this doesn't slow her down.

    One day, Little Bear wanders out of the woods and finds himself lost in the Big City. Will he find the city too noisy? Too quiet? Or just right? And what are the chances of him bumping in to someone who remembers exactly how he likes his porridge?

      Here are Paul Bunyan, that king-sized lumberjack who could fell “ten white pines with a single swing”; John Henry, with his mighty hammer; Mose, old New York’s biggest, bravest fireman; Sally Ann Thunder Ann Whirlwind, who could “outgrin, outsnort, outrun, outlift, outsneeze, outsleep, outlie any varmint”; and other uniquely American characters, together in one superb collection.   In the tradition of the original nineteenth-century storytellers, Mary Pope Osborne compiles, edits, and adds her own two cents’ worth—and also supplies fascinating historical headnotes. Michael McCurdy’s robust colored wood engravings recall an earlier time, perfectly capturing all the vitality of the men and women who carved a new country out of the North American wilderness.

    But the beast is not happy and escapes! A funny and charming tale about seeing both sides of the story.

    Fish swims aboutWith his fish face stuckIn a permanent pout.Can his pals cheer him up?Will his pout ever end?Is there something he can learnFrom an unexpected friend?Swim along with the pout-pout fish as he discovers that being glum and spreading "dreary wearies" isn't really his destiny. Bright ocean colors and playful rhyme come together in this fun fish story that's sure to turn even the poutiest of frowns upside down.The Pout-Pout Fish is a 2009 Bank Street - Best Children's Book of the Year.

    "Not me!" says Froggy, and together they leapfrog to the bus stop -- flop flop flop. Froggy's exuberant antics, complete with sound effects, will delight his many fans and reassure them that school can be fun."This is a great read-aloud with sounds and words that encourage active participation....A charming story to calm those pre-school jitters." -- School Library JournalJonathan London is the author of many books for children, including I See the Moon and the Moon Sees Me, Like Butter on Pancakes and four other books about Froggy.

    Katz, very well, until he asks her to adopt an abandoned kitten. Mrs. Katz agrees on one condition: that Larnel help her take care of the kitten she names Tush. When Larnel starts spending more and more time with Mrs. Katz to help with Tush, Mrs. Katz tells him stories about coming to America from Poland and about the good times she spent with her late husband. As Larnel grows to love Mrs. Katz, he also learns about the suffering and triumph black history shares with the Jewish heritage.Patricia Pollaco has illustrated, as well as authored, countless picture books. She lives in Union City, Michigan.

    Or his peaches, plums, grapes, cherries, and pears. Oh, and he takes his family along too. But the trail is cruel. First there’s a river to cross that’s wider than Texas, then there are hailstones as big as plums, and then there’s even a drought, sure to crisp the cherries. Luckily Delicious (the nonedible apple of Daddy’s eye) won’t let anything stop her father’s darling saps from tasting the sweet Oregon soil. A hilarious tall tale from the team that brought you Fannie in the Kitchen that’s loosely based on the life of a real fruiting pioneer.

    At the age of eight, she decided that whatever the cost she would become a "painter and writer of novels" when she grew up.

    In a hotel in Paris one evening in 1879, Mark Twain sat with his young daughters, who begged their father for a story. After the girls chose a picture from a magazine to get started, Twain began telling them the tale of Johnny, a poor boy in possession of some magical seeds. Later, Twain would jot down some rough notes about the story, but the tale was left unfinished . . . until now. Plucked from the Mark Twain archive at the University of California at Berkeley, Twain’s notes now form the foundation of a fairy tale picked up over a century later. With only Twain’s fragmentary script and a story that stops partway as his guide, author Philip Stead has written a tale that imagines what might have been if Twain had fully realized this work: Johnny, forlorn and alone except for his pet chicken, meets a kind woman who gives him seeds that change his fortune, allowing him to speak with animals and sending him on a quest to rescue a stolen prince. In the face of a bullying tyrant king, Johnny and his animal friends come to understand that generosity, empathy, and quiet courage are gifts more precious in this world than power and gold. Illuminated by Erin Stead’s graceful, humorous, and achingly poignant artwork, this is a story that reaches through time and brings us a new book from America’s most legendary writer, envisioned by two of today’s most important names in children’s literature.

    Each spread tells of an event and the lesson learned. By turns, these events become darker and more sinister as the boys push their games further and further.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.