But when she arrives, the job has fallen through. Andthen nearly getting run over by a handsome bachelor? Hardly surprising at thispoint. She can’t refuse his offer for a job though, especially because it comeswith room and board.Conner Sanders bought the Turtle Dove Inn—a romantic notion to give hisparents a chance to relive their honeymoon. But the inn needs a lot of work,which is why Riley is the perfect answer. If only he could figure out why , thesmall-town residents don’t seem willing to help him. Or why he can’t stopthinking about kissing his beautiful new hotel manager.Riley isn’t looking for love and Conner doesn’t think love is in his skillset.Can two strangers learn to let go of their past mistakes and be healed byunconditional love?Start reading today and discover the small-town charm, irresistiblechemistry, and sweet storylines of the Inheritance Bay series.

    Years of trying and failing to bear a child have given her an air of sadness overlaid with a hardened determination to persevere. Hiring Brazilian Professional Bull Rider, Alex, who is on a slow road to recovery from potentially career-ending injuries, will help Hanna get her wheat in before the fall rains come. The handsome cowboy makes it clear that he will return to bull riding before the start of the new PBR season in January. Alex didn’t count on his ex-wife dropping off his toddler daughter Chloe without warning. Hannah didn’t count on caring for the cowboy or his precious daughter. Despite his love for Chloe and the way he cares for Hannah, Alex’s goal remains the same—to return to bull riding, the only life he’s ever wanted. Three hearts hang in the balance, and one decision will break them all. If you like hot cowboys, strong women, and ranching in the new West, then this book will have you burning through the pages.

    Prieto is a popular congressman representing their gentrifying Latinx neighborhood in Brooklyn while Olga is the tony wedding planner for Manhattan's powerbrokers.Despite their alluring public lives, behind closed doors things are far less rosy. Sure, Olga can orchestrate the love stories of the 1%, but she can't seem to find her own...until she meets Matteo, who forces her to confront the effects of long-held family secrets...Twenty-seven years ago, their mother, Blanca, a Young Lord-turned-radical, abandoned her children to advance a militant political cause, leaving them to be raised by their grandmother. Now, with the winds of hurricane season, Blanca has come barreling back into their lives.Set against the backdrop of New York City in the months surrounding the most devastating hurricane in Puerto Rico's history, Olga Dies Dreaming is a story that examines political corruption, familial strife and the very notion of the American dream--all while asking what it really means to weather a storm.

    Reunited more than a decade after their brief flirtation with fame in the early 1990s, the middle-aged members of the Ohio-based Jane Ashers suddenly find themselves hitting the big time, with a new record deal, a hit single, fame, fans, and a tour, that transforms their dream into a nightmare of colliding egos, family pressures, and too much success too late.

    . . A rich examination of America’s treatment of race, and the ways we attempt to discuss and confront it today.” —The Huffington Post The Freeman family--Charles, Laurel, and their daughters, teenage Charlotte and nine-year-old Callie--have been invited to the Toneybee Institute to participate in a research experiment. They will live in an apartment on campus with Charlie, a young chimp abandoned by his mother. The Freemans were selected because they know sign language; they are supposed to teach it to Charlie and welcome him as a member of their family. But when Charlotte discovers the truth about the institute’s history of questionable studies, the secrets of the past invade the present in devious ways.   The power of this shattering novel resides in Greenidge’s undeniable storytelling talents. What appears to be a story of mothers and daughters, of sisterhood put to the test, of adolescent love and grown-up misconduct, and of history’s long reach, becomes a provocative and compelling exploration of America’s failure to find a language to talk about race. “A magnificently textured, vital, visceral feat of storytelling . . . [by] a sharp, poignant, extraordinary new voice of American literature.” —Téa Obreht, author of The Tiger’s Wife

    Anne’s College, Oxford. Her lectures took the shape of this set of discursive stories. Refusing to be tied down to either fiction or the essay form, Artful is narrated by a character who is haunted—literally—by a former lover, the writer of a series of lectures about art and literature.A hypnotic dialogue unfolds, a duet between and a meditation on art and storytelling, a book about love, grief, memory, and revitalization. Smith’s heady powers as a fiction writer harmonize with her keen perceptions as a reader and critic to form a living thing that reminds us that life and art are never separate.Artful is a book about the things art can do, the things art is full of, and the quicksilver nature of all artfulness. It glances off artists and writers from Michelangelo through Dickens, then all the way past postmodernity, exploring every form, from ancient cave painting to 1960s cinema musicals. This kaleidoscope opens up new, inventive, elastic insights—on the relation of aesthetic form to the human mind, the ways we build our minds from stories, the bridges art builds between us. Artful is a celebration of literature’s worth in and to the world and a meaningful contribution to that worth in itself. There has never been a book quite like it.

    It was the first Brian Eno album tobe composed almost completely in the confines of a recording studio,over a scant few months in the summer of 1975. The album was a proofof concept for Eno's budding ideas of "the studio as musicalinstrument," and a signpost for a bold new way of thinking aboutmusic.In this book, Geeta Dayal unravels Another Green World's abundantmysteries, venturing into its dense thickets of sound. How was analbum this cohesive and refined formed in such a seemingly ad hoc way?How were electronics and layers of synthetic treatments used to createan album so redolent of the natural world? How did a deck of cardsfigure into all of this? Here, through interviews and archivalresearch, she unearths the strange story of how Another Green Worldformed the link to Eno's future -- foreshadowing his metamorphosisfrom unlikely glam rocker to sonic painter and producer.

    They’re smart, independent, driven, and deserving of recognition—certainly more than they’ve been handed by a demoralizing boss. He’s the topic of conversation at their impromptu get-together after the company holiday party, where the threesome fantasizes about a life without him. There has to be an alternative to taking a deep breath and sucking it up. There is. It’s just not the one they expected.When morning comes, Venus, Draya, and Jackie are blindsided by murder—a twist of fate that brings a startling new challenge to the table and forces them to navigate a hair-raising detour they never saw coming. For better and (unless they can help it) for worse, it’s going to turn their world upside down. What starts as a necessary bond of mutual trust soon morphs into an empowering and galvanizing friendship that Venus, Draya, and Jackie need now more than ever.

    On top of the genius singles and a longform composition for Nike, there was a trilogy of full-length albums. During that initial run, LCD Soundsystem-and the project's mastermind, James Murphy-were at the center of several 21st century developments in pop culture: indie music's growing mainstream clout, Brooklyn surpassing Manhattan as an epicenter of creativity in America, the collision and eventual erosion of genre perceptions, and the rapid and profound growth and impact of digital culture. Amidst this storm, Murphy crafted Sound Of Silver, the centerpiece of LCD's work.At the time of Sound Of Silver's creation and release, Murphy was a man closing in on 40 while fronting a critically-adored band still on the ascent. This album was the first place where he earnestly grappled with questions of aging, of being an artist, and the decisions we make with the time we have left. Anchored by a series of colossal, intense dance-rock songs, Sound Of Silver called upon the rhythms of New York City in order to draw out, dissect, and ultimately rip open these meditations. By the time LCD Soundsystem reunited in 2016, Sound Of Silver had already proven to be a generational touchstone, living on as a document of what it's like to be alive in the 21st century.

    One boy, one girl. One gay, one straight. One black, one white. And SUMMER DRAMA CAMP. It's a season of hormones, gold lame, hissy fits, jazz hands, song and dance, true love, and unitards that will determine their future--and test their friendship.

    At twenty-two years old, Missy gets on stage every night and plays the song about her absent mother that made the band famous. As the only girl in the band, she's determined to party just as hard as everyone else, loving and leaving a guy in every town. But then she meets a tomboy drummer who is hard to forget, and a forgotten flap of cocaine strands her at the border.Fortysomething Carola is just surfacing from a sex scandal at the yoga center where she has been living when she sees her daughter, Missy, for the first time in ten years--on the cover of a music magazine.Ruth is eighty-three and planning her return to the Turkish seaside village where she spent her childhood. But when her granddaughter, Missy, winds up crashing at her house, she decides it's time that the strong and stubborn women in her family find a way to understand one another again.In this sharply observed novel, Zoe Whittall captures three very different women who each struggle to build an authentic life. Definitions of family, romance, gender, and love will radically change as they seek out lives that are nothing less than spectacular.

    . . . Ruhl writes with the imaginative sweep that allows Woolf's poetry to soar."—Variety"Sarah Ruhl's smart new translation [of Three Sisters] feels just right to contemporary American ears—lean, colloquial, and conversational for us and true to Chekhov's original work."—The Cincinnati EnquirerIn her stage adaptation of Virginia Woolf's gender-bending, period-hopping novel, award-winning playwright Sarah Ruhl "is her usual unfailingly elegant, unbeatably witty self, cleverly braiding her own brand-name wit with Woolf's" (New York )magazine. Preserving Woolf's vital ideas and lyrical tone, Ruhl brings to the stage the life of an Elizabethan nobleman who's magically transformed into an immortal woman. In her fresh translation of Three Sisters, the Anton Chekhov classic of ennui and frustration, Ruhl employs her signature lyricism and elegant understanding of intimacy to reveal the discontent felt by fretful Olga, unhappy Masha, and idealistic Irina as they long to leave rural Russia for the ever-alluring Moscow.Sarah Ruhl's other plays include the Pulitzer Prize finalists In the Next Room (or the vibrator play) and The Clean House, as well as Passion Play, Dean Man's Cell Phone, Demeter in the City, Eurydice, Melancholy Play, and Late: a cowboy song. She is the recipient of a Whiting Writers' Award, a PEN/Laura Pels Award, and a MacArthur Fellowship. Her plays have premiered on Broadway, Off-Broadway, and in many theaters around the world.

    A tourist from Montenegro desperately seeks a magic soup dumpling that can cure his fear of death. An aspiring chef realizes that butter and soul are the key ingredients to win a cooking competition that could win him the money to save his mother’s life. Welcome to Hungry Hearts Row, where the answers to most of life’s hard questions are kneaded, rolled, baked. Where a typical greeting is, “Have you had anything to eat?” Where magic and food and love are sometimes one in the same. Told in interconnected short stories, Hungry Hearts explores the many meanings food can take on beyond mere nourishment. It can symbolize love and despair, family and culture, belonging and home.

    Eric Gansworth tells the story of his life, of an Onondaga family living among Tuscaroras, and of Native people in America, including the damaging legacy of government boarding schools—and in doing so grapples with the slur common in Native communities, for someone “red on the outside, white on the inside,” and reclaims it.

    It centers around a young Nigerian woman, Ada, who develops separate selves within her as a result of being born "with one foot on the other side." Unsettling, heartwrenching, dark, and powerful, Freshwater is a sharp evocation of a rare way of experiencing the world, one that illuminates how we all construct our identities.Ada begins her life in the south of Nigeria as a troubled baby and a source of deep concern to her family. Her parents, Saul and Saachi, successfully prayed her into existence, but as she grows into a volatile and splintered child, it becomes clear that something went terribly awry. When Ada comes of age and moves to America for college, the group of selves within her grows in power and agency. A traumatic assault leads to a crystallization of her alternate selves: Asụghara and Saint Vincent. As Ada fades into the background of her own mind and these selves--now protective, now hedonistic--move into control, Ada's life spirals in a dark and dangerous direction.Narrated by the various selves within Ada and based in the author's realities, Freshwater dazzles with ferocious energy and serpentine grace, heralding the arrival of a fierce new literary voice.