. . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko, this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

    Drasko helps his father sell flowers in Sarajevo, but when war threatens and his father is called to the battlefront, Drasko must take over the flower stall. One morning the boys familiar routine is shattered when a mortar shell hits the bakery, killing twenty-two people. The next day, a cellist from the Sarajevo Opera Orchestra goes to the crater and plays the most beautiful music that Drasko can imagine. Inspired, he looks for ways to ease the sorrow of those around him. Based on real events of the Bosnian War.

    Through her true story, readers will learn what it was like to be part of this Native American community that lived along the Missouri River in the Dakotas, a society that depended more on agriculture for food and survival than on hunting. Children will relate to Buffalo Bird Girl’s routine of chores and playing with friends, and they will also be captivated by her lifestyle and the dangers that came with it.Using as a resource the works of Gilbert L. Wilson, who met Buffalo Bird Woman and transcribed her life’s story in the early 20th century, award-winning author-illustrator S. D. Nelson has captured the spirit of Buffalo Bird Girl and her lost way of life. The book includes a historical timeline.

    . . and a young girl in present-day France becoming closer to her grandmother, who can finally, after all those years, tell her story. With words by Loïc Dauvillier and art by Marc Lizano and Greg Salsedo, this picture book-style comic for young readers is a touching read."Originally published in 2012 by Le Lombard under the title L'Enfant Cache"--Copyright page.

    Then I’ll tell you its story." When a little girl visits her great-grandfather at his curio-filled home, she chooses an unusual object to learn about: an old cigar box. What she finds inside surprises her: a collection of matchboxes making up her great-grandfather’s diary, harboring objects she can hold in her hand, each one evoking a memory. Together they tell of his journey from Italy to a new country, before he could read and write — the olive pit his mother gave him to suck on when there wasn’t enough food; a bottle cap he saw on his way to the boat; a ticket still retaining the thrill of his first baseball game.

    The brutality of his murder, the open-casket funeral, and the acquittal of the men tried for the crime drew wide media attention.Award-winning poet Marilyn Nelson reminds us of the boy whose fate helped spark the civil rights movement. This martyr’s wreath, woven from a little-known but sophisticated form of poetry, challenges us to speak out against modern-day injustices, to “speak what we see.”

    All twelve-year-old Sophie wants to do is write her book, star in the community play, and hang out with her friend Jennifer. But she’s the new black kid in a nearly all-white neighborhood; her beloved sister, Lily, is going away to college soon; and her parents’ marriage is rocky. There’s also her family’s new, disapproving housekeeper to deal with. When riots erupt in nearby Watts and a friend is unfairly arrested, Sophie learns that life—and her own place in it—is even more complicated than she’d once thought.       Leavened with gentle humor, this story is perfect for fans of Rita Williams-Garcia.

    Life is hard there: never enough food, achingly dull, and without access to the medical care Omar knows his nonverbal brother needs. So when Omar has the opportunity to go to school, he knows it might be a chance to change their future . . . but it would also mean leaving his brother, the only family member he has left, every day.Heartbreak, hope, and gentle humor exist together in this graphic novel about a childhood spent waiting, and a young man who is able to create a sense of family and home in the most difficult of settings. It's an intimate, important, unforgettable look at the day-to-day life of a refugee, as told to New York Times Bestselling author/artist Victoria Jamieson by Omar Mohamed, the Somali man who lived the story.

    The trouble is, she's only a beginner, and she's had only three lessons. Her brothers insist she isn't good enough. "It's a talent show, Hana," they tell her. "You'll be a disaster!" Hana remembers how wonderfully her talented grandfather, or Ojiichan, played his violin when she was visiting him in Japan. So, just like Ojiichan, Hana practices every day. She is determined to play her best. When Hana's confidence wavers on the night of the show, however, she begins to wonder if her brothers were right. But then Hana surprises everyone once it's her turn to perform --- even herself! The Asian American female protagonist in this story offers a unique perspective, and bestselling author Chieri Uegaki has woven in lyrical scenes from Japan that add depth and resonance. The details in the artwork by Qin Leng connect the two places and contain a feeling of melody throughout. In the classroom, this book could serve as a celebration of music and performing arts, multicultural studies or the importance of intergenerational relationships. It is also a fabulous character education tie-in for discussing courage and perseverance. This terrifically inspiring book offers hope and confidence to all children who are yearning to master something difficult. Perhaps even more important, it allows children to see that there is more than one way to be successful at a task.

    Bob Joseph’s book comes at a key time in the reconciliation process, when awareness from both Indigenous and non-Indigenous communities is at a crescendo. Joseph explains how Indigenous Peoples can step out from under the Indian Act and return to self-government, self-determination, and self-reliance—and why doing so would result in a better country for every Canadian. He dissects the complex issues around truth and reconciliation, and clearly demonstrates why learning about the Indian Act’s cruel, enduring legacy is essential for the country to move toward true reconciliation.

    As she listened to the preacher’s words, smooth as glass, she sat up tall. And when she heard the plan—picket those white stores! March to protest those unfair laws! Fill the jails!—she stepped right up and said, I’ll do it! She was going to j-a-a-il!Audrey Faye Hendricks was confident and bold and brave as can be, and hers is the remarkable and inspiring story of one child’s role in the Civil Rights Movement.

    Elene's Preparatory Academy for Girls, where she struggles to navigate the venerable boarding school's traditions and a social structure heavily weighted toward students from wealthy backgrounds. In a parallel story, Matt Coffin has wound up on the Maine coast near St. Elene's with a pillowcase full of money lifted from the leader of a criminal gang, fearing the gang's relentless, destructive pursuit. Both young people gradually dispel their loneliness, finding a way to be hopeful and also finding each other.

    Mama and Daddy leaving home, coming to the city, with their hopes and their courage, their dreams and their children, to make a better life. In this beautiful collection of poems and collage artwork, award winners Eloise Greenfield and Jan Spivey Gilchrist gracefully depict the experiences of families like their own, who found the courage to leave their homes behind during the Great Migration and make new lives for themselves elsewhere. When Eloise Greenfield was four months old, her family moved from their home in Parmele, North Carolina, to Washington, D.C. Before Jan Spivey Gilchrist was born, her mother moved from Arkansas and her father moved from Mississippi. Both settled in Chicago, Illinois. Though none of them knew it at the time, they had all become part of the Great Migration.The Great Migration concludes with a bibliography.

    Based on an actual recycling movement in Guatemala.

    A self-described “friendless nerd,” he moves from place to place every couple of years with his overprotective mother, Irene. When some bullies at his new school almost kill him by slipping a peanut into his sandwich — even though they know he has a deathly allergy — Ambrose is philosophical. Irene, however, is not and decides that Ambrose will be home-schooled.Alone in the evenings when Irene goes to work, Ambrose pesters Cosmo, the twenty-five-year-old son of the Greek landlords who live upstairs. Cosmo has just been released from jail for breaking and entering to support a drug habit. Quite by accident, Ambrose discovers that they share a love of Scrabble and coerces Cosmo into taking him to the West Side Scrabble Club, where Cosmo falls for Amanda, the club director. Posing as Ambrose’s Big Brother to impress her, Cosmo is motivated to take Ambrose to the weekly meetings and to give him lessons in self-defense. Cosmo, Amanda, and Ambrose soon form an unlikely alliance and, for the first time in his life, Ambrose blossoms. The characters at the Scrabble Club come to embrace Ambrose for who he is and for their shared love of words. There’s only one problem: Irene has no idea what Ambrose is up to.In this brilliantly observed novel, author Susin Nielsen transports the reader to the world of competitive Scrabble as seen from the honest yet funny viewpoint of a boy who’s searching for acceptance and for a place to call home.