Known for her throaty laugh, edgy humour and quick-fire wit, showcased on some of Britain's most popular reality TV shows, she was thrust into the mainstream, hosting ITV's flagship talent show, The X Factor, with Olly Murs. In Storm in a C Cup, Caroline reveals the laughter and pain behind the TV persona, from a sheltered Norfolk childhood shared with her twin sister, through her madcap student days, to the challenging career ladder leading to eventual TV success, not forgetting its dark shadow, when intrusive media attention turned the dream into a nightmare. She takes us behind the cameras at some of TV's most successful reality shows, including the tensions, stresses and unlikely friendships of the three-month adventure that was Strictly.Caroline wears her heart on her sleeve, documenting her joys and heartbreaks with the humour, resilience and unflinching emotional honesty that made her of one of television's most popular celebrities.

    But is it now as bland and unthreatening as any new town? Sukhdev Sandhu journeys across the city to find out whether the London night really has been rendered neutral by street lighting and CCTV cameras. His nocturnal forays see him prospecting in the London night with the people who drive its pulse, from the avian police to security guards, urban fox hunters and exorcists. He wades through the sewers, hangs out with pirate DJs, and accompanies the marine patrol looking for midnight corpses. Beautifully written, Night Haunts seeks to reclaim the mystery and romance of the city—to revitalize the great myth of London for a new century.

    First published over fifteen years ago and long out-of-print, the poster and accompanying paperback book sum up the mis-tellings—and reveal the real story—in a graphically appealing and accessible format.In vintage Loewen fashion, the poster juxtaposes short quotes from a range of high school textbooks currently in use, with excerpts from primary sources that clearly show how textbooks have "lied" by knowingly substituting crowd-pleasing myths for grim and gruesome historical evidence.In fact, these textbooks intentionally omitted every important detail that we do know about Columbus’s fateful voyage to the Americas. Among countless other facts, Loewen demonstrates that Columbus and his men were far from the first to set foot in the "New World," and that the peoples he encountered there did not submit to the "god-like" authority of him and his crewmen, but rather to the deadly forms of smallpox and bubonic plague they brought with them from Europe.In concise, deeply engaging prose, Loewen expands on these little-discussed facts, putting them in the larger context of a discussion of "truth" and revisionist history.

    

    Fighting floods, cave-ins and Mazatec Indians who believe the caves are holy, caving teams have competed every year to be the first to prove the cave's depth. No-one has gone further than Bill Stone, the world's foremost caver, whose 20-year obsession nearly ended in disaster.

    Yet today we see those ideas abandoned and scorned in places where they once went unchallenged, including Washington, D.C.We often mistake these principles for universal liberal values: free elections, equality for women, jury trials, the accountability of the executive to the legislature. It is easy to lose sight of the fact that all these things, in their modern form, are products of a very specific English-speaking civilization. There was nothing inevitable about their triumph. They could easily have been snuffed out in the 1940s. They would not be ascendant if the Cold War had ended differently.When we speak of "the West" in a geopolitical sense, we really mean the alliance of free English-speaking democracies. It is they, not France or Germany or Italy or Spain, who have disseminated and preserved liberty. If we lose them, humanity itself will be the poorer. Inventing Freedom is an analysis of why the extraordinary idea that the state was the servant, and not the ruler, of the individual evolved in the English-speaking world. It is a chronicle of the success of Anglosphere exceptionalism, offered at a time that may turn out to be the end of the age of political freedom.

    London has long been a magnet for aspiring artists and writers, musicians and fashion designers seeking inspiration and success in this great city. In London Calling, Barry Miles explores the counter culture that sprang up in the decades following the Second World War, focusing on the West End and Soho, where the presence of so many artists has established a unique atmosphere; creative, avant garde, permissive, anarchic - the throbbing heart of London. Here are the heady days of post-war Soho when suddenly everything seemed possible, the jazzbars and clubs of the fifties, the teddy boys and the Angry Young Men, Francis Bacon and the legendary Colony Club, the 1960s and the Summer of Love, the rise of punk and the early days of the YBAs.

    Its graphic depictions of sex, violence, and drug abuse in the youth culture of Oklahoma were acclaimed by critics for stripping bare the myth that Middle America had been immune to the social convulsions that rocked America in the 1960s. The raw, haunting images taken in 1963, 1968, and 1971 document a youth culture progressively overwhelmed by self-destruction -- and are as moving and disturbing today as when they first appeared. Originally published in a limited paperback version and republished in 1983 as a limited hardcover edition commissioned by the author, rare-book dealers sell copies of this book for more than a thousand dollars. Now in both hardcover and paperback editions from Grove Press, this seminal work of photographic art and social history is once again available to the general public.

    A novel, which won the Montana New Zealand Book Awards, to make you cringe and shudder, then wet yourself laughing. Its raw and scathing prose breaks new ground against the backdrop of a world-view as chilling as the nightly news. In between drug deals and binge-drinking, reckless driving and street fights, the delinquents of the Brotherhood wage the holiest of wars. Yes, they will derail the Juggernaut before it can suicide … or have a ball trying at least. But when one of them falls prey to Roto-Vegas gang members, the cultural terrorists mobilise in earnest. Revenge takes them on a road-trip - a coming of age from hell. It is a journey to the corners of a collective psyche peopled by nightmares as real as the headlines of today, a New Zealand the tourists and executives had better pray they never stumble upon. Alone and gut-shot, the Juggernaut closing in, the Brotherhood will rally for an audacious final stand, a last ditch fight for their minds and their lives … and perhaps for the future of us all.

    Keith Richards had his say in Life. Now it’s time to get to know intimately the other half of the duo responsible for such enduring hits as “Paint It Black,” “Sympathy for the Devil,” “Gimme Shelter,” and “(I Can’t Get No) Satisfaction.” Mick Jagger is a must read for Stones fans, and everyone who can’t get enough of the serious memoirs and biographies of popular musicians, like Patti Smith’s Just Kids, Does the Noise in My Head Bother You? by Steven Tyler, and the Warren Zevon story, I’ll Sleep When I’m Dead.

    It explains the “Screen of Green” technique that gives a higher yield using fewer plants, an important development for American growers who, if caught, are penalized according to number of plants. The Cannabis Grow Bible is an authoritative source that features almost 200 color and black-and-white photographs, charts, and tables. With an emphasis on the day-to-day aspects of maintaining a garden and European expertise, this book ensures that growers will enjoy a successful harvest.

    Rooted in American techno/house and ’90s rave culture, electronic dance music has evolved into the biggest moneymaker on the concert circuit. Music journalist Michaelangelo Matos has been covering this beat since its genesis, and in The Underground Is Massive, charts for the first time the birth and rise of this last great outlaw musical subculture.Drawing on a vast array of resources, including hundreds of interviews and a library of rare artifacts, from rave fanzines to online mailing-list archives, Matos reveals how EDM blossomed in tandem with the nascent Internet—message boards and chat lines connected partiers from town to town. In turn, these ravers, many early technology adopters, helped spearhead the information revolution. As tech was the tool, Ecstasy—(Molly, as it’s know today) an empathic drug that heightens sensory pleasure—was the narcotic fueling this alternative movement.Full of unique insights, lively details, entertaining stories, dozens of photos, and unforgettable misfits and stars—from early break-in parties to Skrillex and Daft Punk—The Underground Is Massive captures this fascinating trend in American pop culture history, a grassroots movement that would help define the future of music and the modern tech world we live in.

    Includes the teachings and a structural analysis.

    It focuses on these fifteen cities at some of the defining moments in Islamic history: from the Prophet Mohammed receiving his divine revelations in Mecca and the First Crusade of 1099 to the conquest of Constantinople in 1453 and the phenomenal creation of the merchant republic of Beirut in the nineteenth century.

    The time is the early eighties and the place - Colombia. The Fruit Palace is a little whitewashed café that legally dispenses tropical fruit juices, has another purpose as the meeting place for a variety of black market activities and the place where Nicholl unwittingly begins his quest. Nicholl relates his story with irrepressible energy and vividness as he careens from shantytowns and waterfront barrios to steamy jungle villages and slaughterhouses. He survives fever, earthquake, and discovery by a dealer who threatens to 'check his oil' with a knife. And he emerges with a triumphant piece of travel writing which is also a comic extravaganza.