I was ten. I made a new best friend. And, I became a murderer. Yep. You heard right. The summer of 1987 was the ninth stop for yours truly on the great prison tour of my childhood. Every year a new town and a new prison to explore. I wasn’t yet a murderer. Not at the beginning. Just the plain old son of a warden in jeans with permanent grass stains and threadbare sneakers that wore me more than I wore them. Life as the son of a Federal prison warden never felt weird until I turned 10. I was still a naive little waif until that nasty summer when everything changed. Now I sit here in my suit, so far removed from the boy of 1987 Virginia that I feel like I’m perfectly qualified to judge him. But when the window’s open, all I have to do is get a breeze from which I can detect the gluey stink of split black locust, or hear the froggy grind of a woodcock’s call, and then I’m no longer qualified. There I am, back under the hot sun, at the edge of the creek stinking of heat and moss. I am that boy again. And I can make out the line of Redcoats marching in ramrod-straight formation along a pink-feathered sea of mountain laurel in the distance..." What happens when a ten-year-old boy becomes friends with an inmate? Jimmy Allen's about to find out, and the crash of reality will stick with him for an eternity. The author of the USA Today bestselling Corps Justice series pens a coming of age story about youth, strength and the bravery of bonds between friends.

    The former is a psychological thriller set in the Hollywood of the 1940s, while the latter reinvents the 1930s gangster film.

    

    This book follows him through the process of setting up a new TV programme, punctuated with conversations with his agent.

    But the drama they project on screen is only half the picture. Stretching back from its earliest days of two-reel silent films to the latest 3-D digital blockbusters, film history provides a cast of characters ready to spill witty bon mots, outrageous pronouncements, and heartfelt reflections. The Filmmaker Says is a colorful compendium of quotations from more than one hundred of history's most influential and opinionated creators of filmed entertainment. Paired like guests at the ultimate filmgeek dinner party—a celebrated filmmaker of today might sit next to a giant from the silent era—the members of this raucous crew puts on a show arguing, complimenting, and disagreeing with each other about every step of the moviemaking process. A perfect gift for working filmmakers, aspiring auteurs, and avid moviegoers, The Filmmaker Says will delight anyone who has dreamed of yelling "action" or just can't wait for the lights to go down and the curtain to go up.

    It's a comprehensive and readable reference on how to attract and keep good tenants and make good landlording decisions.

    When I'm there, sitting with those folks, listening and talking, he said to Coles, I'm part of that life, and I'm near it in my head, too.... Back here, sitting near this typewriter--its different. I'm a writer. I'm a doctor living in Rutherford who is describing 'a world elsewhere.' Williams captured the great difficulty in documentary writing--the gulf that separates the reality of the subject from the point of view of the observer . Now, in this thought-provoking volume, the renowned child psychiatrist Robert Coles, author of the Pulitzer Prize-winning Children in Crisis series, offers a penetrating look into the nature of documentary work. Utilizing the documentaries of writers, photographers, and others, Coles shows how their prose and pictures are influenced by the observer's frame of reference: their social and educational background, personal morals, and political beliefs. He discusses literary documentaries: James Agee's searching portrait of Depression-era tenant farmers, Let Us Now Praise Famous Men, and George Orwell's passionate description of England's coal-miners, The Road to Wigan Pier. Like many documentarians, Coles argues, Agee and Orwell did not try to be objective, but instead showered unadulterated praise on the noble poor and vituperative contempt on the more privileged classes (including themselves) for exploiting these workers. Documentary photographs could be equally revealing about the observer. Coles analyzes how famous photographers such as Walker Evans and Dorthea Lange edited and cropped their pictures to produce a desired effect. Even the shield of the camera could not hide the presence of the photographer. Coles also illuminates his points through his personal portraits of William Carlos Williams; Robert Moses, one of the leaders of the Student Non-Violent Coordinating Committee during the 1960s; Erik H. Erikson, biographer of Mahatma Gandhi and Martin Luther; and others. Documentary work, Coles concludes, is more a narrative constructed by the observer than a true slice of reality. With the growth in popularity of films such as Ken Burns's The Civil War and the controversial basketball documentary Hoop Dreams, the question of what is real in documentary work is more pressing than ever. Through revealing discussions with documentarians and insightful analysis of their work, complemented by dramatic black-and-white photographs from Lange and Evans, Doing Documentary Work will provoke the reader into reconsidering how fine the line is between truth and fiction. It is an invaluable resource for students of the documentary and anyone interested in this important genre.

    The perplexing plotlines and bewildering array of characters on the Emmy and Golden Globe award-winning television program "Lost" are analyzed and pieced together in this in-depth exploration.

    The show’s vibrant mix of Latin music and hip-hop captured life in Washington Heights, the Latino neighborhood in upper Manhattan. It won four Tony Awards and became an international hit, delighting audiences around the world. For the film version, director Jon M. Chu (Crazy Rich Asians) brought the story home, filming its spectacular dance numbers on location in Washington Heights. That’s where Usnavi, Nina, and their neighbors chase their dreams and ask a universal question: Where do I belong? In the Heights: Finding Home reunites Miranda with Jeremy McCarter, co-author of Hamilton: The Revolution, and Quiara Alegría Hudes, the Pulitzer Prize–winning librettist of the Broadway musical and screenwriter of the film. They do more than trace the making of an unlikely Broadway smash and a major motion picture: They give readers an intimate look at the decades-long creative life of In the Heights. Like Hamilton: The Revolution, the book offers untold stories, perceptive essays, and the lyrics to Miranda’s songs—complete with his funny, heartfelt annotations. It also features newly commissioned portraits and never-before-seen photos from backstage, the movie set, and productions around the world. This is the story of characters who search for a home—and the artists who created one.

    Based on the remarkable story of `The U-boat that lost its Nerve'(formerly a radio play by James Follett) , U-700 is an account of the surrender of a U-boat (actually U-570) to an RAF Hudson during World War II and the subsequent illegal court martial of the U-boat's first officer by his fellow officers in a POW camp.

    Learn more in The Collector.Some things seem ordinary to the naked eye, but sometimes a camera catches things invisible to the naked eye. This one will give you chills in It's Only A Photo.

    Six Edge of Your Seat Thrillers. Six Books at a Discounted Price. Death Unholy (Book 1) - All that remained were the man’s two legs and a chair full of greasy and fetid ash. Little did DI Keith Tremayne know that it was the beginning of a trip into the murky world of paganism and its ancient rituals. ‘Do you believe in spontaneous human combustion?’ Inspector Tremayne asked his sergeant, Clare Yarwood. Death and the Assassin’s Blade (Book 2) - It was meant to be high drama, not murder, but someone’s switched the daggers. The man’s death, in plain view of two serving police officers. A summer’s night, a production of Julius Caesar among the ruins of an Anglo-Saxon fort. The assassination scene, the man collapses to the ground, Brutus defending his actions, Mark Antony’s rebuke. Death and the Lucky Man (Book 3) - Sixty-eight million pounds and DEAD! Someone had once told Detective Inspector Keith Tremayne that some people were lucky and some weren’t. Tremayne knew only one thing: the man lying dead in a pool of blood had qualified on the lucky after winning the lottery, but now his luck had run out. Death at Coombe Farm (Book 4) – A warring family. A disputed inheritance. A recipe for death! If it hadn’t been for the circumstances, Detective Inspector Keith Tremayne would have said the view was outstanding. Up high, overlooking the farmhouse in the valley below, the panoramic vista of Salisbury Plain stretching out beyond. The only problem was that near where he stood with his sergeant, Clare Yarwood, there was a body, and it wasn’t a pleasant sight. Tremayne had never been keen on farms, and especially horses, although Clare loved them. Tremayne assumed she wouldn’t be so fond of the one that trampled Claude Selwood to death. Death by a Dead Man’s Hand (Book 5) - A murdered brother. A missing treasure trove of stolen gold bars. A family dying in the hunt for it.! Ethan Mitchell knew the exact amount of time since his arrest for murder: eighteen years, five months and three days. After so long in prison, many things confused him on his release, but one thing he was sure of was that people do not come back from the dead. However, one month before his release from prison for the murder of a man, he had received a letter. It had only two sentences. Time will not save you. St Mark’s Church, three in the afternoon, the first Wednesday after your release. He had recognised the writing. After all, hadn’t they grown up together. The signature was unmistakable: it was his brother Martin’s. But that’s not possible, Mitchell thought. I killed him, spent seventeen years in prison for his murder. A voice echoed through the church; Ethan felt the hairs on the back of his neck stand up. ‘Martin, it can’t be,’ Ethan said. ‘You’re dead. I killed you.’ At ten feet from Ethan the man reached into his right-hand jacket pocket. He levelled the gun that he taken removed and emptied three bullets into Ethan, the noise echoing around the church. Death in the Village (Book 6) - A woman with a venomous tongue, dead and hanging from a beam in her garage! Nobody was sad that the woman was dead, and she’s not the last to die. DI Tremayne sees a pattern developing, which can only mean one thing – more deaths.

    In this book you get 6 classic BWWM stories in 1 - that's 828 pages of interracial goodness! All of the books in this bundle can be enjoyed as stand alone stories. That said, all have further parts in the series, so if you like one more than the rest you can pick up more books with the same characters when you're ready. Books in this collection are: 1. My Russian Dream: When she woke that morning, the last thing Sophie expected was to not only meet the man of her dreams, but to enter into a fast moving whirlwind romance with a mysterious Russian billionaire. Will it all be too much for Sophie? Or will this be her dream playing out like she's always felt she deserved? 2. Passion Abroad: Have you ever felt like you just need to get away from it all? Well that's exactly how Erica feels, and she's going to do something about it! The tale of a holiday romance which turns into a round the world trip with a passionate and loving new partner. 3. Home Is Where The Heart Is: When a handsome English billionaire is looking for homes to add to his portfolio, Julie is assigned the job of helping him out. But will this billionaire have another reason for his interest in her? 4. Find Me Online: After filtering through a ton of pervs on a popular interracial dating site, Cherelle finally finds someone who catches her eye. But is there more to her catch Michael than she originally realizes? And will he be the man she is looking for? 5. Is Mr White Mr Right: One of the original BWWM books, and largely held as a classic in the genre. Natasha Black is a strong African American woman, who has always been career focused and level headed. Nothing has ever been able to knock her off her game... until now! Enter 'McDreamy', the hunk of a boss at her new dream job. Will she be able to stay career focused while getting advances from possibly the man of her dreams? 6. My Billionaire Cowboy: What does a fashion stylist and a fashionably challenged cowboy have in common?! You're about to find out... Kate is the proud owner of her own fashion boutique. Bruce is a successful business man who now spends his time on his passion: working his ranch. When fate brings these two opposites together, there's no denying there's something there. But is Kate at a point in her life where she is willing to throw caution to the wind and allow herself to be swept off of her feet by an unexpected love? Authors of these books: J A Fielding, Esther Banks and Cher Etan; all authors from Saucy Romance Books. To see more great stories by us, simply search BWWM Club on Amazon Kindle. Suitable for over 18s only due to all stories having scenes of a sexual nature.

    Contains A Promise for Ellie, Sophie's Dilemma, A Touch of Grace, and Rebecca's Reward.

    Both longtime fans and new readers will be thrilled to see the series in an exquisite boxed edition. The Morning Star trilogy (The Gryphon, Alexandria, and The Morning Star) is now available in a stunning red slipcase-a handsome complement to the Griffin & Sabine 3-Volume Boxed Set. A fantastic gift for lovers of art, mystery, and romance, here is an essential purchase for both new and tried-and-true Nick Bantock fans everywhere.Author Biography: Nick Bantock is the author of the Griffin & Sabine saga: Griffin & Sabine, Sabine's Notebook, The Golden Mean, The Gryphon, Alexandria, and The Morning Star. His numerous other books include, The Artful Dodger, a visual autobiography. Born in England, he now lives in Vancouver, British Columbia.