During the election, the boys are paid by the Small Party to cause trouble. When their attempt to burn down the opposition’s local headquarters ends in disaster, Dantala must run for his life, leaving his best friend behind. He makes his way to a mosque that provides him with food, shelter, and guidance. With his quick aptitude and modest nature, Dantala becomes a favored apprentice to the mosque’s sheikh. Before long, he is faced with a terrible conflict of loyalties, as one of the sheikh’s closest advisors begins to raise his own radical movement. When bloodshed erupts in the city around him, Dantala must decide what kind of Muslim—and what kind of man—he wants to be. Told in Dantala’s naïve, searching voice, this astonishing debut explores the ways in which young men are seduced by religious fundamentalism and violence.

    However, soon her life turned upside down when a neighbor revealed her of their sinister past.It’s a mysterious supernatural curse cast on their family almost a century back. Generation by generation, Damini's enraged curse had passed on, declining their family clan from hundreds to a handful few. Who would be Damini's next victim? And why innocent lives are at a stake for a crime committed by an ancestor a hundred years back? Renuka would not settle until she finds an answer and in her quest she struggles to eradicate all the evils that come in her way. Would she ever win a battle against an unseen enemy? Would the wrong done to Damini be ever avenged?Set against the nostalgic era of 1940s, the story narrates the arduous journey of Renuka Pal, the protagonist, from a rash teen age freedom fighter to the seasoned writer of the 21st century India. In this thrilling saga of death, betrayal and power plays the narrative would cover a large chunk of twentieth century history. The passing of time, historical events and the changing country is so well-woven to the story that one would hardly differentiate between fact and fiction.

    The stories provide glimpses into the life of Don Henrik, a good man struck time and again by misfortune, as he confronts the crude realities of farming life. Over the course of these episodes we meet merciless entrepreneurs, hitmen, drug dealers and fallen angels, all wanting their piece of the pie. Told with precision and a stark beauty, in a style that recalls Hemingway, Trout, Belly Up is a unique ensemble of beguiling, disturbing stories set in the heart of the rural landscape in a country where violence is never far from the surface.

    In The Tale of Genji Mr. Amano brings his considerable talent to retelling one of the most famous of Japanese myths: written by Murasaki Shikibu shortly after 1000 AD and considered by most scholars to be the first novel ever written, The Tale of Genji is the story of the romantic adventures of Genji, the amazingly handsome prince and his many romantic conquests. Told through stunning paintings, Mr. Amano brings this classic story to life for a new generation.As one of the most respected stories of all time, The Tale of Genji holds a worldwide place of honor among lovers of myth and legend.Will appeal to the legions of Vampire Hunter D fans worldwide, as well as fans of his work on Sandman (written by New York Times-bestselling author Neil Gaiman) and Wolverine (with award-winning author Greg Rucka).

    Overwhelmed, overwrought, and overweight, an everyday housewife walks into the Sonoran Desert to die.But there's more to a desert than sand or death. There's thorns, venom, claws, heat, thirst, other people—and unexpected adventure.As she says, "It's because your gums are receding and your hair is thinning and your neckline is sagging. It's because all you ever had was your youth, and you spent that so long ago now it's hard to remember what you bought with it. Mrs. Warner shuddered in her loosening skin, was almost running now. It's because you're scared. Lately you're so scared and so aimless and so useless you sleep half the day and panic half the night. In between, you watch TV to ward off the evil of watching yourself. So—if not death, then what?"When she tripped over a rock—and in tripping, plunged over the edge of a cliff—Mrs. Warner had forgotten the desert, the cacti, the heat, the hunger, the thirst. All that was left was an ever increasing panic and an ever deepening desperation. And then there was the shock of falling and the screaming inside: Here we go, here we go—but don't hurt, don't hurt. Oh god, please! Don't hurt!After that, there was nothing."Until she woke up at the bottom of an arroyo with a lot of surviving to do. And all she had was her purse. It wasn't much to face a desert with, but Mrs. Warner, born Molly Brock, was in a fight for her life, the life she didn't want until she was just about to lose it.What's an everyday housewife to do? In Molly's case, a lot. And every bit of it changing her from ordinary to extraordinary.

    Fleeing from Beirut in search of solace, Zahra stays with her uncle in West Africa—and then uses marriage as another kind of escape. Back in Beirut, love finally comes to her, but with terrible consequences. Banned in several Middle Eastern countries since its original publication, The Story of Zahra is an intoxicating, provocative story of a young woman’s coming of age in a city torn apart by war.With more than 21,000 copies in print of "Women Of Sand And Myrrh," and more than 15,000 copies of "The Story Of Zahra," Hanan al-Shaykh is the best known and most admired woman writer of the Arab world. The paperback publication of "Zahra" will bring this passionate and courageous novel to a much larger group of readers. Its haunting story of a young Lebanese woman who attempts to stem the violence in Beirut by initiating a sexual liaison with a sniper has "lifted the corner of a dark curtain" ( "Sunday Telegraph" ) from a world that fascinates us all." "The Story Of Zahra" is a classic by any standards."-- "Village Voice Literary Supplement.""This rich tale mesmerizes with its frank sexuality and scenes of war-torn Beirut."-- "Publishers Weekly."

    Raised by two attentive parents in Washington, D.C., he’s a top student and a track star at his prestigious private high school. Bound for Harvard in the fall, his prospects are bright. But Niru has a painful secret: he is queer—an abominable sin to his conservative Nigerian parents. No one knows except Meredith, his best friend, the daughter of prominent Washington insiders—and the one person who seems not to judge him.When his father accidentally discovers Niru is gay, the fallout is brutal and swift. Coping with troubles of her own, however, Meredith finds that she has little left emotionally to offer him. As the two friends struggle to reconcile their desires against the expectations and institutions that seek to define them, they find themselves speeding toward a future more violent and senseless than they can imagine.

    It reveals her truamatic childhood and institutionalization, followed by her escape to the quiet cul-de-sac where her psychoanalysist lived. There, for many years, she made the journey towards recovery through Freudian analysis.

    Poetry. Essays. Comprised of footnotes to a non-existent text, THE BODY: AN ESSAY is a meditation on absence, loss and disappearance that offers a guarded "narrative" of what may or may not be a love letter, a dream, a spiritual autobiography, a memoir, a scholarly digression, a treatise on the relation of life to book. Christian Bok describes Boully's groundbreaking text as one that "may simply annotate a fantastic biography from another reality, referring only to itself as a kind of dream within a dream...The reader can only fantasize about the original contexts that might have made such information significant to its author, and ultimately, implies that the body of any text consists of nothing but a void-filled with the exegetical projection of our own imagination." First published in 2002 and excerpted in such anthologies as The Next American Essay and The Best American Poetry 2002, THE BODY: AN ESSAY continues to challenge conventional notions of plot and narrative, genre and form, theory and practice, unremittingly questioning the presumptive boundaries between reflection, imagination, and experience.

    Someone once told me those were the two worst things anyone could be. That someone was right. Where do I start?Being an introvert in a world that glorifies cool isn’t easy. But when Issa Rae, the creator of the Shorty Award–winning hit series “The Misadventures of Awkward Black Girl,” is that introvert—whether she’s navigating love, work, friendships, or “rapping”—it sure is entertaining. Now, in this debut collection of essays written in her witty and self-deprecating voice, Rae covers everything from cybersexing in the early days of the Internet to deflecting unsolicited comments on weight gain, from navigating the perils of eating out alone and public displays of affection to learning to accept yourself—natural hair and all.A reflection on her own unique experiences as a cyber pioneer yet universally appealing, The Misadventures of Awkward Black Girl is a book no one—awkward or cool, black, white, or other—will want to miss.

    Editors Stephanie Andrea Allen and Lauren Cherelle have gathered the voices of twenty emerging and established voices in speculative fiction and poetry; writers who've imagined the weird and the wondrous, the futuristic and the fantastical, the shadowy and the sublime.

    The star-studded production includes lead actress Aunjanue Ellis (Ray, The Help), Oscar winner Cuba Gooding Jr. (Jerry Maguire, A Few Good Men), Oscar and Emmy winner Louis Gossett Jr. (A Raisin in the Sun, Boardwalk Empire), and features Lyriq Bent (Rookie Blue), Jane Alexander (The Cider House Rules), and Ben Chaplin (The Thin Red Line). Director and co-writer Clement Virgo is a feature film and television director (The Wire) who also serves as producer with executive producer Damon D'Oliveira (What We Have).In this "transporting" (Entertainment Weekly) and "heart-stopping" (Washington Post) work, Aminata Diallo, one of the strongest women characters in contemporary fiction, is kidnapped from Africa as a child and sold as a slave in South Carolina. Fleeing to Canada after the Revolutionary War, she escapes to attempt a new life in freedom.

    The residents of this community are all devoted to the nurturing of a special kind of reptile named Tōda. Big and powerful, the creature is an important military asset of the country. Soyon is a wise and extremely skilled beast veterinarian who does the crucial task of taking care of these huge animals despite being somewhat disdained by many people due to the prejudice towards her lineage. Erin admires her and wishes to one day become an expert like her mother. Sadly, the mysterious demise of two Kiba, the strongest type of Tōda, convicts Soyon as responsible for the calamity. Erin must then travel to a faraway land where she grows up trying to grasp a deeper understanding of both animals and mankind.

    The debut collection from the vibrant voice of Roxane Gay is a unique blend of fiction, nonfiction, and poetry, all interwoven to represent the Haitian diaspora experience.

    The result is an extraordinary, complex portrait of "white girls," as Als dubs them—an expansive but precise category that encompasses figures as diverse as Truman Capote and Louise Brooks, Malcolm X and Flannery O’Connor. In pieces that hairpin between critique and meditation, fiction and nonfiction, high culture and low, the theoretical and the deeply personal, Als presents a stunning portrait of a writer by way of his subjects, and an invaluable guide to the culture of our time.