The Rack to my mind is one of this company." - Graham Greene "A terrific book . . . a penetrating examination of the nature of suffering . . . to read it is in itself an experience." - Time and Tide "Quite possibly a masterpiece." - Irish Times "Book of the year if there ever was one." - V. S. Pritchett, New Statesman "A work of sombre power, of soaring comedy." - Cyril Connolly, Sunday Times "[V]ery remarkable . . . Ellis's humour is grim, but behind the book one has the impression of an unusual and powerful mind." - The Observer "Then consider yourself an experiment of the gods in what a man can endure . . ." This is the sardonic advice of a doctor to his patient, a young Englishman suffering from tuberculosis in the days before effective antibiotic treatment, and it sets the theme for this brilliant novel. The hero, Paul Davenant, has arrived at a sanatorium in the Swiss Alps with high hopes of a full cure and a normal life. But as the weeks and months pass interminably by, Davenant undergoes endless tests and medical procedures, each more horrific and dehumanizing than the last, all the while facing the possibility that his case may be hopeless. Despite the pain, indignity, and tediousness, Davenant never loses sight of the outrageous, farcical side to his situation, the absurdity of it all. When he falls in love with a fellow patient, he becomes determined to recover his health, but will he succeed, or will all the tortures he has endured have been for nothing? When The Rack was first published in 1958, the critical acclaim was universal: reviewers compared it with the works of Proust, Mann, and Camus and declared it a masterwork destined to take its place among the great novels of the 20th century. This edition, the first in 25 years, features a new introduction by Andrew Sinclair.

    Having lived mostly in the remote deserts of Arizona and New Mexico with no access to formal training, Partch naturally created theatrical ritualistic works incorporating Indian chants, Japanese kabuki and Noh, Polynesian microtones, Balinese gamelan, Greek tragedy, dance, mime, and sardonic commentary on Hollywood and commercial pop music of modern civilization. First published in 1949, Genesis of a Music is the manifesto of Partch's radical compositional practice and instruments (which owe nothing to the 300-year-old European tradition of Western music.) He contrasts Abstract and Corporeal music, proclaiming the latter as the vital, emotionally tactile form derived from the spoken word (like Greek, Chinese, Arabic, and Indian musics) and surveys the history of world music at length from this perspective. Parts II, III, and IV explain Partch's theories of scales, intonation, and instrument construction with copious acoustical and mathematical documentation. Anyone with a musically creative attitude, whether or not familiar with traditional music theory, will find this book revelatory.

    Lilu loves the assassin despite his cold heart and scathing tongue, and her love and aid earn his protection, even though he will never admit to helping her. Blade struggles to come to terms with what his, but uses it to his advantage as an assassin, succeeding at seemingly impossible assignments and earning two titles: the Invisible Assassin and the Silent Slayer. Even though he seeks death’s release so he can be with his familiar again, a destiny awaits Blade, for which he must survive, and therein lies the strangeness of one who is God Touched.

    As head of the Los Alamos Laboratory, he oversaw the successful effort to beat the Nazis in the race to develop the first atomic bomb—a breakthrough that was to have eternal ramifications for mankind and that made Oppenheimer the “Father of the Atomic Bomb.” But with his actions leading up to that great achievement, he also set himself on a dangerous collision course with Senator Joseph McCarthy and his witch-hunters. In Robert Oppenheimer: A Life Inside the Center, Ray Monk, author of peerless biographies of Ludwig Wittgenstein and Bertrand Russell, goes deeper than any previous biographer in the quest to solve the enigma of Oppenheimer’s motivations and his complex personality.      The son of German-Jewish immigrants, Oppenheimer was a man of phenomenal intellectual attributes, driven by an ambition to overcome his status as an outsider and penetrate the heart of political and social life. As a young scientist, his talent and drive allowed him to enter a community peopled by the great names of twentieth-century physics—men such as Niels Bohr, Max Born, Paul Dirac, and Albert Einstein—and to play a role in the laboratories and classrooms where the world was being changed forever, where the secrets of the universe, whether within atomic nuclei or collapsing stars, revealed themselves.     But Oppenheimer’s path went beyond one of assimilation, scientific success, and world fame. The implications of the discoveries at Los Alamos weighed heavily upon this fragile and complicated man. In the 1930s, in a climate already thick with paranoia and espionage, he made suspicious connections, and in the wake of the Allied victory, his attempts to resist the escalation of the Cold War arms race led many to question his loyalties.     Through compassionate investigation and with towering scholarship, Ray Monk’s Robert Oppenheimer tells an unforgettable story of discovery, secrecy, impossible choices, and unimaginable destruction.

    Reporters ambush you, and across the country, strangers gossip about your personal loss.Welcome to the circus.No one understands better than Kim Goldman the complex emotions of individuals suffering a personal tragedy under the relentless gaze of the media. During the famed O.J. Simpson trial, Kim, whose brother, Ron Goldman, was brutally murdered, became the public poster child for victims suffering in the public eye.In Media Circus, Goldman, now a dedicated victims’ advocate who works with families across the country, presents the first collective look at these ordinary, grieving victims—forced to manage their very private trauma and despair in a very public way.Through candid interviews and detailed, original reporting, Media Circus delivers riveting, humanizing, and inspiring stories from the victims and survivors of violent crimes who found themselves the focus of national media attention. Its heartfelt narratives showcase the unique challenges of coping with and healing from grief when the whole world is watching.In these pages, the families of other victims tell their stories, including:Esaw And Emerald Garner, wife and daughter of police brutality victim Eric Garner (2014)Scarlett Lewis, mother of six-year-old Newtown tragedy victim Jesse Lewis (2012)Debra Tate, sister of Charles Manson murder victim Sharon Tate (1969)Judy Shepard, mother of gay hate-crime victim Matthew Shepard (1998)Mildred Muhammad, ex-wife of the DC Sniper (2002)Tere Duperrault Fassbender, survivor of family’s brutal murder at sea (1961)Collene Campbell, sister of murdered NASCAR driver Mickey Thompson (1988)Marie Monville, wife of the Amish Shooter (2006)Dave And Mary Neese, parents of teen murder victim Skylar Neese (2012)Scott And Kathleen Larimer, parents of Aurora theater shooting victim John Larimer, andShirley Wygal, mother of Aurora theater shooting victim Rebecca Wingo (2012)Media Circus goes beyond the names and faces to show the real victims behind the stories.

    People literally put themselves into the skin of the "savage," in masquerades that stretch back centuries. By becoming a bear, a goat, a stag, a wild boar, a man of straw, a devil, or a monster with jaws of steel, these people celebrate the cycle of life and seasons. The costumes amaze with their extraordinary diversity and prodigious beauty. Work on this project took leading French photographer Charles Fréger to eighteen European countries in search of the mythological figure of the Wild Man.

    His friends and enemies agreed: Niels Bohr was more than the father of quantum mechanics - he was one of the most important figures of the 20th century. The Tony Award-winning Broadway play Copenhagen barely scratched the surface... Suspended in Language tells the complete story of Niels Bohr's amazing life, discoveries, and his pervasive influence on science, philosophy, and politics. Told in an engaging and accessible mixture of text and comics, it includes a full color supplement on how to teleport just like the pros do-and why you might not want to!

    Includes detailed sidebars, handy vocabulary, and a visual timeline. Supports the Common Core State Standards.

    their vendettas, their armies of servitors, partisans and sycophants, their love affairs, scandals, and shortcomings, all were the stuff of an imperial routine."Stasz reveals new facts and insights into the fascinating lives of three generations of Vanderbilt women who dominated New York society from the middle of the eighteenth century through the twentieth. Of special interest are the discovery of unpublished letters and a pseudonymous lesbian novel that shed light on the complex character of the most currently famous Vanderbilt woman, Gloria Vanderbilt.

    The rites were administered by two priests of the Catholic Church to free Anneliese of the six demons they believed possessed her. Seemingly as a result of the exorcisms the girl died. Worldwide publicity followed when the girl's parents and the two exorcists were brought to trial and convicted of negligent homicide. Here a noted anthropologist offers her own interpretation of the exorcisms of Anneliese Michel. Drawing on interviews with the two exorcists, the girl's parents and friends, transcripts of the trial, and tape recordings made during the exorcisms, as well as studies of religious experience in various cultures.Felicitas Goodman has written a fascinating, compelling book, one that finally tells what happened in this strange case as it delves into the age-old mystery of demonic possession.

    He was a soldier. He was a flag-waver for the Labour Party. He is Billy Bragg, best known as a passionate political songwriter and urbane folk singer, but equally admired for his offbeat love songs. Billy Bragg is a British institution who never went out of fashion (he was never in fashion in the first place). In America he was chosen as the spiritual heir to legendary protest singer Woody Guthrie, beating rival claims from the likes of Bob Dylan and Neil Young. In the UK he surfaced on current affairs TV programmes during the 2001 election dressed as a Roman legionary advocating tactical voting to keep the Tories out. Billy Bragg is a one-off and Still Suitable for Miners is his official story, a portrait of a peerless entertainer and a fearless campaigner growing up in Britain in the years after rock 'n' roll. The book includes childhood photos and previously unseen images from Billy's personal archive.

    Berra, whose "Darwin: The Man" lectures are in high demand worldwide, tells the fascinating story of the person and the idea that changed everything. Berra discusses Darwin’s revolutionary scientific work, its impact on modern-day biological science, and the influence of Darwin’s evolutionary theory on Western thought. But Berra digs deeper to reveal Darwin the man by combining anecdotes with carefully selected illustrations and photographs.This small gem of a book includes 20 color plates and 60 black-and-white illustrations, along with an annotated list of Darwin’s publications and a chronology of his life.

    Stand-up comic and cult TV series star Frank Skinner’s hilarious first novel combines wild fantasy with sudden bumps down to earth, in his unique style of outrageous sex comedy.From the Trade Paperback edition.

    Even today remembered primarily as the mentor and lover of Robert Mapplethorpe, the once infamous photographer, Wagstaff, in fact, had an incalculable—and largely overlooked—influence on the world of contemporary art and photography, and on the evolution of gay identity in the latter part of the twentieth century.  Born in New York City in 1921 into a notable family, Wagstaff followed an arc that was typical of a young man of his class. He attended both Hotchkiss and Yale, served in the navy, and would follow in step with his Ivy League classmates to the "gentleman's profession," as an ad executive on Madison Avenue. With his unmistakably good looks, he projected an aura of glamour and was cited by newspapers as one of the most eligible bachelors of the late 1940s. Such accounts proved deceiving, for Wagstaff was forced to live in the closet, his homosexuality only revealed to a small circle of friends. Increasingly uncomfortable with his career and this double life, he abandoned advertising, turned to the formal study of art history, and embarked on a radical personal transformation that was in perfect harmony with the tumultuous social, cultural, and sexual upheavals of the 1960s.Accordingly, Wagstaff became a curator, in 1961, at Hartford's Wadsworth Atheneum, where he mounted both "Black, White, and Gray"—the first museum show of minimal art—and the sculptor Tony Smith's first museum show, while lending his early support to artists Andy Warhol, Ray Johnson, and Richard Tuttle, among many others. Later, as a curator at the Detroit Institute of Arts, he brought the avant-garde to a regional museum, offending its more staid trustees in the process.After returning to New York City in 1972, the fifty-year-old Wagstaff met the twenty-five-year-old Queens-born Robert Mapplethorpe, then living with Patti Smith. What at first appeared to be a sexual dalliance became their now historic lifelong romance, in which Mapplethorpe would foster Wagstaff's own burgeoning interest in contemporary photography and Wagstaff would help secure Mapplethorpe's reputation in the art world. In spite of their profound class differences, the artistic union between the philanthropically inclined Wagstaff and the prodigiously talented Mapplethorpe would rival that of Stieglitz and O’Keefe, or Rivera and Kahlo, in their ability to help reshape contemporary art history.Positioning Wagstaff's personal life against the rise of photography as a major art form and the simultaneous formation of the gay rights movement, Philip Gefter's absorbing biography provides a searing portrait of New York just before and during the age of AIDS. The result is a definitive and memorable portrait of a man and an era.

    A century later, Jarry is firmly established as one of the leading figures of the artistic avant-garde. Italo Calvino, Umberto Eco, Gilles Deleuze, Jean Baudrillard, Philip K. Dick, Paul McCartney, DJ Spooky, Peter Greenaway, and J. G. Ballard are among his many admirers. A community of scholars and artists maintain a posthumous dialogue with Jarry's ideas through the Collège de 'Pataphysique in Paris (named after the "science of imaginary solutions" he conceived), while a steady stream of books on twentieth-century drama pay tribute to his absurd and grotesque play, Ubu Roi. Even so, most people today tend to think of Jarry only as the author of that play, and of his life as a string of outlandish "ubuesque" anecdotes, often recounted with wild inaccuracy. In this first full-length critical biography of Jarry in English, Alastair Brotchie reconstructs the life of a man intent on inventing (and destroying) himself, not to mention his world, and the "philosophy" that defined their relation. In short, Brotchie gives us the narrative version of what Jarry himself produced: a pataphysical life. Drawing on a wealth of new material, Brotchie alternates chapters of biographical narrative with chapters that connect themes, obsessions, and undercurrents that relate to the life.The anecdotes remain, and are even augmented: Jarry's assumption of the "ubuesque," his inversions of everyday behavior (such as eating backwards, from cheese to soup), his exploits with gun and bicycle, and his herculean feats of drinking. But Brotchie distinguishes between Jarry's purposely playing the fool and deeper nonconformities that appear essential to his writing and his thought, both of which remain a vital subterranean influence to this day.